The Project Gutenberg eBook of Notes and Queries, Number 38, July 20, 1850

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Notes and Queries, Number 38, July 20, 1850

Author: Various

Release date: September 3, 2004 [eBook #13362]
Most recently updated: October 28, 2024

Language: English

Credits: Produced by Jon Ingram, David King, the Online Distributed
Proofreading Team and The Internet Library of Early Journals

*** START OF THE PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NUMBER 38, JULY 20, 1850 ***

NOTES AND QUERIES:

A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.

"When found, make a note of."—CAPTAIN CUTTLE.

No. 38.
SATURDAY, JULY 20, 1850
Price Threepence.
Stamped Edition 4d.

CONTENTS

NOTES:— | Page
Meaning of Delighted as used by Shakspeare, by S. Hickson | 113
Authors of "The Rolliad," by Lord Braybrooke | 114
Notes on Milton | 115
Derivation of Easter, by J. Sansom | 115
Folk Lore—Passages of Death, by Dr. Guest—Divination at Marriages | 116
Francis Lenton the Poet, by Dr. Rimbault | 117 |
Minor Notes:—Lilburn or Prynne—Peep of Day— Martinet—Guy's Porridge Pot | 118
QUERIES:— |
Nicholas Ferrar of Little Gidding, by John Miland | 119
Stukeley's "Stonehenge," by Henry Cunliffe | 119
Athelstane's Form of Donation—Meaning of "Somagia," by J. Sansom | 120
Minor Queries:—Charade—"Smoke Money"—"Rapido contrarius orbi"—Lord Richard Christophilus— Fiz gigs—Specimens of Erica in Bloom—Michael Scott the Wizard—Stone Chalices | 120
REPLIES:— |
Ulrich von Hutten and the "Epistolæ Obscurorum Virorum," by S.W. Singer | 121
Caxton's Printing-office, by J.G. Nichols | 122
The New Temple | 123
Strangers in the House of Commons | 124
Replies to Minor Queries:—Morganatic Marriage— Umbrellas—Bands—Scarf—Jewish Music—North Sides of Churchyards unconsecrated—"Men are but Children" &c.—Ventriloquism—Cromwell's Estates —Magor—Vincent Gookin—All-to brake | 125
MISCELLANEOUS:— |
Notes on Books, Sales, Catalogues, Sales, &c. | 127
Books and Odd Volumes Wanted | 127
Notices to Correspondents | 127
Advertisements | 128

NOTES.

WHAT IS THE MEANING OF "DELIGHTED," AS SOMETIMES USED BY SHAKSPEARE.

I wish to call attention to the peculiar use of a word, or rather to a peculiar word, in Shakspeare, which I do not recollect to have met with in any other writer. I say a "peculiar word," because, although the verb To delight is well known, and of general use, the word, the same in form, to which I refer, is not only of different meaning, but, as I conceive, of distinct derivation the non-recognition of which has led to a misconception of the meaning of one of the finest passages in Shakspeare. The first passage in which it occurs, that I shall quote, is the well known one from Measure for Measure:

"Ay, but to die, and go we know not where;

To lie in cold obstruction, and to rot,

This sensible warm motion to become

A kneaded clod; and the delighted spirit

To bathe in fiery floods, or to reside

In thrilling regions of thick-ribbed ice;

To be imprison'd in the viewless winds

And blown with restless violence round about

The pendant world." Act iii. Sc. 1.

Now, if we examine the construction of this passage, we shall find that it appears to have been the object of the writer to separate, and place in juxtaposition with each other, the conditions of the body and the spirit, each being imagined under circumstances to excite repulsion or terror in a sentient being. The mind sees the former lying in "cold obstruction," rotting, changed from a "sensible warm motion" to a "kneaded clod," every circumstance leaving the impression of dull, dead weight, deprived of force and motion. The spirit, on the other hand, is imagined under circumstances that give the most vivid picture conceivable of utter powerlessness:

"Imprison'd in the viewless winds,

And blown with restless violence round about

The pendant world."

To call the spirit here "delighted," in our sense of the term, would be absurd; and no explanation of the passage in this sense, however ingenious, is intelligible. That it is intended to represent the spirit simply as lightened, made light, relieved from the weight of matter, I am convinced, and this is my view of the meaning of the word in the present instance.

Delight is naturally formed by the participle de and light, to make light, in the same way as "debase," to make base, "defile," to make foul. The analogy is not quite so perfect in such words as "define," "defile" (file), "deliver," "depart," &c.; yet they all may be considered of the same class. The last of these is used with us only in the sense of to go away; in Shakspeare's time (and Shakspeare so uses it) it meant also to part, or part with. A correspondent of Mr. Knight's suggests for the word delight in this passage, also, a new derivation; using de as a negation, and light (lux), delighted, removed from the regions of light. This is impossible; if we look at the context we shall see that it not only contemplated no such thing, but that it is distinctly opposed to it.

I am less inclined to entertain any doubt of the view I have taken being correct, from the confirmation it receives in another passage of Shakspeare, which runs as follows:

"If virtue no delighted beauty lack,

Your son-in-law shows far more fair than black."

Othello, Act i. Sc. 3.

Passing by the cool impertinence of one editor, who asserts that Shakspeare frequently used the past for the present participle, and the almost equally cool correction of another, who places the explanatory note "*delightful" at the bottom of the page, I will merely remark that the two latest editors of Shakspeare, having apparently nothing to say on the subject, have very wisely said nothing. Yet, as we understand the term "delighted," the passage surely needs explanation. We cannot suppose that Shakspeare used epithets so weakening as "delighting" or "delightful." The meaning of the passage would appear to be this: If virtue be not wanting in beauty—such beauty as can belong to virtue, not physical, but of a higher kind, and freed from all material elements—then your son-in-law, black though he is, shows far more fair than black, possessing, in fact, this abstract kind of beauty to that degree that his colour is forgotten. In short, "delighted" here seems to mean, lightened of all that is gross or unessential.

There is yet another instance in Cymbeline, which seems to bear a similar construction:

"Whom best I love, I cross: to make my gifts

The more delay'd, delighted."

Act v. Sc. 4.

That is, "the more delighted;" the longer held back, the better worth having; lightened of whatever might detract from their value, that is, refined or purified. In making the remark here, that "delighted" refers not to the recipient nor to the giver, but to the gifts, I pass by the nonsense that the greatest master of the English language did not heed the distinction between the past and the present participles, as not worth a second thought.

The word appears to have had a distinct value of its own, and is not to be explained by any other single word. If this be so, it could hardly have been coined by Shakspeare. Though, possibly, it may never have been much used, perhaps some of your correspondents may be able to furnish other instances from other writers.

SAMUEL HICKSON.

St. John's Wood.

AUTHORS OF "THE ROLLIAD."

The subjoined list of the authors of The Rolliad, though less complete than I could have wished, is, I believe, substantially correct, and may, therefore, be acceptable to your readers. The names were transcribed by me from a copy of the ninth edition of The Rolliad (1791), still in the library at Sunninghill Park, in which they had been recorded on the first page of the respective papers.

There seems to be no doubt that they were originally communicated by Mr. George Ellis, who has always been considered as one of the most talented contributors to The Rolliad. He also resided for many years at Sunninghill, and was in habits of intimacy with the owners of the Park. Your correspondent C. (Vol. ii., p. 43.) may remark that Lord John Townshend's name occurs only twice in my list; but his Lordship may have written some of the papers which are not in the Sunninghill volume, as they appeared only in the editions of the work printed subsequently to 1791, and are designated as Political Miscellanies.

Names of the Authors of the Rolliad. |  |
Dedication to Kenyon | Dr. Laurence. |
Family of the Rollos | Tickell, &c. |
Extract from Dedication | General Fitzpatrick. |
Criticisms from the Rolliad |  | No.
| George Ellis | 1 & 2.
| Dr. Laurence | 3.
| Richardson | 4.
| General Fitzpatrick | 5.
| Dr. Laurence | 6, 7, 8.
| General Fitzpatrick | 9.
| Richardson | 10 & 11.
| General Fitzpatrick | 12.
Criticisms not in the original, but probably written by | Dr. Laurence | 13 & 14.
Criticisms, &c. Part. ii. | George Ellis | 1 & 2.
| Richardson | 3 & 4.
| General Fitzpatrick | 5.
Criticisms, not in the original | Mr. Reid | 6.
| Dr. Laurence | 7.
Political Eclogues. |  |
Rose | Dr. Laurence. |
The Liars | General Fitzpatrick. |
Margaret Nicholson | Mr. Adair. |
Charles Jenkinson | George Ellis. |
Jekyl | Lord John Townshend. |
Probationary Odes. |  |
All the Preliminaries | Mr. Tickell. |
Irregular Ode | Mr. Tickell | No. 1.
Ode to the New Year | George Ellis | 2.
Ode | Rev. H. Bate Dudley | 3.
| Richardson | 4.
Duan | John Ellis | 5.
Ossianade | Unknown | 6.
Irregular Ode | Unknown | 7.
Ode to the Attorney- General | Mr. Brummell | 8.
Laureate Ode | Mr. Tickell | 9.
New Year's Ode | Mr. Pearce | 10.
Ode by M.A. Taylor | Mr. Boscawen | 11.
—— by Major Scott | Lord John Townshend | 12.
—— Irregular(Dundas) | Never known to the Club | 13.
—— by Warton | Bishop of Ossory (Hon. William Beresford) | 14.
—— Pindaric | General Fitzpatrick | 15.
—— Irregular | Dr. Laurence | 16.
—— Prettyman | General Burgoyne | 17.
—— Graham | Mr. Reid | 18.
Letter, &c. and Mountmorres | Richardson | 19.
Birthday Ode | George Ellis | 20.
Pindaric Ode | Unmarked | 21.
Real Birthday Ode | T. Warton | 22.
Remaining prose | Richardson. |

I am not certain whether Mr. Adair, to whom "Margaret Nicholson," one of the happiest of the Political Eclogues, is attributed, is the present Sir Robert Adair. If so, as the only survivor amongst his literary colleagues, he might furnish some interesting particulars respecting the remarkable work to which I have called your attention.

BRAYBROOKE.

Audley End, July, 1850.

NOTES ON MILTON.

(Continued from Vol. ii., p. 53.)

Il Penseroso.

On l. 8 (G.):—

"Fantastic swarms of dreams there hover'd,

Green, red, and yellow, tawney, black, and blue;

They make no noise, but right resemble may

Th' unnumber'd moats that in the sun-beams play."

Sylvester's Du Bartas.

Cælia, in Beaumont and Fletcher's Humorous Lieutenant, says,—

"My maidenhead to a mote in the sun, he's jealous."

Act iv. Sc. 8.

On l. 35. (G.) Mr. Warton might have found a happier illustration of his argument in Ben Jonson's Every Man in his Humour, Act i. Sc. 3.:—

"Too conceal such real ornaments as these, and shadow

their glory, as a milliner's wife does her wrought

stomacher, with a smoaky lawn, or a black cyprus."

—Whalley's edit. vol. i. p. 33.

On l. 39. (G.) The origin of this uncommon use of the word "commerce" is from Donne:—

"If this commerce 'twixt heaven and earth were not

embarred."

—Poems, p. 249. Ed. 4to. 1633.

On l. 43. (G.):—

"That sallow-faced, sad, stooping nymph, whose eye

Still on the ground is fixed steadfastly."

Sylvester's Du Bartas

On l. 52. (G.):—

"Mounted aloft on Contemplation's wings."

G. Wither, P. 1. vol. i. Ed. 1633.

Drummond has given "golden wings" to Fame.

On l. 88. (G.):—

Hermes Trismegistus.

On l. 100. (G.):—

"Tyrants' bloody gests

Of Thebes, Mycenæ, or proud Ilion."

Sylvester's Du Bartas.

Arcades.

On l. 23. (G.):—

"And without respect of odds,

Vye renown with Demy-gods."

Wither's Mistresse of Philarete, Sig. E. 5. Ed. 1633.

On l. 27. (G.):—

"But yet, whate'er he do or can devise,

Disguised glory shineth in his eyes."

Sylvester's Du Bartas.

On l. 46. (G.):—

"An eastern wind commix'd with noisome airs,

Shall blast the plants and the young sapplings."

Span. Trag. Old Plays, vol. iii. p. 222.

On l. 65. (G.) Compare Drunmond—speech of Endymion before Charles:—

"To tell by me, their herald, coming things,

And what each Fate to her stern distaff sings," &c.

On l. 84. (M.):—

"And with his beams enamel'd every greene."

Fairfax's Tasso, b. i. st. 35.

On l. 97. (G.):—

"Those brooks with lilies bravely deck't."

Drayton, 1447.

On l. 106. (G.):—

"Pan entertains, this coming night,

His paramour, the Syrinx bright."

Fletcher's Faithful Shepherdess, Act i.

J.F.M.

DERIVATION OF EASTER.

Southey, in his Book of the Church, derives our word Easter from a Saxon source:—

"The worship," he says, "of the goddess Eostre or Eastre, which may probably be traced to the Astarte of the Phoenicians, is retained among us in the word Easter; her annual festival having been superseded by that sacred day."

Should he not rather have given a British origin to the name of our Christian holy day? Southey acknowledges that the "heathenism which the Saxons introduced, bears no [very little?] affinity either to that of the Britons or the Romans;" yet it is certain that the Britons worshipped Baal and Ashtaroth, a relic of whose worship appears to be still retained in Cornwall to this day. The Druids, as Southey tells us, "made the people pass through the fire in honour of Baal." But the festival in honour of Baal appears to have been in the autumn: for

"They made the people," he informs us, "at the beginning of winter, extinguish all their fires on one day and kindle them again from the sacred fire of the Druids, which would make the house fortunate for the ensuing year; and, if any man came who had not paid his yearly dues, [Easter offerings, &c., date back as far as this!] they refused to give him a spark, neither durst any of his neighbours relieve him, nor might he himself procure fire by any other means, so that he and his family were deprived of it till he had discharged the uttermost of his debt."

The Druidical fires kindled in the spring of the year, on the other hand, would appear to be those in honour of Ashtaroth, or Astarte, from whom the British Christians may naturally enough have derived the name of Easter for their corresponding season. We might go even further than this, and say that the young ladies who are reported still to take the chief part in keeping up the Druidical festivities in Cornwall, very happily represent the ancient Estal (or Vestal) virgins.

"In times of Paganism," says O'Halloran, "we find in Ireland females devoted to celibacy. There was in Tara a royal foundation of this kind, wherein none were admitted but virgins of the noblest blood. It was called Cluain-Feart, or the place of retirement till death," &c ... "The duty of these virgins was to keep up the fires of Bel, or the sun, and of Sambain, or the moon, which customs they borrowed from their Phoenician ancestors. They both [i.e. the Irish and the Phoenicians] adored Bel, or the sun, the moon, and the stars. The 'house of Rimmon' which the Phoenicians worshipped in, like our temples of Fleachta in Meath, was sacred to the moon. The word 'Rimmon' has by no means been understood by the different commentators; and yet, by recurring to the Irish (a branch of the Phoenician) it becomes very intelligible; for 'Re' is Irish for the moon, and 'Muadh' signifies an image, and the compound word 'Reamhan,' signifies prognosticating by the appearance of the moon. It appears by the life of our great S. Columba, that the Druid temples were here decorated with figures of the sun, the moon, and stars. The Phoenicians, under the name of Bel-Samen, adored the Supreme; and it is pretty remarkable, that to this very day, to wish a friend every happiness this life can afford, we say in Irish, 'The blessings of Samen and Bel be with you!' that is, of the seasons; Bel signifying the sun, and Samhain the moon."

—(See O'Halloran's Hist. of Ireland, vol. i. P. 47.)

J. SANSOM.

FOLK LORE.

Presages of Death.—The Note by Mr. C. FORBES (Vol. ii., p. 84.) on "High Spirits considered a Presage of impending Calamity or Death," reminded me of a collection of authorities I once made, for academical purposes, of a somewhat analogous bearing,—I mean the ancient belief in the existence of a power of prophecy at that period which immediately precedes dissolution.

The most ancient, as well as the most striking instance, is recorded in the forty-ninth chapter of Genesis:—

"And Jacob called his sons and said, Gather yourselves together that I may tell you that which shall befall you in the last days.... And when Jacob had made an end of commanding his sons, he gathered up his feet into his bed, and yielded up the ghost, and was gathered unto his people."

Homer affords two instances of a similar kind: thus, Patroclus prophesies the death of Hector (Il. [Greek: p] 852.)¹:—

[Greek: "Ou thaen oud autos daeron beae alla toi aedae

Agchi parestaeke Thanatos kai Moira krataiae,

Chersi dament Achilaeos amnmonos Aiakidao."]²

Again, Hector in his turn prophesies the death of Achilles by the hand of Paris (Il. [Greek: ch.] 358.):—

[Greek: "Phrazeo nun, mae toi ti theon maenima genomai

Aemati to ote ken se Pharis kai phoibus Apollon,

Esthlon eont, olesosin eni Skaiaesi pulaesin."]³

This was not merely a poetical fancy, or a superstitious faith of the ignorant, for we find it laid down as a great physical truth by the greatest of the Greek philosophers, the divine Socrates:—

[Greek: "To de dae meta touto epithumo humin chraesmodaesai, o katapsaephisamenoi mou kai gar eimi aedae entautha en o malist anthropoi chraesmodousin hotan mellosin apothaneisthai."]⁴

In Xenophon, also, the same idea is expressed, and, if possible, in language still more definite and precise:—

[Greek: "Hae de tou anthropou psuchae tote daepou theiotatae kataphainetai, kai tote ti ton mellonton proora."]⁵

Diodorus Siculus, again, has produced great authorities on this subject:—

[Greek: "Puthagoras ho Samios, kai tines heteroi ton palaion phusikon, apephaenanto tas psuchas ton anthropon uparchein athanatous, akolouthos de to dogmati touto kai progignoskein autas ta mellonta, kath hon an kairon en tae teleutae ton apo tou somatos chorismon poiontai."]⁶

From the ancient writers I yet wish to add one more authority; and I do so especially, because the doctrine of the Stagirite is therein recorded. Sextus Empiricus writes,—

[Greek: "Hae psuchae, phaesin Aristotelaes, promanteuetai kai proagoreuei ta mellonta—en to kata thanaton chorizesthai ton somaton."]⁷

Without encroaching further upon the space of this periodical by multiplying evidence corroborative of the same fact, I will content myself by drawing the attention of the reader to our own great poet and philosopher, Shakspeare, whose subtle genius and intuitive knowledge of human nature render his opinions on all such subjects of peculiar value. Thus in Richard II., Act ii. sc. 1., the dying Gaunt, alluding to his nephew, the young and self-willed king, exclaims,—

"Methinks I am a prophet new inspired;

And thus, expiring, do foretel of him."

Again, in Henry IV., Part I., Act v. sc. 4., the brave Percy, when in the agonies of death, conveys the same idea in the following words:—

"O, I could prophesy,

But that the earthy and cold hand of death

Lies on my tongue."

Reckoning, therefore, from the time of Jacob, this belief, whether with or without foundation, has been maintained upwards of 3500 years. It was grounded on the assumed fact, that the soul became divine in the same ratio as its connection with the body was loosened or destroyed. In sleep, the unity is weakened but not ended: hence, in sleep, the material being dead, the immaterial, or divine principle, wanders unguided, like a gentle breeze over the unconscious strings of an Æolian harp; and according to the health or disease of the body are pleasing visions or horrid phantoms (ægri somnia, as Horace) present to the mind of the sleeper. Before death, the soul, or immaterial principle, is, as it were, on the confines of two worlds, and may possess at the same moment a power which is both prospective and retrospective. At that time its connection with the body being merely nominal, it partakes of that perfectly pure, ethereal, and exalted nature (quod multo magis faciet post mortem quum omnino corpore excesserit) which is designed for it hereafter.

As the question is an interesting one, I conclude by asking, through the medium of the "NOTES AND QUERIES," if a belief in this power of prophesy before death be known to exist at the present day?

AUGUSTUS GUEST.

London, July 8.

Footnote 1:(return)

For the assistance of the general reader, I have introduced hasty translations of the several passages quoted.

Footnote 2:(return)

(And I moreover tell you, and do you meditate well upon it, that) you yourself are not destined to live long, for even now death is drawing nigh unto you, and a violent fate awaits you,—about to be slain in fight by the hands of Achilles, the irreproachable son of Oacus.

Footnote 3:(return)

Consider now whether I may not be to you the cause of divine anger, in that day when Paris and Phoebus Apollo shall slay you, albeit so mighty, at the Scaean gate.

Footnote 4:(return)

Wherefore I have an earnest desire to prophesy to you who have condemned me; for I am already arrived at that stage of my existence in which, especially, men utter prophetic sayings, that is, when they are about to die.

Footnote 5:(return)

That time, indeed, the soul of man appears to be in a manner divine, for to a certain extent it foresees things which are about to happen.

Footnote 6:(return)

Pythagoras the Samian, and some others of the ancient philosophers, showed that the souls of men were immortal, and that, when they were on the point of separating from the body, they possessed a knowledge of futurity.

Footnote 7:(return)

The soul, says Aristotle, when on the point of taking its departure from the body, foretells and prophesies things about to happen.

Divination at Marriages.—The following practices are very prevalent at marriages in these districts; and as I do not find them noticed by Brand in the last edition of his Popular Antiquities, they may perhaps be thought worthy a place in the "NOTES AND QUERIES."

1. Put a wedding ring into the posset, and after serving it out, the unmarried person whose cup contains the ring will be the first of the company to be married.

2. Make a common flat cake of flour, water, currants, &c., and put therein a wedding ring and a sixpence. When the company is about to retire on the wedding-day, the cake must be broken and distributed amongst the unmarried females. She who gets the ring in her portion of the cake will shortly be married, and the one who gets the sixpence will die an old maid.

T.T.W.

Burnley, July 9. 1850.

FRANCIS LENTON THE POET.

In a MS. obituary of the seventeenth century, preserved at Staunton Hall, Leicestershire, I found the following:—

"May 12. 1642. This day died Francis Lenton, of Lincoln's Inn, Gent."

This entry undoubtedly relates to the author of three very rare poetical tracts: 1. The Young Gallant's Whirligigg, 1629; 2. The Innes of Court, 1634; 3. Great Brittain's Beauties, 1638. In the dedication to Sir Julius Cæsar, prefixed to the first-named work, the writer speaks of having "once belonged to the Innes of Court," and says he was "no usuall poetizer, but, to barre idlenesse, imployed that little talent the Muses conferr'd upon him in this little tract." Sir Egerton Brydges supposed the copy of The Young Gallant's Whirligigg preserved in the library of Sion College to be unique; but this is not the case, as the writer knows of two others,—one at Staunton Hall, and another at Tixall Priory in Staffordshire. It has been reprinted by Mr. Halliwell at the end of a volume containing The Marriage of Wit and Wisdom, published by the Shakspeare Society. In his prefatory remarks that gentleman says,

"Besides his printed works, Lenton wrote the Poetical History of Queene Hester, with the translation of the 83rd Psalm, reflecting upon the present times. MS. dated 1649."

This date must be incorrect, if our entry in the Staunton obituary relates to the same person; and there is every reason to suppose that it does. The autograph MS. of Lenton occurred in Heber's sale (Part xi. No. 724.), and is thus described:

Hadassiah, or the History of Queen Hester, sung in a sacred and serious poeme, and divided into ten chapters, by F. Lenton, the Queen's Majesties Poet, 1638.

This is undoubtedly the correct date, as it is in the handwriting of the author. Query. What is the meaning of Lenton's title, "the Queen's Majesties Poet"?

Edward F. Rimbault.

Minor Notes.

Lilburn or Prynne?—I am anxious to suggest in "Notes and Queries" whether a character in the Second Canto of Part iii. of Hudibras (line 421), beginning,

"To match this saint, there was another,

As busy and perverse a brother,

An haberdasher of small wares,

In politics and state affairs,"

Has not been wrongly given by Dr. Grey to Lilburn, and whether Prynne is not rather the person described. Dr. Grey admits in his note that the application of the passage to Lilburn involves an anachronism, Lilburn having died in 1657, and this passage being a description of one among

"The quacks of government who sate"

to consult for the Restoration, when they saw ruin impending.

CH.

Peep of Day.—Jacob Grimm, in his Deutsche Mythologie, p. 428., ed. 1., remarks that the ideas of light and sound are sometimes confounded; and in support of his observation he quotes passages of Danish and German poets in which the sun and moon are said to pipe (pfeifen). In further illustration of this usage, he also cites the words "the sun began to peep," from a Scotch ballad in Scott's Border Minstrelsy, vol. ii. p. 430. In p. 431. he explains the words "par son l'aube," which occur in old French poets, by "per sonitum auroræ;" and compares the English expression, "the peep of day."

The Latin pipio or pipo, whence the Italian pipare, and the French pépier, is the ultimate origin of the verb to peep; which, in old English, bore the sense of chirping, and is so used in the authorised version of Isaiah, viii. 19., x. 14. Halliwell, in his Archaic Dictionary, explains "peep" as "a flock of chickens," but cites no example. To peep, however, in the sense of taking a rapid look at anything through a small aperture, is an old use of the word, as is proved by the expression Peeping Tom of Coventry. As so used, it corresponds with the German gucken. Mr. Richardson remarks that this meaning was probably suggested by the young chick looking out of the half-broken shell. It is quite certain that the "peep of day" has nothing to do with sound; but expresses the first appearance of the sun, as he just looks over the eastern hills.

L.

Martinet.—Will the following passage throw any light on the origin of the word Martinet?

Une discipline, devenue encore plus exacte, avait mis dans l'armée un nouvel ordre. Il n'y avait point encore d'inspecteurs de cavalerie et d'infanterie, comme nous en avons vu depuis, mais deux hommes uniques chacun dans leur genre en fesaient les fonctions. Martinet mettait alors l'infanterie sur le pied de discipline où elle est aujourd'hui. Le Chevalier de Fourilles fesait la même change dans la cavalerie. Il y avait un an que Martinet avait mis la baionnette en usage dans quelque régimens, &c.—Voltaire, Siècle de Louis XIV. c. 10.

C. Forbes.

July 2.

Guy's Porridge Pot.—In the porter's lodge at Warwick Castle are preserved some enormous pieces of armour, which, according to tradition, were worn by the famous champion "Guy, Earl of Warwick;" and in addition (with other marvellous curiosities) is also exhibited Guy's porridge pot, of bell metal, said to weigh 300 lbs., and to contain 120 gallons. There is also a flesh-fork to ring it.

Mr. Nichols, in his History of Leicestershire, Part ii. vol. iii., remarks,

"A turnpike road from Ashby to Whitwick, passes through Talbot Lane. Of this lane and the famous large pot at Warwick Castle, we have an old traditionary couplet:

"'There's nothing left of Talbot's name,

But Talbot's Pot and Talbot's Lane.'

"Richard Beauchamp Earl of Warwick, died in 1439. His eldest daughter, Margaret, was married to John Talbot Earl of Shrewsbury, by whom she had one son, John Viscount Lisle, from whom the Dudleys descended, Viscount Lisle and Earl of Warwick."

It would therefore appear that neither the armour nor the pot belonged to the "noble Guy"—the armour being comparatively of modern manufacture, and the pot, it appears, descended from the Talbots to the Warwick family: which pot is generally filled with punch on the birth of a male heir to that noble family.

W. Reader.

Queries.

NICHOLAS FERRAR OF LITTLE GIDDING.

Dr. Peckard, in his Preface to the Life of Nicholas Ferrar of Little Gidding, says the memoir he published was edited or compiled by him from "the original MS. still in my possession" (p. xi.); and in the Appendix adds, that "Mr. John Ferrar," the elder brother of Nicholas, was the author of it (p. 279.).

How he compiled or edited "the original MS." he states with much candour in his Preface (p. xv.):

"The editor's intention," in altering the narrative, "was to give what is not observed in the original, a regular series of facts; and through the whole a sort of evenness and simplicity of stile equally free from meanness and affectation. In short, to make the old and the new, as far as he could, uniform; that he might not appear to have sewed a piece of new cloth to an old garment, and made its condition worse by his endeavours to mend it."

Again, at page 308., he says,

"There is an antient MS. in folio, giving an account of Mr. N. Ferrar, which at length, from Gidding, came into the hands of Mr. Ed. Ferrar of Huntingdon, and is now in the possession of the editor. Mr. Peck had the use of this MS. as appears by several marginal notes in his handwriting; from this and some loose and unconnected papers of Mr. Peck.... the editor, as well as he was able, has made out the foregoing memoirs."

Can any of your numerous correspondents inform me if this "antient MS." is still in existence, and in whose possession?

Peckard was related to the Ferrars, and was Master of Magdalen Coll., Cambridge.

In "A Catalogue of MSS. (once) at Gidding," Peckard, p. 306., the third article is "Lives, Characters, Histories, and Tales for moral and religious Instruction, in five volumes folio, neatly bound and gilt, by Mary Collet." This work, with five others, "undoubtedly were all written by N. Ferrar, Sen.," says Dr. Peckard; and in the Memoir, at page 191., he gives a list of these "short histories," ninety-eight in number, "which are still remaining in my possession;" and adds further, at p. 194.,

"These lives, characters, and moral essays would, I think, fill two or three volumes in 8vo., but they are written in so minute a character, that I cannot form any conjecture to be depended upon."

I have been thus particular in describing these "histories", because the subjects of them are identical with those in Fuller's Holy and Profane State, the first edition of which was published at Cambridge, in 1642. "The characters I have conformed," says Fuller in his Preface, "to the then standing laws of the realm (a twelvemonth ago were they sent to the press), since which time the wisdom of the King and state hath" altered many things. Nicholas Ferrar died December 2, 1637, and the Query I wish to ask is, Did Fuller compose them (for that he was really the author of them can hardly be doubted) at the suggestion and for the benefit of the community at Gidding, some years before he published them; and is it possible to ascertain and determine if the MS. is in the handwriting of Ferrar or Fuller?

Is there any print or view in existence of the "Nunnery," at Little Gidding?

In the Life of Dr. Thomas Fuller, published anonymously in 1661, it is stated, that at his funeral a customary sermon was preached by Dr. Hardy, Dean of Rochester, "which hath not yet (though it is hoped and much desired may) passe the presse," p. 63.

Query. Was this sermon ever published? and secondly, who was the author of the Life from which the above passage is quoted?

John Miland.

STUKELEY'S "STONEHENGE."

May I request a space in your periodical for the following Queries, drawn from Dr. Stukeley's Stonehenge and Abury, p. 31.?

1st. "But eternally to be lamented is the loss of that tablet of tin, which was found at this place (Stonehenge) in the time of King Henry VIII., inscribed with many letters, but in so strange a character that neither Sir Thomas Elliott, a learned antiquary, nor Mr. Lilly, master of St. Paul's school, could make any thing out of it. Mr. Sammes may be right, who judges it to have been Punic. I imagine if we call it Irish we shall not err much. No doubt but what it was a memorial of the founders, wrote by the Druids and had it been preserved till now, would have been an invaluable curiosity."

Can you or any of your contributors give me any further information about this inscription?

2. The Doctor continues,

"To make the reader some amends for such a loss I have given a specimen of supposed Druid writing, out of Lambecius' account of the Emperor's library at Vienna. 'Tis wrote on a very thin plate of gold with a sharp-pointed instrument. It was in an urn found at Vienna, rolled up in several cases of other metal, together with funeral exuviæ. It was thought by the curious, one of those epistles which the Celtic people were wont to send to their friends in the other world. The reader may divert himself with trying to explain it."

Has this inscription ever been explained, and how? Stukeley's book is by no means a rare one; therefore I have not trusted myself to copy the inscription: and such as feel disposed to help me in my difficulty would doubtless prefer seeing the Doctor's own illustration at p. 31.

Henry Cunliffe.

Hyde Park Street.

ATHELSTANE'S FORM OF DONATION.—MEANING OF "SOMAGIA."

Tristram Risdon, in his quaint Survey of the Co. of Devon, after mentioning the foundation of the church of High Bickington by King Athelstane,

"Who," he says, "gave to God and it one hide of land, as appeareth by the donation, a copy whereof, for the antiquity thereof, I will here insert: 'Iche Athelstane king, grome of this home, geve and graunt to the preist of this chirch, one yoke of mye land frelith to holde, woode in my holt house to buyld, bitt grass for all hys beasts, fuel for hys hearth, pannage for hys sowe and piggs, world without end,'"—

adds presently afterwards, that

"Sir John Willington gave Weeksland in this tything, unto Robert Tolla, cum 40 somagia annuatim capiend in Buckenholt (so be the words of the grant) in the time of K. Edw. I."

The Willingtons were lords of the manor of Umberleigh, where Athelstane's palace stood, with its chapel dedicated to the Holy Trinity, formerly rich in ancient monuments, and having a chantry near to it. Some of the monuments from this chapel are still preserved in the neighbouring church of Atherington.

My Queries upon this Note are:

1. Whence did Risdon derive his copy of King Athelstane's form of donation? 2. What is the precise meaning of the word Somagia?

In Ducange (ed. Par. 1726, tom. vi. col. 589.) I find:

"Somegia. Præstatio, ut videtur ex summis, v. gr. bladi, frumenti. Charta Philippi Reg. Franc. an. 1210. Idem etiam Savaricus detinet sibi census suos, et venditiones, et quosdam reditus, qui Somegiæ vocantur, et avenam, et captagia hominum et foeminarum suarum, qui reditus cum una Somegiarum in festo B. Remigii persolverentur; deinde secunda Somegia in vicesima die Natalis Domini, et tertia in Octabis Resurrectionis Dominicæ, ei similiter persolventur; caponum etiam suorum in crastino Natalis Domini percipiet solutionem: unaquæque vero somegiarum quatuor denarios bonæ monetæ valet."

Ducange refers also to some kindred words; but, instead of clearing up my difficulty in the word somagia, he presents me with another in captagia, the meaning of which I do not clearly understand. Perhaps some of your more learned contributors will obligingly help me to the true import of these words?

J. Sansom.

Minor Queries.

Charade.—Can any one tell who is the author of the following charade? No doubt, the lines are well known to many of your readers, although I have never seen them in print. It has been said that Dr. Robinson, a physician, wrote them. It strikes me that the real author, whoever he be, richly deserves to be named in "Notes and Queries."

"Me, the contented man desires,

The poor man has, the rich requires;

The miser gives, the spendthrift saves,

And all must carry to their graves."

It can scarcely be necessary to add that the answer is, nothing.

Alfred Gatty.

July 1. 1850.

"Smoke Money."—Under this name is collected every year at Battle, in Sussex, by the Constable, one penny from every householder, and paid to the Lord of the Manor. What is its origin and meaning?

B.

"Rapido contrarius orbi."—What divine of the seventeenth century adopted these words as his motto? They are part of a line in one of Owen's epigrams.

N.B.

Lord Richard Christophilus.—Can any of your readers give any account of Lord Richard Christophilus, a Turk converted to Christianity, to whom, immediately after the Restoration, in July, 1660, the Privy Council appointed a pension of 50l. a-year, and an additional allowance of 2l. a-week.

CH.

Fiz-gigs.—In those excellent poems, Sandys's Paraphrases on Job and other Books of the Bible, there is a word of a most destructive character to the effect. Speaking of leviathan, he asks,

"Canst thou with fiz-gigs pierce him to the quick?"

It may be an ignorant question, but I do not know what fiz-gigs are.

C.B.

Specimens of Erica in Bloom.—Can any of your correspondents oblige me by the information where I can procure specimens in bloom of the following plants, viz. Erica crescenta, Erica paperina, E. purpurea, E. flammea, and at what season they come into blossom in England? If specimens are not procurable without much expense and trouble, can you supply me with the name of a work in which these plants are figured?

E.S.

Dover.

Michael Scott, the Wizard.—What works by Michael Scott, the reputed wizard, (Sir Walter's Deus ex Machina in The Lay of the Last Minstrel), have been printed?

X.Y.A.

Stone Chalices.—Can any of the readers of "Notes and Queries" inform me whether the use of stone chalices was authorised by the ancient constitutions of the Church; and, if so, at what period, and where the said constitutions were enacted?

X.Y.A.

Replies.

ULRICH VON HUTTEN AND THE "EPISTOLÆ OBSCURORUM VIRONUM."

(Vol. ii., p. 55.)

I have never seen the article in the Quarterly Review to which your correspondent H.B.C. alludes: he will probably find it by reference to the index, which is not just now within my reach. The neat London edition, 1710, of the Epistolæ was given by Michael Mattaire. There are several subsequent reimpressions, but none worth notice except that by Henr. Guil. Rotermund, Hanover, 1827, 8vo.; and again, with improvements, "cum nova præfatione, nec non illustratione historica circa originem earum, atque notitia de vita et scriptis virorum in Epistolis occurentium aucta," 1830, both in 8vo.

The best edition, however, is that given by Dr. Ernst Münch, Leipsic, 1827, 8vo., with the following title:

"Epistolæ Obscurorum Virorum aliaque Ævi Decimi sexti Monimenta Rarissima. Die Briefe der Finsterlinge an Magister Ortuinus von Deventer, nebst andern sehr seltenen Beiträgen zur Literatur-Sitten-und-Kirchengeschichte des xvi'n Jahrhunderts."

This contains many important additions, and a copious historical introduction. Both the editors write in German.

That this admirable satire produced an immense effect at the period of its publication, there can be no doubt; but that it has ever been thoroughly understood and relished among us may be doubted. Mr. Hallam, in his Literature of Europe, vol. i., seems to have been disgusted with the monkish dog-Latin and bald jokes, not recollecting that this was a necessary and essential part of the design. Nor is it strange that Steele, who was perhaps not very well acquainted with the history of literature, should have misconceived the nature of the publication, when we learn from an epistle of Sir Thomas More to Erasmus, that some of the stupid theologasters themselves, who were held up to ridicule, received it with approbation as a serious work:

"Epist. Obs. Viror. operæ pretium est videre quantopere placeant omnibus, et doctis joco, et indoctis serio, qui dum ridemus, putant rideri stylum tantum, quem illi non defendunt, sed gravitate sententiarum dicunt compensatum, et latere sub rudi vagina pulcherrimum gladium. Utinam fuisset inditus libello alius titulus! Profecto intra centum annos homines studio stupidi non sensissent nasum, quamquam rhinocerotico longiorem."⁸

Erasmus evidently enjoyed the witty contrivance, though he affects to disapprove it as an anonymous libel. Simler, in his life of Bullinger, relates that on the first reading Erasmus fell into such a fit of laughter as to burst an abscess in his face with which he was at that time troubled, and which prevented the necessity of a surgical operation.

The literary history of the Epistolæ and the Dialogue is involved in obscurity. That Ulrich von Hutten had a large share in their concoction there can be no doubt; and that he was assisted by Crotus Rubianus and Hermann von Busch, if not by others, seems highly probable. The authorship of Lamentationes Obscurorum Virorum is a paradox which has not yet been solved. They are a parody, but a poor one, of the Epistolæ, and in the second edition are attributed to Ortuinus Gratius. If they are by him, he must have been a dull dog indeed; but by some it has been thought that they are the work of a Reuchlinist, to mystify the monks of Cologne, and render them still more ridiculous; yet, as the Pope's bull against the Epistolæ, and Erasmus's disapproving letter, find a prominent place, and some other well-grounded inculpations occur, it appears to me that some slender-witted advocate of the enemies of learning has here shown his want of skill in handling the weapons of the adversary.

How much Sir Thomas More was pleased with the writings of Hutten we may gather from the opening of a letter which Erasmus addressed to Hutten, giving an interesting account of his illustrious friend, in August, 1519:

"Quod Thomæ Mori ingenium sic deamas, ac penè dixerim deperis, nimirum scriptis illius inflammatus, quibus (ut verè scribis) nihil esse potest neque doctius neque festivius; istue mibi crede, clarissime Huttene tibi cum multis commune est, cum Moro mutuum etiam. Nam is vicissim adeò scriptorum tuorum genio delectatur, ut ipse tibi plopemodum invideam."

The Dialogue (Mire Festivus), which in the edition of 1710 occurs between the first and second parts of the Epistolæ, bears especial marks of Hutten's manner, and is doubtless by him. The interlocutors are three of the illustrious obscure, Magisters Ortuinus, Lupoldus, and Gingolphus, and the first act of the comedy consists in their observations upon the promoters of learning, Reuchlin, Erasmus, and Faber Stapulensis, who afterwards make their appearance, and the discussion becomes general, but no impression can be made upon the stupid and prejudiced monks. The theme is, of course, the inutility of the new learning, Hebrew and Greek and correct Latinity. One short passage seems to me admirable:

"M. Ging. Et Sanctus Ambrosius, Sanctus Augustinus, et alii omnes zelossimi doctores non sciebant ipsi bene tot, sicut iste Ribaldi? M. Ort. Ipsi deberent interponere suis. M. Lup. Non bene indigemus de suo Græco. M. Ging. Videtur eis, qui sciunt dicere tou, tou, logos, monsotiros, legoim, taff, hagiotatos, quod ipse sciunt plus quam Deus. M. Ort. Magister noster Lupolde, creditis, quod Deus curat multum de iste Græco? M. Lup. Certe non, Magister noster Ortuine, ego credo, quod Deus non curat multum."

Ranke, in his History of the Reformation, has very justly estimated the merits and character of these remarkable productions:

"We must not look for the delicate apprehension and tact, which can only be formed in a highly polished state of society, nor for the indignation of insulted morality expressed by the ancients: it is altogether a caricature, not of finished individual portraits, but of a single type;—a clownish sensual German priest, his intellect narrowed by stupid wonder and fanatical hatred, who relates with silly naïveté and gossiping confidence the various absurd and scandalous situations into which he falls. These letters are not the work of a high poetical genius, but they have truth, coarse strong features of resemblance, and vivid colouring."

Ranke mentions another satire, which appeared in March, 1520, directed against John Eck, the opponent of Luther, the latter being regarded in the light of a successor of Reuchlin, under the title of Abgehobelte Eck, or Eccius dedolatus, "which, for fantastic invention, striking and crushing truth, and Aristophanic wit, far exceeded the Literæ Obsc. V., which it somewhat resembled." I have not yet been able to meet with this; but such high praise, from so judicious a critic, makes me very desirous to see and peruse it.

S.W. Singer.

Mickleham, July 3. 1850.

Footnote 8:(return)

"Ubi primum exissent Ep. Ob. V. miro Monachorum applausu exceptæ sunt apud Britannos a Franciscanis ac Dominicanis, qui sibi persuadebant, eas in Reuchlini contumeliam, et Monachorum favorem, serio proditus: quamque quidam egregie doctus, sed nasutissimus, fingeret se nonnihil offendi stylo, consulati sunt hominem."—Erasm. Epist. 979.

Epistolæ Obscurorum Virorum.—Your Querist H.B.C. (Vol. ii., pp. 55-57.) will find, in the 53rd vol. Edinb. Rev. p. 180., a long article on these celebrated letters, containing much of the information required. It is worthy of remark, that in page 195. we are told

"In 1710 there was printed in London the most elegant edition that has ever appeared of these letters, which the editor, Mich. Mattaire, gravely represents as the productions of their ostensible authors."

Now this edition, though neat, has no claim to be termed most elegant, which is hardly to be reconciled with what the reviewer says in a note, p. 210., "that the text of this ed. of 1710 is of no authority, and swarms with typographical blunders."

The work on its first appearance produced great excitement, and was condemned by Pope Leo X. See Dict. des Livres Condamnés, &c., par Peignot, tom. ii. p. 218.

Many amusing anecdotes and notices are to be found in Bayle's Dict. See particularly sub nomine Erasmus. Burton, in his Anatomy of Mel. pt. i. sec. 2. Mem 3 sub 6. citing Jovius in Elogiis, says,

"Hostratus cucullatus adeo graviter ob Reuchlini librum qui inscribitur, Epistolæ Obscurorum Virorum dolore simul et pudore sauciatus, et scipsum interfecerit."

See also Nouv. Diction. Historique in the account of Gratius, O.

There is also a good article on these letters in a very excellent work entitled Analectabiblion, or Extraits Critique de divers Livres rares, &c., tiréz du Cabinet du Marq. D. R. (oure). Paris, 1836. 2 tomes 8vo.

F.R.A.

Epistolæ Obscurorum Virorum.—The article inquired for by H.B.C. (Vol. ii, p. 55) is probably one in the Edinburgh Review, vol. liii. p. 180., attributed to Sir William Hamilton, the distinguished Professor of Logic in the university of Edinburgh.

CH.

CAXTON'S PRINTING-OFFICE.

(Vol. ii., p. 99.)

Mr. Rimbault is wrong in giving to Abbot Milling the honour of being the patron of Caxton, which is due to Abbot Esteney. Mr. C. Knight in his Life of Caxton, which appropriately formed the first work of his series of Weekly Volumes, has the following remarks upon the passage from Stow, quoted by Mr. Rimbault:

"The careful historians of London here committed one error; John Islip did not become abbot of Westminster till 1500. John Esteney was made abbot in 1474, and remained such until his death in 1498. His predecessor was Thomas Milling. In Dugdale's Monasticon we find, speaking of Esteney, 'It was in this abbot's time, and not in that of Milling, or in that of Abbot Islip, that Caxton exercised the art of printing at Westminster.'"—p. 140.

I have no work at hand to which I can refer for the date of Milling's death, but if 1492 be correct, perhaps he may have been promoted to a bishoprick.

With reference to Mr. Rimbault's remark, that Caxton first mentions the place of his printing in 1477, so that he must have printed some time without informing us where, I may be allowed to observe that it seems highly probable he printed, and indeed learned the art, at Cologne. At the end of the third book of his translation of the Recuyell of the Historyes of Troye, Caxton says:

"Thus end I this book which I have translated after mine author, as nigh as God hath given me cunning, to whom be given the laud and praises ... I have practised and learned, at my great charge and dispense, to ordain this said book in print, after the manner and form as you may here see."

And on the title-page he informs us:

"Whyche sayd translacion and werke was begonne in Brugis in 1468, and ended in the holy cyte of Colen, 19 Sept. 1471."

This may refer to the translation only; but as Caxton was both translator and printer, it does not seem unreasonable to regard it as indicating when his entire labour upon the work was brought to a close. I might support the view that Caxton printed at Cologne by other arguments which would make the matter tolerably certain (see Life of Caxton, p. 125., &c.); but as the excellent little work to which I am indebted for these particulars is so well known, and so easily accessible, I should not be justified in occupying more of your space, and I will therefore conclude with noting that the parochial library at Shipdham, in Norfolk, is said to contain books printed by Caxton and other early printers. Perhaps some one of your correspondents would record, for the general benefit, of what they consist.

Arun.

Dr. Rimbault has evidently not seen a short article on Caxton's printing at Westminster, which I inserted in the Gentleman's Magazine for April, 1846, nor the reference made to it in the magazine for June last, p. 630., or he would have admitted that his objections to Dr. Dibdin's conjectures on this point had been already stated; moreover, I think he would have seen that the difficulty had been actually cleared up. In truth, the popular misapprehension on this subject has not been occasioned by any obscurity in the colophons of the great printer, or in the survey of Stow, but merely by the erroneous constricted sense into which the word abbey has passed in this country. Caxton himself tells us he printed his books in "th' abbay of Westminstre," but he does not say in the church of the abbey. Stow distinctly says it was in the almonry of the abbey; and the handbill Dr. Rimbault refers to confirms that fact. The almonry was not merely "within the precincts of the abbey," it was actually a part of the abbey. Dr. Rimbault aims at the conclusion that "the old chapel of St. Anne was doubtless the place where the first printing-office was erected in England." But why so? Did not the chapel continue a chapel until the Reformation, if not later? And Caxton would no more set up his press in a chapel than in the abbey-church itself. Stow says it was erected in the almonry. The almonry was one of the courts of the abbey, (situated directly west of the abbey-church, and not east, as Dr. Dibdin surmised); it contained a chapel dedicated to St. Anne, and latterly an almshouse erected by the Lady Margaret. The latter probably replaced other offices or lodgings of greater antiquity, connected with the duties of the almoner, or the reception and relief of the poor; and there need be no doubt that it was one of these buildings that the Abbot of Westminster placed at the disposal of our proto-typographer. There was nothing very extraordinary in his so doing if we view the circumstance in its true light; for the scriptoria of the monasteries had ever been the principal manufactories of books. A single press was now to do the work of many pens. The experiment was successful; "after which time," as Stow goes on to say, "the like was practised in the Abbeys of St. Augustine, at Canterbury, St. Alban's, and other monasteries." The monks became printers instead of scribes; but they would not ordinarily convert their churches or chapels into printing-houses. The workmen, it is true, term the meetings held for consultation on their common interests or pleasures, their chapels; and whether this may have arisen from any particular instance in which a chapel was converted into a printing-house, I cannot say. In order to ascertain the origin of this term these Queries may be proposed:—Is it peculiar to printers and to this country? Or is it used also in other trades and on the Continent?

John Gough Nichols.

THE NEW TEMPLE.

Although I am unable to give a satisfactory reply to Mr. Foss's inquiries, such information as I have is freely at his service. It may, at all events, serve as a finger-post to the road.

My survey gives a most minute extent, of 35 preceptories, 23 "cameræ" of the Hospitallers, 13 preceptories formerly commandries of the Templars, 74 limbs, and 70 granges, impropriations, &c., and, among them all, not a single one of the valuation of the New Temple itself. Reprises of that establishment are entered, but no receipts.

The former are as follows:

"In emendationem et sustentationem ecclesie Novi Templi, London, et in vino, cera, et oleo, et ornamentis ejusdem ... x m.

"In uno fratri [sic] Capellano et octo Capellanis secularibus, deservientibus ecclesiam quondam Templariorum apud London, vocatam Novum Templum, prout ordinatum est per totum consilium totius regni, pro animabus fundatorum dicti Novi Templi et alia [sic] possessionum alibi ... lv m.

"Videlicet, frati Capellano, pro se et ecclesia, xv m., et cuilibet Capellano, v m., ubi solebant esse, tempore Templariorum, unus Prior ecclesie et xij Capellani seculares.

"Item in diversis pensionibus solvendis diversis personis per annum, tam in Curia domini Regis, quam Justiciariis Clericis, Officiariis, et aliis ministris, in diversis Curiis suis, ac etiam aliis familiaribus magnatum, tam pro terris tenementis, redditibus, et libertatibus hospitalis, quam Templariorum, et maxime pro terris Templariorum manutenendis, videlicet, Baronibus in Scaccario domini Regis Domino Roberto de Sadyngton, militi, Capitali baroni de Scaccario, xl." &c. &c.

enumerating pensions to the judges, clerks, &c., in all the courts, to the amount of above 60l. per annum. To

"Magnatibus, secretariis, et familiaribus domini Regis et aliorum;"

the pensions enumerated amount to about 440l. per annum.

Then, to the treasurer, barons, clerks, &c., of the Exchequer (140 persons):

"Bis in anno, videlicet, tempore yemali, pilliola furrata pellura minuti varii et bogeti, et quedam non furrata; et tempore estivali totidem pilliola lineata de sindone, et quedam non lineata, unicuique de Curia Scaccarii predicti, tam minoribus quam majoribus, secundum gradus, statum, et officium personarum predictarum, que expense se extendunt annuatim ad ... x ii."

"Item sunt alie expense facte in Curiis Regis annuatim pro officio generalis procuratoris in diversis Curiis Regis, que de necessitate fieri oportet, pro brevibus Regis, et Cartis impetendis, et aliis, negociis in eisdem Curiis expediendis, que ad minus ascendunt per annum, prout evidencius apparet, per compotum et memoranda dicti fratris de Scaccario qui per capitulum ad illud officium oneratur ... lx m."

"Item in donis dandis in Curiis domini Regis et aliorum magnatum pro favore habendo et pro placitis defendendis, et expensis parlialmentorum, ad minus bis per annum ... cc m."

I have made these extracts somewhat more at length than may, perhaps, be to the point in question, because they contain much that is highly interesting as to the apparently questionable mode in which the Hospitallers obtained the protection of the courts (and probably they were not singular in their proceedings); annual pensions to judges, besides other largesses, and much of this "pro favore habendo," contrasts painfully with the "spotless purity of the ermine" which dignifies our present age.

In the "extent" we have occasionally a grange held rent free for life by a judge. Chief Justice Geffrey de Scrop so held that of Penhull in Northumberland.

Putting all these facts together, and bearing in mind that, throughout this elaborate "extent," there are neither profits nor rent entered, as for the Temple itself, so that it seems to have then been neither in the possession nor occupation of the Hospitallers, is it not possible that they had alienated it to the lawyers, as a discharge for these heavy annual incumbrances,—prospectively, perhaps, because by the entry of these charges among the "reprise," the life interests, at all events, were still paid; or perhaps the alienation was itself made to them "pro favore habendo" in some transaction that the Hospitallers wished to have carried by the Courts; or it may have been made as a bonâ fide bribe for future protection. At all events, when we see such extensive payments made annually to the lawyers, their ultimate possession of the fee simple is no unnatural result. But, as I am altogether ignorant of the history of the New Temple, I must refrain from suggestions, giving the simple facts as I find them, and leaving the rest to the learning and investigation of your correspondent.

L.B.L.

STRANGERS IN THE HOUSE OF COMMONS.

(Vol. ii., pp. 17. 83.)

Mr. Ross is right in saying that "no alteration has taken place in the practice of the House of Commons with respect to the admission of strangers." The practice was at variance with the old sessional order: it is consistent with the new standing order of 1845. I do not understand how any one can read these words of the new standing order, "that the sergeant-at-arms ... do take into his custody any stranger whom he may see ... in any part of the house or gallery appropriated to the members of the House: and also any stranger who, having been admitted into any other part of the house or gallery," &c., and say that the House of Commons does not now recognise the presence of strangers; nor can I understand how Mr. Ross can doubt that the old sessional order absolutely prohibited their presence. It did not keep them out certainly, for they were admitted in the teeth of it; but so long as that sessional order was in force, prohibition to strangers was the theory.

Mr. Ross refers to publication of speeches. Publication is still prohibited in theory. Mr. Ross perhaps is not aware that the prohibition of publication of speeches rests on a foundation independent of the old sessional order against the presence of strangers,—on a series of resolutions declaring publication to be a breach of the privileges of Parliament, to be found in the Journals of 1642, 1694, 1695, 1697, 1703, 1722, and 1724.

We unfortunately cannot settle in your columns whether, as Mr. Ross asserts, "if a member in debate should inadvertently allude to the possibility of his observations being heard by a stranger, the Speaker would immediately call him to order;" but my strong belief is, that he would not: and I hope, if there are any members of the House of Commons who have time to read "Notes and Queries," that one of them may be induced to take a suitable opportunity of obtaining the Speaker's judgment.

"Yet at other times," Mr. Ross goes on to say, "the right honourable gentlemen will listen complacently to discussions arising out of the complaints of members that strangers will not publish to the world all that they hear pass in debate." If this be so, I suppose the Speaker sees nothing disorderly in a complaint, that what has been spoken in Parliament has not been published: but I read frequently in my newspaper that the Speaker interrupts members who speak of speeches having been published. "This is one of the inconsistencies," Mr. Ross proceeds, "resulting from the determination of the House not expressly to recognise the presence of strangers." Inconsistency there certainly is,—the inconsistency of making publication a breach of privilege, and allowing it to go on daily.

As strangers may be admitted into the House to hear debates, and not allowed to publish what they hear, so they may he admitted, subject to exclusion at certain times, or when the House chooses. And this is the case. The House, of course, retains the power of excluding them at any moment. They are always made to withdraw before the House goes to a division. This is a matter of practice, founded probably on some supposed reasons of convenience. Again, on any member desiring strangers to be excluded, the Speaker desires them to withdraw, without allowing any discussion.

I have only to notice one other observation of Mr. Ross's, which is the following:

"When I speak of strangers being admitted, it must not be supposed that this was done by order of the House. No, everything relating to the admission of strangers to, and their accommodation in the House of Commons, is effected by some mysterious agency, for which no one is directly responsible. Mr. Barry has built galleries for strangers in the new house; but if the matter were made a subject of inquiry, it probably would puzzle him to state under what authority he has acted."

I do not think there is anything mysterious as regards admission. I am fond of hearing the debates, and my parliamentary friends are very kind to me. Sometimes I content myself with an order from a member, which takes me into the hinder seats of the non-reporting strangers' gallery; sometimes, when I know beforehand of an interesting debate, I get one of my friends to put my name on the "Speaker's list," and I then take my seat on one of the two front rows of the strangers' gallery; sometimes, again, I go down on the chance, while the House is sitting; and if I am fortunate enough to find any one of any friends there, he generally brings me, in a few moments, an order from the Sergeant-at-arms, which takes me also to the front row of the strangers' gallery. Some benches under the strangers' gallery are reserved for peers, ambassadors, and peers' eldest sons. The Speaker and the Sergeant-at-arms give permission generally to foreigners, and sometimes to some other persons, to sit in these benches. I do not know which officer of the House of Commons superintends the admission of reporters. Ladies are admitted to the Black Hole assigned to them, by orders from the Sergeant-at-arms. I have no doubt that the Speaker and Sergeant-at-arms are responsible to the House for everything relating to the admission of strangers, and without taking upon myself to say what is the authority under which Mr. Barry has acted, I have no doubt that, in building galleries for strangers in the new house, he has done what is consistent not only with the long established practice, but, under the new order of 1845, with the theory of the House of Commons.

As regards the passage quoted by Mr. Jackson from the Edinburgh Review, the reviewer would probably allow that he had overlooked the new standing order of 1845; and Mr. Jackson will perceive that the recognition of the presence of strangers does not legalise the publication of speeches. The supposed difficulty in the way of legalising publication is, that the House of Commons would then make itself morally responsible for the publication of any libellous matter in speeches. I do not see the force of this difficulty. But the expediency of the existing rule is not a proper subject for discussion in your columns.

CH.

Whatever the present practice of the House of Commons with respect to strangers may be, it does not seem probable that it will soon undergo alteration. In the session of 1849 a Select Committee, composed of fifteen members, and including the leading men of all parties, was appointed "to consider the present practice of this House in respect of the exclusion of strangers." The following is the Report of the Committee in extenso (Parl. Pap., No. 498. Sess. 1849):

"That the existing usage of excluding strangers during a division, and upon the notice by an individual Member that strangers are present, has prevailed from a very early period of parliamentary history; that the instances in which the power of an individual Member to exclude has been exercised have been very rare: and that it is the unanimous opinion of your committee, that there is no sufficient ground for making any alteration in the existing practice with regard to the admission or exclusion of strangers."

This Report confirms the statement of Mr. Ross (p. 83., antè), that within his experience of thirty-one years no change has been made in the present rule of the House upon this matter, which, it would seem, dates very far back. The Speaker was the only witness examined before the Committee, and his evidence is not printed.

Arun.

REPLIES TO MINOR QUERIES.

Morganatic Marriage (Vol. ii., p. 72.).—According to M., Ducange has connected this expression with morgingab; but I have looked in vain for such connection in my edition of the Glossary (Paris, 1733). The truth most probably is, that morganatic, in the phrase "matrimonium ad morganaticam," was akin to the Gothic maurgjan, signifying, "to procrastinate," "to bring to an end," "to shorten," "to limit." This application of the word would naturally rise out of the restrictions imposed upon the wife and children of a morganatic marriage.

C.H.

Umbrellas (Vol. i., p. 415. 436.; ii. 25.).—In Swift's description of a city shower (Tatler, No. 238., October 17. 1710), umbrellas are mentioned as in common use by women:

"Now in contiguous drops the flood comes down,

Threatening with deluge the devoted town;

To shops, in crowds, the daggled females fly,

Pretend to cheapen goods, but nothing buy;

The Templar spruce, while every spout's abroach,

Stays till 'tis fair, yet seems to call a coach;

The tucked-up sempstress walks with hasty strides,

While streams run down her oiled umbrella's sides."

H.B.C.

U.U. Club, July 2.

Bands (Vol. ii., pp. 23. 76.)—Scarf.—I was glad to read Arun's explanation of the origin of the bands now worn by the clergy; which, however, seems merely to amount to their being an adoption of a Genevan portion of clerical costume. That they are the descendants of the ruff, there can be no doubt, just as wrist-bands have more recently succeeded to ruffles.

I cannot resist mentioning that an ingenious friend suggested to me, that the broad, stiff, laid-down collar, alluded to in the former part of Arun's communication, possibly gave rise to the modern band in the following manner:—When the scarf, still in use, was drawn over the shoulders and hung down in front, that part of the broad collar which was left visible, being divided up the middle, presented a shape and appearance exactly like our common bands. Hence, it was imagined, this small separate article of dress might have originated.

Is it Butler, Swift, or who, that says,

"A Chrysostom to smoothe his band in"?

Whenever this was written, it must have referred to our modern bands.

Who amongst the clergy are entitled to wear a scarf? Is it the badge of a chaplain only? or what circumstances justify its being worn?

Alfred Gatty.

July 1. 1850.

Bands (Vol. ii., p. 76.).—An early example of the collar, approaching to the form of our modern bands, may be seen in the portrait of Cardinal Beatoun, who was assassinated in 1546. The original is in Holyrood Palace, and an engraving in Mr. Lodge's Portraits. The artist is unknown, but from the age of the face one may infer that it was painted about 1540.

C.H.

Jewish Music (Vol. ii., p. 88.).—See a host of authorities on the subject of Hebrew music and musical instruments in Winer's Realwörterbuch vol. ii., pp. 120. seq., 3d edit. There is a good abstract respecting them in Jahn's Hebrew Antiquities, sect. 92-96.

C.H.

North Sides of Churchyards unconsecrated (Vol. ii., p. 55.).—In illustration of, not in answer to, Mr. Sansom's inquiry, I beg to offer the following statement. During a long series of years an average of about 150 corpses has been annually deposited in Ecclesfield churchyard, which has rendered it an extremely crowded cemetery. But, notwithstanding these frequent interments, my late sexton told me that he remembered when there was scarcely one grave to the north of the church, it being popularly considered that only suicides, unbaptised persons, and still-born children ought to be buried there. However, when a vicar died about twenty-seven years ago, unlike his predecessors, who had generally been buried in the chancel, he was laid in a tomb on the north side of the churchyard, adjoining the vicarage. From this time forward the situation lost all its evil reputation amongst the richer inhabitants of the parish, who have almost entirely occupied it with family vaults.

Whether the prejudice against the north side of our churchyard arose from an idea that it was unconsecrated, I cannot tell but I suspect that, from inherited dislike, the poor are still indisposed towards it. When the women of the village have to come to the vicarage after nightfall, they generally manage to bring a companion, and hurry past the gloomy end of the north transept as if they knew

"that close behind

Some frightful fiend did tread."

I cannot help fancying that the objection is attributable to a notion that evil spirits haunt the spot in which, possibly from very early times, such interments took place as my sexton described. As a suggestion towards a full solution of this popular superstition, I would ask whether persons who formerly underwent ecclesiastical excommunication were customarily buried on the north side of churchyards?

Alfred Gatty.

Ecclesfield, June 28. 1850.

I can only give from recollection a statement of a tradition, that when Jesus Christ died he turned his head towards the south; and so, ever since, the south side of a church has the pre-eminence. There generally is the bishop's throne, and the south aisle of ancient basilicas was appropriated to men. Simple observation shows that the supposed sanctity extends to the churchyard,—for there the tombstones lie thickest.

I find that my source of information for the tradition was Cockerell's last lecture on Architecture, Athenæum for 1843, p. 187. col. 3.

A.J.H.

"Men are but Children," &c.—R.G. (Vol. ii., p. 22.) will find the line about which he inquires in Dryden's All for Love; or, The World well Lost, Act iv. Sc. 1.

Dolabella (loq.):

"Men are but children of a larger growth,

Our appetites as apt to change as theirs,

And full as craving too, and full as vain."

J.R.M.

King's College, London, July 12. 1850.

Ventriloquism (Vol. ii., p. 88.).—Mr. SANSOM will find some curious information touching the words [Hebrew: 'or], [Greek: eggastrimuthos], &c., in Dr. Maitland's recent Illustrations and Enquiries relating to Mesmerism, pp. 55. 81. The Lexicons of Drs. Lee and Gesenius may also be consulted, under the word [Hebrew: 'or]. The former of these lexicographers would rank the Pythian priestess with "our modern conjurers."

C.H.

St. Catharine's Hall, Cambridge.

Cromwell's Estates—Magor (Vol. i., p. 277. 389.).—As the South Wales line is now open as far as Chepstow, it may not be uninteresting to V. to know, that it diverges from the coast between Chepstow and Newport, in order to pass Bishopston and Magor, the last of which he rightly placed in Monmouthshire.

SELEUCUS.

Vincent Gookin (Vol. i., pp. 385. 473. 492.; Vol. ii. p. 44.) is described in a Narrative of the late Parliament (Cromwell's Parliament, d. 1656), in the Harleian Miscellany, as

"One of the letters of land in Ireland, receiving three hundred pounds per annum."

He and three other Irish members, Colonel Jephson, Ralph King, and Bice, are classed together in this tract, which is hostile to Cromwell, as

"Persons not thought meet to be in command, though they much desire it, and are of such poor principles and so unfit to make rulers of as they would not have been set with the dogs of the flock, if the army and others who once pretended to be honest had kept close to their former good and honest principles."

Vincent Gookin voted for the clause in the "Petition and Advice" giving the title of "King" to Cromwell.

CH.

All-to brake (Vol. i., p. 395.).—The interpretation given is incorrect. "All-to" is very commonly used by early writers for "altogether:" e.g., "all-to behacked," Calfhill's Answer to Martiall's Treatise of the Cross, Parker Society's edition, p. 3.; "all-to becrossed," ibid. p. 91.; "all-to bebatted," ibid. p. 133., &c. &c. The Parker Society reprints will supply innumerable examples of the use of the expression.

MISCELLANEOUS.

NOTES ON BOOKS, SALES, CATALOGUES, ETC.

The two of Mr. Hunter's Critical and Historical Tracts, which we have had the opportunity of examining, justify to the fullest the expectations we had formed of them. The first, Agincourt; a Contribution towards an authentic List of the Commanders of the English Host, in King Henry the Fifth's Expedition, in the Third Year of his Reign, Mr. Hunter describes as "an instalment," we venture to add "a very valuable instalment," from evidence which has been buried for centuries in the unknown masses of national records, towards a complete list of the English Commanders who served with the King in that expedition, with, in most cases, the number of the retinue which each Commander undertook to bring into the field, and, in some instances, notices of events happening to the contingents. The value of a work based upon such materials, our historical readers will instantly recognise. The lovers of our poetry will regard with equal interest, and peruse with equal satisfaction, Mr. Hunter's brochure entitled Milton; a Sheaf of Gleanings after his Biographers and Annotators, and admit that he has bound up the new biographical illustrations and critical comments, which he has gathered in that pleasant field of literary inquiry, the life and writings of Milton, into a goodly and a pleasant sheaf.

Messrs. Sotheby and Co. will commence on Monday, the 29th of this month, a three days' Sale of Greek Roman, and English Coins, English and Foreign Medals, Cabinets, &c., the property of a Gentleman leaving England.

BOOKS AND ODD VOLUMES

WANTED TO PURCHASE.

(In continuation of Lists in former Nos.)

Odd Volumes.

MOULTRIE'S POEMS. Vol. I.

Letters, stating particulars and lowest price, carriage free, to be sent to Mr. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet Street.

NOTICES TO CORRESPONDENTS.

C.J.S. The Inscription from the brass in Chinnor Church, Oxon, is Mouns. Esmoun de Malyns fitz Mouns. Reynald de Malyns Chr. et Isabelle sa femme gisoient icy Dieu de ses ailmes eit mercy, being in memory of Esmond de Malyns and his wife. The father, Renald de Malyns, was interred in the same church.

VOLUME THE FIRST OF NOTES AND QUERIES, with Title-page and very copious Index, is now ready, price 9s. 6d., bound in cloth, and may be had, by order, of all Booksellers and Newsmen.

Errata. In No. 37., p. 98., col. 2., 1. 16., for "1625" read "1695"; p. 101., l. 31., "Inchiguin" should be "Inchiquin"; p. 106., col. 2., 1. 26. should be—

"And disappoints the Queen, poor little Chuck."

COMMITTEE FOR THE REPAIR OF THE TOMB OF GEOFFREY CHAUCER.

JOHN BRUCE, esq., Treas. S.A.

J. PAYNE COLLIER, Esq., V.P.S.A.

PETER CUNNINGHAM, Esq., F.S.A.

WILLIAM RICHARD DRAKE, Esq., F.S.A.

THOMAS W. KING, Esq., F.S.A.

SIR FREDERICK MADDEN, K.H.

JOHN GOUGH NICHOLS, Esq., F.S.A.

HENRY SHAW, Esq., F.S.A.

SAMUEL SHEPERD, Esq., F.S.A.

WILLIAM J. THOMS, Esq., F.S.A.

The Tomb of Geoffrey Chaucer in Westminster Abbey is fast mouldering into irretrievable decay. A sum of One Hundred Pounds will effect a perfect repair. The Committee have not thought it right to fix any limit to the subscription, they themselves have opened the list with a contribution from each of them of Five Shillings; but they will be ready to receive any amount, more or less, which those who value poetry and honour Chaucer may be kind enough to remit to them.

Subscriptions have been received from the Earls of Carlisle, Ellesmere, and Shaftesbury, Viscounts Strangford and Mahon, Pres. Soc. Antiq., The Lords Braybrooke and Londesborough, and many other noblemen and gentlemen.

Subscriptions are received by all the members of the Committee, and at the Union Bank, Pall Mall East. Post-Office orders may be made payable at the Charing Cross Office, to William Richard Drake, Esq., the Treasurer, 46. Parliament Street, or William J. Thoms, Esq., Hon. Sec., 25. Holy-Well Street, Millbank.

Now Ready, in demy 8vo., with Portraits, price 12s.

SOME ACCOUNT OF THE CORPS OF GENTLEMEN AT ARMS.

By JAMES BUNCE CURLING, Clerk of the Checque.

"Mr. Curling has succeeded in producing a book of much lively and curious historic interest."—Naval and Military Gazette.

"The author has made the most of his subject, introducing anecdotes of the members of the corps from its first institution."—Atlas.

RICHARD BENTLEY, Publisher in Ordinary to her Majesty.

TO ALL WHO HAVE FARMS OR GARDENS. THE GARDENERS' CHRONICLE AND AGRICULTURAL GAZETTE,

(The HORTICULTURAL PART edited by PROF. LINDLEY)

Of Saturday, July 6. contains Articles on

Agricultural Society of England, Prof. Way's lecture on water

Agriculture of Lancaster

Annuals, English names of

Ash, to propagate

Balsams

Bee, remedy for sting of

Botanical names

Butter, rancid

Calendar, Horticultural

Calendar, Agricultural

Carts, Cumberland

Cattle, to feed

Clover crops

College, agricultural

Cropping, table of

Cuckoo, note of

Diseases of plants

Drainage reports

Evergreens, to transplant, by Mr. Glendinning

Farming in Norfolk, high

Farming, Mr. Mechi's, by Mr. Wilkins

Farming, rule of thumb, by Mr. Wilkins

Fruit trees, to root prune

Gardeners' Benevolent Institution, by Mr. Wheeler

Gardening, villa and suburban

Grapes in pots

Guano frauds

Highland Patriotic Society

Kew, Victoria Regia at

Peel, Sir R., death of

Pike, voracity of, by Mr. Lovell

Plants, diseases of

Plants, names of

Potato disease

Reviews, miscellaneous

Rhododendrons, on Himalayas, by Mr. Munro, Belfast

Root pruning

Rosa Manettii, by Mr. Paul

Royal Botanic Society, report of the Exhibition for July

Seeding, thin, by Mr. Mechi

Slough Carnation show

Slough Pink show

Statice armeria, by Mr. Forman

Swans, food of

Thin seeding, by Mr. Mechi

Timber felling

Toads' skins, by Prof. Henslow

Transplanting evergreens, by Mr. Glendinning

Trees, to root prune

Trees, to transplant, by Mr. Glendinning

Villa and suburban gardening

Vine, to summer prune, by Mr. Levell

Viper, the, by Mr. Chaytor

Water, Prof. Way's lecture on

THE GARDENERS' CHRONICLE AND AGRICULTURAL GAZETTE contains, in addition to the above, the Covent-garden, Mark-lane, and Smithfield prices, with returns from the Potato, Hop, Hay, and Seed Markets, and a complete Newspaper, with a condensed account of all the transactions of the week.

Order of Any Newsvender.—OFFICE for Advertisements, 5. Upper Wellington-street, Covent-garden, London.

Now Ready, in small 8vo., price 3s. 6d.,

ANONYMOUS POEMS.

"The elegant version of Greek epigrams contained in this volume shows the scholarship as well as the taste of the writer."—Britannia.

"Many of the pieces have a very classical air, and all are marked with an unusual degree of elegance and power."—Guardian.

RICHARD BENTLEY, New Burlington-street.

In Crown 8vo., elegantly bound in gilt cloth, price 7s. 6d.

MEMORIALS OF THE CASTLE OF EDINBURGH.

By JAMES GRANT; author of "Memoirs of Kirkaldy of Grange," "The Romance of War," "The Scottish Cavalier," &c. With Twelve Illustrations, engraved on Wood by BRANSTON.

"Of the different books of this nature that have fallen, in our way, we do not remember one that has equalled Mr. Grant's."—Spectator.

"Mr. Grant's very interesting history of the Castle of Edinburgh—a work equally distinguished by research, accuracy, and pictorial interest."—Alison's Essays.

"We have been much amused with this little book, which abounds in pleasant and interesting episodes, and we recommend it as an excellent specimen of local history."—Athenæum.

WILLIAM BLACKWOOD and Sons, Edinburgh And London.

Preparing for publication, in 2 vols. small 8vo.

THE FOLK-LORE Of ENGLAND.

By WILLIAM J. THOMS, F.S.A., Secretary of the Camden Society, Editor of "Early Prose Romances," "Lays and Legends of all Nations," &c. One object of the present work is to furnish new contributions to the History of our National Folk-Lore; and especially some of the more striking Illustrations of the subject to be found in the Writings of Jacob Grimm and other Continental Antiquaries.

Communications of inedited Legends, Notices of remarkable Customs and Popular Observances, Rhyming Charms, &c. are earnestly solicited, and will be thankfully acknowledged by the Editor. They may be addressed to the care of Mr. BELL, Office of "NOTES AND QUERIES," 186. Fleet Street.

Vols. I. and II. 8vo., price 28s. cloth.

THE JUDGES OF ENGLAND; from the TIME of the CONQUEST. By EDWARD FOSS, F.S.A.

"A work in which a subject of great historical importance is treated with the care, diligence, and learning it deserves; in which Mr. Foss has brought to light many points previously unknown, corrected many errors, and shown such ample knowledge of his subject as to conduct it successfully through all the intricacies of a difficult investigation, and such taste and judgment as will enable him to quit, when occasion requires, the dry details of a professional inquiry, and to impart to his work, as he proceeds, the grace and dignity of a philosophical history."—Gent. Mag.

London: LONGMAN, BROWN, GREEN, and LONGMANS.

Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New Street Square, in the Parish of St. Bride, in the City of London; and published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St. Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet Street aforesaid.—Saturday, July 20. 1850.

*** END OF THE PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NUMBER 38, JULY 20, 1850 ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.