The Project Gutenberg eBook of The Land of Heart's Desire, by W.B. Yeats.
The Project Gutenberg eBook of The Land of Heart's Desire
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.
Title: The Land of Heart's Desire
Author: W. B. Yeats
Release date: February 23, 2005 [eBook #15153]
Most recently updated: December 14, 2020
Language: English
Credits: Produced by Ted Garvin, Melissa Er-Raqabi and the Online Distributed
Proofreading Team at https://www.pgdp.net.
*** START OF THE PROJECT GUTENBERG EBOOK THE LAND OF HEART'S DESIRE ***
LITTLE BLUE BOOK NO. 335
Edited by E. Haldeman-Julius
The Land of
Heart's Desire
W.B. Yeats
HALDEMAN-JULIUS COMPANY
GIRARD, KANSAS
PRINTED IN THE UNITED STATES OF AMERICA
THE LAND OF HEART'S DESIRE
PERSONS
MAURTEEN BRUIN.
SHAWN BRUIN.
FATHER HART.
BRIDGET BRUIN.
MAIRE BRUIN.
A FAERY CHILD.
The scene is laid in the Barony of Kilmacowen in
the county of Sligo, and the time is the
end of Eighteenth Century. The
characters are supposed to
speak in Gaelic.
THE LAND OF HEART'S DESIRE
The kitchen of MAURTEEN BRAIN'S house. An
open grate with a turf fire is at the left
side of the room, with a table in front of
it. There is a door leading to the open
air at the back, and another door a little
to its left, leading into an inner room.
There is a window, a settle, and a large
dresser on the right side of the room, and
a great bowl of primroses on the sill of the
window. MAURTEEN BRUIN, FATHER HART;
and BRIDGET BRUIN are sitting at the table.
SHAWN BRUIN is setting the table for supper.
MAIRE BRUIN sits on the settle reading
a yellow manuscript.
BRIDGET BRUIN.
Because I bade her go and feed the calves, She took that old book down out of the thatch And has been doubled over it all day. We would be deafened by her groans and moans Had she to work as some do, Father Hart, Get up at dawn like me, and mend and scour; Or ride abroad in the boisterous night like you, The pyx and blessed bread under your arm.
SHAWN BRUIN.
You are too cross.
BRIDGET BRUIN.
The young side with the young.
MAURTEEN BRUIN.
She quarrels with my wife a bit at times, And is too deep just now in the old book; But do not blame her greatly; she will grow As quiet as a puff-ball in a tree When but the moons of marriage dawn and die For half a score of times.
FATHER HART
Their hearts are wild As be the hearts of birds, till children come.
BRIDGET BRUIN.
She would not mind the griddle, milk the cow, Or even lay the knives and spread the cloth.
FATHER HART.
I never saw her read a book before: What may it be?
MAURTEEN BRUIN.
I do not rightly know: It has been in the thatch for fifty years. My father told me my grandfather wrote it, Killed a red heifer and bound it with the hide. But draw your chair this way—supper is spread; And little good he got out of the book, Because it filled his house with roaming bards, And roaming ballad-makers and the like, And wasted all his goods.—Here is the wine; The griddle bread's beside you, Father Hart. Colleen, what have you got there in the book That you must leave the bread to cool? Had I, Or had my father, read or written books There were no stockings full of silver and gold To come, when I am dead, to Shawn and you.
FATHER HART.
You should not fill your head with foolish dreams. What are you reading?
MAIRE BRUIN.
How a Princess Edene, A daughter of a King of Ireland, heard A voice singing on a May eve like this, And followed, half awake and half asleep, Until she came into the land of faery, Where nobody gets old and godly and grave, Where nobody gets old and crafty and wise, Where nobody gets old and bitter of tongue; And she is still there, busied with a dance. Deep in the dewy shadow of a wood, Or where stars walk upon a mountain top.
MAURTEEN BRUIN.
Persuade the colleen to put by the book: My grandfather would mutter just such things, And he was no judge of a dog or horse, And any idle boy could blarney him. Just speak your mind.
FATHER HART.
Put it away, my colleen. God spreads the heavens above us like great wings, And gives a little round of deeds and days, And then come the wrecked angels and set snares, And bait them with light hopes and heavy dreams, Until the heart is puffed with pride and goes, Half shuddering and half joyous, from God's peace; And it was some wrecked angel, blind tears, Who flattered Edene's heart with merry words. My colleen, I have seen some other girls Restless and ill at ease, but years went by And they grew like their neighbours and were glad In minding children, working at the churn, And gossiping of weddings and of wakes; For life moves out of a red flare of dreams Into a common light of common hours, Until old age bring the red flare again.
SHAWN BRUIN.
Yet do not blame her greatly, Father Hart, For she is dull while I am in the fields, And mother's tongue were harder still to bear, But for her fancies: this is May Eve too, When the good people post about the world, And surely one may think of them to-night. Maire, have you the primroses to fling Before the door to make a golden path For them to bring good luck into the house. Remember, they may steal new-married brides Upon May Eve.
MAIRE BRUIN (going over to the window
and taking the flowers from the bowl.)
Here are the primroses.
[She goes to the door and strews the
primroses outside.
FATHER HART.
You do well, daughter, because God permits Great power to the good people on May Eve.
MAURTEEN BRUIN.
They can work all their will with primroses— Change them to golden money, or little flames To burn up those who do them any wrong.
MAIRE BRUIN.
I had no sooner flung them by the door Than the wind cried and hurried them away.
BRIDGET BRUIN.
May God have mercy on us!
MAIRE BRUIN.
The good people Will not be lucky to the house this year, But I am glad that I was courteous to them, For are not they, likewise, children of God?
FATHER HART.
No, child; they are the children of the fiend, And they have power until the end of Time, When God shall fight with them a great pitched battle And hack them into pieces.
MAIRE BRUIN.
He will smile, Father, perhaps, and open his great door,
FATHER HART.
Did but the lawless angels see that door They would fall, slain by everlasting peace; And when such angels knock upon our doors Who goes with them must drive through the same storm.
[A knock at the door. MAIRE BRUIN opens
it and then goes to the dresser and fills a
porringer with milk and hands it through
the door and takes it back empty and closes
the door.
MAIRE BRUIN.
A little queer old woman cloaked in green Who came to beg a porringer of milk.
BRIDGET BRUIN.
The good people go asking milk and fire Upon May Eve—Woe on the house that gives For they have power upon it for a year. I knew you would bring evil on the house
MAURTEEN BRUIN.
Who was she?
MAIRE BRUIN.
Both the tongue and face were strange.
MAURTEEN BRUIN.
Some strangers came last week to Clover Hill; She must be one of them.
BRIDGET BRUIN.
I am afraid.
MAURTEEN BRUIN.
The priest will keep all harm out of the house.
FATHER HART.
The Cross will keep all harm out of the house While it hangs there.
MAURTEEN BRUIN.
Come, sit beside me, colleen, And cut away your dreams of discontent, For I would have you light up my last days Like a bright torch of pine, and when I die I will make you the wealthiest hereabout; For hid away where nobody can find I have a stocking full of silver and gold.
BRIDGET BRUIN.
You are the fool of every pretty face, And I must pinch and pare that my son's wife May have all kinds of ribbons for her head.
MAURTEEN BRUIN.
Do not be cross; she is a right good girl! The butter's by your elbow, Father Hart. My colleen, have not Fate and Time and Change Done well for me and for old Bridget there? We have a hundred acres of good land, And sit beside each other at the fire, The wise priest of our parish to our right, And you and our dear son to left of us. To sit beside the board and drink good wine And watch the turf smoke coiling from the fire And feel content and wisdom in your heart, This is the best of life; when we are young We long to tread a way none trod before, But find the excellent old way through love And through the care of children to the hour For bidding Fate and Time and Change good-bye.
[A knock at the door. MAIRE BRUIN opens
it and then takes a sod of turf out of the
hearth in the tongs and passes it through
the door and closes the door and remains
standing by it.
MAIRE BRUIN.
A little queer old man in a green coat, Who asked a burning sod to light his pipe.
BRIDGET BRUIN.
You have now given milk and fire and brought For all you know, evil upon the house. Before you married you were idle and fine, And went about with ribbons on your head; And now you are a good-for-nothing wife.
SHAWN BRUIN.
Be quiet, mother!
MAURTEEN BRUIN.
You are much too cross!
MAIRE BRUIN.
What do I care if I have given this house, Where I must hear all day a bitter tongue, Into the power of faeries!
BRIDGET BRUIN.
You know, well How calling the good people by that name Or talking of them over much at all May bring all kinds of evil on the house.
MAIRE BRUIN.
Come, faeries, take me out of this dull house! Let me have all the freedom I have lost— Work when I will and idle when I will! Faeries, came take me out of this dull world, For I would ride with you upon the wind, Run on the top of the dishevelled tide, And dance upon the mountains like a flame!
FATHER HART.
You cannot know the meaning of your words!
MAIRE BRUIN.
Father, I am right weary of four tongues: A tongue that is too crafty and too wise, A tongue that is too godly and too grave, A tongue that is more bitter than the tide, And a kind tongue too full of drowsy love, Of drowsy love and my captivity.
[SHAWN BRUIN comes over to her and leads
her to the settle.
SHAWN BRUIN.
Do not blame me: I often lie awake Thinking that all things trouble your bright head— How beautiful it is—such broad pale brows Under a cloudy blossoming of hair! Sit down beside me here—these are too old, And have forgotten they were ever young.
MAIRE BRUIN.
O, you are the great door-post of this house, And I the red nasturtium climbing up.
[She takes SHAWN'S hand but looks shyly at
the priest and lets it go.
FATHER HART.
Good daughter, take his hand—by love alone God binds us to Himself and to the hearth And shuts us from the waste beyond His peace, From maddening freedom and bewildering light.
SHAWN BRUIN.
Would that the world were mine to give it you With every quiet hearth and barren waste, The maddening freedom of its woods and tides, And the bewildering lights upon its hills.
MAIRE BRUIN.
Then I would take and break it in my hands To see you smile watching it crumble away.
SHAWN BRUIN.
Then I would mould a world of fire and dew With no one bitter, grave, or over wise, And nothing marred or old to do you wrong. And crowd the enraptured quiet of the sky With candles burning to your lonely face.
MAIRE BRUIN.
Your looks are all the candles that I need.
SHAWN BRUIN.
Once a fly dancing in a beam o' the sun, Or the light wind blowing out of the dawn, Could fill your heart with dreams none other knew, But now the indissoluble sacrament Has mixed your heart that was most proud and cold With my warm heart for ever; and sun and moor, Must fade and heaven be rolled up like a scroll; But your white spirit still walk by my spirit. For not a power in earth and heaven and hell Can break this bond binding heart unto heart.
[A VOICE sings in the distance.
MAIRE BRUIN.
Did you hear something call? O, guard me close, Because I have said wicked things to-night.
A VOICE (close to the door).
The wind blows out of the gates of the day, The wind blows over the lonely of heart And the lonely of heart is withered away, While the faeries dance in a place apart, Shaking their milk-white feet in a ring, Tossing their milk-white arms in the air; For they hear the wind laugh, and murmur, and sing Of a land where even the old are fair, And even the wise are merry of tongue; But I heard a reed of Coolaney say, 'When the wind has laughed and murmured and sung, The lonely of heart must wither away!'
MAURTEEN BRUIN.
I am right happy, and would make all else Be happy too. I hear a child outside, And will go bring her in out of the cold.
[He opens the door. A CHILD dressed in a
green jacket with a red cap comes into
the house.
THE CHILD.
I tire of winds and waters and pale lights!
MAURTEEN BRUIN.
You are most welcome. It is cold out there, Who'd think to face such cold on a May Eve.
THE CHILD.
And when I tire of this warm little house, There is one here who must away, away, To where the woods, the stars, and the white streams Are holding a continual festival.
MAURTEEN BRUIN.
O listen to her dreamy and strange talk, Come to the fire.
THE CHILD.
I'll sit upon your knee, For I have run from where the winds are born, And long-to rest my feet a little while.
[She sits upon his knee.
BRIDGET BRUIN.
How pretty you are!
MAURTEEN BRUIN.
Your hair is wet with dew!
BRIDGET BRUIN.
I'll chafe your poor chilled feet.
MAURTEEN BRUIN.
You must have come A long long way, for I have never seen Your pretty face, and must be tired and hungry; Here is some bread and wine.
THE CHILD.
They are both nasty. Old mother, have you nothing nice for me?
BRIDGET BRUIN.
I have some honey!
[She goes into the next room.
MAURTEEN BRUIN.
You are a dear child; The mother was quite cross before you came.
[BRIDGET returns with the honey, and goes
to the dresser and fills a porringer with
milk.
BRIDGET BRUIN.
She is the child of gentle people; look At her white hands and at her pretty dress. I've brought you some new milk, but wait awhile And I will put it by the fire to warm, For things well fitted for poor folk like us Would never please a high-born child like you.
THE CHILD.
Old mother, my old mother, the green dawn Brightens above while you blow up the fire; And evening finds you spreading the white cloth. The young may lie in bed and dream and hope, But you work on because your heart is old.
BRIDGET BRUIN.
The young are idle.
THE CHILD.
Old father, you are wise, And all the years have gathered in your heart To whisper of the wonders that are gone. The young must sigh through many a dream and hope, But you are wise because your heart is old.
MAURTEEN BRUIN.
O, who would think to find so young a child Loving old age and wisdom.
[BRIDGET gives her more bread and honey.
THE CHILD.
No more, mother.
MAURTEEN BRUIN.
What a small bite; The milk is ready now; What a small sip!
THE CHILD.
Put on my shoes, old mother, For I would like to dance now I have dined. The reeds are dancing by Coolaney lake, And I would like to dance until the reeds And the loud wind, the white wave on the shore, And all the stars have danced themselves to sleep.
[BRIDGET having put on her shoes, she gets
off the old man's knees and is about to
dance, but suddenly sees the crucifix and
shrieks and covers her eyes.
What is that ugly thing on the black cross?
FATHER HART.
You cannot know how naughty your words are! That is Our Blessed Lord!
THE CHILD.
Hide it away!
BRIDGET BRUIN.
I have begun to be afraid again!
THE CHILD.
Hide it away!
MAURTEEN BRUIN.
That would be wickedness!
BRIDGET BRUIN.
That would be sacrilege!
THE CHILD
The tortured thing! Hide it away.
MAURTEEN BRUIN.
Her parents are to blame.
FATHER HART.
That is the image of the Son of God.
[The CHILD puts her arm round his neck
lovingly and kisses him.
THE CHILD.
Hide it away! Hide it away!
MAURTEEN BRUIN.
No! no!
FATHER HART.
Because you are so young and little a child I will go take it down.
THE CHILD.
Hide it away, And cover it out of sight and out of mind.
FATHER HART (takes it down and carries it
towards the inner room).
Since you have come into this barony I will instruct you in our blessed faith: Being a clever child you will soon learn.
(To the others.)
We must be tender with all budding things, Our Maker let no thought of Calvary Trouble the morning stars in their first song.
[Puts the crucifix in the inner room.
THE CHILD.
O, what a nice, smooth floor to dance upon! The wind is blowing on the waving reeds, The wind is blowing on the heart of man.
[She dances, swaying about like the reeds.
MAIRE (to SHAWN BRUIN).
Just now when she came near I thought I heard Other small steps beating upon the floor, And a faint music blowing in the wind— Invisible pipes giving her feet the time.
SHAWN BRUIN.
I heard no step but hers.
MAIRE BRUIN.
Look to the bolt! Because the unholy powers are abroad.
MAURTEEN BRUIN (to the CHILD).
Come over here, and if you promise me Not to talk wickedly of holy things I'll give you something.
THE CHILD.
Bring it me, old father!
[MAURTEEN BRUIN goes into the next room.
FATHER HART.
I will have queen cakes when you come to me!
[MAURTEEN BRUIN returns and lays a piece
of money on the table. The CHILD makes
a gesture of refusal.
MAURTEEN BRUIN.
It will buy lots of toys; see how it glitters!
THE CHILD.
Come, tell me, do you love me?
MAURTEEN BRUIN.
I love you!
THE CHILD.
Ah! but you love this fireside!
FATHER HART.
I love you.
THE CHILD.
But you love Him above.
BRIDGET BRUIN.
She is blaspheming.
THE CHILD (to MAIRE).
And do you likewise love me?
MAIRE BRUIN.
I don't know.
THE CHILD.
You love that great tall fellow over there: Yet I could make you ride upon the winds, Run on the top of the dishevelled tide, And dance upon the mountains like a flame!
MAIRE BRUIN.
Queen of the Angels and kind Saints defend us! Some dreadful fate has fallen: before she came The wind cried out and took the primroses. And I gave milk and fire, and when she came She made you hide the blessed crucifix; She wears, too, the green jacket and red cap Of the unholy creatures of the Raths.
FATHER HART.
You fear because of her wild, pretty prates; She knows no better. (To the CHILD) Child, how old are you?
THE CHILD.
My own dear people live a long, long time, So I am young; but measure by your years And I am older than the eagle cock Who blinks and blinks on Ballydawley Hill, And he's the oldest thing under the moon. At times I merely care to dance and dance— At times grow wiser than the eagle cock.
FATHER HART.
What are you?
THE CHILD.
I am of the faery people. I sent my messengers for milk and fire, And then I heard one call to me and came.
[They all except MAIRE BRUIN gather about
the priest for protection. MAIRE BRUIN
stays on the settle as if in a trance of
terror. The CHILD takes primroses from
the great bowl and begins to strew them
between herself and the priest and about
MAIRE BRUIN. During the following
dialogue SHAWN BRUIN goes more than
once to the brink of the primroses, but
shrinks back to the others timidly.
FATHER HART.
I will confront this mighty spirit alone.
[They cling to him and hold him back.
THE CHILD (while she strews the primroses.)
No one whose heart is heavy with human tears Can cross these little cressets of the wood.
FATHER HART.
Be not afraid, the Father is with us, And all the nine angelic hierarchies, The Holy Martyrs and the Innocents, The adoring Magi in their coats of mail, And He who died and rose on the third day, And Mary with her seven times wounded heart.
[The CHILD ceases strewing the primroses,
and kneels upon the settle beside MAIRE
and puts her arms about her neck.
Cry daughter to the Angels and the Saints.
THE CHILD.
You shall go with me, newly-married bride, And gaze upon a merrier multitude: White-armed Nuala and Ardroe the Wise, Feacra of the hurtling foam, and him Who is the ruler of the western host, Finvarra, and their Land of Heart's Desire, Where beauty has no ebb, decay no flood, But joy is wisdom, Time an endless song. I kiss you and the world begins to fade.
FATHER HART.
Daughter, I call you unto home and love!
THE CHILD.
Stay, and come with me, newly-married bride, For, if you hear him, you grow like the rest: Bear children, cook, be mindful of the churn, And wrangle over butter, fowl, and eggs, And sit at last there, old and bitter of tongue, Watching the white stars war upon your hopes.
FATHER HART.
Daughter, I point you out the way to heaven!
THE CHILD.
But I can lead you, newly-married bride, Where nobody gets old and crafty and wise, Where nobody gets old and godly and grave, Where nobody gets old and bitter of tongue, And where kind tongues bring no captivity, For we are only true to the far lights We follow singing, over valley and hill.
FATHER HART.
By the dear name of the one crucified, I bid you, Maire Bruin, come to me.
THE CHILD.
I keep you in the name of your own heart!
[She leaves the settle, and stooping takes
up a mass of primroses and kisses them.
We have great power to-night, dear golden folk For he took down and hid the crucifix. And my invisible brethren fill the house; I hear their footsteps going up and down. O, they shall soon rule all the hearts of men And own all lands; last night they merrily danced About his chapel belfrey! (To MAIRE.) Come away, I hear my brethren bidding us away!
FATHER HART.
I will go fetch the crucifix again.
[They hang about him in terror and prevent
him from moving.
BRIDGET BRUIN.
The enchanted flowers will kill us if you go.
MAURTEEN BRUIN.
They turn the flowers to little twisted flames.
SHAWN BRUIN.
The little twisted flames burn up the heart.
THE CHILD.
I hear them call us, newly-married bride.
MAIRE BRUIN.
I will go with you.
FATHER HART.
She is lost, alas,
THE CHILD (standing by the door).
Then, follow but the heavy body of clay, And clinging mortal hope must fall from you; For we who ride the winds, run on the waves, And dance upon the mountains, are more light Than dewdrops on the banners of the dawn.
MAIRE BRUIN.
Then take my soul.
[SHAWN BRUIN goes over to her.
SHAWN BRUIN.
Beloved, do not leave me! What will my life be if you go with her? Remember when I met you by the well And took your hand in mine and spoke of love.
MAIRE BRUIN.
Dear face! Dear voice!
THE CHILD.
Come, newly-married bride!
MAIRE BRUIN.
I always loved her world—and yet—and yet I think that I would stay if I could stay.
[Sinks into his arms.
THE CHILD (from the door).
White bird, white bird, come with me, little bird!
MAIRE BRUIN.
She calls my soul!
THE CHILD.
Come with me, little bird!
MAIRE BRUIN.
I can hear songs and dancing!
SHAWN BRUIN.
Stay with me!
MAIRE BRUIN.
Dear, I would stay—and yet and yet—
THE CHILD.
White bird! Come, little bird with crest of gold!
MAIRE BRUIN (very softly).
And yet—
THE CHILD.
Come, little bird with silver feet!
SHAWN BRUIN.
Dead, dead!
FATHER HART.
Thus do the evil spirits snatch their prey Almost out of the very hand of God; And day by day their power is more and more, And men and women leave old paths, for pride Comes knocking with thin knuckles on the heart.
A VOICE sings outside—
The wind blows out of the gates of the day, The wind blows over the lonely of heart, And the lonely of heart is withered away, While the faeries dance in a place apart, Shaking their milk-white feet in a ring, Tossing their milk-white arms in the air; For they hear the wind laugh and murmur and sing Of a land where even the old are fair, And even the wise are merry of tongue; But I heard a reed of Coolaney say, 'When the wind has laughed and murmured and sung, The lonely of heart must wither away.'
[The song is taken up by many voices, who
sing loudly, as if in triumph. Some of
the voices seem to come from within the
house.
*** END OF THE PROJECT GUTENBERG EBOOK THE LAND OF HEART'S DESIRE ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg™ trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.