The Atlantic Monthly, Volume 17, No. 103, May, 1866 / A Magazine of Literature, Science, Art, and Politics
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Title: The Atlantic Monthly, Volume 17, No. 103, May, 1866

Author: Various

Release date: June 22, 2007 [eBook #21902]

Language: English

Credits: Produced by Joshua Hutchinson, Josephine Paolucci and the
Online Distributed Proofreading Team at http://www.pgdp.net.
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*** START OF THE PROJECT GUTENBERG EBOOK THE ATLANTIC MONTHLY, VOLUME 17, NO. 103, MAY, 1866 ***

THE

ATLANTIC MONTHLY.

A Magazine of Literature, Science, Art, and Politics.

VOL. XVII.—MAY, 1866.—NO. CIII.

Entered according to Act of Congress, in the year 1866, by Ticknor and Fields, in the Clerk's Office of the District Court of the District of Massachusetts.

Transcriber's Note: Minor typos have been corrected and footnotes moved to the end of the article. Table of contents has been created for the HTML version.

Contents

THE HARMONISTS.
ABRAHAM DAVENPORT.
LAST DAYS OF WALTER SAVAGE LANDOR.
TO-MORROW.
DOCTOR JOHNS.
PASSAGES FROM HAWTHORNE'S NOTE-BOOKS.
THE FENIAN "IDEA."
THE CHIMNEY-CORNER FOR 1866.
EDWIN BOOTH.
AMONG THE LAURELS.
GRIFFITH GAUNT; OR, JEALOUSY.
WHAT WILL IT COST US?
MEPHISTOPHELEAN.
MR. HOSEA BIGLOW'S SPEECH IN MARCH MEETING.
QUESTION OF MONUMENTS.
REVIEWS AND LITERARY NOTICES.
RECENT AMERICAN PUBLICATIONS.

THE HARMONISTS.

My brother Josiah I call a successful man,—very successful, though only an attorney in a manufacturing town. But he fixed his goal, and reached it. He belongs to the ruling class,—men with slow, measuring eyes and bull-dog jaws,—men who know their own capacity to an atom's weight, and who go through life with moderate, inflexible, unrepenting steps. He looks askance at me when I cross his path; he is in the great market making his way: I learned long ago that there was no place there for me. Yet I like to look in, out of the odd little corner into which I have been shoved,—to look in at the great play, never beginning and never ending, of bargain and sale, for which all the world's but a stage; to see how men like my brother have been busy, since God blessed all things he had made, in dragging them down to the trade level, and stamping price-marks on them. Josiah looks at me grimly, as I said. Jog as methodically as I will from desk to bed and back to desk again, he suspects some outlaw blood under the gray head of the fagged-out old clerk. He indulges in his pictures, his bronzes: I have my high office-stool, and bedroom in the fifth story of a cheap hotel. Yet he suspects me of having forced a way out of the actual common-sense world by sheer force of whims and vagaries, and to have pre-empted a homestead for myself in some dream-land, where neither he nor the tax-gatherer can enter.

"It won't do," he said to-day, when I was there (for I use his books now and then). "Old Père Bonhours, you're poring over? Put it down, and come take some clam soup. Much those fellows knew about life! Zachary! Zachary! you have kept company with shadows these forty years, until you have grown peaked and gaunt yourself. When will you go to work and be a live man?"

I knew we were going to have the daily drill which Josiah gave to his ideas; so I rolled the book up to take with me, while he rubbed his spectacles angrily, and went on.

"I tell you, the world's a great property-exchanging machine, where everything has its weight and value; a great, inexorable machine,—and whoever tries to shirk his work in it will be crushed! Crushed! Think of your old friend Knowles!"

I began to hurry on my old overcoat; I never had but two or three friends, and I could not hear their names from Josiah's mouth. But he was not quick to see when he had hurt people.

"Why, the poet,"—more sententious than before,—"the poet sells his song; he knows that the airiest visions must resolve into trade-laws. You cannot escape from them. I see your wrinkled old face, red as a boy's, over the newspapers sometimes. There was the daring of that Rebel Jackson, Frémont's proclamation, Shaw's death; you claimed those things as heroic, prophetic. They were mere facts tending to solve the great problem of Capital vs. Labor. There was one work for which the breath was put into our nostrils,—to grow, and make the world grow by giving and taking. Give and take; and the wisest man gives the least and gains the most."

I left him as soon as I could escape. I respect Josiah: his advice would be invaluable to any man; but I am content that we should live apart,—quite content. I went down to Yorke's for my solitary chop. The old prophet Solomon somewhere talks of the conies or ants as "a feeble folk who prepare their meat in the summer." I joke to myself about that sometimes, thinking I should claim kindred with them; for, looking back over the sixty years of Zack Humphreys's life, they seem to me to have pretty much gone in preparing the bread and meat from day to day. I see but little result of all the efforts of that time beyond that solitary chop; and a few facts and hopes, may be, gathered outside of the market, which, Josiah says, absorb all of the real world. All day, sitting here at my desk in Wirt's old counting-house, these notions of Josiah's have dogged me. These sums that I jotted down, the solid comforts they typified, the homes, the knowledge, the travel they would buy,—these were, then, the real gist of this thing we called life, were they? The great charities money had given to the world,—Christ's Gospel preached by it.—Did it cover all, then? Did it?

What a wholesome (or unwholesome) scorn of barter Knowles had! The old fellow never collected a debt; and, by the way, as seldom paid one. The "dirty dollar" came between him and very few people. Yet the heart in his great mass of flesh beat fiercely for an honor higher than that known to most men. I have sat here all the afternoon, staring out at the winter sky, scratching down a figure now and then, and idly going back to the time when I was a younger man than now, but even then with neither wife nor child, and no home beyond an eating-house; thinking how I caught old Knowles's zest for things which lay beyond trade-laws; how eager I grew in the search of them; how he inoculated me with Abolitionism, Communism, every other fever that threatened to destroy the commercial status of the world, and substitute a single-eyed regard for human rights. It occurred to me, too, that some of those odd, one-sided facts, which it used to please me to gather then,—queer bits of men's history, not to be judged by Josiah's rules,—it might please others to hear. What if I wrote them down these winter evenings? Nothing in them rare or strange; but they lay outside of the market, and were true.

Not one of them which did not bring back Knowles, with his unwieldy heat and bluster. He found a flavor and meaning in the least of these hints of mine, gloating over the largess given and received in the world, for which money had no value. His bones used to straighten, and his eye glitter under the flabby brow, at the recital of any brave, true deed, as if it had been his own; as if, but for some mischance back yonder in his youth, it might have been given to even this poor old fellow to strike a great, ringing blow on Fate's anvil before he died,—to give his place in the life-boat to a more useful man,—to help buy with his life the slave's freedom.

Let me tell you the story of our acquaintance. Josiah, even, would hold the apology good for claiming so much of your time for this old dreamer of dreams, since I may give you a bit of useful knowledge in the telling about a place and people here in the States utterly different from any other, yet almost unknown, and, so far as I know, undescribed. When I first met Knowles it was in an obscure country town in Pennsylvania, as he was on his way across the mountains with his son. I was ill in the little tavern where he stopped; and, he being a physician, we were thrown together,—I a raw country lad, and he fresh from the outer world, of which I knew nothing,—a man of a muscular, vigorous type even then. But what he did for me, or the relation we bore to each other, is of no import here.

One or two things about him puzzled me. "Why do you not bring your boy to this room?" I asked, one day.

His yellow face colored with angry surprise. "Antony? What do you know of Antony?"

"I have watched you with him," I said, "on the road yonder. He's a sturdy, manly little fellow, of whom any man would be proud. But you are not proud of him. In this indifference of yours to the world, you include him. I've seen you thrust him off into the ditch when he caught at your hand, and let him struggle on by himself."

He laughed. "Right! Talk of love, family affection! I have tried it. Why should my son be more to me than any other man's son, but for an extended selfishness? I have cut loose all nearer ties than those which hold all men as brothers, and Antony comes no closer than any other."

"I've watched you coming home sometimes," I said, coolly. "One night you carried the little chap, as he was sound asleep. It was dark; but I saw you sit by the pond yonder, thinking no one saw you, caressing him, kissing his face, his soiled little hands, his very feet, as fierce and tender as a woman."

Knowles got up, pacing about, disturbed and angry; he was like a woman in other ways, nervous, given to sudden heats of passion,—was leaky with his own secrets. "Don't talk to me of Antony! I know no child, no wife, nor any brother, except my brother-man."

He went trotting up and down the room, then sat down with his back to me. It was night, and the room was dimly lighted by the smoky flame of a lard lamp. The solitary old man told me his story. Let me be more chary with his pain than he was; enough to say that his wife was yet living, but lost, to him. Her boy Antony came into the room just when his father had ceased speaking,—a stout little chap of four years, with Knowles's ungainly build, and square, honest face, but with large, hazel, melancholy eyes. He crept up on my bed, and, lying across the foot, went to sleep.

Knowles glanced at him,—looked away, his face darkening. "Sir," he said, "I have thrust away all arbitrary ties of family. The true life,"—his eye dilating, as if some great thought had come into his brain,—"the true life is one where no marriage exists,—where the soul acknowledges only the pure impersonal love to God and our brother-man, and enters into peace. It can so enter, even here, by dint of long contemplation and a simple pastoral work for the body."

This was new talk in that country tavern: I said nothing.

"I'm not dreaming dreams," raising his voice. "I have a real plan for you and me, lad. I have found the Utopia of the prophets and poets, an actual place, here in Pennsylvania. We will go there together, shut out the trade-world, and devote ourselves with these lofty enthusiasts to a life of purity, celibacy, meditation,—helpful and loving to the great Humanity."

I was but a lad; my way in life had not been smooth. While he talked on in this strain my blood began to glow. "What of Tony?" I interrupted, after a while.

"The boy?" not looking at the little heap at the foot of the bed. "They will take him in, probably. Children are adopted by the society; they receive education free from the personal taints given by father and mother."

"Yes," not very clear as to what he meant.

The moon began to fleck the bare floor with patches of light and shadow, bringing into relief the broad chest of the man beside me, the big, motionless head dropped forward, and the flabby yellow face set with a terrible, lifelong gravity. His scheme was no joke to him. Whatever soul lay inside of this gross animal body had been tortured nigh to death, and this plan was its desperate chance at a fresh life. Watching me askance as I tried to cover the boy with the blankets, he began the history of this new Utopia, making it blunt and practical as words could compass, to convince me that he was no dreamer of dreams. I will try to recall the facts as he stated them that night; they form a curious story at all times.

In 1805, a man named George Rapp, in Würtemberg, became possessed with the idea of founding a new and pure social system,—sowing a mere seed at first, but with the hope, doubtless, of planting a universal truth thereby which should some day affect all humanity. His scheme differed from Comte's or Saint Simon's, in that it professed to go back to the old patriarchal form for its mode of government, establishing under that, however, a complete community of interest. Unlike other communist reformers, too, Rapp did not look through his own class for men of equal intelligence and culture with himself of whom to make converts, but, gathering several hundred of the peasants from the neighborhood, he managed to imbue them with an absolute faith in his divine mission, and emigrated with them to the backwoods of Pennsylvania, in Butler County. After about ten years they removed to the banks of the Wabash, in Indiana; then, in 1825, returned to Pennsylvania, and settled finally in Beaver County, some sixteen miles below Pittsburg, calling their village Economy.

"A great man, as I conceive him, this Rapp," said Knowles. "His own property, which was large, was surrendered to the society at its foundation, and this to the least particular, not reserving for his own use even the library or gallery of paintings pertaining to his family; nor did the articles of association allow any exclusive advantage to accrue to him or his heirs from the profits of the community. He held his office as spiritual and temporal head, not by election of the people, but assumed it as by Divine commission, as Moses and Aaron held theirs; and not only did the power of the man over his followers enable him to hold this autocratic authority during a long life, unimpaired, but such was the skill with which his decrees were framed that after his death this authority was reaffirmed by the highest legal tribunal of the country.[A] With all his faith in his divine mission, too, he had a clear insight into all the crookedness and weakness of the natures he was trying to elevate. He knew that these dogged, weak Germans needed coercion to make them fit for ultimate freedom; he held the power of an apostle over them, therefore, with as pure purpose, it's my belief, as any apostle that went before him. The superstitious element lay ready in them for him to work upon. I find no fault with him for working it."

"How?" I asked.

Knowles hesitated. "When their stupidity blocked any of his plans for their advancement, he told them that, unless they consented, their names should be blotted out from the Book of Life,—which was but a coarse way of stating a great truth, after all; telling them, too, that God must be an unjust Judge should he mete out happiness or misery to them without consulting him,—that his power over their fate stretched over this life and the next,—which, considering the limitless influence of a strong mind over a weak one, was not so false, either."

Rapp's society, Knowles stated, did not consist altogether of this class, however. A few men of education and enthusiasm had joined him, and carried out his plans with integrity. The articles of association were founded in a strict sense of justice; members entering the society relinquished all claim to any property, much or little, of which they might be possessed, receiving thereafter common maintenance, education, profit, with the others; should they at any time thereafter choose to leave, they received the sum deposited without interest. A suit had just been decided in the Supreme Court of Pennsylvania[B] which had elicited this point.

Knowles, more and more eager, went on to describe the settlement as it had been pictured to him; the quaint, quiet village on the shores of "the Beautiful River," the rolling hills of woodland, the quiet valleys over which their flocks wandered, the simple pastoral work in which all joined; the day begun and ended with music;—even the rich, soft tints of the fresh Western sky about them were not forgotten, nor the picturesque dresses of the silent, primitive people.

"A home in which to forget all pain and sore, boy," ended the old man, gulping down a sigh, and then falling into a heavy silence.

It was long before I broke it. "They do not marry?"

"No," anxiously, as if I had reached the core of the truth in this matter at last. "It was their founder's scheme, as I believe, to lift them above all taint of human passion,—to bring them by pure work, solitude, and contact with a beautiful nature into a state of being where neither earthly love, nor hate, nor ambition can enter,—a sphere of infinite freedom, and infinite love for Him and all His creatures."

There was no doubting the fire of rapt enthusiasm in his eye, rising and looking out across the moonlit fields as if already he saw the pleasant hills of Beulah.

"Thank God for George Rapp! he has found a home where a man can stand alone,"—stretching out his arms as if he would have torn out whatever vestige of human love tugged at his sick old heart, his eye hunting out Tony as he spoke.

The boy, startled from his sleep, muttered, and groped as a baby will for its mother's breast or hand. No hand met the poor little fingers, and they fell on the pillow empty, the child going to sleep again with a forlorn little cry. Knowles watched him, the thick lips under his moustache growing white.

"I purpose," he said, "that next week you and I shall go to these people, and, if possible, become members of their community,—cut loose from all these narrow notions of home and family, and learn to stand upright and free under God's heaven. The very air breathed by these noble enthusiasts will give us strength and lofty thoughts. Think it over, Humphreys."

"Yes."

He moved to the door,—held it open uncertainly. "I'll leave the boy here to-night. He got into a foolish habit of sleeping in my arms when he was a baby; it's time he was broke of it."

"Very well."

"He must learn to stand alone, eh?" anxiously. "Good night";—and in a moment I heard his heavy steps on the stairs, stopping, then going on faster, as if afraid of his own resolution.

In the middle of the night I was wakened by somebody fumbling for Tony at my side,—"Afraid the child would prove troublesome,"—and saw him go off with the boy like a mite in his arms, growling caresses like a lioness who has recovered her whelp. I say lioness, for, with all his weight of flesh and coarseness, Knowles left the impression on your mind of a sensitive, nervous woman.

Late one spring afternoon, a month after that, Knowles and I stood on one of the hills overlooking the communist village of Economy. I was weak and dizzy from illness and a long journey; the intense quiet of the landscape before me affected me like a strain of solemn music. Knowles had infected me with his eager hope. Nature was about to take me to her great mother's bosom, for the first time. Life was to give me the repose I asked, satisfy all the needs of my soul: here was the foretaste. The quaint little hamlet literally slept on the river-bank; not a living creature was visible on the three grass-grown streets; many of the high-gabled brick houses, even at that date of the colony, were closed and vacant, their inmates having dropped from the quiet of this life into an even deeper sleep, and having been silently transferred to rest under the flat grass of the apple-orchards, according to the habit of the society. From the other houses, however, pale rifts of smoke wavered across the cold blue sky; great apple and peach orchards swept up the hills back of the town, quite out of sight. They were in blossom, I remember, and covered the green of the hills with a veil of delicate pink. A bleak wind, as we stood there, brought their perfume towards us, and ruffled the broad, dark river into sudden ripples of cut silver: beyond that, motion there was none. Looking curiously down into the town, I could distinguish a great, barn-like church, a public laundry, bakery, apiary, and one or two other buildings, like factories, but all empty, apparently, and deserted. After all, was this some quaint German village brought hither in an enchanted sleep, and dropped down in the New World? About the houses were silent, trim little gardens, set round with yew and box cut in monstrous shapes, and filled with plants of which this soil knew nothing. Up a path from the woods, too, came at last some curious figures, in a dress belonging to the last century.

Knowles had no idea, like mine, of being bewitched; he rubbed his hands in a smothered excitement. "We too shall be Arcadians!" he burst out. "Humphreys!" anxiously, as we plodded down the hill, "we must be careful, very careful, my boy. These are greatly innocent and pure natures with which we have come in contact: the world must have grown vague and dim to them long ago, wrapped in their high communings. We must leave all worldly words and thoughts outside, as a snake drops his skin. No talk of money here, lad. It would be as well, too, not to mention any family ties, such as wife or child: such bonds must seem to this lofty human brotherhood debasing and gross."

So saying, and dropping Tony's hand in order that the child even might stand alone, we came into the village street; Knowles growing red with eagerness as one of the odd figures came towards us. "Careful, Zachary!" in a hoarse whisper. "It all depends on this first day whether we are accepted or not. Remember their purity of thought, their forms gathered from the patriarchs and apostles!"

I had a vague remembrance of a washing of feet, practised in those days; of calf-killing and open tents for strangers; so stood perplexed while the brother approached and stood there, like an animate lager-bier barrel, dressed in flannel, with a round hat on top. "Was brauchen Sie?" he grumbled.

I don't know in what words Knowles's tremulous tones conveyed the idea that we were strangers, going on to state that we were also world-weary, and—

"Ach! want der supper," he said, his face brightening, and, turning, he jogged on, elephant-like, before, muttering something about himself, "Bin Yosef, an keepit der tavern,"—to the door of which, one of the silent brick dwellings, he speedily brought us; and, summoning some "Christ-ina" in a subdued bellow from the bowels of the cellar, went into the neat bar-room, and swallowed two glasses of wine to revive himself, dropping exhausted, apparently, into a chair.

Christina, an old dried-up woman, in the quaint, daintily clean dress of blue, emerged from the cellar-door, bringing with her a savory smell of frying ham and eggs. She glanced at us with suspicious blue eyes, and then, with "Ach! der Liebling! mein schöner Schatz!" caught up Tony to her shrivelled breast in a sudden surprise, and, going back to the door, called "Fredrika!" Another old woman, dried, withered, with pale blue eyes, appeared, and the two, hastily shoving us chairs, took Tony between them, chattering in delighted undertones, patting his fat cheeks, his hands, feeling his clothes, straightening his leg, and laughing at the miniature muscles.

Knowles stared dumbly.

"You will haf der supper, hein?" said the first old woman, recollecting herself and coming forward, her thin jaws yet reddened. "Der ham? Shickens? It is so long as I haf seen a little shild," apologetically.

I assented to the ham and chicken proposition, answering for myself and Tony at least. As they went down the stairs, they looked wistfully at him. I nodded, and, picking him up, they carried him with them. I could presently distinguish his shrill little tones, and half a dozen women's voices, caressing, laughing with him. Yet it hurt me somehow to notice that these voices were all old, subdued; none of them could ever hold a baby on her lap, and call it hers. Joseph roused himself, came suddenly in with a great pitcher of domestic wine, out again, and back with ginger-cakes and apples,—"Till der supper be cookin'," with an encouraging nod,—and then went back to his chair, and presently snored aloud. In a few minutes, however, we were summoned to the table.

Knowles ate nothing, and looked vaguely over the great smoking dishes, which Tony and I proved to be marvels of cookery. "Doubtless," he said, "some of these people have not yet overcome this grosser taste; we have yet seen but the dregs of the society; many years of Rapp's culture would be needed to spiritualize German boors."

The old women, who moved gently about, listened keenly, trying to understand why he did not eat. It troubled them.

"We haf five meals a day in der society," said Christina, catching a vague notion of his meaning, "Many as finds it not enough puts cheese and cakes on a shelf at der bed-head, if dey gets faint in de night."

"Do you get faint in the night?" I asked.

"Most times I does," simply.

Knowles burst in with a snort of disgust, and left the table. When I joined him on the stoop he had recovered his temper and eagerness, even laughing at Joseph, who was plying him in vain with his wine.

"I was a fool, Humphreys. These are the flesh of the thing; we'll find the brain presently. But it was a sharp disappointment. Stay here an hour, until I find the directors of the society,—pure, great thinkers, I doubt not, on whom Rapp's mantle has fallen. They will welcome our souls, as these good creatures have our bodies. Yonder is Rapp's house, they tell me. Follow me in an hour."

As he struck into one of the narrow paths across the grassy street, I saw groups of the colonists coming in from their field-work through the twilight, the dress of the women looking not unpicturesque, with the tight flannel gown and broad-rimmed straw hat. But they were all old, I saw as they passed; their faces were alike faded and tired; and whether dull or intelligent, each had a curious vacancy in its look. Not one passed without a greeting more or less eager for Tony, whom Christina held on her knees, on the steps of the stoop.

"It is so long as I haf not seen a baby," she said, again turning her thin old face round.

I found her pleased to be questioned about the society.

"I haf one, two, dree kinder when we come mit Father Rapp," she said. "Dey is dead in Harmony; since den I just cooken in der tavern. Father Rapp say the world shall end in five years when we come in der society, den I shall see mein shilds again. But I wait, and it haf not yet end."

I thought she stifled a quick sigh.

"And your husband?"

She hesitated. "John Volz was my man, in Germany. He lives in yonder house, mit ein ander family. We are in families of seven."

"Husbands and wives were separated, then?"

"Father Rapp said it must to be. He knows."

There was a long pause, and then, lowering her voice, and glancing cautiously around, she added hurriedly, "Frederick Rapp was his brother: he would not leave his wife."

"Well, and then?"

The two old women looked at each other, warningly, but Christina, being on the full tide of confidence, answered at last in a whisper, "Father Rapp did hold a counsel mit five others."

"And his brother?"

"He was killed. He did never see his child."

"But," I resumed, breaking the long silence that followed, "your women do not care to go back to their husbands? They dwell in purer thoughts than earthly love?"

"Hein?" said the woman with a vacant face.

"Were you married?"—to Fredrika, who sat stiffly knitting a blue woollen sock.

"Nein," vacantly counting the stitches. "Das ist not gut, Father Rapp says. He knows."

"She war not troth-plight even," interrupted the other eagerly, with a contemptuous nod, indicating by a quick motion a broken nose, which might have hindered Fredrika's chances of matrimony. "There is Rachel," pointing to a bent figure in a neighboring garden; "she was to marry in the summer, and in spring her man came mit Father Rapp. He was a sickly man."

"And she followed him?"

"Ya. He is dead."

"And Rachel?"

"Ya wohl! There she is," as the figure came down the street, passing us.

It was only a bent old Dutchwoman, with a pale face and fixed, tearless eyes, that smiled kindly at sight of the child; but I have never seen in any tragedy, since, the something which moved me so suddenly and deeply in that quiet face and smile. I followed her with my eyes, and then turned to the women. Even the stupid knitter had dropped her work, and met my look with a vague pity and awe in her face.

"It was not gut she could not marry. It is many years, but she does at no time forget," she mumbled, taking up her stocking again. Something above her daily life had struck a quick response from even her, but it was gone now.

Christina eagerly continued; "And there is ——" (naming a woman, one of the directors.) "She would be troth-plight, if Father Rapp had not said it must not be. So they do be lovers these a many years, and every night he does play beneath her window until she falls asleep."

When I did not answer, the two women began to talk together in undertones, examining the cut of Tony's little clothes, speculating as to their price, and so forth. I rose and shook myself. Why! here in the new life, in Arcadia, was there the world,—old love and hunger to be mothers, and the veriest gossip? But these were women: I would seek the men with Knowles. Leaving the child, I crossed the darkening streets to the house which I had seen him enter. I found him in a well-furnished room, sitting at a table, in council with half a dozen men in the old-time garb of the Communists. If their clothes were relics of other times, however, their shrewd, keen faces were wide awake and alive to the present. Knowles's alone was lowering and black.

"These are the directors of the society," he said to me aloud, as I entered.

"Their reception of us is hardly what I expected," nodding me to a seat.

They looked at me with a quiet, business-like scrutiny.

"I hardly comprehend what welcome you anticipated," said one, coolly. "Many persons offer to become members of our fraternity; but it is, we honestly tell you, difficult to obtain admission. It is chiefly an association to make money: the amount contributed by each new-comer ought, in justice, to bear some proportion to the advantage he obtains."

"Money? I had not viewed the society in that light," stammered Knowles.

"You probably," said the other, with a dry smile, "are not aware how successful a corporation ours has been. At Harmony, we owned thirty thousand acres; here, four thousand. We have steam-mills, distilleries, carry on manufactures of wool, silk, and cotton. Exclusive of our stocks, our annual profit, clear of expense, is over two hundred thousand dollars. There are few enterprises by which money is to be made into which our capital does not find its way."

Knowles sat dumb as the other proceeded, numbering, alertly as a broker, shares in railroad stocks, coal-mines, banks.

"You see how we live," he concluded; "the society's lands are self-supporting,—feed and clothe us amply. What profits accrue are amassed, intact."

"To what end?" I broke in. "You have no children to inherit your wealth. It buys you neither place nor power nor pleasure in the world."

The director looked at me with a cold rebuke in his eyes. "It is not surprising that many should desire to enter a partnership into which they bring nothing, and which is so lucrative," he said.

"I had no intention of coming empty-handed," said Knowles in a subdued voice. "But this financial point of view never occurred to me."

The other rose with a look of pity, and led us out through the great ware-rooms, where their silks and cottons were stored in chests, out to the stables to inspect stock, and so forth. But before we had proceeded far, I missed Knowles, who had trotted on before with a stunned air of perplexity. When I went back to the tavern, late that night, I found him asleep on the bed, one burly arm around his boy. The next morning he was up betimes, and at work investigating the real condition of the Harmonists. They treated him with respect, for, outside of what Josiah called his vagaries, Knowles was shrewd and honest.

Tony and I wandered about the drowsy village and meadows, looking at the queer old gardens, dusky with long-forgotten plants, or sometimes at their gallery of paintings, chief among which was one of West's larger efforts.

It was not until the close of the second day that Knowles spoke openly to me. Whatever the disappointment had cost him, he told nothing of it,—grew graver, perhaps, but discussed the chances in the stock market with the directors,—ate Christina's suppers, watching the poor withered women and the gross men with a perplexed look of pity.

"They are but common minds and common bodies, perhaps," he said one evening, as we sat in our corner, after a long, quiet scrutiny of them: "in any case, their lives would have been meagre and insignificant, and yet, Humphreys, yet even that little possibility seems to have been here palsied and balked. I hope George Rapp cannot look back and see what his scheme has done for these people."

"You were mistaken in it, then?"

His dark face reddened gloomily. "You see what they are. Yet Rapp, whatever complaints these people may make of him, I believe to have been an enthusiast, who sacrificed his property to establish a pure, great reform in society. But human nature! human nature is as crooked to drive as a pig tied by a string. Why, these Arcadians, sir, have made a god of their stomachs, and such of them as have escaped that spend their lives in amassing dollar after dollar to hoard in their common chest."

I suggested that Rapp and he left them nothing else to do. "You shut them out both from a home and from the world; love, ambition, politics, are dead words to them. What can they do but eat and grub?"

"Think! Go back into Nature's heart, and, with contemplation, bear fruit of noble thoughts unto eternal life!" But he hesitated; his enthusiasm hung fire strangely.

After a while,—"Well, well, Zachary," with a laugh, "we'd better go back into the world, and take up our work again. Josiah is partly right, may be. There are a thousand fibres of love and trade and mutual help which bind us to our fellow-man, and if we try to slip out of our place and loose any of them, our own souls suffer the loss by so much life withdrawn. It is as well not to live altogether outside of the market; nor—to escape from this," lifting Tony up on his knee, and beginning a rough romp with him. But I saw his face work strangely as he threw the boy up in the air, and when he caught him, he strained him to his burly breast until the child cried out. "Tut! tut! What now, you young ruffian? Come, shoes off, and to bed; we'll have a little respite from you. I say, Humphreys, do you see the hungry look with which the old women follow the child? God help them! I wonder if it will be made right for them in another world!" An hour after, I heard him still pacing the floor up stairs, crooning some old nursery song to put the boy to sleep.

I visited the Harmonists again not many months ago; the village and orchards lie as sleepily among the quiet hills as ever. There are more houses closed, more grass on the streets. A few more of the simple, honest folk have crept into their beds under the apple-trees, from which they will not rise in the night to eat, or to make money,—Christina among the rest. I was glad she was gone where it was sunny and bright, and where she would not have to grow tired for the sight of "a little shild." There have been but few additions, if any, to the society in the last twenty years. They still retain the peculiar dress which they wore when they left Würtemberg: the men wearing the common German peasant habit; the women, a light, narrow flannel gown, with wide sleeves and a bright-colored silk handkerchief crossed over the breast, the whole surmounted by a straw hat, with a rim of immense width. They do not carry on the manufactures of silk or woollen now, which were Rapp's boast; they have "struck oil" instead, and are among the most successful and skillful land-owners in Pennsylvania in the search for that uncertain source of wealth.

The "Economite Wells" are on the Upper Alleghany, nearly opposite Tidionte. In later years, I believe, children have been brought into the society to be cared for by the women.

It needs no second-sight to discern the end of Rapp's scheme. His single strength sustained the colony during his life, and since his death one or two strong wills have kept it from crumbling to pieces, converting the whole machinery of his system into a powerful money-making agent. These men are the hand by which it keeps its hold on the world,—or the market, perhaps I should say. They are intelligent and able; honorable too, we are glad to know, for the sake of the quiet creatures drowsing away their little remnant of life, fat and contented, driving their ploughs through the fields, or smoking on the stoops of the village houses when evening comes. I wonder if they ever cast a furtive glance at the world and life from which Rapp's will so early shut them out? When they finish smoking, one by one, the great revenues of the society will probably fall into the hands of two or three active survivors, and be merged into the small currents of trade, according to the rapid sequence which always follows the accretion of large properties in this country.

Rapp is remembered, already, even by the people whom he meant to serve, only as a harsh and tyrannical ruler, and his very scheme will not only prove futile, but be forgotten very soon after Fredrika and Joseph have drank their last cup of home-made wine, and gone to sleep under the trees in the apple-orchard.

FOOTNOTES:

[A] Vide Trustees of Harmony Society vs. Nachtrieb, 19 Howard, U. S. Reports, p. 126, Campbell, J.

[B] Schreiber vs. Rapp, 5 Watts, 836, Gibson, C. J.

ABRAHAM DAVENPORT.

In the old days (a custom laid aside
With breeches and cocked hats) the people sent
Their wisest men to make the public laws.
And so, from a brown homestead, where the Sound
Drinks the small tribute of the Mianas,
Waved over by the woods of Rippowams,
And hallowed by pure lives and tranquil deaths,
Stamford sent up to the councils of the State
Wisdom and grace in Abraham Davenport.

'Twas on a May-day of the far old year
Seventeen hundred eighty, that there fell
Over the bloom and sweet life of the Spring,
Over the fresh earth and the heaven of noon,
A horror of great darkness, like the night
In day of which the Norland sagas tell,—
The Twilight of the Gods. The low-hung sky
Was black with ominous clouds, save where its rim
Was fringed with a dull glow, like that which climbs
The crater's sides from the red hell below.
Birds ceased to sing, and all the barn-yard fowls
Roosted; the cattle at the pasture bars
Lowed, and looked homeward; bats on leathern wings
Flitted abroad; the sounds of labor died;
Men prayed, and women wept; all ears grew sharp
To hear the doom-blast of the trumpet shatter
The black sky, that the dreadful face of Christ
Might look from the rent clouds, not as he looked
A loving guest at Bethany, but stern
As Justice and inexorable Law.

Meanwhile in the old State-House, dim as ghosts,
Sat the lawgivers of Connecticut,
Trembling beneath their legislative robes.
"It is the Lord's Great Day! Let us adjourn,"
Some said; and then, as if with one accord,
All eyes were turned to Abraham Davenport.
He rose, slow cleaving with his steady voice
The intolerable hush. "This well may be
The Day of Judgment which the world awaits;
But be it so or not, I only know
My present duty, and my Lord's command
To occupy till he come. So at the post
Where he hath set me in his providence,
I choose, for one, to meet him face to face,—
No faithless servant frightened from my task,
But ready when the Lord of the harvest calls;
And therefore, with all reverence, I would say,
Let God do his work, we will see to ours.
Bring in the candles." And they brought them in.

Then by the flaring lights the Speaker read,
Albeit with husky voice and shaking hands,
An act to amend an act to regulate
The shad and alewive fisheries. Whereupon
Wisely and well spake Abraham Davenport,
Straight to the question, with no figures of speech
Save the nine Arab signs, yet not without
The shrewd dry humor natural to the man:
His awe-struck colleagues listening all the while,
Between the pauses of his argument,
To hear the thunder of the wrath of God
Break from the hollow trumpet of the cloud.

And there he stands in memory to this day,
Erect, self-poised, a rugged face, half seen
Against the background of unnatural dark,
A witness to the ages as they pass,
That simple duty hath no place for fear.

LAST DAYS OF WALTER SAVAGE LANDOR.

PART II.

It is too general an opinion, confirmed by tradition, (and quite as untrue as many traditions,) that Landor, seated securely upon his high literary pedestal, never condescended to say a good word of writers of less degree, and that the praise of greater lights was rarely on his lips. They who persist in such assertions can have read but few of his works, for none of his profession has given so much public approbation to literary men. The form of his writings enabled him to show himself more fully than is possible to most authors, and in all his many literary discussions he gave expression to honest criticism, awarding full praise in the numerous cases where it was due. Even at an age when prejudice and petulancy are apt to get the better of a man's judgment, Landor was most generous in his estimate of many young writers. I remember to have once remarked, that on one page he had praised (and not passingly) Cowper, Byron, Southey, Wordsworth, Burns, Campbell, Hemans, and Scott. In the conversation between Archdeacon Hare and Landor, the latter says: "I believe there are few, if any, who enjoy more heartily than I do the best poetry of my contemporaries, or who have commended them both in private and in public with less parsimony and reserve."

Hare. "Are you quite satisfied that you never have sought a pleasure in detecting and exposing the faults of authors, even good ones?"

Landor. "I have here and there sought that pleasure, and found it. To discover a truth and separate it from a falsehood is surely an occupation of the best intellect, and not at all unworthy of the best heart. Consider how few of our countrymen have done it, or attempted it, on works of criticism; how few of them have analyzed and compared. Without these two processes there can be no sound judgment on any production of genius."

Hare. "How much better would it be if our reviewers and magazine men would analyze, in this manner, to the extent of their abilities, and would weigh evidence before they pass sentence!"

And if this analyzing is needed in England, the land of reviews and reviewing, how much more necessary is it in America, where veritable criticism is not even old enough to be young; its germ, however grovelling it may be, not yet having taken the primary form of the caterpillar.

Great as was Landor's personal animosity towards Byron, he considered him a "great poet,"—"the keenest and most imaginative of poets"; nor should we attribute this dislike to the bitter attacks made by Byron upon the "deep-mouthed Bœotian," though surely such would be sufficient to excite indignation in more amiable breasts. It was Byron's furious assaults upon Landor's beloved friend, Southey, that roused the ire of the lion poet; later knowledge of the man, derived from private sources, helped to keep alive the fire of indignation. "While he wrote or spoke against me alone, I said nothing of him in print or conversation; but the taciturnity of pride gave way immediately to my zeal in defence of my friend. What I write is not written on slate; and no finger, not of Time himself, who dips it in the clouds of years, can efface it. To condemn what is evil and to commend what is good is consistent. To soften an asperity, to speak all the good we can after worse than we wish, is that, and more. If I must understand the meaning of consistency as many do, I wish I may be inconsistent with all my enemies. There are many hearts which have risen higher and sunk lower at his tales, and yet have been shocked and sorrowed at his untimely death a great deal less than mine has been. Honor and glory to him for the extensive good he did! peace and forgiveness for the partial evil!"

Shall Landor be branded with intense egotism for claiming immortality? Can it be denied that he will be read with admiration as long as printing and the English language endure? Can there be greatness without conscious power? Do those of us who believe in Christ as the grandest of men degrade his manly and inspired self-confidence to the level of egotism? Far be it from me, however, to insinuate a comparison where none can exist, save as one ray of light may relate to the sun. Egotism is the belief of narrow minds in the supreme significance of a mortal self: conscious power is the belief in certain immortal attributes, emanating from, and productive of, Truth and Beauty. I should not call Landor an egotist.

The friendship existing between Southey and Landor must have had much of the heroic element in it, for instances are rare where two writers have so thoroughly esteemed one another. Those who have witnessed the enthusiasm with which Landor spoke of Southey can readily imagine how unpardonable a sin he considered it in Byron to make his friend an object of satire. Landor's strong feelings necessarily caused him to be classed in the ou tout ou rien school. Seeing those whom he liked through the magnifying-glass of perfection, he painted others in less brilliant colors than perhaps they merited. Southey to Landor was the essence of all good things, and there was no subject upon which he dwelt with more unaffected pleasure. "Ah, Southey was the best man that ever lived. There never was a better, my dear, good friends, Francis and Julius Hare, excepted. They were true Christians; and it is an honor to me that two such pure men should have been my friends for so many years, up to the hour of death." It was to Julius Hare that Landor dedicated his great work of "Pericles and Aspasia," and, while in England, it was his habit to submit to this friend (and to his brother also, I think) his manuscript. The complete edition of his works published in 1846 was inscribed to Julius Hare and to John Forster, an equally devoted friend. Both of the Hares have been embalmed in his verse.

Esteemed so highly in Landor's heart, Southey occupies the place of honor in the "Imaginary Conversations," taking part in four dialogues, two with Porson and two with Landor, on subjects of universal literary interest, Milton and Wordsworth. These Conversations are among the most valuable of the series, being models of criticism. Landor delighted to record every meeting with Southey, where it was compatible with the subject-matter. Thus in writing of Como he says: "It was in Como I received and visited the brave descendants of the Jovii; it was in Como I daily conversed with the calm, philosophical Sironi; and I must love the little turreted city for other less intrinsic recollections. Thither came to see me the learned and modest Bekker; and it was there, after several delightful rambles, I said farewell to Southey." Often have I heard Landor express his great liking for "The Curse of Kehama." One may obtain an idea of how this admiration was reciprocated, from Southey's criticism on "Gebir," in the Critical Review for September, 1799. Of Gebir's speech to the Gadites, he says: "A passage more truly Homeric than the close of this extract we do not remember in the volumes of modern poetry." He took the entire poem as a model in blank verse. After Southey's death, Landor used his influence with Lord Brougham to obtain a pension for the family, in justice to the memory of one who had added to the fame of England's literature. Again, in a letter to Southey's son, the Rev. Charles Cuthbert Southey, he pronounced a eulogy upon his friend's character and public services.

Directing Landor's attention to the assertion in Pycroft's "Course of English Reading," that he, Landor, failed to appreciate Chaucer, the old man, much vexed, refuted such a falsehood, saying: "On the contrary, I am a great admirer of his. I am extremely fond of the 'Canterbury Tales.' I much prefer Chaucer to Spenser; for allegory, when spun out, is unendurable." It is strange that a man apparently so well read as Mr. Pycroft should have so unjustly interpreted Landor, when it needed but a passing reference to the Conversations to disprove his statement. By turning to the second dialogue between Southey and Landor, he might have culled the following tribute to Chaucer: "I do not think Spenser equal to Chaucer even in imagination, and he appears to me very inferior to him in all other points, excepting harmony. Here the miscarriage is in Chaucer's age, not in Chaucer, many of whose verses are highly beautiful, but never (as in Spenser) one whole period. I love the geniality of his temperature: no straining, no effort, no storm, no fury. His vivid thoughts burst their way to us through the coarsest integuments of language." In another book Landor says: "Since the time of Chaucer there have been only two poets who at all resemble him; and these two are widely dissimilar one from the other,—Burns and Keats. The accuracy and truth with which Chaucer has described the manners of common life, with the foreground and background, are also to be found in Burns, who delights in broader strokes of external nature, but equally appropriate. He has parts of genius which Chaucer has not in the same degree,—the animated and pathetic. Keats, in his 'Endymion,' is richer in imagery than either; and there are passages in which no poet has arrived at the same excellence on the same ground. Time alone was wanting to complete a poet, who already far surpassed all his contemporaries in this country in the poet's most noble attributes." Once more, in some beautiful lines to the fair and free soul of poesy,—Keats,—Landor concludes with a verse that surely shows an appreciation of Chaucer:—

"Ill may I speculate on scenes to come,
Yet would I dream to meet thee at our home
With Spenser's quiet, Chaucer's livelier ghost,
Cognate to thine,—not higher and less fair,—
And Madalene and Isabella there
Shall say, Without thee half our loves were lost."

When a man chooses an author as a companion, not for time but for eternity, he gives the best possible proof of an esteem that no rash assertion of critics can qualify.

"I have always deeply regretted that I never met Shelley," said Landor to me. "It was my own fault, for I was in Pisa the winter he resided there, and was told that Shelley desired to make my acquaintance. But I refused to make his, as, at that time, I believed the disgraceful story related of him in connection with his first wife. Years after, when I called upon the second Mrs. Shelley, who, then a widow, was living out of London, I related to her what I had heard. She assured me that it was a most infamous falsehood, one of the many that had been maliciously circulated about her husband. I expressed my sorrow at not having been undeceived earlier, and assured her I never could forgive myself for crediting a slander that had prevented me from knowing Shelley. I was much pleased with Mrs. Shelley." Landor's enthusiasm was most aroused at generous deeds; for these he honored Shelley. Meanness he scorned, and believed it to be an attribute of Byron. As a proof of contrast in the natures of these two poets, he related an interesting anecdote, which has appeared in one of his Conversations. "Byron could comprehend nothing heroic, nothing disinterested. Shelley, at the gates of Pisa, threw himself between him and the dragoon, whose sword in his indignation was lifted and about to strike. Byron told a common friend, some time afterward, that he could not conceive how any man living should act so. 'Do you know he might have been killed! and there was every appearance that he would be!' The answer was, 'Between you and Shelley there is but little similarity, and perhaps but little sympathy; yet what Shelley did then, he would do again, and always. There is not a human creature, not even the most hostile, that he would hesitate to protect from injury at the imminent hazard of life.' ... 'By God! I cannot understand it!' cried Byron. 'A man to run upon a naked sword for another!'"

And this Shelley, who, through a noble impulse, would have sacrificed himself, is the man whom Moore seriously advised Byron to avoid, lest his religious theories should undermine the immaculate morality of the author of Don Juan! It is to be supposed that Moore wrote in earnestness of spirit, yet it is impossible not to smile in wonderment at this letter. Moore doubtless had greater belief in salvation by faith than by works. "Ah, Moore was a superstitious dog!" exclaimed Landor one day. "I was once walking with him in a garden," (I forget in what part of England,) "laughing and joking, when Moore remarked the approach of some dignitary of the Catholic Church. He immediately began to mumble something, ran forward, and on his knees implored a blessing from the priest, crossing himself with reverential air. Ah, what it is to have faith! Landor, Landor, you are incorrigible! Don't you think so, Giallo?" asked the master of his dog. "I never heard Moore sing, much to my regret. I once asked him, but he excused himself with a sigh, saying that he had lost his voice."

One of Landor's prominent characteristics was generosity, carried to the verge of rashness. Even in his last years, when living on a very limited income, he was only too ready to empty his pockets at the call of any charity, whether public or private. Impulse, however, prompted him to give most heartily when he thought to further the cause of liberty. At the time a subscription was opened in Florence to aid Garibaldi's Sicilian expedition, Landor, anxious to lay an offering at the feet of his heart's hero, pulled out his watch, the only article of value about him, and begged Mr. Browning to present it to the fund. Mr. Browning took it, but knowing how lost the old man would be without his timepiece, kept it for a few days; and then, seizing a favorable moment when Landor was missing his watch greatly, though without murmuring, Mr. Browning persuaded him to retain it. This he did, with reluctance, after being assured of the fund's prosperous condition. It was about the same time, I think, that Landor wrote an Italian Conversation between Savonarola and the Prior of San Marco, which he published in pamphlet form for the benefit of this or a similar cause. Most admirably did Landor write Italian, his wonderful knowledge of Latin undoubtedly giving him the key to the soft, wooing tongue. He, of course, spoke the language with equal correctness; but, as with most Englishmen who go to Italy after having arrived at mature years, his pronunciation was proprio Inglese.

Landor would never accept payment for his books, presenting the amount due him either to the publisher, or, more generally, to some friend who had been most active in aiding their publication. Few will applaud this idiosyncrasy, the general and sensible opinion being that the laborer is worthy of his hire: but Landor took peculiar pride in writing for fame alone, without thought of the more tangible product of genius; and, unlike most authors, he could well afford to indulge in this heroic taste. Three years ago—and for the first time in his life, he said—Landor accepted payment for a Conversation contributed to the London Athenæum. The money had no sooner been received, than he urged, though unsuccessfully, its acceptance upon a young American in whom he was interested, declaring that he had no possible use for it. On another occasion he proposed to give everything he might write to this same American, to dispose of for the latter's benefit, and appeared grieved when the offer was gratefully declined.

One day I was surprised by the appearance of Landor's little waiting-maid bearing an old Florentine box of carved wood, almost as large as herself, which she deposited on the table in obedience to her master's wishes. She departed without vouchsafing any explanation. Curiosity however was not long unsatisfied, for soon Giallo's white nose peered through the door and heralded the coming of the old lion, who had no sooner entered the room than he put into my hands a quaint old key, saying: "I have brought you something that one of these days, when these old bones of mine are packed away in the long box, may be of considerable value. I have brought you what we may call, in anticipation of a long-deferred but inevitable event, my literary remains. In that box you will find all my notes and memoranda, together with many unpublished verses. You can do what you like with them." Startled at this unexpected endowment, I looked very great hesitancy, whereupon Landor smiled, and begged me to unlock the box, as its opening would not be fraught with evil consequences. "It is not Pandora's casket, I assure you," he added. Turning the key and raising the lid, I discovered quite a large collection of manuscripts, of very great interest to me of course, but to which I had no right, nor was I the proper person with whom to leave them. To have argued would have been useless. Expostulation with Landor when in the white heat of a new idea was Quixotic, so I expressed my very grateful thanks, and determined to watch for a favorable opportunity to return the gift. I had not long to wait, as it was not more than a month after that Landor bore them off, with the intention of making certain selections for immediate publication in England and returning the remainder. Time had not dealt gently with Landor's memory of things nearest, therefore I knew that the old Florentine box would wait in vain for its jewels. I was right: they never came. The box since then has braved shipwreck, and now stands beneath a modern writing-table, dark and proud of its antiquity, telling perpetually of former noble associations. I felt relieved that it so happened the manuscripts were not again left with me, yet I should have been a saint had I not occasionally experienced a secret regret at not having been forced to retain them in spite of entreaty and propriety.

The greater part of these manuscripts have since appeared, under the title of "Heroic Idyls, with Additional Poems," published late in 1863 by T. Cantley Newby, London.[C] This very last fruit off an old tree can in no way add to Landor's reputation; it is interesting, however, for having been written "within two paces of his ninetieth year," and as showing the course of the mind's empire. Landor would have been more heroic than these Idyls had he withheld them from publication, for it is not cheering to see Thor cracking nuts with his most ponderous hammer. And Landor realized as much when he wrote the following apology:—

"You ask how I, who could converse
With Pericles, can stoop to worse:
How I, who once had higher aims,
Can trifle so with epigrams.
I would not lose the wise from view,
But would amuse the children too:
Besides, my breath is short and weak,
And few must be the words I speak."

Ah! but it is a question whether the children are amused. Occasionally there is a line with the old ring to it, a couplet seasoned with Attic salt, but for the rest there is the body without the spirit,—there is the well of English undefiled, but it is pumped dry! Probably the desire to publish was never so great as during Landor's last years, when the interests of his life had narrowed down to reading and writing, and he had become a purely introverted man. It was then he wrote:—

"The heaviest curse that can on mortal fall
Is, 'Who has friends may he outlive them all!'
This malediction has awaited me,
Who had so many.... I could once count three."

Cursed thus, he turned to the public for the only consolation left him on this side of the grave. It was not sufficient to write, for it is he as the Homer of his Idyls that confesses

"A pardonable fault: we wish for listeners
Whether we speak or sing: the young and old
Alike are weak in this, unwise and wise
Cheerful and sorrowful."

Twenty years before, Landor wrote to Lady Blessington: "Once beyond seventy, I will never write a line in verse or prose for publication. I will be my own Gil Blas. The wisest of us are unconscious when our faculties begin to decay." He, wisest of all, forgot his own good resolutions; but the listeners to these latter-day Idyls were few, and Landor had scarce collected his small audience before the lights were blown out and the curtain fell upon the deathbed of the singer.

To express a liking for any of Landor's pictures—provided you were a friend—was almost sufficient to cause them to be taken down and presented to you; hence to praise anything in his presence was exceedingly unsafe. I remember looking over a large album once belonging to Barker, the English artist, which Landor had purchased to relieve him of certain debts, and particularly admiring four original sketches by Turner—two in oil and two in india-ink—that had been given by this artist to his brother-painter. No sooner had I spoken than Landor went in search of the scissors, and, had I not earnestly protested, would have cut out the Turners and given them to me. Such being Landor's disposition, one can well imagine how easily he could be imposed upon by designing people. There is an instance of his kindly feeling so prominent and so honorable both to himself and the object of it, that it is but right the public should read the contents of two letters belonging to and greatly treasured by me. They were put into my hands nearly four years ago by Landor to do with as I pleased after his death. The letters explain themselves.

"8 South Bank, Regent's Park,
London, March 24, 1856.

"My venerable Friend,—

"Though I very gratefully appreciate the generosity of your intentions, still I must confess that few things have ever affected me more painfully than to see from the 'Times' of to-day my private circumstances—the sacred domain of life—thrust as an object of commiseration upon public discussion,—a miserable subject of public sneers.

"My head turns giddy at the very thought, and my resignation is scarcely able to overcome the shame. I don't know how I shall muster sufficient resolution to appear in public ever hereafter; and I fear, with all your good intentions, you shall have become the involuntary instrument for driving me out of England before my time. I really scarcely can imagine what else I have to do, unless you devise some means for healing the wound.

"I am poor, very poor; but there was, I dare say, something honorable in that poverty, something sacred I would say. But seeing it made the object of a public appeal for commiseration, I feel as if everything that was sacred in my position had undergone a profanation.

"I repeat that I respect and appreciate the nobility of your impulses, but I regret that such a step should have been taken without my having an idea of its possibility.

"I will say no more, but leave it with your prudence and discretion to mitigate the blow your kindness has inflicted on me. And remain with wonted esteem, only mingled with grief,

"Yours very truly,

"Kossuth.

"To Walter Savage Landor."

Opposite the nervous yet legible scrawl of the noble and maligned Magyar, Landor traced the following answer.

"It is impossible for me to rest until I have attempted to remove the vexation I have caused to the man I most venerate of any upon earth.

"My noble Kossuth! 'the sacred domain of your life' is far more extensive than your measurement. Neither your house nor your banker's are its confines. Do not imagine that the world is ignorant of your circumstances; it would be a crime to be indifferent to them.

"The editor of the Atlas, in announcing that he had secured your co-operation, published a manifesto. I know nothing of this editor; but so long as you contributed to the paper, I was your humble subsidiary.

"Consider how many men, wealthier than you and me, have accepted the offers of those who came forward to indemnify the persecuted for the demolition of their property. Ask yourself if Demosthenes or Milton, the two most illustrious defenders of liberty, by speech and pen, would have thrust aside the tribute which is due to such men alone. Would you dash out the signature of one who declares you his trustee for a legacy to your children? No, you would not. Neither will you reject the proofs of high esteem, however manifested, which England, however debased, is anxious to give.

"Believe me ever sincerely and affectionately yours,

"W. S. Landor.

"March 27."

Landor was essentially a hero-worshipper. His admiration for Washington exceeded that entertained by him for any man of any time. Franklin, too, he greatly esteemed. "Ah, if you had but another Washington and Franklin!" he exclaimed one day. To have suffered for freedom was the open-sesame to Landor's heart; nor did age in any way chill this noble enthusiasm, as the letter here inserted amply proves. It was sufficient to name Kossuth to bring fire to the old man's eye and eulogistic volubility to his tongue.

Orsini, too, was a great favorite with him. Coming in one morning as usual, and sitting down in the arm-chair by the fire, he took from under his arm a small paper-covered book, saying: "I have brought you something that I know you will like to read. Giallo and I have enjoyed it immensely; and a better critic than Giallo is not to be found in all Italy, though I say it who shouldn't. An approving wag of his tail is worth all the praise of all the Quarterlies published in the United Kingdom." Hereupon Giallo, apparently delighted at this compliment, barked and frisked about like a creature bewitched, jumped into his master's lap, and did not return to a quiescent state until he had kissed his master's face. "Down, Giallo, down!" finally cried Landor. "Where are your manners, sir? Don't you know it is very uncivil to interrupt a conversation? And, moreover, remember never to spoil a tête-à-tête." Then turning to me, Landor continued, presenting the book, "Here it is; the Memorie Politiche di Felice Orsini, which you will find vastly entertaining and far more romantic than any novel. A very noble, brave fellow was that Orsini, and handsome too! It is a great pity he did not succeed in his plot against that scoundrel Napoleon, although it was not well planned, and failure was written on the face of it." Right gladly did I read memoirs which were all that Landor (and Giallo) claimed. It is strange that this book should be so little known. Were students of Italian to transfer their affections from Le mie Prigioni to these Memorie Politiche, they would be the gainers; for the patriotism of Silvio Pellico is but a sick and weakly sentiment compared with the dauntless energy and unflinching determination of Orsini. His escape from Mantua, aided by no other friends than four sheets and four towels, and described most admirably and in detail by him, is one of the most brilliant and perilous exploits in the annals of prison history. Those who knew Orsini have since told me that he was one of the most lovable of men, as he was one of the most handsome,—full of the fire of intense and stalwart manhood, yet as gentle as a young girl. Disappointed and wronged in his domestic relations, a loving but wretched father, and stung to madness by his country's servitude, whose cause he early made his own, Orsini's life was from the beginning a tragedy. Fate seemed to have wrested from him every form of happiness in order to make him a more desperate conspirator. He conspired from pure love of liberty, for which at any moment he was ready to die. Those who merely know Orsini by the last act of his life can have no proper appreciation of the wonderful purity and nobility of his character. In his attempt to assassinate Louis Napoleon, he was actuated by as exalted motives as led Charlotte Corday to do a bloody deed. Exiled, a price upon his head, deceived by those in whom he had put faith, in despair at the state of Italian affairs, Orsini committed what he himself, in a letter to his intended victim, Napoleon, confessed to be un fatale errore mentale,—assassination being in direct opposition to the faith and facts of his life up to the conspiracy of the 14th of January. For this fatal error he offered his own blood as an expiatory sacrifice. Few nobler heads than Orsini's have bowed before the guillotine.

In "Pericles and Aspasia," Cleone has written with Landor's pen, that "study is the bane of boyhood, the aliment of youth, the indulgence of manhood, and the restorative of old age." Of this theory there could be no better example than Landor's self. That life which outlasted all the friends of its zenith was made endurable by a constant devotion to the greatest works of the greatest men. Milton and Shakespeare were his constant companions, by night as well as by day. "I never tire of them," he would say; "they are always a revelation. And how grand is Milton's prose! quite as fine as his poetry!" He was very fond of repeating the following celebrated lines that have the true ring to a tuneful ear as well as to an appreciative intellect:—

"But when God commands to take the trumpet
And blow a dolorous or thrilling blast,
It rests not with man's will what he shall say
Or what he shall conceal."

"Was anything more harmonious ever written?" Landor would ask. "But Milton, you know, is old-fashioned. I believe I am old-fashioned. However, it is rather an honor to be classed thus, if one may keep such distinguished company." How devoted a student of Milton Landor was is evidenced in his delightful critical conversation between Southey and himself, wherein he declared, "Such stupendous genius, so much fancy, so much eloquence, so much vigor of intellect never were united as in Paradise Lost." Yet the lover is still an impartial critic, and does not indorse all things. Quoting the charming couplet,

"Yielded with coy submission, modest pride,
And sweet, reluctant, amorous delay,"

he says: "I would rather have written these two lines than all the poetry that has been written since Milton's time in all the regions of the earth." In 1861 Landor sent me the last lines he ever wrote, addressed to the English Homer, entitled

"MILTON IN ITALY.

"O Milton! couldst thou rise again, and see
The land thou lovedst in an earlier day!
See, springing from her tomb, fair Italy
(Fairer than ever) cast her shroud away,—
That tightly-fastened, triply-folded shroud!
Around her, shameful sight! crowd upon crowd,
Nations in agony lie speechless down,
And Europe trembles at a despot's frown."

The despot is, of course, Louis Napoleon, for Landor would never allow that the French Emperor comprehended his epoch, and that Italian regeneration was in any way due to the co-operation of France. In his allegorical poem of "The gardener and the Mole," the gardener at the conclusion of the argument chops off the mole's head, such being the fate to which the poet destined Napoleon. No reference, however, is made to "that rascal" in the lines to Milton inserted in the "Heroic Idyls," and as the printed version was, doubtless, Landor's own preference, it is but just to insert it here:—

"O Milton! couldst thou rise again and see
The land thou lovedst in thy earlier day
See springing from her tomb fair Italy
(Fairer than ever) cast her shroud away,
That tightly-fastened, triply-folded shroud,
Torn by her children off their mother's face!
O couldst thou see her now, more justly proud
Than of an earlier and a stronger race!"

There certainly is more unity of idea in the printed copy, but so faulty is it in punctuation—or at least for the want of it—that one is warranted in believing the substitution of thy for an, in the second line, to be an erratum. Though Milton visited Italy in his youth, there is no evidence to prove that he did not love it in old age. In its present form the line loses in sense. Nothing annoyed Landor more than to have his manuscript "corrected," and no one's temper was ever more tried than his in this respect; for, having an orthography peculiar to himself, which he maintained was according to the genius of the language, and which printers would persist in translating into the vulgate, Landor grew to be morbidly sensitive concerning revision. It was the more intolerable to him, because of his extreme care in the preparation of his manuscript. Few celebrated authors have written so clear and clean a hand; none ever sent his work to the press in a more highly finished state. Fastidious beyond expression, the labor of correction was unending. Even "Gebir" was subjected to revision, and at one time I was intrusted with quite a long introduction, which, the day after, Landor altered and sent to me the following note.

"Again the old creature comes to bother you. The enclosed is to take the place of what I wrote yesterday, and to cancel, as you will see, what a tolerably good critic" (Southey) "thought too good to be thrown away, &c., &c. I do not think so, but certainly the beginning of 'Gebir' is better with

'Kings! ye athirst for conquest,' etc.

You are not athirst for it but take it coolly."

Later, this introduction passed out of my hands. Previously Landor had written on a slip of paper now before me:—

"'Gebir' should begin thus:—

'Hear ye the fate of Gebir!'

Not

'I sing the fates of Gebir,'"—

which is a correction suggested to future publishers of this poem.

It would be a hopeful sign were our young American writers inoculated with somewhat of Landor's reverence for literature, as it was no less than reverence that made him treat ideas with respect, and array them in the most dignified language, thus making of every sentence a study. And it is well that these writers should know what intense labor is required to produce anything great or lasting. "Execution is the chariot of genius," William Blake, the great poet-artist, has said; and it is just this execution which is unattainable without immense application and fastidiousness. If patience be genius,—"La patience cherche et le génie trouve,"—and if execution be its chariot, what possible fame can there be for the slipshod writers of to-day, who spawn columns and volumes at so much a minute, regardless of the good name of their mother tongue, devoid of ideas, which are the product only of brains that have been ploughed up and sown with fruitful seed? An author's severest critic should be himself. To be carried away by the popular current is easy and pleasant, but some fine morning the popular man wakes up to find himself stranded and deserted,—Nature playing queer pranks with currents changing their beds as best suits her fancy;—for even popular taste follows laws of progression, and grows out of one error into a less. Pope wisely maintains that "no man ever rose to any degree of perfection in writing but through obstinacy and an inveterate resolution against the stream of mankind." Unless he mount the chariot of execution, his ideas, however good, will never put a girdle round the earth. They will halt and limp as do his own weary feet.

Landor's enthusiasm for Shakespeare grew young as he grew old, and it was his desire to bid farewell to earth with his eyes resting upon the Shakespeare that so constantly lay open before him. Nothing excited his indignation more than to hear little people of great pretension carpingly criticise the man of whom he makes Southey, in a discussion with Porson, declare, that "all the faults that ever were committed in poetry would be but as air to earth, if we could weigh them against one single thought or image such as almost every scene exhibits in every drama of this unrivalled genius." In three fine lines Landor has said even more:—

"In poetry there is but one supreme,
Though there are many angels round his throne,
Mighty, and beauteous, while his face is hid."

To Landor's superior acumen, also, we owe two readings of Shakespeare that have made intelligible what was previously "a contradictory inconceivable." Did it ever occur to dealers in familiar quotations that there was a deal of nonsense in the following lines as they are printed?

"Vaulting ambition that o'erleaps itself
And falls on the other side."

"Other side of what?" exclaims Landor "It should be its sell. Sell is saddle in Spenser and elsewhere, from the Latin and Italian." Yet, in spite of correction, every Macbeth on the stage still maintains in stentorian tones that ambition o'erleaps itself, thereby demonstrating how useless it is to look for Shakespearian scholarship in so-called Shakespearian actors, who blindly and indolently accept theatrical tradition.

Equally important is Landor's correction of the lines

"And the delighted spirit
To bathe in fiery floods."

"Truly this would be a very odd species of delight. But Shakespeare never wrote such nonsense; he wrote belighted (whence our blighted), struck by lightning; a fit preparation for such bathing."

The last stanza ever inscribed to Shakespeare by Landor was sent to me with the following preface: "An old man sends the last verses he has written, or probably he may ever write to —— ——."

"SHAKESPEARE IN ITALY.

"Beyond our shores, beyond the Apennines,
Shakespeare, from heaven came thy creative breath!
'Mid citron grove and overarching vines
Thy genius wept at Desdemona's death:
In the proud sire thou badest anger cease,
And Juliet by her Romeo sleep in peace.
Then rose thy voice above the stormy sea,
And Ariel flew from Prospero to thee.

"July 1, 1860."

Dante was not one of Landor's favorites, although he was quite ready to allow the greatness of il gran poeta. He had no sympathy with what he said was very properly called a comedy. He would declare that about one sixth only of Dante was intelligible or pleasurable. Turning to Landor's writings, I find that in his younger days he was even less favorable to Dante. In the "Pentemeron" (the author spelling it so) he, in the garb of Petrarch, asserts that "at least sixteen parts in twenty of the Inferno and Purgatorio are detestable both in poetry and principle; the higher parts are excellent, indeed." Dante's powers of language, he allows, "are prodigious; and, in the solitary places where he exerts his force rightly, the stroke is irresistible. But how greatly to be pitied must he be who can find nothing in Paradise better than sterile theology! and what an object of sadness and consternation he who rises up from hell like a giant refreshed!" While allowing his wonderful originality, Landor goes so far as to call him "the great master of the disgusting"! Dante is not sympathetic.

Yet he wrote the glorious episode of Francesca da Rimini, of which Landor's Boccaccio says: "Such a depth of intuitive judgment, such a delicacy of perception, exists not in any other work of human genius; and from an author who, on almost all occasions, in this part of the work, betrays a deplorable want of it."

Landor used often to say what Cleone has written to Aspasia,—"I do not believe the best writers of love-poetry ever loved. How could they write if they did? where could they collect the thoughts, the words, the courage?" This very discouraging belief admits of argument, for there is much proof to the contrary. Shelley and Keats could not write what they had not felt; and Mrs. Browning's Sonnets from the Portuguese, the most exquisite love-poems in the English language, came direct from the heart. It were hardly possible to make poetry while living it; but when the white heat of passion has passed, and hangs as a beautiful picture on memory's walls, the artist may write his poem. If the best writers of love-poetry have never loved, at least they have been capable of loving, or they could not make the reader feel. Appreciation is necessary to production. But Petrarca was such a poet as Cleone refers to. He was happy to be theoretically miserable, that he might indite sonnets to an unrequited passion: and who is not sensible of their insincerity? One is inclined to include Dante in the same category, though far higher in degree. Landor, however, has conceived the existence of a truly ardent affection between Dante and Beatrice, and it was my good fortune to hear him read this beautiful imaginary conversation. To witness the aged poet throwing the pathos of his voice into the pathos of his intellect, his eyes flooded with tears, was a scene of uncommon interest. "Ah!" said he, while closing the book, "I never wrote anything half as good as that, and I never can read it that the tears do not come." Landor's voice must have been exceedingly rich and harmonious, as it then (1861) possessed much fulness. This was the first and only time I ever heard him read aloud one of his own Conversations.

Petrarch and Boccaccio were highly esteemed by Landor, who did not sympathize with Lord Chesterfield in his opinion that the former deserved his Laura better than his lauro. The best evidence of this predilection is Landor's great work, "The Pentemeron," second only to his greatest, "Pericles and Aspasia." Its couleur locale is marvellous. On every page there is a glimpse of cloudless blue sky, a breath of warm sunny air, a sketch of Italian manner. The masterly gusto with which the author enters into the spirit of Italy would make us believe him to be "the noblest Roman of them all," had he not proved himself a better Grecian. Margaret Fuller realized this when, after comparing the Pentemeron and Petrarca together, she wrote: "I find the prose of the Englishman worthy of the verse of the Italian. It is a happiness to see such marble beauty in the halls of a contemporary."

I gave evidence of great surprise one day upon hearing Landor express himself warmly in favor of Alfieri, as I had naturally concluded, from a note appended to the Conversation between "Galileo, Milton, and a Dominican," that he entertained a sorry opinion of this poet. Reading the note referred to, Landor seemed to be greatly annoyed, and replied: "This is a mistake. It was never my intention to condemn Alfieri so sweepingly." A few days later I received the following correction. "Keats, in whom the spirit of poetry was stronger than in any contemporary, at home or abroad, delighted in Hellenic imagery and mythology, displaying them admirably; but no poet came nearer than Alfieri to the heroic, since Virgil. Disliking, as I do, prefaces and annotations, excrescences which hang loose like the deciduous bark on a plane-tree, I will here notice an omission of mine on Alfieri, in the 'Imaginary Conversations.' The words, 'There is not a glimpse of poetry in his Tragedies,' should be, as written, 'There is not an extraneous glimpse,' &c."

Since then Landor has addressed these lines to Alfieri:—

"Thou art present in my sight,
Though far removed from us, for thou alone
Hast touched the inmost fibres of the breast,
Since Tasso's tears made damper the damp floor
Whereon one only light came through the bars," &c.;

thus redeeming the unintentioned slur of many years' publicity.

Landor pronounced (as must everyone else) Niccolini to be the best of the recent Italian poets. Of Redi, whose verses taste of the rich juice of the grape in those good old days when Tuscan vines had not become demoralized, and wine was cheaper than water, Landor spoke fondly. Leigh Hunt has given English readers a quaff of Redi in his rollicking translation of "Bacchus in Tuscany," which is steeped in "Montepulciano," "the king of all wine."

But Redi is not always bacchanalian. He has a loving, human heart as well, which Landor has shown in a charming translation given to me shortly after our conversation concerning this poet. "I never publish translations," he remarked at the time; but though translations may not be fit company for the "Imaginary Conversations," the verses from Redi are more than worthy of an abiding place here.

"Ye gentle souls! ye love-devoted fair!
Who, passing by, to Pity's voice incline,
O stay awhile and hear me; then declare
If there was ever grief that equals mine.

"There was a woman to whose sacred breast
Faith had retired, where Honor fixt his throne,
Pride, though upheld by Virtue she represt....
Ye gentle souls! that woman was my own.

"Beauty was more than beauty in her face,
Grace was in all she did, in all she said.
In sorrow as in pleasure there was grace....
Ye gentle souls! that gentle soul is fled."

FOOTNOTES:

[C] Out of three hundred and forty-eight pages, sixty-eight are devoted to Latin verses.

TO-MORROW.

'Tis late at night, and in the realm of sleep
My little lambs are folded like the flocks;
From room to room I hear the wakeful clocks
Challenge the passing hour, like guards that keep
Their solitary watch on tower and steep;
Far off I hear the crowing of the cocks,
And through the opening door that time unlocks
Feel the fresh breathing of To-morrow creep.
To-morrow! the mysterious, unknown guest,
Who cries aloud: "Remember Barmecide,
And tremble to be happy with the rest!"
And I make answer: "I am satisfied;
I dare not ask; I know not what is best;
God hath already said what shall betide."

DOCTOR JOHNS.

LVIII.

A letter from Reuben indeed has come; but not for Miss Adèle. The Doctor is glad of the relief its perusal will give him. Meantime Miss Eliza, in her stately, patronizing manner, and with a coolness that was worse than a sneer, says, "I hope you have pleasant news from your various friends abroad, Miss Maverick?"

Adèle lifted her eyes with a glitter in them that for a moment was almost serpent-like; then, as if regretting her show of vexation, and with an evasive reply, bowed her head again to brood over the strange suspicions that haunted her. Miss Johns, totally unmoved,—thinking all the grief but a righteous dispensation for the sin in which the poor child had been born,—next addressed the Doctor, who had run his eye with extraordinary eagerness through the letter of his son.

"What does Reuben say, Benjamin?"

"His 'idols,' again, Eliza; 't is always the 'flesh-pots of Egypt.'"

And the Doctor reads: "There is just now rare promise of a good venture in our trade at one of the ports of Sicily, and we have freighted two ships for immediate despatch. At the last moment our supercargo has failed us, and Brindlock has suggested that I go myself; it is short notice, as the ship is in the stream and may sail to-morrow, but I rather fancy the idea, and have determined to go. I hope you will approve. Of course, I shall have no time to run up to Ashfield to say good by. I shall try for a freight back from Naples, otherwise shall make some excuse to run across the Straits for a look at Vesuvius and the matters thereabout. St. Paul, you know, voyaged in those seas, which will interest you in my trip. I dare say I shall find where he landed: it's not far from Naples, Mrs. Brindlock tells me. Give love to the people who ever ask about me in Ashfield. I enclose a check of five hundred dollars for parish contingencies till I come back; hoping to find you clean out of harness by that time." (The Doctor cannot for his life repress a little smile here.) "Tell Adèle I shall see her blue Mediterranean at last, and will bring her back an olive-leaf, if I find any growing within reach. Tell Phil I love him, and that he deserves all the good he will surely get in this world, or in any other. Ditto for Rose. Ditto for good old Mrs. Elderkin, whom I could almost kiss for the love she's shown me. What high old romps haven't we had in her garden! Eh, Adèle? (I suppose you'll show her this letter, father.)

"Good by, again.

"N. B. We hope to make a cool thirty thousand out of this venture!"

Adèle had half roused herself at the hearing of her name, but the careless, jocular mention of it, (so it seemed at least,) in contrast with the warmer leave-taking of other friends, added a new pang to her distress. She wished, for a moment, that she had never written her letter of thanks. What if she wished—in that hour of terrible suspicion and of vain search after any object upon which her future happiness might rest—that she had never been born? Many a one has given hearty utterance to that wish with less cause. Many a one of those just tottering into childhood will live to give utterance to the same. But the great wheel of fate turns ever relentlessly on. It drags us up from the nether mysterious depths; we sport and struggle and writhe and rejoice, as it bears us into the flashing blaze of life's meridian; then, with awful surety, it hurries us down, drags us under, once more into the abysses of silence and of mystery. Happy he who reads such promise as he passes in the lights fixed forever on the infinite depths above, that the silence and the mystery shall be as welcome as sleep to the tired worker!

"It will be of service to Reuben, I think, Benjamin," said Aunt Eliza; "I quite approve,"—and slipped away noiselessly.

The Doctor was still musing,—the letter in his hand,—when Adèle rose, and, approaching him, said in her gentlest way, "It's a great grief to you, New Papa, I know it is, but 'God orders all things well,'—except for me."

"Adaly! my child, I am shocked!"

She had roused the preacher in him unwittingly.

"I can't listen now," said she, impatiently, "and tell me,—you must,—did papa give you the name of this—new person he is to marry?"

"Yes, Adaly, yes," but he has forgotten it; and, searching for the previous letter, he presently finds it, and sets it before her,—"Mademoiselle Chalet."

"Chalet!" screams she. "There is some horrible mistake, New Papa. More than ever I am in the dark,—in the dark!" And with a hasty adieu she rushed away, taking her course straight for the house of that outlawed woman, with whom now, more than ever, she must have so many sympathies in common. Her present object, however, was to learn if any more definite evidence could be found that the deceased lady—mother still, in her thought—bore the name of Chalet. She found the evidence. One or two little books (devotional books they prove to be), which the mistress of the house had thrown by as valueless, were brought out, upon the fly-leaves of which the keen eyes of Adèle detected the name,—crossed and recrossed indeed, as if the poor woman would have destroyed all traces of her identity,—but still showing when held to the light a portion of the name she so cherished in her heart,—Chalet.

Adèle was more than ever incensed at thought of the delusion or the deception of her father. But, by degrees, her indignation yielded to her affection. He was himself to come, he would make it clear; this new mother—whom she was sure she should not love—was to remain; the Doctor had told her this much. She was glad of it. Yet she found in that fact a new proof that this person could not be her true mother. She would have rushed to her arms; no fear of idle tongues could have kept her back. And though she yearned for the time when she should be clasped once more in her father's arms, she dreaded the thought of crossing the seas with him upon such empty pilgrimage. She half wished for some excuse to detain her here,—some fast anchor by which her love might cling, within reach of that grave where her holier affections had centred.

This wish was confirmed by the more cordial manner in which she was received by the Elderkins, and, indeed, by the whole village, so soon as the Doctor had made known the fact—as he did upon the earliest occasion—that Mr. Maverick was speedily to come for Adèle, and to restore her to the embraces of a mother whom she had not seen for years.

Even the spinster, at the parsonage, was disposed to credit something to the rigid legal aspects which the affair was taking, and to find in them a shelter for her wounded dignities. Nor did she share the inquietude of the Doctor at thought of the new and terrible religious influences to which Adèle must presently be exposed; under her rigid regard, this environment of the poor victim with all the subtlest influences of the Babylonish Church was but a proper and orderly retribution under Providence for family sins and the old spurning of the law. 'T was right, in her exalted view, that she should struggle and agonize and wrestle with Satan for much time to come, before she should fully cleanse her bedraggled skirts of all taint of heathenism, and stand upon the high plane with herself, among the elect.

"It is satisfactory to reflect, Benjamin," said she, "that during her residence with us the poor girl has been imbued with right principles; at least I trust so."

And as she spoke, the exemplary old lady plucked a little waif of down from her bombazine dress, and snapped it away jauntily upon the air,—even as, throughout her life, she had snapped from her the temptations of the world. And when, in his Scripture reading that very night, the Doctor came upon the passage "Wo unto you, Pharisees!" the mind of the spinster was cheerfully intent upon the wretched sinners of Judæa.

LIX.

The news of Maverick's prospective arrival, and the comments of the good Doctor,—as we have said,—shed a new light upon the position of Adèle. Old Squire Elderkin, with a fatherly interest, was not unaffected by it; indeed, the Doctor had been communicative with him to a degree that had enlisted very warmly the old gentleman's sympathies.

"Better late than never, Doctor," had been his comment; and he had thought it worth his while to drop a hint or two in the ear of Phil.

"I say, Phil, my boy, I gave you a word of caution not long ago in regard to—to Miss Maverick. There were some bad stories afloat, my boy; but they are cleared up,—quite cleared up, Phil."

"I'm glad of it, sir," says Phil.

"So am I,—so am I, my boy. She's a fine girl, Phil, eh?"

"I think she is, sir."

"The deuse you do! Well, and what then?"

Phil blushed, but the smile that came on his face was not a hearty one.

"Well, Phil?"

"I said she was a fine girl, sir," said he, measuredly.

"But she's an uncommon fine girl, Phil, eh?"

"I think she is, sir."

"Well?"

Phil was twirling his hat in an abstracted way between his knees. "I don't think she's to be won very easily," said he at last.

"Nonsense, Phil! Faint heart never won. Make a bold push for it, my boy. The best birds drop at a quick shot."

"Do they?" said Phil, with a smile of incredulity that the old gentleman did not comprehend.

He found, indeed, a much larger measure of hope in a little hint that was let fall by Rose two days after. "I wouldn't despair if I were you, Phil," she had whispered in his ear.

Ah, those quiet, tender, sisterly words of encouragement, of cheer, of hope! Blest is the man who can enjoy them! and accursed must he be who scorns them, or who can never win them.

Phil, indeed, had never given over most devoted and respectful attentions to Adèle; but he had shown them latterly with a subdued and half-distrustful air, which Adèle with her keen insight had not been slow to understand. Trust a woman for fathoming all the shades of doubt which overhang the addresses of a lover!

Yet it was not easy for Phil, or indeed for any other, to understand or explain the manner of Adèle at this time. Elated she certainly was in the highest degree at the thought of meeting and welcoming her father; and there was an exuberance in her spirits when she talked of it, that seemed almost unnatural; but the coming shadow of the new mother whom she was bound to welcome dampened all. The Doctor indeed had warned her against the Romish prejudices of this newly found relative, and had entreated her to cling by the faith in which she had been reared; but it was no fear of any such conflict that oppressed her;—creeds all vanished under the blaze of that natural affection which craved a motherly embrace and which foresaw only falsity.

What wonder if her thought ran back, in its craving, to the days long gone,—to the land where the olive grew upon the hills, and the sunshine lay upon the sea,—where an old godmother, with withered hands clasped and raised, lifted up her voice at nightfall and chanted,—

"O sanctissima,
O piissima,
Dulcis virgo Maria,
Mater amata,
Intemerata,
Ora, ora, pro nobis!"

The Doctor would have been shocked had he heard the words tripping from the tongue of Adèle; yet, for her, they had no meaning save as expressive of a deep yearning for motherly guidance and motherly affection.

Mrs. Elderkin, with her kindly instinct, had seen the perplexity of Adèle, and had said to her one day, "Ady, my dear, is the thought not grateful to you that you will meet your mother once more, and be clasped in her arms?"

"If I could,—if I could!" said Adèle, with a burst of tears.

"But you will, my child, you will. The Doctor has shown us the letters of your father. Nothing can be clearer. Even now she must be longing to greet you."

"Why does she not come, then?"—with a tone that was almost taunting.

"But, Adèle, my dear, there may be reasons of which you do not know or which you could not understand."

"I could,—I do!" said Adèle, with spirit mastering her grief. "'T is not my mother, my true mother; she is in the graveyard; I know it!"

"My dear child, do not decide hastily. We love you; we all love you. You know that. And whatever may happen, you shall have a home with us. I will be a mother to you, Adèle."

The girl kissed her good hostess, and the words lingered on her ear long after nightfall. Why not her mother? What parent could be more kind? What home more grateful? And should she bring dishonor to it then? Could she be less sensitive to that thought than her father had already shown himself? She perceives, indeed, that within a short time, and since the later communications from her father, the manner of those who had looked most suspiciously upon her has changed. But they do not know the secret of that broidered kerchief,—the secret of that terrible death-clasp, which she never, never can forget. She will be true to her own sense of honor; she will be true, too, to her own faith,—the faith in which she has been reared,—whatever may be the persuasions of that new relative beyond the seas whom she so dreads to meet.

Indeed, it is with dreary anticipations that she forecasts now her return to that belle France which has so long borne olive-branches along its shores for welcome; she foresees struggle, change, hypocrisies, may be,—who can tell?—and she begins to count the weeks of her stay amid the quiet of Ashfield in the same spirit in which youngsters score off the remaining days of the long vacation. Adèle finds herself gathering, and pressing within the leaves of some cherished book, little sprays of dead bloom that shall be, in the dim and mysterious future, mementoes of the walks, the frolics, the joys that have belonged to this staid New England home. From the very parsonage door she has brought away a sprig of a rampant sweet-brier that has grown there this many a year, and its delicate leaflets are among her chiefest treasures.

More eagerly than ever she listens to the kindly voices that greet her and speak cheer to her in the home of the Elderkins,—voices which she feels bitterly will soon be heard no more by her. Even the delicate and always respectful attentions of Phil have an added, though a painful charm, since they are so soon to have an end. She knows that she will remember him always, though his tenderest words can waken no hopes of a brighter future for her. She even takes him partially into her confidence, and, strolling with him down the street one day, she decoys him to the churchyard gate, where she points out to him the stone she had placed over the grave that was so sacred to her.

"Phil," said she, "you have always been full of kindness for me. When I am gone, have a care of that stone and grave, please, Phil. My best friend lies there."

"I don't think you know your best friends," stammered Phil.

"I know you are one," said Adèle, calmly, "and that I can trust you to do what I ask about this grave. Can I, Phil?"

"You know you can, Adèle; but I don't like this talk of your going, as if you were never to be among us again. Do you think you can be happiest yonder with strangers, Adèle?"

"It's not—where I can be happiest, Phil; I don't ask myself that question; I fear I never can";—and her lips trembled as she said it.

"You can,—you ought," burst out Phil, fired at sight of her emotion, and would have gone on bravely and gallantly, may be, with the passion that was surging in him, if a look of hers and a warning finger had not stayed him.

"We'll talk no more of this, Phil"; and her lips were as firm as iron now.

Both of them serious and silent for a while; until at length Adèle, in quite her old manner, says: "Of course, Phil, father may bring me to America again some day; and if so, I shall certainly beg for a little visit in Ashfield. It would be very ungrateful in me not to remember the pleasant times I've had here."

But Phil cannot so deftly change the color of his talk; his chattiness has all gone from him. Nor does it revive on reaching home. Good Mrs. Elderkin says, "What makes you so crusty, Phil?"

LX.

Maverick arrives, as he had promised to do, some time in early July; comes up from the city without announcing himself in advance; and, leaving the old coach, which still makes its periodical trips from the river, a mile out from the town, strolls along the highway. He remembers well the old outline of the hills; and the straggling hedge-rows, the scattered granite boulders, the whistling of a quail from a near fence in the meadow, all recall the old scenes which he knew in boyhood. At a solitary house by the wayside a flaxen-haired youngster is blowing off soap-bubbles into the air,—with obstreperous glee whenever one rises above the house-tops,—while the mother, with arms akimbo, looks admiringly from the open window. It was the home to which the feet of Adèle had latterly so often wandered.

Maverick is anxious for a word with the Doctor before his interview with Adèle even. He does not know her present home; but he is sure he can recall the old parsonage, in whose exterior, indeed, there have been no changes for years. The shade of the embowering elms is grateful as he strolls on into the main street of the town. It is early afternoon, and there are few passers-by. Here and there a blind is coyly turned, and a sly glance cast upon the stranger. A trio of school-boys look wonderingly at his foreign air and dress. A few loiterers upon the tavern steps—instructed, doubtless, by the stage-driver, who has duly delivered his portmanteau—remark upon him as he passes.

And now at last he sees the old porch,—the diamond lights in the door. Twenty and more years ago, and he had lounged there, as the pretty Rachel drove up in the parson's chaise. The same rose-brier is nodding its untrimmed boughs by the door. From the open window above he catches a glimpse of a hard, thin face, with spectacles on nose, that scans him curiously. The Doctor's hat and cane are upon the table at the foot of the stairs within. He taps with his knuckles upon the study-door,—and again the two college mates are met together. At sight of the visitor, whom he recognizes at a glance, the heart of the old man is stirred by a little of the old youthful feeling.

"Maverick!" and he greets him with open hand.

"Johns, God bless you!"

The parson was white-haired, and was feeble to a degree that shocked Maverick; while the latter was still erect and prim, and, with his gray hair carefully brushed to conceal his growing baldness, appeared in excellent preservation. His coquettings for sixty years with the world, the flesh, and the Devil had not yet reduced his phisique to that degree of weakness which the multiplied spiritual wrestlings had entailed upon the good Doctor. The minister recognized this with a look rather of pity than of envy, and may possibly have bethought himself of that Dives who "in his lifetime received good things," but "now is tormented."

Yet he ventured upon no warning; there is, indeed, a certain assured manner about the man of the world who has passed middle age, which a country parson, however good or earnest he may be, would no more attempt to pierce than he would attempt a thrust of his pen through ice.

Their conversation, after the first greetings, naturally centres upon Adèle. Maverick is relieved to find that she knows, even now, the worst; but he is grievously pained to learn that she is still in doubt, by reason of that strange episode which had grown out of the presence and death of Madame Arles,—an episode which, even now, he is at a loss to explain.

"She will be unwilling to return with me then," said Maverick, in a troubled manner.

"No," said the Doctor, "she expects that. You will find in her, Maverick, a beautiful respect for your authority; and, I think, a still higher respect for the truth."

So it was with disturbed and conflicting feelings that Maverick made his way to the present home of Adèle.

The windows and doors of the Elderkin mansion were all open upon that July day. Adèle had seen him, even as he entered the little gate, and, recognizing him on the instant, had rushed down to meet him in the hall.

"Papa! papa!" and she had buried her face upon his bosom.

"Adèle, darling! you are glad to welcome me then?"

"Delighted, papa."

And Maverick kissed, again and again, that fair face of which he was so proud.

We recoil from the attempt to transcribe the glowing intimacy of their first talk.

After a time, Maverick says, "You will be glad to return with me,—glad to embrace again your mother?"

"My own, true mother?" said Adèle, the blood running now swift over cheek and brow.

"Your own, Adèle,—your own! As God is true!"

Adèle grows calm,—an unwonted calmness. "Tell me how she looks, papa," said she.

"Your figure, Adèle; not so tall, perhaps, but slight like you; and her hair,—you have her hair, darling (and he kissed it). Your eye too, for color, with a slight, hardly noticeable cast in it." And as Adèle turned an inquiring glance upon him, he exclaimed: "You have that too, my darling, as you look at me now."

Adèle, still calm, says: "I know it, papa; I have seen her. Do not deceive me. She died in these arms, papa!"—and with that her calmness is gone. She can only weep upon his shoulder.

"But, Adèle, child, this cannot be; do not trust to so wild a fancy. You surely believe me, darling!"

Had she argued the matter, he would have been better satisfied. She did not, however. Her old tranquillity came again.

"I will go with you, papa, cheerfully," said she.

It was only too evident to Maverick that there was a cause of distrust between them. Under all of Adèle's earnest demonstrations of affection, which were intensely grateful to him, there was still a certain apparent reserve of confidence, as if some great inward leaning of her heart found no support in him or his. This touched him to the quick. The Doctor—had he unfolded the matter to him fully—would have called it, may be, the sting of retribution. Nor was Maverick at all certain that the shadowy doubt which seemed to rest upon the mind of Adèle with respect to the identity of her mother was the sole cause of this secret reserve of confidence. It might be, he thought, that her affections were otherwise engaged, and that the change to which she assented with so little fervor would be at the cost of other ties to which he was a stranger.

On this score he consulted with the Doctor. As regarded Reuben, there could be no doubt. Whatever tie may have existed there was long since broken. With respect to Phil Elderkin the parson was not so certain. Maverick had been attracted by his fine, frank manner, and was not blind to his capital business capacities and prospects. If the happiness of Adèle were in question, he could entertain the affair. He even ventured to approach the topic—coyly as he could—in a talk with Adèle; and she, as the first glimmer of his meaning dawned upon her, says, "Don't whisper it, papa. It can never be."

And so Maverick—not a little disconcerted at the thought that he cannot now, as once, fathom all the depths of his child's sensibilities—sets himself resolutely to the work of preparation for departure. His affaires may keep him a month, and involve a visit to one or two of the principal cities; then, ho for la belle France! Adèle certainly lends a cheerful assent. He cannot doubt—with those repeated kisses on his cheek and brow—her earnest filial affection; and if her sentiment slips beyond his control, or parries all his keenness of vision, what else has a father, verging upon sixty, to expect in a daughter, tenderly affectionate as she may be? Maverick's philosophy taught him to "take the world as it is." Only one serious apprehension of disquietude oppressed him; the doubts and vagaries of Adèle would clear themselves under the embrace of Julie; but in respect to the harmony of their religious beliefs he had grave doubts. There had grown upon Adèle, since he had last seen her, a womanly dignity, which even a mother must respect; and into that dignity—into the woof and warp of it—were inwrought all her religious sympathies. Was his home yonder, across the seas, to become the scene of struggles about creeds? It certainly was not the sort of domestic picture he had foreshadowed to himself at twenty-five. But at sixty a man blows bubbles no longer—except that of his own conceit. The heart of Maverick was not dead in him; a kiss of Adèle wakened a thrilling, delicious sensation there, of which he had forgotten his capability. He followed her graceful step and figure with an eye that looked beyond and haunted the past—vainly, vainly! Her "Papa!"—sweetly uttered—stirred sensibilities in him that amazed himself, and seemed like the phantoms of dreams he dreamed long ago.

But in the midst of Maverick's preparations for departure a letter came to hand from Mrs. Maverick, which complicated once more the situation.

LXI.

The mother has read the letter of her child,—the letter in which appeal had been made to the father in behalf of the "unworthy" one whom the daughter believed to be sleeping in her grave. The tenderness of the appeal smote the poor woman to the heart. It bound her to the child she scarce had seen by bonds into which her whole moral being was knitted anew. But we must give the letter entire, as offering explanations which can in no way be better set forth. The very language kindles the ardor of Adèle. Her own old speech again, with the French echo of her childhood in every line.

"Mon cher Monsieur,"—in this way she begins; for her religious severities, if not her years, have curbed any disposition to explosive tenderness,—"I have received the letter of our child, which was addressed to you. I cannot tell you the feelings with which I have read it. I long to clasp her to my heart. And she appeals to you, for me,—the dear child! Yes, you have well done in telling her that I was unworthy (méchante). It is true,—unworthy in forgetting duty,—unworthy in loving too well. O Monsieur! if I could live over again that life,—that dear young life among the olive orchards! But the good Christ (thank Him!) leads back the repentant wanderers into the fold of His Church.

'Laus tibi, Christe!'

"And the poor child believes that I am in my grave! May be that were better for her and better for me. But no, I shall clasp her to my heart once more,—she, the poor babe! But I forget myself; it is a woman's letter I have been reading. What earnestness! what maturity! what dignity! what tenderness! And will she be as tender to the living as to the erring one whom she believes dead? My heart stops when I ask myself. Yes, I know she will. The Blessed Virgin whispers me that she will, and I fly to greet her! A month, two months, three months, four months?—It is an age.

"Monsieur! I cannot wait. I must take ship—sail—wings (if I could find them), and go to meet my child. Until I do there is a tempest in my brain—heart—everywhere. You are surprised, Monsieur, but there is another reason why I should go to this land where Adèle has lived. Do you wish to know it? Listen, then, Monsieur!

"Do you know who this poor sufferer was whom our child had learned so to love, who died in her arms, who sleeps in the graveyard there, and of whom Adèle thinks as of a mother? I have inquired, I have searched high and low, I have fathomed all. Ah, my poor, good sister Marie! Only Marie! You have never known her. In those other days at dear Arles she was too good for you to know her. Yet even then she was a guardian angel,—a guardian too late. Mea culpa! Mea culpa!

"I know it can be only Marie; I know it can be only she, who sleeps under the sod in Ash——(ce nom m'échappe).

"Listen again: in those early, bitter charming days, when you, Monsieur, knew the hillsides and the drives about our dear old town of Arles, poor Marie was away; had she been there, I had never listened, as I did listen, to the words you whispered in my ear. Only when it was too late, she came. Poor, good Marie! how she pleaded with me! How her tender, good face spoke reproaches to me! If I was the pride of our household, she was the angel. She it was, who, knowing the worst, said, 'Julie, this must end!' She it was who labored day and night to set me free from the wicked web that bound me. I reproached her, the poor, good Marie, in saying that she was the plainer, that she had no beauty, that she was devoured with envy. But the Blessed Virgin was working ever by her side. Whatever doubts you may have entertained of me, Monsieur,—she created them; whatever suspicions tortured you,—she fed them, but always with the holiest of motives. And when shame came, as it did come, the poor Marie would have screened me,—would have carried the odium herself. Good Marie! the angels have her in keeping!

"Listen again, Monsieur! When that story, that false story, of the death of my poor child, came to light in the journals, who but Marie should come to me—deceived herself as I was deceived—and say, 'Julie, dear one, God has taken the child in mercy; there is no stigma can rest upon you in the eyes of the world. Live now as the Blessed Magdalen lived when Christ had befriended her.' And by her strength I was made strong; the Blessed Virgin be thanked!

"Finally, it came to her knowledge one day,—the dear Marie!—that the rumor of the death was untrue,—that the babe was living,—that the poor child had been sent over the seas to your home, Monsieur. Well, I was far away in the East. Does Marie tell me? No, the dear one! She writes me, that she is going 'over seas,'—tired of la belle France,—she who loved it so dearly! And she went,—to watch, to pray, to console. And I, the mother!—Mon Dieu, Monsieur, the words fail me. No wonder our child loved her; no wonder she seems a mother to her!

"Listen yet again, Monsieur. My poor sister died yonder, in that heretical land,—may be without absolution.

'Ave Martha margarita
In corona Jesu sita,
Tam in morte quam in vita
Sis nobis propitia!'

I must go, if it be only to find her grave, and to secure her burial in some consecrated spot. She waits for me,—her ghost, her spirit,—I must go; the holy water must be sprinkled; the priestly rites be said. Marie, poor Marie, I will not fail you.

"Monsieur, I must go!—not alone to greet our child, but to do justice to my sainted sister! Listen well! All that has been devotional in my poor life centres here! I must go,—I must do what I may to hallow my poor sister's grave. Adèle will not give up her welcome surely, if I am moved by such religious purpose. She, too, must join me in an Ave Maria over that resting-place of the departed.

"I shall send this letter by the overland and British mail, that it may come to you very swiftly. It will come to you while you are with the poor child,—our Adèle. Greet her for me as warmly as you can. Tell her I shall hope, God willing, to bring her into the bosom of his Holy Church Catholic. I shall try and love her, though she remain a heretic; but this will not be.

"If I can enough curb myself, I shall wait for your answer, Monsieur; but it is necessary that I go yonder. Look for me; kiss our child for me. And if you ever prayed, Monsieur, I should say, pray for

"Votre amie,

"Julie."

The letter is of the nature of a revelation to Adèle; her doubts respecting Madame Arles vanish on the instant. The truth, as set forth in her mother's language, blazes upon her mind like a flame. She loves the grave none the less, but the mother by far the more. She, too, wishes to greet her amid the scenes which she has known so long. Nor is Maverick himself averse to this new disposition of affairs, if indeed he possessed any power (which he somewhat doubts) of readjusting it. Seeing the kindly intentions toward Adèle, and the tolerant feeling (to say the least) with which Mrs. Maverick will be met by these friends of the daughter, he trusts that the mother's interviews with the Doctor, and a knowledge of the kindly influences under which Adèle has grown up, may lessen the danger of a religious altercation between mother and child, which has been his great bugbear in view of their future association.

A man of the world, like Maverick, naturally takes this common-sense view of religious differences; why not compound matters, he thinks; and he hints as much quietly to the parson. The old gentleman's spirit is stirred to its depths by the intimation; like all earnest zealots, he recognizes one only unswerving rule of faith, and that the faith in which he has been reared. They who hold conflicting doctrines must yield,—yield absolutely,—or there is no safety for them. In his eye there was but one strait gate to the Celestial City, and that any wearing the furbelows of Rome should ever enter thereat could only come of God's exceeding mercy; for himself, it must always be a duty to cry aloud to such to strip themselves clean of their mummery, and do works "meet for repentance."

Adèle, after her first period of exultation over the recent news is passed, relapses—perhaps by reason of its excess—into something of her old vague doubt and apprehension of coming evil. The truth—if it be truth—is so strange!—so mysteriously strange that she shall indeed clasp her mother to her heart; the grave yonder is so real! and that fearful embrace in death so present to her! Or it may be an anticipation of the fearful spiritual estrangement that must ensue, and of which she seems to find confirmation in the earnest talk and gloomy forebodings of the Doctor.

Maverick effects a diversion by proposing a jaunt of travel, in which Rose shall be their companion. Adèle accepts the scheme with delight,—a delight, after all, which lies as much in the thought of watching the eager enjoyment of Rose as in any pleasant distractions of her own. The pleasure of Maverick is by no means so great as in that trip of a few years back. Then he had for companion an enthusiastic girl, to whom life was fresh, and all the clouds that seemed to rest upon it so shadowy, that each morning sun lifting among the mountains dispersed them utterly.

Now, Adèle showed the thoughtfulness of a woman,—her enthusiasms held in check by a more calm estimate of the life that opened before her,—her sportiveness overborne by a soberness, which, if it gave dignity, gave also a womanly gravity. Yet she did not lack filial devotion; she admired still that easy world-manner of his which had once called out her enthusiastic regard, but now queried in her secret heart if its acquisition had not involved cost of purity of conscience. She loved him too,—yes, she loved him; and her evening and morning kiss and embrace were reminders to him of a joy he might have won, but had not,—of a home peace that might have been his, but whose image now only lifted above his horizon like some splendid mirage crowded with floating fairy shapes, and like the mirage melted presently into idle vapor.

It was a novel experience for Maverick to find himself (as he did time and again upon this summer trip in New England) sandwiched, of a Sunday, between his two blooming companions and some sober-sided deacon, in the pew of a country meeting-house. How his friend Papiol would have stared! And the suggestion, coming to him with the buzz of a summer fly through the open windows, did not add to his devotional sentiment. Yet Maverick would follow gravely the scramble of the singers through the appointed hymn with a sober self-denial, counting the self-denial a virtue. We all make memoranda of the small religious virtues when the large ones are missing.

Upon the return to Ashfield there is found a new letter from Madam Maverick. She can restrain herself no longer. Under the advices of her brother, she will, with her maid, take the first safe ship leaving Marseilles for New York. She longs to bring Adèle with herself, by special consecration, under the guardianship of the Holy Virgin.

The Doctor is greatly grieved in view of the speedy departure of Adèle, and tenfold grieved when Maverick lays before him the letter of the mother, and he sees the fiery zeal which the poor child must confront.

Over and over in those last interviews he seeks to fortify her faith; he warns her against the delusions, the falsities, the idolatries of Rome; he warns her to distrust a religion of creeds, of human authority, of traditions. Christ, the Bible,—these are the true monitors; and "Mind, Adaly," says he, "hold fast always to the Doctrine of the Westminster Divines. That is sound,—that is sound!"

LXII.

Reuben went with a light heart upon his voyage. The tender memories of Ashfield were mostly lived down. (Had the letter of Adèle ever reached him, it might have been far different.) Rose, Phil, the Tourtelots, the Tew partners (still worrying through a green old age), the meeting-house, even the Doctor himself and Adèle, seemed to belong to a sphere whose interests were widely separate from his own, and in which he should appear henceforth only as a casual spectator. The fascinations of his brilliant business successes had a firm grip upon him. He indulges himself, indeed, from time to time, with the fancy that some day, far off now, he will return to the scenes of his boyhood, and astonish some of the old landholders by buying them out at a fabulous price, and by erecting a "castle" of his own, to be enlivened by the fairy graces of some sylph not yet fairly determined upon. Surely not Rose, who would hardly be equal to the grandeur of his proposed establishment, if she were not already engrossed by that "noodle" (his thought expressing itself thus wrathfully) of an assistant minister. Adèle,—and the name has something in it that electrifies, in spite of himself,—Adèle, if she ever overcomes her qualms of conscience, will yield to the tender persuasions of Phil. "Good luck to him!"—and he says this, too, with a kind of wrathful glee.

Still, he builds his cloud castles; some one must needs inhabit them. Some paragon of refinement and of beauty will one day appear, for whose tripping feet his wealth will lay down a path of pearls and gold. The lonely, star-lit nights at sea encourage such phantasms; and the break of the waves upon the bow, with their myriad of phosphorescent sparkles, cheats and illumines the fancy. We will not follow him throughout his voyage. On a balmy morning of July he wakes with the great cliff of Gibraltar frowning on him. After this come light, baffling winds, and for a week he looks southward upon the mysterious, violet lift of the Barbary shores, and pushes slowly eastward into the blue expanse of the Mediterranean. In the Sicilian ports he is abundantly successful. He has ample time to cross over to Naples, to ascend Vesuvius, and to explore Herculaneum and Pompeii. But he does not forget the other side of the beautiful bay, Baiæ and Pozzuoli. He takes, indeed, a healthful pleasure in writing to the Doctor a description of this latter, and of his walk in the vicinity of the great seaport where St. Paul must have landed from his ship of the Castor and Pollux, on his way from Syracuse. But he does not tell the Doctor that, on the same evening, he attended an opera at the San Carlo in Naples, of which the ballet, if nothing else, would have called down the good man's anathema.

An American of twenty-five, placed for the first time upon the sunny pavements of Naples, takes a new lease of life,—at least of its imaginative part. The beautiful blue stretch of sea, the lava streets, the buried towns and cities, the baths and ruins of Baiæ, the burning mountain, piling its smoke and fire into the serene sky, the memories of Tiberius, of Cicero, of Virgil,—all these enchant him. And beside these are the things of to-day,—the luscious melons, the oranges, the figs, the war-ships lying on the bay, the bloody miracle of St. Januarius, the Lazzaroni upon the church steps, the processions of friars, and always the window of his chamber, looking one way upon blue Capri, and the other upon smouldering Vesuvius.

At Naples Reuben hears from the captain of the Meteor—in which good ship he has made his voyage, and counts upon making his return—that the vessel can take up half her cargo at a better freight by touching at Marseilles. Whereupon Reuben orders him to go thither, promising to join him at that port in a fortnight. A fortnight only for Rome, for Florence, for Pisa, for the City of Palaces, and then the marvellous Cornice road along the shores of the sea. Terracina brought back to him the story of Mr. Alderman Popkins and the Principessa, and the bandits; after this came the heights of Albano and Soracte, and there, at last, the Tiber, the pyramid tomb, the great church dome, the stone pines of the Janiculan hill,—Rome itself. Reuben was not strong or curious in his classics; the galleries and the churches took a deeper hold upon him than the Forum and the ruins. He wandered for hours together under the arches of St. Peter's. He wished he might have led the Doctor along its pavement into the very presence of the mysteries of the Scarlet Woman of Babylon. He wished Miss Almira, with her saffron ribbons, might be there, sniffing at her little vial of salts, and may be singing treble. The very meeting-house upon the green, that was so held in reverence, with its belfry and spire atop, would hardly make a scaffolding from which to brush the cobwebs from the frieze below the vaulting of this grandest of temples. Oddly enough, he fancies Deacon Tourtelot, in his snuff-colored surtout, pacing down the nave with him, and saying,—as he would be like to say,—"Must ha' been a smart man that built it; but I guess they don't have better preachin', as a gineral thing, than the old Doctor gives us on Fast-Days or in 'protracted' meetin's."

Such queer humors and droll comparisons flash into the mind of Reuben, even under all his sense of awe,—a swift, disorderly mingling of the themes and offices which kindled his first sense of religious awe under a home atmosphere with the wondrous forms and splendor which kindle a new awe now. The great dome enwalling with glittering mosaics a heaven of its own, and blazing with figured saints, and the golden distich, "Thou art Peter,—to thee will I give the keys of the kingdom of heaven,"—all this seems too grand to be untrue. Are not the keys verily here? Can falsehood build up so august a lie? A couple of friars shuffle past him, and go to their prayers at some near altar; he does not even smile at their shaven pates and their dowdy, coarse gowns of serge. Low music from some far-away chapel comes floating under the panelled vaultings, and loses itself under the great dome, with a sound so gentle, so full of entreaty, that it seems to him the dove on the high altar might have made it with a cooing and a flutter of her white wings. A mother and two daughters, in black, glide past him, and drop upon their knees before some saintly shrine, and murmur their thanksgivings, or their entreaty. And he, with no aim of worship, yet somehow shocked out of his unbelief by the very material influences around him.

Reuben's old wranglings and struggles with doubt had ended—where so many are apt to end, when the world is sunny and success weaves its silken meshes for the disport of self—in a quiet disbelief that angered him no longer, because he had given over all fight with it. But the great dome, flaming with its letters, Ædificabo meam Ecclesiam, shining there for ages, kindled the fight anew. And strange as it may seem, and perplexing as it was to the Doctor (when he received Reuben's story of it), he came out from his first visit to the great Romish temple with his religious nature more deeply stirred than it had been for years.

Ædificabo meam Ecclesiam. HE had uttered it. There was then something to build,—something that had been built, at whose shrine millions worshipped trustingly.

Under the sombre vaultings of the great Florentine Cathedral, the impression was not weakened. The austere gloom of it chimed more nearly with his state of unrest. Then there are the galleries, the painted ceilings,—angels, saints, martyrs, holy families,—can art have been leashed through so many ages with a pleasant fiction? Is there not somewhere at bottom an earnest, vital truth, which men must needs cling by if they be healthful and earnest themselves? Even the meretricious adornments of the churches of Genoa afford new evidence of the way in which the heart of a people has lavished itself upon belief; and if belief, why, then, hope.

Upon the Cornice road, with Italy behind him and home before (such home as he knows), he thinks once more of those he has left. Not that he has forgotten them altogether; he has purchased a rich coral necklace in Naples, which will be the very thing for his old friend Rose; and, in Rome, the richest cameos to be found in the Via Condotti he has secured for Adèle; even for Aunt Eliza he has brought away from Florence a bit of the pietra dura, a few olive-leaves upon a black ground. Nor has he forgotten a rich piece of the Genoese velvet for Mrs. Brindlock; and, for his father, an old missal, which, he trusts, dates back far enough to save it from the odium he attaches to the present Church, and to give it an early Christian sanctity. He has counted upon seeing Mr. Maverick at Marseilles, but learns, with surprise, upon his arrival there, that this gentleman had sailed for America some months previously. The ship is making a capital freight, and the captain informs him that application has been made for the only vacant state-room in their little cabin by a lady attended by her maid. Reuben assents cheerfully to this accession of companionship; and, running off for a sight of the ruins at Nismes and Arles, returns only in time to catch the ship upon the day of its departure. As they pass out of harbor, the lady passenger, in deep black, (the face seems half familiar to him,) watches wistfully the receding shores, and, as they run abreast the chapel of Nôtre Dame de la Garde, she devoutly crosses herself and tells her beads.

Reuben is to make the voyage with the mother of Adèle. Both bound to the same quiet township of New England; he, to reach Ashfield once more, there to undergo swiftly a new experience,—an experience that can come to no man but once; she, to be clasped in the arms of Adèle,—a cold embrace and the last!

PASSAGES FROM HAWTHORNE'S NOTE-BOOKS.

V.

Brook Farm, Sept. 26, 1841.—A walk this morning along the Needham road. A clear, breezy morning, after nearly a week of cloudy and showery weather. The grass is much more fresh and vivid than it was last month, and trees still retain much of their verdure, though here and there is a shrub or a bough arrayed in scarlet and gold. Along the road, in the midst of a beaten track, I saw mushrooms or toadstools, which had sprung up probably during the night.

The houses in this vicinity are, many of them, quite antique, with long, sloping roofs, commencing at a few feet from the ground, and ending in a lofty peak. Some of them have huge, old elms overshadowing the yard. One may see the family sleigh near the door, it having stood there all through the summer sunshine, and perhaps with weeds sprouting through the crevices of its bottom, the growth of the months since snow departed. Old barns, patched and supported by timbers leaning against the sides, and stained with the excrement of past ages.

In the forenoon, I walked along the edge of the meadow, towards Cow Island. Large trees, almost a wood, principally of pine with the green pasture-glades intermixed, and cattle feeding. They cease grazing when an intruder appears, and look at him with long and wary observation, then bend their heads to the pasture again. Where the firm ground of the pasture ceases, the meadow begins,—loose, spongy, yielding to the tread, sometimes permitting the foot to sink into black mud, or perhaps over ankles in water. Cattle paths, somewhat firmer than the general surface, traverse the dense shrubbery which has overgrown the meadow. This shrubbery consists of small birch, elders, maples, and other trees, with here and there white pines of larger growth. The whole is tangled and wild and thick-set, so that it is necessary to part the nestling stems and branches, and go crashing through. There are creeping plants of various sorts, which clamber up the trees, and some of them have changed color in the slight frosts which already have befallen these low grounds, so that one sees a spiral wreath of scarlet leaves twining up to the top of a green tree, intermingling its bright hues with their verdure, as if all were of one piece. Sometimes, instead of scarlet, the spiral wreath is of a golden yellow.

Within the verge of the meadow, mostly near the firm shore of pasture ground, I found several grape-vines, hung with an abundance of large purple grapes. The vines had caught hold of maples and alders, and climbed to the summit, curling round about and interwreathing their twisted folds in so intimate a manner that it was not easy to tell the parasite from the supporting tree or shrub. Sometimes the same vine had enveloped several shrubs, and caused a strange, tangled confusion, converting all these poor plants to the purpose of its own support, and hindering their growing to their own benefit and convenience. The broad vine-leaves, some of them yellow or yellowish-tinged, were seen apparently glowing on the same stems with the silver-maple leaves, and those of the other shrubs, thus married against their will by the conjugal twine; and the purple clusters of grapes hung down from above and in the midst, so that one might "gather grapes," if not "of thorns," yet of as alien bushes.

One vine had ascended almost to the tip of a large white pine, spreading its leaves, and hanging its purple clusters among all its boughs,—still climbing and clambering, as if it would not be content till it had crowned the very summit with a wreath of its own foliage and bunches of grapes. I mounted high into the tree and ate the fruit there, while the vine wreathed still higher into the depths above my head. The grapes were sour, being not yet fully ripe. Some of them, however, were sweet and pleasant.

September 27.—A ride to Brighton yesterday morning, it being the day of the weekly Cattle Fair. William Allen and myself went in a wagon, carrying a calf to be sold at the fair. The calf had not had his breakfast, as his mother had preceded him to Brighton, and he kept expressing his hunger and discomfort by loud, sonorous baas, especially when we passed any cattle in the fields or in the road. The cows, grazing within hearing, expressed great interest, and some of them came galloping to the roadside to behold the calf. Little children, also, on their way to school, stopped to laugh and point at poor little Bossie. He was a prettily behaved urchin, and kept thrusting his hairy muzzle between William and myself, apparently wishing to be stroked and patted. It was an ugly thought that his confidence in human nature, and nature in general, was to be so ill-rewarded as by cutting his throat, and selling him in quarters. This, I suppose, has been his fate before now!

It was a beautiful morning, clear as crystal, with an invigorating, but not disagreeable coolness. The general aspect of the country was as green as summer,—greener indeed than mid or latter summer,—and there were occasional interminglings of the brilliant hues of autumn, which made the scenery more beautiful, both visibly and in sentiment. We saw no absolutely mean nor poor-looking abodes along the road. There were warm and comfortable farm-houses, ancient, with the porch, the sloping roof, the antique peak, the clustered chimney, of old times; and modern cottages, smart and tasteful; and villas, with terraces before them, and dense shade, and wooden urns on pillars, and other such tokens of gentility. Pleasant groves of oak and walnut, also, there were, sometimes stretching along valleys, sometimes ascending a hill and clothing it all round, so as to make it a great clump of verdure. Frequently we passed people with cows, oxen, sheep, or pigs for Brighton Fair.

On arriving at Brighton, we found the village thronged with people, horses, and vehicles. Probably there is no place in New England where the character of an agricultural population may be so well studied. Almost all the farmers within a reasonable distance make it a point, I suppose, to attend Brighton Fair pretty frequently, if not on business, yet as amateurs. Then there are all the cattle-people and butchers who supply the Boston market, and dealers from far and near; and every man who has a cow or a yoke of oxen, whether to sell or buy, goes to Brighton on Monday. There were a thousand or two of cattle in the extensive pens belonging to the tavern-keeper, besides many that were standing about. One could hardly stir a step without running upon the horns of one dilemma or another, in the shape of ox, cow, bull, or ram. The yeomen appeared to be more in their element than I have ever seen them anywhere else, except, indeed, at labor;—more so than at musterings and such gatherings of amusement. And yet this was a sort of festal day, as well as a day of business. Most of the people were of a bulky make, with much bone and muscle, and some good store of fat, as if they had lived on flesh-diet;—with mottled faces too, hard and red, like those of persons who adhered to the old fashion of spirit-drinking. Great, round-paunched country squires were there too, sitting under the porch of the tavern, or waddling about, whip in hand, discussing the points of the cattle. There were also gentlemen-farmers, neatly, trimly, and fashionably dressed, in handsome surtouts and trousers, strapped under their boots. Yeomen, too, in their black or blue Sunday suits, cut by country tailors, and awkwardly worn. Others (like myself) had on the blue, stuff frocks which they wear in the fields, the most comfortable garments that ever were invented. Country loafers were among the throng,—men who looked wistfully at the liquors in the bar, and waited for some friend to invite them to drink,—poor, shabby, out-at-elbowed devils. Also, dandies from the city, corseted and buckramed, who had come to see the humors of Brighton Fair. All these, and other varieties of mankind, either thronged the spacious bar-room of the hotel, drinking, smoking, talking, bargaining, or walked about among the cattle-pens, looking with knowing eyes at the horned people. The owners of the cattle stood near at hand, waiting for offers. There was something indescribable in their aspect, that showed them to be the owners, though they mixed among the crowd. The cattle, brought from a hundred separate farms, or rather from a thousand, seemed to agree very well together, not quarrelling in the least. They almost all had a history, no doubt, if they could but have told it. The cows had each given her milk to support families,—had roamed the pastures, and come home to the barn-yard,—had been looked upon as a sort of member of the domestic circle, and was known by a name, as Brindle or Cherry. The oxen, with their necks bent by the heavy yoke, had toiled in the plough-field and in haying-time for many years, and knew their master's stall as well as the master himself knew his own table. Even the young steers and the little calves had something of domestic sacredness about them; for children had watched their growth, and petted them, and played with them. And here they all were, old and young, gathered from their thousand homes to Brighton Fair; whence the great chance was that they would go to the slaughter-house, and thence be transmitted, in sirloins, joints, and such pieces, to the tables of the Boston folk.

William Allen had come to buy four little pigs to take the places of four who have now grown large at our farm, and are to be fatted and killed within a few weeks. There were several hundreds, in pens appropriated to their use, grunting discordantly, and apparently in no very good humor with their companions or the world at large. Most or many of these pigs had been imported from the State of New York. The drovers set out with a large number, and peddle them along the road till they arrive at Brighton with the remainder. William selected four, and bought them at five cents per pound. These poor little porkers were forthwith seized by the tails, their legs tied, and then thrown into our wagon, where they kept up a continual grunt and squeal till we got home. Two of them were yellowish, or light gold-color, the other two were black and white, speckled; and all four of very piggish aspect and deportment. One of them snapped at William's finger most spitefully, and bit it to the bone.

All the scene of the Fair was very characteristic and peculiar,—cheerful and lively, too, in the bright, warm sun. I must see it again; for it ought to be studied.

September 28.—A picnic party in the woods, yesterday, in honor of little Frank Dana's birthday, he being six years old. I strolled out, after dinner, with Mr. Bradford, and in a lonesome glade we met the apparition of an Indian chief, dressed in appropriate costume of blanket, feathers, and paint, and armed with a musket. Almost at the same time, a young gypsy fortune-teller came from among the trees, and proposed to tell my fortune. While she was doing this, the goddess Diana let fly an arrow, and hit me smartly in the hand. The fortune-teller and goddess were in fine contrast, Diana being a blonde, fair, quiet, with a moderate composure; and the gypsy (O. G.) a bright, vivacious, dark-haired, rich-complexioned damsel,—both of them very pretty, at least pretty enough to make fifteen years enchanting. Accompanied by these denizens of the wild wood, we went onward, and came to a company of fantastic figures, arranged in a ring for a dance or a game. There was a Swiss girl, an Indian squaw, a negro of the Jim Crow order, one or two foresters, and several people in Christian attire, besides children of all ages. Then followed childish games, in which the grown people took part with mirth enough,—while I, whose nature it is to be a mere spectator both of sport and serious business, lay under the trees and looked on. Meanwhile, Mr. Emerson and Miss Fuller, who arrived an hour or two before, came forth into the little glade where we were assembled. Here followed much talk. The ceremonies of the day concluded with a cold collation of cakes and fruit. All was pleasant enough,—an excellent piece of work,—"would 't were done!" It has left a fantastic impression on my memory, this intermingling of wild and fabulous characters with real and homely ones, in the secluded nook of the woods. I remember them, with the sunlight breaking through overshadowing branches, and they appearing and disappearing confusedly,—perhaps starting out of the earth; as if the everyday laws of Nature were suspended for this particular occasion. There were the children, too, laughing and sporting about, as if they were at home among such strange shapes,—and anon bursting into loud uproar of lamentation, when the rude gambols of the merry archers chanced to overturn them. And apart, with a shrewd, Yankee observation of the scene, stands our friend Orange, a thick-set, sturdy figure, enjoying the fun well enough, yet rather laughing with a perception of its nonsensicalness than at all entering into the spirit of the thing.

This morning I have been helping to gather apples. The principal farm labors at this time are ploughing for winter rye, and breaking up the greensward for next year's crop of potatoes, gathering squashes, and not much else, except such year-round employments as milking. The crop of rye, to be sure, is in process of being thrashed, at odd intervals.

I ought to have mentioned among the diverse and incongruous growths of the picnic party our two Spanish boys from Manilla;—Lucas, with his heavy features and almost mulatto complexion; and José, slighter, with rather a feminine face,—not a gay, girlish one, but grave, reserved, eying you sometimes with an earnest but secret expression, and causing you to question what sort of person he is.

Friday, October 1.—I have been looking at our four swine,—not of the last lot, but those in process of fattening. They lie among the clean rye straw in the sty, nestling close together; for they seem to be beasts sensitive to the cold, and this is a clear, bright, crystal morning, with a cool, northwest wind. So there lie these four black swine, as deep among the straw as they can burrow, the very symbols of slothful ease and sensuous comfort. They seem to be actually oppressed and overburdened with comfort. They are quick to notice any one's approach, and utter a low grunt thereupon,—not drawing a breath for that particular purpose, but grunting with their ordinary breath,—at the same time turning an observant, though dull and sluggish, eye upon the visitor. They seem to be involved and buried in their own corporeal substance, and to look dimly forth at the outer world. They breathe not easily, and yet not with difficulty nor discomfort; for the very unreadiness and oppression with which their breath comes appears to make them sensible of the deep sensual satisfaction which they feel. Swill, the remnant of their last meal, remains in the trough, denoting that their food is more abundant than even a hog can demand. Anon, they fall asleep, drawing short and heavy breaths, which heave their huge sides up and down; but at the slightest noise they sluggishly unclose their eyes, and give another gentle grunt. They also grunt among themselves, without any external cause; but merely to express their swinish sympathy. I suppose it is the knowledge that these four grunters are doomed to die within two or three weeks that gives them a sort of awfulness in my conception. It makes me contrast their present gross substance of fleshly life with the nothingness speedily to come. Meantime the four newly-bought pigs are running about the cow-yard, lean, active, shrewd, investigating everything, as their nature is. When I throw an apple among them, they scramble with one another for the prize, and the successful one scampers away to eat it at leisure. They thrust their snouts into the mud, and pick a grain of corn out of the rubbish. Nothing within their sphere do they leave unexamined, grunting all the time with infinite variety of expression. Their language is the most copious of that of any quadruped, and, indeed, there is something deeply and indefinably interesting in the swinish race. They appear the more a mystery the longer one gazes at them. It seems as if there were an important meaning to them, if one could but find it out. One interesting trait in them is their perfect independence of character. They care not for man, and will not adapt themselves to his notions, as other beasts do; but are true to themselves, and act out their hoggish nature.

October 7.—Since Saturday last, (it being now Thursday,) I have been in Boston and Salem, and there has been a violent storm and rain during the whole time. This morning shone as bright as if it meant to make up for all the dismalness of the past days. Our brook, which in the summer was no longer a running stream, but stood in pools along its pebbly course, is now full from one grassy verge to the other, and hurries along with a murmuring rush. It will continue to swell, I suppose, and in the winter and spring it will flood all the broad meadows through which it flows.

I have taken a long walk this forenoon along the Needham road, and across the bridge, thence pursuing a cross-road through the woods, parallel with the river, which I crossed again at Dedham. Most of the road lay through a growth of young oaks principally. They still retain their verdure, though, looking closely in among them, one perceives the broken sunshine falling on a few sere or bright-hued tufts of shrubbery. In low, marshy spots, on the verge of the meadows or along the river-side, there is a much more marked autumnal change. Whole ranges of bushes are there painted with many variegated hues, not of the brightest tint, but of a sober cheerfulness. I suppose this is owing more to the late rains than to the frost; for a heavy rain changes the foliage somewhat at this season. The first marked frost was seen last Saturday morning. Soon after sunrise it lay, white as snow, over all the grass, and on the tops of the fences, and in the yard, on the heap of firewood. On Sunday, I think, there was a fall of snow, which, however, did not lie on the ground a moment.

There is no season when such pleasant and sunny spots may be lighted on, and produce so pleasant an effect on the feelings, as now in October. The sunshine is peculiarly genial; and in sheltered places, as on the side of a bank, or of a barn or house, one becomes acquainted and friendly with the sunshine. It seems to be of a kindly and homely nature. And the green grass, strewn with a few withered leaves, looks the more green and beautiful for them. In summer or spring Nature is farther from one's sympathies.

October 8.—Another gloomy day, lowering with portents of rain close at hand. I have walked up into the pastures this morning, and looked about me a little. The woods present a very diversified appearance just now, with perhaps more varieties of tint than they are destined to wear at a somewhat later period. There are some strong yellow hues, and some deep red; there are innumerable shades of green, some few having the depth of summer; others, partially changed towards yellow, look freshly verdant with the delicate tinge of early summer or of May. Then there is the solemn and dark green of the pines. The effect is, that every tree in the wood and every bush among the shrubbery has a separate existence, since, confusedly intermingled, each wears its peculiar color, instead of being lost in the universal emerald of summer. And yet there is a oneness of effect likewise, when we choose to look at a whole sweep of woodland instead of analyzing its component trees. Scattered over the pasture, which the late rains have kept tolerably green, there are spots or islands of dusky red,—a deep, substantial hue, very well fit to be close to the ground,—while the yellow, and light, fantastic shades of green soar upward to the sky. These red spots are the blueberry and whortleberry bushes. The sweet-fern is changed mostly to russet, but still retains its wild and delightful fragrance when pressed in the hand. Wild China-asters are scattered about, but beginning to wither. A little while ago, mushrooms or toadstools were very numerous along the wood-paths and by the roadsides, especially after rain. Some were of spotless white, some yellow, and some scarlet. They are always mysteries and objects of interest to me, springing as they do so suddenly from no root or seed, and growing one wonders why. I think, too, that some varieties are pretty objects, little fairy tables, centre-tables, standing on one leg. But their growth appears to be checked now, and they are of a brown tint and decayed.

The farm business to-day is to dig potatoes. I worked a little at it. The process is to grasp all the stems of a hill and pull them up. A great many of the potatoes are thus pulled, clinging to the stems and to one another in curious shapes,—long red things, and little round ones, imbedded in the earth which clings to the roots. These being plucked off, the rest of the potatoes are dug out of the hill with a hoe, the tops being flung into a heap for the cow-yard. On my way home I paused to inspect the squash-field. Some of the squashes lay in heaps as they were gathered, presenting much variety of shape and hue,—as golden yellow, like great lumps of gold, dark green, striped and variegated; and some were round, and some lay curling their long necks, nestling, as it were, and seeming as if they had life.

In my walk yesterday forenoon I passed an old house which seemed to be quite deserted. It was a two-story, wooden house, dark and weather-beaten. The front windows, some of them, were shattered and open, and others were boarded up. Trees and shrubbery were growing neglected, so as quite to block up the lower part. There was an aged barn near at hand, so ruinous that it had been necessary to prop it up. There were two old carts, both of which had lost a wheel. Everything was in keeping. At first I supposed that there would be no inhabitants in such a dilapidated place; but, passing on, I looked back, and saw a decrepit and infirm old man at the angle of the house, its fit occupant. The grass, however, was very green and beautiful around this dwelling, and, the sunshine falling brightly on it, the whole effect was cheerful and pleasant. It seemed as if the world was so glad that this desolate old place, where there was never to be any more hope and happiness, could not at all lessen the general effect of joy.

I found a small turtle by the roadside, where he had crept to warm himself in the genial sunshine. He had a sable back, and underneath his shell was yellow, and at the edges bright scarlet. His head, tail, and claws were striped yellow, black, and red. He withdrew himself, as far as he possibly could, into his shell, and absolutely refused to peep out, even when I put him into the water. Finally, I threw him into a deep pool and left him. These mailed gentlemen, from the size of a foot or more down to an inch, were very numerous in the spring; and now the smaller kind appear again.

Saturday, October 9.—Still dismal weather. Our household, being composed in great measure of children and young people, is generally a cheerful one enough, even in gloomy weather. For a week past we have been especially gladdened with a little seamstress from Boston, about seventeen years old; but of such a petite figure, that, at first view, one would take her to be hardly in her teens. She is very vivacious and smart, laughing and singing and talking all the time,—talking sensibly; but still, taking the view of matters that a city girl naturally would. If she were larger than she is, and of less pleasing aspect, I think she might be intolerable; but being so small, and with a fair skin, and as healthy as a wildflower, she is really very agreeable; and to look at her face is like being shone upon by a ray of the sun. She never walks, but bounds and dances along, and this motion, in her diminutive person, does not give the idea of violence. It is like a bird, hopping from twig to twig, and chirping merrily all the time. Sometimes she is rather vulgar, but even that works well enough into her character, and accords with it. On continued observation, one discovers that she is not a little girl, but really a little woman, with all the prerogatives and liabilities of a woman. This gives a new aspect to her, while the girlish impression still remains, and is strangely combined with the sense that this frolicsome maiden has the material for the sober bearing of a wife. She romps with the boys, runs races with them in the yard, and up and down the stairs, and is heard scolding laughingly at their rough play. She asks William Allen to place her "on top of that horse," whereupon he puts his large brown hands about her waist, and, swinging her to and fro, lifts her on horseback. William threatens to rivet two horse-shoes round her neck, for having clambered, with the other girls and boys, upon a load of hay, whereby the said load lost its balance and slid off the cart. She strings the seed-berries of roses together, making a scarlet necklace of them, which she fastens about her throat. She gathers flowers of everlasting to wear in her bonnet, arranging them with the skill of a dressmaker. In the evening, she sits singing by the hour, with the musical part of the establishment, often breaking into laughter, whereto she is incited by the tricks of the boys. The last thing one hears of her, she is tripping up stairs to bed, talking lightsomely or warbling; and one meets her in the morning, the very image of bright morn itself, smiling briskly at you, so that one takes her for a promise of cheerfulness through the day. Be it said, with all the rest, that there is a perfect maiden modesty in her deportment. She has just gone away, and the last I saw of her was her vivacious face peeping through the curtain of the cariole, and nodding a gay farewell to the family, who were shouting their adieux at the door. With her other merits, she is an excellent daughter, and supports her mother by the labor of her hands. It would be difficult to conceive beforehand how much can be added to the enjoyment of a household by mere sunniness of temper and liveliness of disposition; for her intellect is very ordinary, and she never says anything worth hearing, or even laughing at, in itself. But she herself is an expression well worth studying.

THE FENIAN "IDEA."

It was a great truth Shelley uttered when he said that slavery would not be the enormous wrong and evil which it is, if men who had long suffered under it could rise at once to freedom and self-government. We see this fact everywhere proved by races, nations, sexes, long held in bondage, and, when at last set free, displaying for years, perhaps for generations, the vices of cowardice, deceit, and cruelty engendered by slavery. Chains leave ugly scars on the flesh, but deeper scars by far on the soul. Even where the exercise of oppression has stopped short of actual serfdom,—where a race has been merely excluded from some natural rights, and burdened with some unrighteous restrictions,—the same result, in a mitigated degree, may be traced in moral degradation, surviving the injustice itself and almost its very memory. Ages pass away, and "Revenge and Wrong" still "bring forth their kind." The evil is not dead, though they who wrought it have long mouldered in their forgotten graves.

In a very remarkable manner this sad law of our nature applies to the condition of the Irish race. Doubtless the isolated position of Ireland, the small share it has had in the life and movement of our century, has allowed the old wrongs to fester in memory, and the old feelings of rancor to perpetuate themselves, as they could never have done in a country more in the highway of nations. Vendettas personal and political are ever to be found in islands, like Corsica, Sicily, Ireland; or in remote glens and mountains, such as those of Scotland or Greece. Men who live in New York, London, or Paris must be singularly retentive of passion to keep up even their own hatreds, not to speak of the hatreds of their ancestors. But it is alike the bane and blessing of lives spent in retirement and monotony to retain impressions for years, and live in the past almost more vividly than in the tame and uninteresting present. Ireland, at all events, has had nothing to divert her from her old traditions; and there is probably no man, woman, or child of Celtic race living in the country in whose mind a certain "historical element," compounded strangely of truth and falsehood, does not occupy a place such as no analogous impression takes in the thought of an ordinary Englishman or Frenchman. We shall endeavor in this paper to give a little idea of the nature of these Irish traditions and feelings; and if we succeed in doing so, we shall at the same time afford to our readers a clew to some of the supposed mysteries of the recent outbreak of Fenianism. In sober truth, Fenianism is not, to Anglo-Irish observers, a startling apparition, an outburst of insane folly, an epidemic of national hate, but, on the contrary, a most familiar phenomenon, the mere appearance on the surface of what we always knew lay beneath,—an endemic as natural to the soil as the ague and fever which haunt the undrained bogs. Those who understand what Irishmen are always thinking will find no difficulty in understanding also what things they occasionally do.

The real wrongs inflicted by England upon Ireland are probably as bad as ever disgraced the history of a conquest—in itself without excuse. Not to speak of confiscations, and executions often taking the form of murderous raids into suspected districts, there were laws passed one after another, from the time of Edward I. even to the present century, a collection of which would be a sad commentary on the boasted justice of English Parliaments. Irishmen lay under disabilities, political, social, and ecclesiastical, so severe and numerous that it really seems to have been a question what they were expected to do except to break some of these arbitrary laws, and so incur some cruel penalty. Down to our own century, and for the avowed purpose of injuring the only flourishing trade of the country (that of linen), the English cotton and woollen manufacturers procured the passing of acts better called destructive than protective; and in sober truth, if England now deplores the low industrial and commercial state of Ireland, she has only to look over her own statute-book, and see if ingenuity could have further gone in the way of discouragement and depression. When we add to these wrongs the bitter drop of the Irish Church Establishment, it is doubtless clear that an able advocate could make out a very telling case for the plaintiff, in that great case of Ireland vs. England on which Europe and America sit as jury.

But it is a singularly inexact notion of the real historical wrongs of his country which an ordinary Irishman treasures in his heart; in fact, he has no idea of the real wrongs at all, but of other and quite imaginary ones. He sets out with the great fallacy that Ireland was at some indefinite epoch (described as "former times") a wealthy, prosperous, and united country, and that every declension from those characteristics is to be laid at the door of English tyranny and jealousy. When Moore wrote,

"Let Erin remember the days of old,
Ere her faithless sons betrayed her,
When Malachi wore the collar of gold
Which he won from her proud invader,

"When her kings, with their standards of green unfurled,
Led the Red Branch knights to danger,
Ere the emerald gem of the Western world
Was set in the crown of a stranger,"—

when, we say, a man of the world, who afterwards wrote a remarkably moderate and sensible History of Ireland, wrote nonsense like this, he was doubtless well aware he was only by poetic license describing what Irishmen commonly believed about "days of old," and their glorified circumstances. We once saw an Irish schoolmaster, just one of those who mould the ideas of the humbler classes, shown into a room furnished with the usual luxury of a handsome English drawing-room,—books, pictures, flowers, and china, "an earthly paradise of ormolu." The good man looked round with great admiration, and then innocently remarked, "Why, this must be like one of the palaces of our ancient kings!" Here was precisely the popular Irish idea. Her "ancient king"—who actually lived in the wattled walls of Tara, enjoying barbarian feasts of beer and hecatombs of lean kine and sheep—is supposed to have been a refined and splendid prince, dwelling in ideal "halls," (doubtless compounded out of the Dublin Bank and Rotunda,) and enjoying the finest music on a double-action harp. As a fact, there is no evidence whatever that the old Irish Pentarchy was much better than any five chieftainships of the Sandwich Islands. Even the historians who laud it in most pompous phrases, like Keatinge, give nothing but details of wars and massacres, disorders and rebellions without end. Out of one hundred and sixty-eight kings who by this (of course) half-fabulous story reigned from the Milesian Conquest to Roderick O'Connor, vanquished by Henry II. in 1172, no less than seventy-nine are said to have acquired the throne by the murder of their predecessors. The contests between the five kings for the supremacy, or for the acquisition of each other's territories, offer a spectacle which can only be compared to a sanguinary game of puss-in-the-corner lasting for a thousand years. As to any monuments of civilization, it would indeed be wonderful if they were found in a country so circumstanced. Such existing architecture as can be attributed to a Celtic origin is confined to the simple round towers, Cormac's Chapel at Cashel, and a few humble little stone-roofed edifices like the one known as "St. Kevin's Kitchen," and made, with true Irish magniloquence, to stand wellnigh alone for the "Seven Churches of Glendalough." For literature, ancient Ireland can show the respectable "Annals of the Four Masters," and a few minor chronicles in prose and verse, but not a single work deserving a place in European history. Literally the fame of a few nomad saints, and a collection of torques and brooches (of great beauty, but possible Byzantine workmanship) in the Irish Academy, are the chief grounds on which rest the claims of Ireland to ancient civilization. Yet not merely civilization, but the extreme grandeur and magnificence of Ireland in "former times," is the first postulate of all Irish discontent. It is because England has dimmed her glory and overthrown her royal state that Irishmen burn with patriot indignation, and not by any means because she has merely left barbarism and disunion still barbarous and disunited after seven centuries, and has checked, instead of encouraging, the industry and commerce of the land.

Proceeding on this false ground, the Celtic Irishman, with his fervid imagination, easily builds for himself a whole edifice of local and personal grievances on the pattern of the supposed national one. Was Ireland once a rich and splendid country? So was every town and neighborhood once full of gayety and prosperity, when "the family" lived at home and did not travel or spend the season in London. Full of extravagant reverence for birth and rank, it is always, in the Irishman's mind, not his fault, nor that of his compeers of the working and middle classes, that trade and agriculture do not flourish in the land; but the fault of some lord or squire who ought to come and spend money there, or some king or queen who should hold court in Dublin and waste as much treasure as possible upon state ceremonials. Nay, every man for himself, almost, has at the bottom of his heart a belief that he ought to be, not a laborer or carter, shoemaker or tailor, but the head of some ancient house,—some O' or Mac,—living not in his own mud cabin, but in the handsome residence of some English gentleman whose estate was wrongfully taken in "former times" from his—the laborer's or shoemaker's—ancestors.

Fenians talk of an Irish Republic, and the brave and honest men who led the rising of '98 undoubtedly heartily desired to establish one on the American model. But to any one really acquainted with Irish character, to dream of such institutions for ages to come seems utterly vain. All the qualities which go to make a republican, in the true sense of the term, are wanting in the Irish nature; and, on the other hand, there is a superabundance of all the opposite qualities which go to make a loyal subject of a king,—not too despotic, but still a strong-handed, visible, audible, tangible ruler of men. Devotion to an idea, to a constitution, to a flag; respect for law as law; sturdy independence and self-reliance; regard for others' rights and jealousy of a man's own,—all these true republican characteristics are most rarely to be found in Irishmen. Nay, the most important of all—the reverence for law—is almost, we might say, reversed in his nature. The true Irishman detests law. He loves, indeed, mercy, retribution, many fine things which law may or may not produce. But the simple fact that a certain proceeding has been by proper authorities constituted a law or rule of any kind, in public matters or private, is reason enough, in high or low, to make it secretly distasteful. As Coleridge used to say, that, "when anything was presented to him as a duty, he instantly felt himself seized by a sense of inability to perform it," so, to the Celtic mind, when anything comes in the guise of a law, there is an accompanying seizure of moral paralysis. Even if the law or rule be made by the offender himself, it is all the same. Having given it utterance, it is a law, and he hates it accordingly. On the other hand, nothing can exceed the generous, chivalrous personal and family loyalty of the Irish nature. But it is a person he wants, not a constitution or a flag.

Of course, how far all these characteristics may be altered by residence in America we are unable to say. We write of the Irishman in Ireland, from lifelong acquaintance. What dreams the Fenians in America may indulge, we are also in no position to know. But this we may safely aver: The Irishmen in Ireland who are caught by such schemes of rebellion and revolution are not, as might be thought, mere vulgar agitators, eager for notoriety or perhaps plunder. They are (such of them as are the dupes, not the dupers) men whose minds from childhood have been filled with anti-historic visions of Ireland's former grandeur, and who cherish patriotic indignation for her supposed wrongs, and patriotic hopes of her future glory. In a word, they live in a world of unrealities almost inconceivable to a cool Saxon brain,—unreal splendors of the past and utterly unreal and impossible future hopes. They neither see where England has actually wronged Ireland heretofore, nor how her Constitution opens to them now (were they but once united) the lawful means of obtaining all just redress and beneficial legislation they can desire. Instead of this, they are still talking of Tara and Kincora, of Ollamh Fodhla and Brien Boiromhe, and dream in the year of grace 1866 to set England at naught with a few thousand undisciplined troops, and then burn down the hundred or two of handsome houses and banish all the cultivated men and women in the country (even including the priests!), to inaugurate a grand era of universal prosperity and civilization.

But however delusive the indignation and the hopes of the Fenians must be accounted, the sad fact remains that old misgovernment and oppression have left behind a train of evil feelings, whose existence is only too real, however fantastic may be the shapes they assume. While three or four centuries sufficed to obliterate all trace of the Norman Conquest, and unite in indissoluble bonds of blood and language the two races who contended for mastery at Hastings, in Ireland, on the contrary, seven centuries have failed, not merely to efface, but even essentially to diminish the sharpness of the distinction between the conquerors and the conquered. Still, to this day, the two nations dwell in the same land, but not united. Still each member of each race learns as his first lesson to which of the two he belongs, and recognizes, by some occult, but well-known tokens, the race and creed of every man with whom he has dealings. Religious differences, of course, have come in to swell the tide of mistrust, and to nullify the most strenuous efforts of the Anglo-Irish to gain the confidence of the Celts. In the books circulated in the baskets of the strolling pedlers, which constitute almost the sole literature of the laboring class, we have constantly seen the favorite tract entitled "A Father's Advice to his Son," in which the Catholic peasant is warned to put no faith in the desire of his Protestant neighbor to help him, and advised, not, indeed, to refuse his charity, but to return for it no gratitude, since a Protestant can have no real feeling for a Catholic. We have heard with our own ears O'Connell say almost the same thing in Conciliation Hall, and tell his hearers that English subscriptions at the time of the famine were given from fear, not kindness. But even were all these false teachers silenced, were the enormous insult of the Irish Establishment retracted to-morrow, even then the root of national bitterness would not be killed. It would take generations to kill it.

Between fifty and a hundred years ago the Anglo-Irish gentry, as all the world knows, were a wild and extravagant race. Duelling and drinking were the two great duties of a gentleman. A young man was instructed how to "make his head" early in life, and to acquire the gentle art of pistolling his friends, when now he would be studying Greek under Professor Jowett, or "coaching" for a civil-service examination. It was in bad taste in those halcyon days for a man to leave a pleasant social party in a state of sobriety, and he was liable to be challenged by his aggrieved companions if he did it frequently. The custom of locking the dining-room door and putting the key in the fire, so as to secure a comfortable night (on the floor), was so common as hardly to deserve notice; and in many old houses are still preserved the huge glasses bearing the toast of the Immortal Memory of William III., and calculated to hold three bottles of claret, all to be drunk at once by one member of the company, who then won the prize of a seven-guinea piece deposited at the bottom. Gambling was not a pastime, but a business; and a business shared by the ladies. On rainy days it was customary to lay the card-tables at ten o'clock in the morning, and on all days the work began immediately after the four-o'clock dinner. Of all field-sports hunting was the favorite; and, of course, horses and hounds helped to run away with estates as well as cards and claret. Great pomp, however, of a certain semi-barbaric kind was the crowning extravagance. Everybody drove four horses,—the loftier grandees invariably six,—with due accompaniment of outriders and running footmen. Dresses, jewels, and lace were of course in keeping with the equipage, albeit the furniture of the finest houses was what we should deem a strange mixture of magnificence and bareness,—beautiful pictures on the walls, and no curtains to the windows,—tapestry fauteuils, and a small square of carpet in the midst of a Sahara of plain deal floor. But the kitchen was the true scene of that Wilful Waste which assuredly brought Woful Want often enough in its train. Every gentleman's house served as a sort of free tavern for tenants, servants, laborers, and the relatives, friends, and acquaintances of tenants, servants, and laborers without end. Up stairs there was endless dinner-giving and claret-drinking; down stairs there was breakfasting, dining, and supping,—only substituting beef for venison and whiskey for claret. One famous countess, coming into an estate of twenty thousand a year, with a reserve of one hundred thousand pounds, spent the whole, and left a debt of another hundred thousand, after Garter-King-at-Arms had been summoned from England to see her in state to her mausoleum as a descendant of the Plantagenets. An earl in the North, of no great wealth, was carried to his grave by a procession of five thousand people, all of whom were entertained, and three thousand clothed in mourning, for the occasion. But there is no need to go further into such traditions.

Were these, then, the people who earned the hoarded hate of the Fenian? Was it this coarse and stupid extravagance, contrasted with the abject penury of the peasantry, (far greater then than now,) which has left such indelible, bitter memories? Very far indeed is this from being the case. That age of lavish waste is looked back upon universally in Ireland as one of those "former times" which are to be forever contrasted with the present,—an age of gold compared to an age of iron. True, the old landlords were harder on their tenants than any dare now to be;—true, they neither improved land, nor built cottages, nor endowed schools, nor did one earthly thing to help the wretched and starving people in the face of whose misery they flaunted their splendor. But there was little or no bitterness of feeling toward them; for their faults were those with which the people sympathized, and their free-handed hospitality would have covered more sins even than they committed. Perhaps one of the very reasons why, in these last years, the never wholly quieted ground-swell of discontent has risen up in Fenianism is this, that the whole generation of which we have spoken has now utterly died out, and, since the Encumbered Estates Courts has done its work, the families of landholders have undergone great changes, and, where not changed in race, have wholly changed in habits and mode of life. "Castle Rackrent" exists no more. Irish landlords have now neither power nor inclination to hold free quarters for all comers. On the other hand, (we speak it advisedly,) no class of men in Europe strive more earnestly and self-denyingly to improve the condition of those dependent on them, to build good houses for their tenants, open schools for the children, and drain and fertilize the land. Let us hope that, as years roll on, and generations pass, the tradition of imaginary wrongs, and the unseen but too real results of actual ones, will both pass away, and there may yet come a day in which it will not seem a satire to speak of the land of the Fenian and the Agrarian murderer as "The Isle of Saints."

THE CHIMNEY-CORNER FOR 1866.

V.

WHAT ARE THE SOURCES OF BEAUTY IN DRESS.

The conversation on dress which I had held with Jennie and her little covey of Birds of Paradise appeared to have worked in the minds of the fair council, for it was not long before they invaded my study again in a body. They were going out to a party, but called for Jennie, and of course gave me and Mrs. Crowfield the privilege of seeing them equipped for conquest.

Latterly, I must confess, the mysteries of the toilet rites have impressed me with a kind of superstitious awe. Only a year ago my daughter Jennie had smooth dark hair, which she wreathed in various soft, flowing lines about her face, and confined in a classical knot on the back of her head. Jennie had rather a talent for coiffure, and the arrangement of her hair was one of my little artistic delights. She always had something there,—a leaf, a spray, a bud or blossom, that looked fresh, and had a sort of poetical grace of its own.

But in a gradual way all this has been changing. Jennie's hair first became slightly wavy, then curly, finally frizzy, presenting a tumbled and twisted appearance, which gave me great inward concern; but when I spoke upon the subject I was always laughingly silenced with the definitive settling remark: "O, it's the fashion, papa! Everybody wears it so."

I particularly objected to the change on my own small account, because the smooth, breakfast-table coiffure, which I had always so much enjoyed, was now often exchanged for a peculiarly bristling appearance; the hair being variously twisted, tortured, woven, and wound, without the least view to immediate beauty or grace. But all this, I was informed, was the necessary means towards crimping for some evening display of a more elaborate nature than usual.

Mrs. Crowfield and myself are not party-goers by profession, but Jennie insists on our going out at least once or twice in a season, just, as she says, to keep up with the progress of society; and at these times I have been struck with frequent surprise by the general untidiness which appeared to have come over the heads of all my female friends. I know, of course, that I am only a poor, ignorant, bewildered man-creature; but to my uninitiated eyes they looked as if they had all, after a very restless and perturbed sleep, come out of bed without smoothing their tumbled and disordered locks. Then, every young lady, without exception, seemed to have one kind of hair, and that the kind which was rather suggestive of the term woolly. Every sort of wild abandon of frowzy locks seemed to be in vogue; in some cases the hair appearing to my vision nothing but a confused snarl, in which glittered tinklers, spangles, and bits of tinsel, and from which waved long pennants and streamers of different-colored ribbons.

I was in fact very greatly embarrassed by my first meeting with some very charming girls, whom I thought I knew as familiarly as my own daughter Jennie, and whose soft, pretty hair had often formed the object of my admiration. Now, however, they revealed themselves to me in coiffures which forcibly reminded me of the electrical experiments which used to entertain us in college, when the subject stood on the insulated stool, and each particular hair of his head bristled and rose, and set up, as it were, on its own account. This high-flying condition of the tresses, and the singularity of the ornaments which appeared to be thrown at hap-hazard into them, suggested so oddly the idea of a bewitched person, that I could scarcely converse with any presence of mind, or realize that these really were the nice, well-informed, sensible little girls of my own neighborhood,—the good daughters, good sisters, Sunday-school teachers, and other familiar members of our best educated circles; and I came away from the party in a sort of blue maze, and hardly in a state to conduct myself with credit in the examination through which I knew Jennie would put me as to the appearance of her different friends.

I know not how it is, but the glamour of fashion in the eyes of girlhood is so complete, that the oddest, wildest, most uncouth devices find grace and favor in the eyes of even well-bred girls, when once that invisible, ineffable aura has breathed over them which declares them to be fashionable. They may defy them for a time,—they may pronounce them horrid; but it is with a secretly melting heart, and with a mental reservation to look as nearly like the abhorred spectacle as they possibly can on the first favorable opportunity.

On the occasion of the visit referred to, Jennie ushered her three friends in triumph into my study; and, in truth, the little room seemed to be perfectly transformed by their brightness. My honest, nice, lovable little Yankee-fireside girls were, to be sure, got up in a style that would have done credit to Madame Pompadour, or any of the most questionable characters of the time of Louis XIV. or XV. They were frizzled and powdered, and built up in elaborate devices; they wore on their hair flowers, gems, streamers, tinklers, humming-birds, butterflies, South American beetles, beads, bugles, and all imaginable rattle-traps, which jingled and clinked with every motion; and yet, as they were three or four fresh, handsome, intelligent, bright-eyed girls, there was no denying the fact that they did look extremely pretty; and as they sailed hither and thither before me, and gazed down upon me in the saucy might of their rosy girlhood, there was a gay defiance in Jennie's demand, "Now, papa, how do you like us?"

"Very charming," answered I, surrendering at discretion.

"I told you, girls, that you could convert him to the fashions, if he should once see you in party trim."

"I beg pardon, my dear; I am not converted to the fashion, but to you, and that is a point on which I didn't need conversion; but the present fashions, even so fairly represented as I see them, I humbly confess I dislike."

"O Mr. Crowfield!"

"Yes, my dears, I do. But then, I protest, I'm not fairly treated. I think, for a young American girl, who looks as most of my fair friends do look, to come down with her bright eyes and all her little panoply of graces upon an old fellow like me, and expect him to like a fashion merely because she looks well in it, is all sheer nonsense. Why, girls, if you wore rings in your noses, and bangles on your arms up to your elbows, if you tied your hair in a war-knot on the top of your heads like the Sioux Indians, you would look pretty still. The question isn't, as I view it, whether you look pretty,—for that you do and that you will, do what you please and dress how you will. The question is whether you might not look prettier, whether another style of dress, and another mode of getting up, would not be far more becoming. I am one who thinks that it would."

"Now, Mr. Crowfield, you positively are too bad," said Humming-Bird,—whose delicate head was encircled by a sort of crapy cloud of bright hair, sparkling with gold-dust and spangles, in the midst of which, just over her forehead, a gorgeous blue butterfly was perched, while a confused mixture of hairs, gold-powder, spangles, stars, and tinkling ornaments fell in a sort of cataract down her pretty neck. "You see, we girls think everything of you; and now we don't like it that you don't like our fashions."

"Why, my little princess, so long as I like you better than your fashions, and merely think they are not worthy of you, what's the harm?"

"O yes, to be sure. You sweeten the dose to us babies with that sugar-plum. But really, Mr. Crowfield, why don't you like the fashions?"

"Because, to my view, they are in great part in false taste, and injure the beauty of the girls," said I. "They are inappropriate to their characters, and make them look like a kind and class of women whom they do not, and I trust never will, resemble internally, and whose mark therefore they ought not to bear externally. But there you are, beguiling me into a sermon which you will only hate me in your hearts for preaching. Go along, children! You certainly look as well as anybody can in that style of getting up; so go to your party, and to-morrow night, when you are tired and sleepy, if you'll come with your crochet, and sit in my study, I will read you Christopher Crowfield's dissertation on dress."

"That will be amusing, to say the least," said Humming-Bird; "and, be sure, we will all be here. And mind, you have to show good reasons for disliking the present fashion."

So the next evening there was a worsted party in my study, sitting in the midst of which I read as follows.

"WHAT ARE THE SOURCES OF BEAUTY IN DRESS.

"The first one is appropriateness. Colors and forms and modes, in themselves graceful or beautiful, can become ungraceful and ridiculous simply through inappropriateness. The most lovely bonnet that the most approved modiste can invent, if worn on the head of a coarse-faced Irishwoman bearing a market-basket on her arm, excites no emotion but that of the ludicrous. The most elegant and brilliant evening dress, if worn in the daytime in a railroad car, strikes every one with a sense of absurdity; whereas both these objects in appropriate associations would excite only the idea of beauty. So, a mode of dress obviously intended for driving strikes us as outré in a parlor; and a parlor dress would no less shock our eyes on horseback. In short, the course of this principle through all varieties of form can easily be perceived. Besides appropriateness to time, place, and circumstances, there is appropriateness to age, position, and character. This is the foundation of all our ideas of professional propriety in costume. One would not like to see a clergyman in his external air and appointments resembling a gentleman of the turf; one would not wish a refined and modest scholar to wear the outward air of a fast fellow, or an aged and venerable statesman to appear with all the peculiarities of a young dandy. The flowers, feathers, and furbelows which a light-hearted young girl of seventeen embellishes by the airy grace with which she wears them, are simply ridiculous when transferred to the toilet of her serious, well-meaning mamma, who bears them about with an anxious face, merely because a loquacious milliner has assured her, with many protestations, that it is the fashion, and the only thing remaining for her to do.

"There are, again, modes of dress in themselves very beautiful and very striking, which are peculiarly adapted to theatrical representation and to pictures, but the adoption of which as a part of unprofessional toilet produces a sense of incongruity. A mode of dress may be in perfect taste on the stage, that would be absurd in an evening party, absurd in the street, absurd, in short, everywhere else.

"Now you come to my first objection to our present American toilet,—its being to a very great extent inappropriate to our climate, to our habits of life and thought, and to the whole structure of ideas on which our life is built. What we want, apparently, is some court of inquiry and adaptation that shall pass judgment on the fashions of other countries, and modify them to make them a graceful expression of our own national character, and modes of thinking and living. A certain class of women in Paris at this present hour makes the fashions that rule the feminine world. They are women who live only for the senses, with as utter and obvious disregard of any moral or intellectual purpose to be answered in living as a paroquet or a macaw. They have no family ties; love, in its pure domestic sense, is an impossibility in their lot; religion in any sense is another impossibility; and their whole intensity of existence, therefore, is concentrated on the question of sensuous enjoyment, and that personal adornment which is necessary to secure it. When the great, ruling country in the world of taste and fashion has fallen into such a state that the virtual leaders of fashion are women of this character, it is not to be supposed that the fashions emanating from them will be of a kind well adapted to express the ideas, the thoughts, the state of society, of a great Christian democracy such as ours ought to be.

"What is called, for example, the Pompadour style of dress, so much in vogue of late, we can see to be perfectly adapted to the kind of existence led by dissipated women, whose life is one revel of excitement; and who, never proposing to themselves any intellectual employment or any domestic duty, can afford to spend three or four hours every day under the hands of a waiting-maid, in alternately tangling and untangling their hair. Powder, paint, gold-dust and silver-dust, pomatums, cosmetics, are all perfectly appropriate where the ideal of life is to keep up a false show of beauty after the true bloom is wasted by dissipation. The woman who never goes to bed till morning, who never even dresses herself, who never takes a needle in her hand, who never goes to church, and never entertains one serious idea of duty of any kind, when got up in Pompadour style, has, to say the truth, the good taste and merit of appropriateness. Her dress expresses just what she is,—all false, all artificial, all meretricious and unnatural; no part or portion of her from which it might be inferred what her Creator originally designed her to be.

"But when a nice little American girl, who has been brought up to cultivate her mind, to refine her taste, to care for her health, to be a helpful daughter and a good sister, to visit the poor and teach in Sunday schools; when a good, sweet, modest little puss of this kind combs all her pretty hair backward till it is one mass of frowzy confusion; when she powders, and paints under her eyes; when she adopts, with eager enthusiasm, every outré, unnatural fashion that comes from the most dissipated foreign circles,—she is in bad taste, because she does not represent either her character, her education, or her good points. She looks like a second-rate actress, when she is, in fact, a most thoroughly respectable, estimable, lovable little girl, and on the way, as we poor fellows fondly hope, to bless some one of us with her tenderness and care in some nice home in the future.

"It is not the fashion in America for young girls to have waiting-maids,—in foreign countries it is the fashion. All this meretricious toilet—so elaborate, so complicated, and so contrary to nature—must be accomplished, and is accomplished, by the busy little fingers of each girl for herself; and so it seems to be very evident that a style of hair-dressing which it will require hours to disentangle, which must injure and in time ruin the natural beauty of the hair, ought to be one thing which a well-regulated court of inquiry would reject in our American fashions.

"Again, the genius of American life is for simplicity and absence of ostentation. We have no parade of office; our public men wear no robes, no stars, garters, collars, &c.; and it would, therefore, be in good taste in our women to cultivate simple styles of dress. Now I object to the present fashions, as adopted from France, that they are flashy and theatrical. Having their origin with a community whose senses are blunted, drugged, and deadened with dissipation and ostentation, they reject the simpler forms of beauty, and seek for startling effects, for odd and unexpected results. The contemplation of one of our fashionable churches, at the hour when its fair occupants pour forth, gives one a great deal of surprise. The toilet there displayed might have been in good keeping among showy Parisian women in an opera-house; but even their original inventors would have been shocked at the idea of carrying them into a church. The rawness of our American mind as to the subject of propriety in dress is nowhere more shown than in the fact that no apparent distinction is made between church and opera-house in the adaptation of attire. Very estimable, and, we trust, very religious young women sometimes enter the house of God in a costume which makes their utterance of the words of the litany and the acts of prostrate devotion in the service seem almost burlesque. When a brisk little creature comes into a pew with hair frizzed till it stands on end in a most startling manner, rattling strings of beads and bits of tinsel, mounting over all some pert little hat with a red or green feather standing saucily upright in front, she may look exceedingly pretty and piquante; and, if she came there for a game of croquet or a tableau-party, would be all in very good taste; but as she comes to confess that she is a miserable sinner, that she has done the things she ought not to have done and left undone the things she ought to have done,—as she takes upon her lips most solemn and tremendous words, whose meaning runs far beyond life into a sublime eternity,—there is a discrepancy which would be ludicrous if it were not melancholy.

"One is apt to think, at first view, that St. Jerome was right in saying,

'She who comes in glittering veil
To mourn her frailty, still is frail.'

But St. Jerome was in the wrong, after all; for a flashy, unsuitable attire in church is not always a mark of an undevout or entirely worldly mind; it is simply a mark of a raw, uncultivated taste. In Italy, the ecclesiastical law prescribing a uniform black dress for the churches gives a sort of education to European ideas of propriety in toilet, which prevents churches from being made theatres for the same kind of display which is held to be in good taste at places of public amusement. It is but justice to the inventors of Parisian fashions to say, that, had they ever had the smallest idea of going to church and Sunday school, as our good girls do, they would immediately have devised toilets appropriate to such exigencies. If it were any part of their plan of life to appear statedly in public to confess themselves 'miserable sinners,' we should doubtless have sent over here the design of some graceful penitential habit, which would give our places of worship a much more appropriate air than they now have. As it is, it would form a subject for such a court of inquiry and adaptation as we have supposed, to draw a line between the costume of the theatre and the church.

"In the same manner, there is a want of appropriateness in the costume of our American women, who display in the street promenade a style of dress and adornment originally intended for showy carriage drives in such great exhibition grounds as the Bois de Boulogne. The makers of Parisian fashions are not generally walkers. They do not, with all their extravagance, have the bad taste to trail yards of silk and velvet over the mud and dirt of a pavement, or promenade the street in a costume so pronounced and striking as to draw the involuntary glance of every eye; and the showy toilets displayed on the pavé by American young women have more than once exposed them to misconstruction in the eyes of foreign observers.

"Next to appropriateness, the second requisite to beauty in dress I take to be unity of effect. In speaking of the arrangement of rooms in the 'House and Home Papers,' I criticised some apartments wherein were many showy articles of furniture, and much expense had been incurred, because, with all this, there was no unity of result. The carpet was costly, and in itself handsome; the paper was also in itself handsome and costly; the tables and chairs also in themselves very elegant; and yet, owing to a want of any unity of idea, any grand harmonizing tint of color, or method of arrangement, the rooms had a jumbled, confused air, and nothing about them seemed particularly pretty or effective. I instanced rooms where thousands of dollars had been spent, which, because of this defect, never excited admiration; and others in which the furniture was of the cheapest description, but which always gave immediate and universal pleasure. The same rule holds good in dress. As in every apartment, so in every toilet, there should be one ground tone or dominant color, which should rule all the others, and there should be a general style of idea to which everything should be subjected.

"We may illustrate the effect of this principle in a very familiar case. It is generally conceded that the majority of women look better in mourning than they do in their ordinary apparel; a comparatively plain person looks almost handsome in simple black. Now why is this? Simply because mourning requires a severe uniformity of color and idea, and forbids the display of that variety of colors and objects which go to make up the ordinary female costume, and which very few women have such skill in using as to produce really beautiful effects.

"Very similar results have been attained by the Quaker costume, which, in spite of the quaint severity of the forms to which it adhered, has always had a remarkable degree of becomingness, because of its restriction to a few simple colors and to the absence of distracting ornament.

"But the same effect which is produced in mourning or the Quaker costume may be preserved in a style of dress admitting color and ornamentation. A dress may have the richest fulness of color, and still the tints may be so chastened and subdued as to produce the impression of a severe simplicity. Suppose, for example, a golden-haired blonde chooses for the ground-tone of her toilet a deep shade of purple, such as affords a good background for the hair and complexion. The larger draperies of the costume being of this color, the bonnet may be of a lighter shade of the same, ornamented with lilac hyacinths, shading insensibly towards rose-color. The effect of such a costume is simple, even though there be much ornament, because it is ornament artistically disposed towards a general result.

"A dark shade of green being chosen as the ground-tone of a dress, the whole costume may, in like manner, be worked up through lighter and brighter shades of green, in which rose-colored flowers may appear with the same impression of simple appropriateness that is made by the pink blossom over the green leaves of a rose. There have been times in France when the study of color produced artistic effects in costume worthy of attention, and resulted in styles of dress of real beauty. But the present corrupted state of morals there has introduced a corrupt taste in dress; and it is worthy of thought that the decline of moral purity in society is often marked by the deterioration of the sense of artistic beauty. Corrupt and dissipated social epochs produce corrupt styles of architecture and corrupt styles of drawing and painting, as might easily be illustrated by the history of art. When the leaders of society have blunted their finer perceptions by dissipation and immorality, they are incapable of feeling the beauties which come from delicate concords and truly artistic combinations. They verge towards barbarism, and require things that are strange, odd, dazzling, and peculiar to captivate their jaded senses. Such we take to be the condition of Parisian society now. The tone of it is given by women who are essentially impudent and vulgar, who override and overrule, by the mere brute force of opulence and luxury, women of finer natures and moral tone. The court of France is a court of adventurers, of parvenus; and the palaces, the toilets, the equipage, the entertainments, of the mistresses outshine those of the lawful wives. Hence comes a style of dress which is in itself vulgar, ostentatious, pretentious, without simplicity, without unity, seeking to dazzle by strange combinations and daring contrasts.

"Now, when the fashions emanating from such a state of society come to our country, where it has been too much the habit to put on and wear, without dispute and without inquiry, any or everything that France sends, the results produced are often things to make one wonder. A respectable man, sitting quietly in church or other public assembly, may be pardoned sometimes for indulging a silent sense of the ridiculous in the contemplation of the forest of bonnets which surround him, as he humbly asks himself the question, Were these meant to cover the head, to defend it, or to ornament it? and if they are intended for any of these purposes, how?

"I confess, to me nothing is so surprising as the sort of things which well-bred women serenely wear on their heads with the idea that they are ornaments. On my right hand sits a good-looking girl with a thing on her head which seems to consist mostly of bunches of grass, straws, with a confusion of lace, in which sits a draggled bird, looking as if the cat had had him before the lady. In front of her sits another, who has a glittering confusion of beads swinging hither and thither from a jaunty little structure of black and red velvet. An anxious-looking matron appears under the high eaves of a bonnet with a gigantic crimson rose crushed down into a mass of tangled hair. She is ornamented! she has no doubt about it.

"The fact is, that a style of dress which allows the use of everything in heaven above or earth beneath requires more taste and skill in disposition than falls to the lot of most of the female sex to make it even tolerable. In consequence, the flowers, fruits, grass, hay, straw, oats, butterflies, beads, birds, tinsel, streamers, jinglers, lace, bugles, crape, which seem to be appointed to form a covering for the female head, very often appear in combinations so singular, and the results, taken in connection with all the rest of the costume, are such, that we really think the people who usually assemble in a Quaker meeting-house are, with their entire absence of ornament, more becomingly attired than the majority of our public audiences. For if one considers his own impression after having seen an assemblage of women dressed in Quaker costume, he will find it to be, not of a confusion of twinkling finery, but of many fair, sweet faces, of charming, nice-looking women, and not of articles of dress. Now this shows that the severe dress, after all, has better answered the true purpose of dress, in setting forth the woman, than our modern costume, where the woman is but one item in a flying mass of colors and forms, all of which distract attention from the faces they are supposed to adorn. The dress of the Philadelphian ladies has always been celebrated for its elegance of effect, from the fact, probably, that the early Quaker parentage of the city formed the eye and the taste of its women for uniform and simple styles of color, and for purity and chastity of lines. The most perfect toilets that have ever been achieved in America have probably been those of the class familiarly called the gay Quakers,—children of Quaker families, who, while abandoning the strict rules of the sect, yet retain their modest and severe reticence, relying on richness of material, and soft, harmonious coloring, rather than striking and dazzling ornament.

"The next source of beauty in dress is the impression of truthfulness and reality. It is a well-known principle of the fine arts, in all their branches, that all shams and mere pretences are to be rejected,—a truth which Ruskin has shown with the full lustre of his many-colored prose-poetry. As stucco pretending to be marble, and graining pretending to be wood, are in false taste in building, so false jewelry and cheap fineries of every kind are in bad taste; so also is powder instead of natural complexion, false hair instead of real, and flesh-painting of every description. I have even the hardihood to think and assert, in the presence of a generation whereof not one woman in twenty wears her own hair, that the simple, short-cropped locks of Rosa Bonheur are in a more beautiful style of hair-dressing than the most elaborate edifice of curls, rats, and waterfalls that is erected on any fair head now-a-days."

"O Mr. Crowfield! you hit us all now," cried several voices.

"I know it, girls,—I know it. I admit that you are all looking very pretty; but I do maintain that you are none of you doing yourselves justice, and that Nature, if you would only follow her, would do better for you than all these elaborations. A short crop of your own hair, that you could brush out in ten minutes every morning, would have a more real, healthy beauty than the elaborate structures which cost you hours of time, and give you the headache besides. I speak of the short crop,—to put the case at the very lowest figure,—for many of you have lovely hair of different lengths, and susceptible of a variety of arrangements, if you did not suppose yourself obliged to build after a foreign pattern, instead of following out the intentions of the great Artist who made you.

"Is it necessary absolutely that every woman and girl should look exactly like every other one? There are women whom Nature makes with wavy or curly hair: let them follow her. There are those whom she makes with soft and smooth locks, and with whom crinkling and craping is only a sham. They look very pretty with it, to be sure; but, after all, is there but one style of beauty? and might they not look prettier in cultivating the style which Nature seemed to have intended for them?

"As to the floods of false jewelry, glass beads, and tinsel finery which seem to be sweeping over the toilet of our women, I must protest that they are vulgarizing the taste, and having a seriously bad effect on the delicacy of artistic perception. It is almost impossible to manage such material and give any kind of idea of neatness or purity; for the least wear takes away their newness. And of all disreputable things, tumbled, rumpled, and tousled finery is the most disreputable. A simple white muslin, that can come fresh from the laundry every week, is, in point of real taste, worth any amount of spangled tissues. A plain straw bonnet, with only a ribbon across it, is in reality in better taste than rubbishy birds or butterflies, or tinsel ornaments.

"Finally, girls, don't dress at hap-hazard; for dress, so far from being a matter of small consequence, is in reality one of the fine arts,—so far from trivial, that each country ought to have a style of its own, and each individual such a liberty of modification of the general fashion as suits and befits her person, her age, her position in life, and the kind of character she wishes to maintain.

"The only motive in toilet which seems to have obtained much as yet among young girls is the very vague impulse to look 'stylish,'—a desire which must answer for more vulgar dressing than one would wish to see. If girls would rise above this, and desire to express by their dress the attributes of true ladyhood, nicety of eye, fastidious neatness, purity of taste, truthfulness, and sincerity of nature, they might form, each one for herself, a style having its own individual beauty, incapable of ever becoming common and vulgar.

"A truly trained taste and eye would enable a lady to select from the permitted forms of fashion such as might be modified to her purposes, always remembering that simplicity is safe, that to attempt little, and succeed, is better than to attempt a great deal, and fail.

"And now, girls, I will finish by reciting to you the lines old Ben Jonson addressed to the pretty girls of his time, which form an appropriate ending to my remarks.

'Still to be neat, still to be dressed
As you were going to a feast;
Still to be powdered, still perfumed;
Lady, it is to be presumed,
Though art's hid causes are not found,
All is not sweet, all is not sound.

'Give me a look, give me a face,
That makes simplicity a grace,—
Robes loosely flowing, hair as free:
Such sweet neglect more taketh me
Than all the adulteries of art,
That strike my eyes, but not my heart.'"

EDWIN BOOTH.

When we mark the struggles of a brave spirit against the restrictions of an ignoble body, we pay admiring honors to every success that it achieves. It is the contest between human will and untoward fate. Each triumph is a victory of man's dearest heritage, spiritual power. Some have made themselves great captains despite physical weakness and natural fear; scholars and writers have become renowned, though slow to learn, or, haply, "with wisdom at one entrance quite shut out"; nor have stammering lips and shambling figure prevented the rise of orators and actors, determined to give utterance to the power within. But, in our approval of the energy that can so vanquish the injuries of fortune, we are apt to overrate its quality, and to forget how much more exquisite the endowment would be if allied with those outward resources which complete the full largess of Heaven's favoritism. In the latter case we yield our unqualified affection to beings who afford us an unqualified delight. We are reverencing the gifts of the gods; and in their display see clearly that no human will can secure that nobility of appearance and expression which a few maintain without intention, and by right of birth.

Bodily fitness is no small portion of a genius for any given pursuit; and, in the conduct of life, the advantages of external beauty can hardly be overrated. All thinkers have felt this. Emerson says "of that beauty which reaches its perfection in the human form," that "all men are its lovers; wherever it goes, it creates joy and hilarity, and everything is permitted to it." Now there is a beauty of parts, which is external; and another of the expression of the soul, which is the superior. But in its higher grades the former implies the latter. Socrates said that his ugliness accused just as much in his soul, had he not corrected it by education. And Montaigne writes: "The same word in Greek signifies both fair and good, and Holy Word often calls those good which it would call fair"; and, moreover, "Not only in the men that serve me, but also in the beasts, I consider this point within two finger-breadths of goodness."

Can we claim too much for physical adaptation in our measure of the rank to be accorded an actor? For he of all others, not excepting the orator, makes the most direct personal appeal to our tastes. In his own figure he holds the mirror up to Nature, while his voice must be the echo of her various tones. By the law of aristocracy in art, he must be held so much the greater, as he is able to depict the nobler manifestations of her forms and passions. Of course the first excellence is that of truth. A spirited enactment of Malvolio, of Falstaff, or of Richard Crookback has the high merit of faithfully setting forth humanity, though in certain whimsical or distorted phases; but we are more profoundly enriched by the portrayal of higher types. And thus, in making an actor's chosen and successful studies a means of measuring his genius, we find in the self-poise which wins without effort, and must throughout sustain the princely Hamlet, or Othello tender and strong, that grand manner which, in painting, places the art of Raphael and Angelo above that of Hogarth or Teniers. Each may be perfect in its kind, but one kind exceeds another in glory.

We have two pictures before us. One, on paper yellow with the moth of years, is the portrait of an actor in the costume of Richard III. What a classic face! English features are rarely cast in that antique mould. The head sits lightly on its columnar neck, and is topped with dark-brown curls, that cluster like the acanthus; the gray eyes are those which were justly described as being "at times full of fire, intelligence, and splendor, and again of most fascinating softness"; and the nose is of "that peculiar Oriental construction, which gives an air of so much distinction and command." Such was the countenance of Junius Brutus Booth,—that wonderful actor, who, to powers of scorn, fury, and pathos rivalling those which illumined the uneven performances of Edmund Kean, added scholastic attainments which should have equalized his efforts, and made every conception harmonious with the graces of a philosophical and cultured soul. In structure the genius of the elder Booth was indeed closely akin to that of Kean, if not the rarer of the two, notwithstanding the triumphant assertion of Doran, who says that Booth was driven by Kean's superiority to become a hero to "transpontine audiences." Each relied upon his intuitive, off-hand conception of a given part, and fell back to nature in his methods, throwing aside conventionalisms which had long ruled the English stage. But the former was capable of more fervid brightness in those flashes which characterized the acting of them both. Still, there was something awry within him, which in his body found a visible counterpart. The shapely trunk, crowned with the classic head, was set upon limbs of an ungainly order, short, of coarse vigor, and "gnarled like clumps of oak." Above, all was spiritual; below, of the earth, earthy, and dragging him down. Strong souls, thus inharmoniously embodied, have often developed some irregularity of heart or brain: a disproportion, which only strength of purpose or the most favorable conditions of life could balance and overcome. With the elder Booth, subjected to the varying fortunes and excitements of the early American stage, the evil influence gained sad ascendency, and his finest renditions grew "out of tune and harsh." In depicting the pathetic frenzy of Lear, such actors as he and Kean, when at their best, can surpass all rivals; and the grotesque, darkly-powerful ideals of Richard and Shylock are precisely those in which they will startle us to the last, gathering new, though fitful, expressions of hate and scorn, as their own natures sink from ethereal to grosser atmospheres. The mouth catches most surely the growing tendency of a soul; and on the lips of the elder Booth there sat a natural half-sneer of pride, which defined the direction in which his genius would reach its farthest scope.

The second picture is a likeness of this great actor's son,—of a face and form now wonted to all who sustain the standard drama of to-day. Here is something of the classic outline and much of the Greek sensuousness of the father's countenance, but each softened and strengthened by the repose of logical thought, and interfused with that serene spirit which lifts the man of feeling so far above the child of passions unrestrained. The forehead is higher, rising toward the region of the moral sentiments; the face is long and oval, such as Ary Scheffer loved to draw; the chin short in height, but, from the ear downwards, lengthening its distinct and graceful curve. The head is of the most refined and thorough-bred Etruscan type, with dark hair thrown backwards and flowing student-wise; the complexion, pale and striking. The eyes are black and luminous, the pupils contrasting sharply with the balls in which they are set. If the profile and forehead evince taste and a balanced mind, it is the hair and complexion, and, above all, those remarkable eyes,—deep-searching, seen and seeing from afar,—that reveal the passions of the father in their heights and depths of power. The form is taller than either that of the elder Booth or Kean, lithe, and disposed in symmetry; with broad shoulders, slender hips, and comely tapering limbs, all supple, and knit together with harmonious grace. We have mentioned personal fitness as a chief badge of the actor's peerage, and it is of one of the born nobility that we have to speak. Amongst those who have few bodily disadvantages to overcome, and who, it would seem, should glide into an assured position more easily than others climb, we may include our foremost American tragedian,—Edwin Thomas Booth.[D]

But men are often endowed with plenteous gifts for which they never find employment, and thus go to the bad without discovering their natural bent to others or even to themselves. In the years preceding our late war how many were rated as vagabonds, who had that within them which has since won renown! They were "born soldiers," and, in the piping time of peace, out of unison with the bustling crowd around them. Life seemed a muddle, and of course they went astray. But when the great guns sounded, and the bugles rang, they came at once to their birthright, and many a ne'er-do-well made himself a patriot and hero forever.

Edwin Booth, having the capabilities of a great actor, found himself about the stage in his childhood, and, by an unwonted kindness of fortune, went through with perhaps the exact training his genius required. If the atmosphere of the theatre had not almost enwrapt his cradle, and thus become a necessity of his after years, his reflective, brooding temperament and æsthetic sensitiveness might have impelled him to one of the silent professions, or kept him an irresolute dreamer through an unsuccessful life. But while his youth was passed in the green-room, a stern discipline early made him self-reliant, matured his powers, taught him executive action, and gave him insight of the passions and manners of our kind. As for black-letter knowledge, such a nature as his was sure to gain that,—to acquire in any event, and almost unknowingly, what mere talent only obtains by severe, methodical application. We know how genius makes unconscious studies, while in the daily routine of life. The soul works on, unassisted, and at length bursts out into sudden blaze. How did Booth study? Just as young Franklin weighed the minister's sermons, while mentally intent upon the architecture of the church roof. Night after night the lonely face brightened the shadows of the stage-wings, and the delicate ear drank in the folly, the feeling, the wit and wisdom of the play. To such a boyhood the personal contact of his father's nature was all in all. It was quaffing from the fountain-head, not from streams of the imitation of imitation. As the genius of the father refined the intellect and judgment of the son, so the weaknesses coupled with that genius taught him strength of character and purpose. We have heard of nothing more dramatic than the wandering companionship of this gifted pair,—whether the younger is awaiting, weary and patient, the end of the heard but unseen play, or watching over his father at a distance, when the clouds settled thickly upon that errant mind, through long nights and along the desolate streets of a strange city. With other years came the time for young Booth to fight his own battle, and wander on his own account through an apprenticeship preceding his mature successes,—to gain those professional acquirements which were needed to complete his education, and to make that tasteful research to which he naturally inclined. He is now in the sunshine of his noonday fame; and we may estimate his measure of excellence by a review of those chosen and successful renderings, that seem most clearly to define his genius, and to mark the limits of height and versatility which he can attain.

Take, then, the part of Hamlet, which, in these days, the very mention of his name suggests. Little remains to be said of that undying play, whose pith and meaning escaped the sturdy English critics, until Coleridge discovered it by looking into his own soul, and those all-searching Germans pierced to the centre of a disposition quite in keeping with their national character. A score of lights have since brought out every thought and phrase, and we now have Hamlet so clearly in our mind's eye as to wonder how our predecessors failed to comprehend his image. But what does this tragedy demand of an actor? Proverbially, that he himself shall fill it, and hold the stage from its commencement to its end. The play of "Hamlet" is the part of Hamlet. The slowness of its action, and the import of its dialogue and soliloquies, make all depend upon the central figure. Next, he is to depict the most accomplished gentleman ever drawn; not gallant, gay Mercutio, nor courtly Benedict, but the prince and darling of a realm; one who cannot "lack preferment," being of birth above mean ambition and self-conscious unrest; a gentleman by heart, no less,—full of kindly good-fellowship, brooking no titles with his friends, loving goodness and truth, impatient of fools, scorning affectation; moreover, the glass of fashion and the mould of form, the modern ideal of manly beauty,—which joins with the classic face and figure that charm of expression revealing a delicate mind within. For our Hamlet is both gentleman and scholar. History and philosophy have taught him the vice of kings, the brevity of power and forms, the immortality of principles, the art of generalization; while contact with society has made him master of those "shafts of gentle satire," for which all around him are his unconscious targets. His self-respect and self-doubt balance each other, until the latter outweighs the former, under the awful pressure of an unheard-of woe. Finally, he comes before us in that poetical, speculative period of life following the years of study and pleasure, and preceding those of executive leadership. Prince, gentleman, scholar, poet,—he is each, and all together, and attracts us from every point of view.

Upon this noblest youth—so far in advance of his rude and turbulent time—throw a horror that no philosophy, birth, nor training can resist—one of those weights beneath which all humanity bows shuddering; cast over him a stifling dream, where only the soul can act, and the limbs refuse their offices; have him pushed along by Fate to the lowering, ruinous catastrophe; and you see the dramatic chainwork of a part which he who would enact Hamlet must fulfil.

It has been said, distinguishing between the effects of comedy and tragedy, that to render the latter ennobles actors, so that successful tragedians have acquired graces of personal behavior. But one who does not possess native fineness before his portrayal of Hamlet will never be made a gentleman by the part. In its more excited phases, a man not born to the character may succeed. As in Lear, the excess of the passion displayed serves as a mask to the actor's disposition. In its repose, the ideal Hamlet is hard to counterfeit. In the reflective portions and exquisite minor play which largely occupy its progress, and in the princely superiority of its chief figure, there can be little acting in the conventional sense. There is a quality which no false ware can imitate. The player must be himself.

This necessity, we think, goes far toward Booth's special fitness for the part. He is in full sympathy with it, whether on or off the stage. We know it from our earliest glance at that lithe and sinuous figure, elegant in the solemn garb of sables,—at the pallor of his face and hands, the darkness of his hair, those eyes that can be so melancholy-sweet, yet ever look beyond and deeper than the things about him. Where a burlier tragedian must elaborately pose himself for the youth he would assume, this actor so easily and constantly falls into beautiful attitudes and movements, that he seems to go about, as we heard a humorist say, "making statues all over the stage." No picture can equal the scene where Horatio and Marcellus swear by his sword, he holding the crossed hilt upright between the two, his head thrown back and lit with high resolve. In the fencing-bout with Laertes he is the apotheosis of grace; and since, though his height and shoulder-breadth are perfect, he is somewhat spare in form, you call to mind—in accounting for this charm of motion, not studied, "like old Hayward's, between two looking-glasses"—the law that beauty is frame-deep; that grace results from the conscious, harmonious adjustment of joints and bones, and not from accidental increase and decrease of their covering. There is more hidden art in his sitting attitudes upon the quaint lounges of the period; whether rebuking his own remissness, or listening to "the rugged Pyrrhus," or playing upon old Polonius,—setting his breast, as it were, against the thorn of his own disgust.

A sense of the fitness of things makes Booth hold himself in close restraint when not engaged upon the sharper crises of the play. This we conceive to be the true art-spirit. There is no attempt to rouse the house by elocutionary climaxes or quick-stopping strides. Like Betterton, he courts rapturous silence rather than clamorous applause. So finished is all this as a study, that the changes into the more dramatic passages at first grate harshly upon the eye and ear. For, after all, it is a tragedy, full of spectral terrors. Lord Hamlet feels it in his soul. Why should this delicate life be so rudely freighted? Booth, faithful to the action, accepts the passion and the pang. We hardly relish his gasping utterance and utter fall, when the Ghost rehearses his story on those solemn battlements of Elsinore. But think what he is seeing: not the stage-vision for which we care so little, but the spectre of his father,—a midnight visitant from the grave! It has been asserted that no man ever believed he saw a spirit and survived the shock. And it is strongly urged, as a defence of Booth's conception of this scene, that, in the closet interview with the Queen, after the slaying of Polonius, and on the Ghost's reappearance, we, now wrought up to the high poetic pitch by the dialogue and catastrophe, and by the whole progress of the piece, ourselves catch the key, expect, and fully sympathize with his horror and prostration, and accept the fall to earth as the proper sequel to that dreadful blazon from the other world. Notwithstanding this, it seems to us that Booth should tone down his manner in the first Act. The audience has hardly left the outer life, and cannot identify itself with the player; and an artist must acknowledge this fact, and not too far exceed the elevation of his hearers.

Five years ago there was a weakness in Booth's voice, making the listener apprehensive of the higher and louder tones. This insufficiency has passed away with practice and growth, and his utterance now has precisely the volume required in Hamlet,—being musical and distinct in the quiet parts, and fully sustaining each emotional outburst.

In effective compositions there is a return to the theme or refrain of the piece, when the end is close upon us. One of the finest points in this play is, that after the successive episodes of the killing of Polonius, the madness and death of Ophelia, and the wild bout with Laertes at her burial, Hamlet reassumes his every-day nature, and is never more thoroughly himself than when Osric summons him to the fencing-match, and his heart grows ill with the shadow of coming death. The Fates are just severing his thread; events that shall sweep a whole dynasty, like the house of Atreus, into one common ruin, are close at hand; but Philosophy hovers around her gallant child, and the sweet, wise voice utters her teachings for the last time: "If it be now, 't is not to come; if it be not to come, it will be now; if it be not now, yet it will come; the readiness is all. Let be." Then follow the courtesy, the grace, the fraud, the justice, of the swift, last scene; the curtain falls; and now the yearning sympathies of the hearers break out into sound, and the actor comes before the footlights to receive his meed of praise. How commonplace it is to read that such a one was called before the curtain and bowed his thanks! But sit there; listen to the applauding clamor of two thousand voices, be yourself lifted on the waves of that exultation, and for a moment you forget how soon all this will be hushed forever, and, in the triumph of the actor, the grander, more enduring genius of the writer whose imagination first evoked the spell.

The performance of Richelieu, from one point of view, is a complete antithesis to that of the melancholy Dane. In the latter we see and think of Booth; in the former, his household friends, watching My Lord Cardinal from first to last, have nothing to recall him to their minds. The man is transformed, is acting throughout the play. Voice, form, and countenance are changed; only the eyes remain, and they are volcanic with strange lustre,—mindful of the past, suspicious of the present, fixed still upon the future with piercing intent. The soul of the Cardinal, nearing its leave of the tenement that has served it so long, glares out of the windows, with supernatural regard, over the luxury, the intrigue, the danger, the politics, the empire it must soon behold no more. As the piece is now produced, with fidelity to details of use and decoration,—with armor, costumery, furniture, and music of the period of Louis XIII.,—with all this boast of heraldry and pomp of power, the illusion is most entire. The countenance is that of the old portrait; white flowing locks, cap, robes, raised moustache, and pointed beard,—all are there. The voice is an old man's husky treble, and we have the old man's step, the tremor, and recurring spasmodic power; nor is there any moment when the actor forgets the part he has assumed. Yes, it is age itself; but the sunset of a life whose noonday was gallantry, valor, strength,—and intellectual strength never so much as now. How we lend our own impulses to the effort with which the veteran grasps the sword wherewith he shore "the stalwart Englisher," strive with him in that strong yearning to whirl it aloft, sink with him in the instant, nerveless reaction, and sorrow that "a child could slay Richelieu now!" He is not the intriguer of dark tradition, wily and cruel for low ambitious ends, but entirely great, in his protection of innocence and longing for affection, and most of all in that supreme love of France to which his other motives are subservient. Booth seizes upon this as the key-note of the play, and is never so grand as when he rises at full height with the averment,

"I found France rent asunder;
The rich men despots, and the poor banditti;
Sloth in the mart, and schism within the temple;
Brawls festering to rebellion, and weak laws
Rotting away with rust in antique sheaths,—
I have re-created France!"

Bulwer's "Richelieu," though written in that author's pedantic, artificial manner, and catching the groundlings with cheap sentiment and rhetorical platitudes, is yet full of telling dramatic effects, which, through the inspiration of a fine actor, lift the most critical audience to sudden heights. One of this sort is justly famous. We moderns, who so feebly catch the spell which made the Church of Rome sovereign of sovereigns for a thousand years, have it cast full upon us in the scene where the Cardinal, deprived of temporal power, and defending his beautiful ward from royalty itself, draws around her that Church's "awful circle," and cries to Baradas,

"Set but a foot within that holy ground,
And on thy head—yea, though it wore a crown—
I launch the curse of Rome!"

Booth's expression of this climax is wonderful. There is perhaps nothing, of its own kind, to equal it upon the present stage. Well may the king's haughty parasites cower, and shrink aghast from the ominous voice, the finger of doom, the arrows of those lurid, unbearable eyes! But it is in certain intellectual elements and pathetic undertones that the part of Richelieu, as conceived by Bulwer, assimilates to that of Hamlet, and comes within the realm where our actor's genius holds assured sway. The argument of the piece is spiritual power. The body of Richelieu is wasted, but the soul remains unscathed, with all its reason, passion, and indomitable will. He is still prelate, statesman, and poet, and equal to a world in arms.

The requisite subtilty of analysis, and sympathy with mental finesse, must also specially adapt this actor to the correct assumption of the character of Iago. Those who have never seen him in it may know by analogy that his merits are not exaggerated. We take it that Iago is a sharply intellectual personage, though his logic, warped by grovelling purpose, becomes sophistry, while lustful and envious intrigues occupy his skilful brain. We have described the beauty of Booth's countenance in repose. But it is equally remarkable for mobility, and his most expressive results are produced by liftings of the high-arched brows and the play of passions about the flexible mouth. The natural line of his lip, not scornful in itself, is on that straight border-ground where a hair's breadth can raise it into sardonic curves, transforming all its good to sneering evil. In his rendering, Iago must become a shining, central incarnation of tempting deceit, with Othello's generous nature a mere puppet in his hands. As Richard III., we should look to find him most effective in schemeful soliloquy and the phases of assumed virtue and affection, while perhaps less eminent than his father or Edmund Kean in that headlong, strident unrest, which hurried on their representations to the fury or the retributive end.

To give the distant reader our own impression of a great actor is a slow and delicate task, and perhaps the most we can accomplish is to set him before others somewhat as he has appeared to us, and to let each decide for himself the question of histrionic rank. But have we not unconsciously defined our view of the excellence of Booth's genius, and hinted at its limitations? The latter are by no means narrow, for his elastic, adaptable nature insures him versatility; and, despite the world's scepticism as to the gift of an artist to do more than one thing well, he is acknowledged to surpass our other actors in a score of elegant parts. Amongst these are Pescara, Petruchio, and Sir Edward Mortimer; while in a few pieces of the French romance-school, such as "Ruy Blas," and that terrible "The King's Jester," he has introduced to us studies of a novel and intensely dramatic kind. As for the lighter order, the greater including the less, our best Hamlet should be the best "walking gentleman," if he elect to assume that versatile personage's offices. We know also that Booth's Shylock should be a masterly performance, since his voice, complexion, eyes, and inherited powers of scorn, all lend their aid to his mental appreciation of the part. But it is not our purpose to consider any of these rôles. We only allude to them to say that in most directions his equal has not appeared on the American stage; and in qualifying an opinion of his powers, we make no exception in favor of his contemporaries, but, rather, of those who have been and shall be again, when Jove shall

"let down from his golden chain
An age of better metal."

As Hamlet, Mr. Booth will hardly improve his present execution, since he is now at the age of thirty-two, and can never fill more easily the youthful beauty of the part, without artifice, and, we may say, by the first intention. We should like to see him, ere many winters have passed over his head, in some new classic play, whose arrangement should not be confined to the bald, antique model, nor drawn out in sounding speeches like Talfourd's "Ion," nor yet too much infused with the mingled Gothic elements of our own drama; but warm with sunlight, magical with the grace of the young Athenian feeling, and full of a healthful action which would display the fairest endowments of his mind and person. As Lear or Shylock, he will certainly grow in power as he grows in years, and may even gain upon his masterly performance of Richelieu. But in one department, and that of an important order, he will perhaps never reach the special eminence at which we place a few historic names.

Our exception includes those simply powerful characters, the ideal of which his voice and magnetism cannot in themselves sustain. At certain lofty passages he relies upon nervous, electrical effort, the natural weight of his temperament being unequal to the desired end. Those flashing impulses, so compatible with the years of Richelieu and the galled purpose of Shylock, would fail to reveal satisfactorily the massive types, which rise by a head, like Agamemnon, above the noblest host. Dramatic representations may be classed under the analogous divisions of poetry: for instance, the satirical, the bucolic, the romantic, the reflective, the epic. The latter has to do with those towering creatures of action—Othello, Coriolanus, Virginius, Macbeth—somewhat deficient, whether good or evil, in the casuistry of more subtile dispositions, but giants in emotion, and kingly in repose. They are essentially masculine, and we connect their ideals with the stately figure, the deep chest-utterance, the slow, enduring majesty of mien. The genius of Mr. Booth has that feminine quality which, though allowing him a wider range, and enabling him to render even these excepted parts after a tuneful, elaborate, and never ignoble method of his own, might debar him from giving them their highest interpretation,—or, at least, from sustaining it, without sharp falsetto effort, throughout the entire passage of a play. In a few impersonations, where Kemble, with all his mannerisms and defective elocution, and Macready, notwithstanding his uninspired, didactic nature, were most at their ease and successful, this actor would be somewhat put to his mettle,—a fact of which he is probably himself no less aware.

After all, what are we saying, except that his genius is rather Corinthian than Doric, and therefore more cultured, mobile, and of wider range? If Kemble was the ideal Coriolanus and Henry V., he was too kingly as Hamlet, and Booth is the princeliest Hamlet that ever trod the stage. If Kean and the elder Booth were more supernal in their lightnings of passion and scorn,—and there are points in "Richelieu" which leave this a debatable question,—Edwin Booth is more equal throughout, has every resource of taste and study at his command; his action is finished to the last, his stage-business perfect, his reading distinct and musical as a bell. He is thus the ripened product of our eclectic later age, and has this advantage about him, being an American, that he is many-sided, and draws from all foreign schools their distinctive elements to fuse into one new, harmonious whole.

It is our fashion to speak of the decline of the Drama, to lament not only a decay of morals, manners, and elocution, but the desertion of standard excellence for the frippery which only appeals to the lightest popular taste. But this outcry proceeds mostly from old fogies, and those who only reverence the past, while the halo which gilds the memories of youth is the cause of its ceaseless repetition. For it has been heard through every period. It was in the era when our greatest dramas were created that Ben Jonson, during a fit of the spleen, occasioned by the failure of "The New Inn," begat these verses "to himself":—

"Come, leave the loathed stage,
And this more loathsome age,
Where pride and impudence, in faction knit,
Usurp the chair of wit!
Inditing and arranging every day
Something they call a play."

At the commencement of our own century, and in what we are wont to consider the Roscian Period of the British stage, its condition seemed so deplorable to Leigh Hunt, then the dramatic critic of "The News," as to require "An Essay on the Appearance, Causes, and Consequences of the Decline of British Comedy." "Of Tragedy," he wrote, "we have nothing; and it is the observation of all Europe that the British Drama is rapidly declining." Yet the golden reign of the Kembles was then in its prime; and such names as Bannister, Fawcett, Matthews, Elliston, and Cooke occur in Hunt's graceful and authoritative sketches of the actors of the day.[E] As to the newer plays, Gifford said, "All the fools in the kingdom seem to have exclaimed with one voice, Let us write for the theatre!" Latter-day croakers would have us believe that the Tragic Muse, indignant at the desecration of her English altars, took flight across the ocean, alighting in solemn majesty at the Old Park Theatre of New York, but that she disappeared utterly in the final conflagration of that histrionic shrine. Well, there are smouldering remnants of the Old Park still left to us; veteran retainers of the conventional stride, the disdainful gesture, the Kemble elocution, and that accent which was justly characterized as

"Ojus, insijjus, hijjus, and perfijjus!"

But the Muse is immortal, though so changing the fashion of her garb, it would appear, as often to fail of recognition from ancient friends. We think that modern acting is quite as true to nature as that of the school which has passed away, while its accessories are infinitely richer and more appropriate; and as to the popular judgment, how should that be on the decline? In America,—where common wealth makes common entrance, and the lines are not so clearly drawn between the unskilful many and the judicious few,—managers will always make concessions to the whim and folly of the hour. But we see no cause for discouragement, so long as dramas are set forth with the conscientious accuracy that has marked the latest productions of "Hamlet" and "Richelieu," and while hushed and delighted audiences, drawn from every condition of society, leave all meaner performances to hang upon the looks and accents of Nature's sweet interpreter,—Edwin Booth.

FOOTNOTES:

[D] Not Edwin Forrest Booth, as often and erroneously written. Our actor, born in November, 1833, derived his middle name from Thomas Flyn, the English comedian, his father's contemporary and friend. Edwin was the chosen companion of his father in the latter's tours throughout the United States, and was regarded by the old actor with a strange mixture of repulsion and sympathy,—the one evinced in lack of outward affection and encouragement, the other in a silent but undoubted appreciation of the son's promise. The boy, in turn, so fully understood the father's temperament, that a bond existed between the two. Whether to keep Edwin from the stage, or in caprice, the elder Booth at first rarely permitted the younger to see him act; but the son, attending the father to the theatre, would sit in the wings for hours, listening to the play, and having all its parts so indelibly impressed on him memory as to astonish his brother-actors in later years.

[E] "Critical Essays on the Performers of the London Theatres, including General Observations on the Practice and Genius of the Stage. London, 1807." Some publisher would do well to give us a reprint of this noted collection.

AMONG THE LAURELS.

"The sunset's gorgeous dyes
Paled slowly from the skies,
And the clear heaven was waiting for the stars,
As side by side we strayed
Adown a sylvan glade,
And found our pathway crossed by rustic bars.

Beyond the barrier lay
A green and tempting way,
Arched with fair laurel-trees, a-bloom and tall,—
Their cups of tender snow
Touched with a rosy glow,
And warm sweet shadows trembling over all.

The chestnuts sung and sighed,
The solemn oaks replied,
And distant pine-trees crooned in slumberous tones;
While music low and clear
Gushed from the darkness near,
Where a shy brook went tinkling over stones.

Soft mosses, damp and sweet,
Allured our waiting feet,
And brambles veiled their thorns with treacherous bloom;
While tiny flecks of flowers,
Which own no name of ours,
Added their mite of beauty and perfume.

And hark! a hidden bird—
To sudden utterance stirred,
As by a gushing love too great to bear
With voiceless silence long—
Burst into passionate song,
Filling with his sweet trouble all the air.

Then one, whose eager soul
Could brook no slight control,
Said, "Let us thread this pleasant path, dear friend,—
If thus the way can be
So beautiful to see,
How much more beautiful must be the end!

"Follow! this solitude
May shrine the haunted wood,
Storied so sweetly in romance and rhyme,—
Secure from human ill,
And rarely peopled still
By Fauns and Dryads of the olden time.

"A spot of hallowed ground
By mortal yet unfound,
Sacred to nymph and sylvan deity,—
Where foiled Apollo glides,
And bashful Daphne hides
Safe in the shelter of her laurel-tree!"

"Forbear!" the other cried,—
"O, leave the way untried!
Those joys are sweetest which we only guess,
And the impatient soul,
That seeks to grasp the whole,
Defeats itself by its own eagerness.

"Let us not rudely shake
The dew-drop from the brake
Fringing the borders of this haunted dell;
All the delights which are—
The present and the far—
Lose half their charm by being known too well!

"And he mistakes who tries
To search all mysteries,—
Who leaves no cup undrained, no path untracked;
Who seeks to know too much
Brushes with eager touch
The bloom of Fancy from the brier of Fact.

"Keep one fair myth aloof
From hard and actual proof;
Preserve some dear delusions as they seem,
Since the reality,
How bright soe'er it be,
Shows dull and cold beside our marvellous dream.

"Leave this white page unscored,
This rare realm unexplored,
And let dear Fancy roam there as she will;
Whatever page we turn,
However much we learn,
Let there be something left to dream of still!"

Wherefore, for aught we know,
The golden apples grow
In the green vale to which that pathway leads;
The spirits of the wood
Still haunt its solitude,
And Pan sits piping there among the reeds!

GRIFFITH GAUNT; OR, JEALOUSY.

CHAPTER XVIII.

This Caroline Ryder was a character almost impossible to present so as to enable the reader to recognize her should she cross his path; so great was the contradiction between what she was and what she seemed, and so perfect was the imitation.

She looked a respectable young spinster, with a grace of manner beyond her station, and a decency and propriety of demeanor that inspired respect.

She was a married woman, separated from her husband by mutual consent; and she had had many lovers, each of whom she had loved ardently—for a little while. She was a woman that brought to bear upon foolish, culpable loves a mental power that would have adorned the woolsack.

The moment prudence or waning inclination made it advisable to break with the reigning favorite, she set to work to cool him down by deliberate coldness, sullenness, insolence; and generally succeeded. But if he was incurable, she never hesitated as to her course; she smiled again on him, and looked out for another place: being an invaluable servant, she got one directly; and was off to fresh pastures.

A female rake; but with the air of a very prude.

A woman, however cunning and resolute, always plays this game at one great disadvantage; for instance, one day, Caroline Ryder, finding herself unable to shake off a certain boyish lover, whom she had won and got terribly tired of, retired from her place, and went home, and left him blubbering. But by and by, in a retired village, she deposited an angelic babe of the female sex, with fair hair and blue eyes, the very image of her abandoned Cherubin. Let me add, as indicating the strange force of her character, that she concealed this episode from Cherubin and all the rest of the world; and was soon lady's maid again in another county, as demure as ever, and ripe for fresh adventures.

But her secret maternity added a fresh trait to her character; she became mercenary.

This wise, silly, prudent, coquettish demon was almost perfect in the family relations: an excellent daughter, a good sister, and a devoted mother. And so are tigresses, and wicked Jewesses.

Item—the decency and propriety of her demeanor were not all hypocrisy, but half hypocrisy, and half inborn and instinctive good taste and good sense.

As dangerous a creature to herself and others as ever tied on a bonnet.

On her arrival at Hernshaw Castle she cast her eyes round to see what there was to fall in love with; and observed the gamekeeper, Tom Leicester. She gave him a smile or two that won his heart; but there she stopped: for soon the ruddy cheek, brown eyes, manly proportions, and square shoulders of her master attracted this connoisseur in male beauty. And then his manner was so genial and hearty, with a smile for everybody. Mrs. Ryder eyed him demurely day by day, and often opened a window slyly to watch him unseen.

From that she got to throwing herself in his way; and this with such art that he never discovered it, though he fell in with her about the house six times as often as he met his wife or any other inmate.

She had already studied his character, and, whether she arranged to meet him full or to cross him, it was always with a courtesy and a sunshiny smile; he smiled on her in his turn, and felt a certain pleasure at sight of her: for he loved to see people bright and cheerful about him.

Then she did, of her own accord, what no other master on earth would have persuaded her to do: looked over his linen; sewed on buttons for him; and sometimes the artful jade deliberately cut a button off a clean shirt, and then came to him and sewed it on during wear. This brought about a contact none knew better than she how to manage to a man's undoing. The seeming timidity that fills the whole eloquent person, and tempts a man to attack by telling him he is powerful,—the drooping lashes that hint, "Ah, do not take advantage of this situation, or the consequences may be terrible, and will certainly be delicious,"—the delicate and shy, yet lingering touch,—the twenty stitches where nine would be plenty,—the one coy, but tender glance at parting,—all this soft witchcraft beset Griffith Gaunt, and told on him; but not as yet in the way his inamorata intended.

"Kate," said he one day, "that girl of yours is worth her weight in gold."

"Indeed!" said Mrs. Gaunt, frigidly; "I have not discovered it."

When Caroline found that her master was single-hearted, and loved his wife too well to look elsewhere, instead of hating him, she began to love him more seriously, and to hate his wife, that haughty beauty, who took such a husband as a matter of course, and held him tight without troubling her head.

It was a coarse age, and in that very county more than one wife had suffered jealous agony from her own domestic. But here the parts were inverted: the lady was at her ease; the servant paid a bitter penalty for her folly. She was now passionately in love, and had to do menial offices for her rival every hour of the day: she must sit with Mrs. Gaunt, and make her dresses, and consult with her how to set off her hateful beauty to the best advantage. She had to dress her, and look daggers at her satin skin and royal neck, and to sit behind her an hour at a time combing and brushing her long golden hair.

How she longed to tear a handful of it out, and then run away! Instead of that, her happy rival expected her to be as tender and coaxing with it as Madame de Maintenon was with the Queen's of France.

Ryder called it "yellow stuff" down in the kitchen; that was one comfort, but a feeble one; the sun came in at the lady's window, and Ryder's shapely hand was overflowed, and her eyes offended, by waves of burnished gold: and one day Griffith came in and kissed it in her very hand. His lips felt nothing but his wife's glorious hair; but, by that exquisite sensibility which the heart can convey in a moment to the very finger-nails, Caroline's hand, beneath, felt the soft touch through her mistress's hair; and the enamored hypocrite thrilled, and then sickened.

The other servants knew, as a matter of domestic history, that Griffith and Kate lived together a happy couple; but this ardent prude was compelled by her position to see it, and realize it, every day. She had to witness little conjugal caresses, and they turned her sick with jealousy. She was Nobody. They took no more account of her than of the furniture. The creature never flinched, but stood at her post and ground her white teeth in silence, and burned, and pined, and raged, and froze, and was a model of propriety.

On the day in question she was thinking of Griffith, as usual, and wondering whether he would always prefer yellow hair to black. This actually put her off her guard for once, and she gave the rival hair a little contemptuous tug: and the reader knows what followed.

Staggered by her mistress's question, Caroline made no reply, but only panted a little, and proceeded more carefully.

But O the struggle it cost her not to slap both Mrs. Gaunt's fair cheeks impartially with the backs of the brushes! And what with this struggle, and the reprimand, and the past agitations, by and by the comb ceased, and the silence was broken by faint sobs.

Mrs. Gaunt turned calmly round and looked full at her hysterical handmaid.

"What is to do?" said she. "Is it because I chid you, child? Nay, you need not take that to heart; it is just my way: I can bear anything but my hair pulled." With this she rose and poured some drops of sal-volatile into water, and put it to her secret rival's lips: it was kindly done, but with that sort of half contemptuous and thoroughly cold pity women are apt to show to women, and especially when one of them is Mistress and the other is Servant.

Still it cooled the extreme hatred Caroline had nursed, and gave her a little twinge, and awakened her intelligence. Now her intelligence was truly remarkable when not blinded by passion. She was a woman with one or two other masculine traits besides her roving heart. For instance, she could sit and think hard and practically for hours together: and on these occasions her thoughts were never dreamy and vague; it was no brown study, but good hard thinking. She would knit her coal-black brows, like Lord Thurlow himself, and realize the situation, and weigh the pros and cons with a steady judicial power rarely found in her sex; and, nota bene, when once her mind had gone through this process, then she would act with almost monstrous resolution.

She now shut herself up in her own room for some hours, and weighed the matter carefully.

The conclusion she arrived at was this: that, if she stayed at Hernshaw Castle, there would be mischief; and probably she herself would be the principal sufferer to the end of the chapter, as she was now.

She said to herself: "I shall go mad, or else expose myself, and be turned away with loss of character; and then what will become of me, and my child? Better lose life or reason than character. I know what I have to go through; I have left a man ere now with my heart tugging at me to stay beside him. It is a terrible wrench; and then all seems dead for a long while without him. But the world goes on and takes you round with it; and by and by you find there are as good fish left in the sea. I'll go, while I've sense enough left to see I must."

The very next day she came to Mrs. Gaunt and said she wished to leave.

"Certainly," said Mrs. Gaunt, coldly. "May I ask the reason?"

"O, I have no complaint to make, ma'am, none whatever; but I am not happy here; and I wish to go when my month's up, or sooner, ma'am, if you could suit yourself."

Mrs. Gaunt considered a moment: then she said, "You came all the way from Gloucestershire to me; had you not better give the place a fair trial? I have had two or three good servants that felt uncomfortable at first; but they soon found out my ways, and stayed with me till they married. As for leaving me before your month, that is out of the question."

To this Ryder said not a word, but merely vented a little sigh, half dogged, half submissive; and went cat-like about, arranging her mistress's things with admirable precision and neatness. Mrs. Gaunt watched her, without seeming to do so, and observed that her discontent did not in the least affect her punctual discharge of her duties. Said Mrs. Gaunt to herself, "This servant is a treasure; she shall not go." And Ryder to herself, "Well, 't is but for a month; and then no power shall keep me here."

CHAPTER XIX.

Not long after these events came the county ball. Griffith was there, but no Mrs. Gaunt. This excited surprise, and, among the gentlemen, disappointment. They asked Griffith if she was unwell; he thanked them dryly, she was very well; and that was all they could get out of him. But to the ladies he let out that she had given up balls, and, indeed, all reasonable pleasures. "She does nothing but fast, and pray, and visit the sick." He added, with rather a weak smile, "I see next to nothing of her." A minx stood by and put in her word. "You should take to your bed; then, who knows? she might look in upon you."

Griffith laughed, but not heartily. In truth, Mrs. Gaunt's religious fervor knew no bounds. Absorbed in pious schemes and religious duties, she had little time, and much distaste, for frivolous society; invited none but the devout, and found polite excuses for not dining abroad. She sent her husband into the world alone, and laden with apologies. "My wife is turned saint. 'T is a sin to dance, a sin to hunt, a sin to enjoy ourselves. We are here to fast, and pray, and build schools, and go to church twice a day."

And so he went about publishing his household ill; but, to tell the truth, a secret satisfaction peeped through his lugubrious accents. An ugly saint is an unmixed calamity to jolly fellows; but to be lord and master, and possessor, of a beautiful saint, was not without its piquant charm. His jealousy was dormant, not extinct; and Kate's piety tickled that foible, not wounded it. He found himself the rival of heaven,—and the successful rival; for, let her be ever so strict, ever so devout, she must give her husband many delights she could not give to heaven.

This soft and piquant phase of the passion did not last long. All things are progressive.

Brother Leonard was director now, as well as confessor; his visits became frequent; and Mrs. Gaunt often quoted his authority for her acts or her sentiments. So Griffith began to suspect that the change in his wife was entirely due to Leonard; and that, with all her eloquence and fervor, she was but a priest's echo. This galled him. To be sure Leonard was only an ecclesiastic; but if he had been a woman, Griffith was the man to wince. His wife to lean so on another; his wife to withdraw from the social pleasures she had hitherto shared with him; and all because another human creature disapproved them. He writhed in silence awhile, and then remonstrated.

He was met at first with ridicule: "Are you going to be jealous of my confessor?" and, on repeating the offence, with a kind, but grave admonition, that silenced him for the time, but did not cure him, nor even convince him.

The facts were too strong: Kate was no longer to him the genial companion she had been; gone was the ready sympathy with which she had listened to all his little earthly concerns; and as for his hay-making, he might as well talk about it to an iceberg as to the partner of his bosom.

He was genial by nature, and could not live without sympathy. He sought it in the parlor of the "Red Lion."

Mrs. Gaunt's high-bred nostrils told her where he haunted, and it caused her dismay. Woman-like, instead of opening her battery at once, she wore a gloomy and displeased air, which a few months ago would have served her turn and brought about an explanation at once; but Griffith took it for a stronger dose of religious sentiment, and trundled off to the "Red Lion" all the more.

So then at last she spoke her mind, and asked him how he could lower himself so, and afflict her.

"Oh!" said he, doggedly, "this house is too cold for me now. My mate is priest-rid. Plague on the knave that hath put coldness 'twixt thee and me."

Mrs. Gaunt froze visibly, and said no more at that time.

One bit of sunshine remained in the house, and shone brighter than ever on its chilled master,—shone through two black, seducing eyes.

Some three months before the date we have now reached, Caroline Ryder's two boxes were packed and corded ready to go next day. She had quietly persisted in her resolution to leave, and Mrs. Gaunt, though secretly angry, had been just and magnanimous enough to give her a good character.

Now female domestics are like the little birds; if that great hawk, their mistress, follows them about, it is a deadly grievance; but if she does not, they follow her about, and pester her with idle questions, and invite the beak and claws of petty tyranny and needless interference.

So, the afternoon before she was to leave, Caroline Ryder came to her mistress's room on some imaginary business. She was not there. Ryder, forgetting that it did not matter a straw, proceeded to hunt her everywhere; and at last ran out, with only her cap on, to "the Dame's Haunt," and there she was; but not alone: she was walking up and down with Brother Leonard. Their backs were turned, and Ryder came up behind them. Leonard was pacing gravely, with his head gently drooping as usual. Mrs. Gaunt was walking elastically, and discoursing with great fire and animation.

Ryder glided after, noiseless as a serpent, more bent on wondering and watching now than on overtaking; for inside the house her mistress showed none of this charming vivacity.

Presently the keen black eyes observed a "trifle light as air" that made them shine again.

She turned and wound herself amongst the trees, and disappeared. Soon after she was in her own room, a changed woman. With glowing cheeks, sparkling eyes, and nimble fingers, she uncorded her boxes, unpacked her things, and placed them neatly in the drawers.

What more had she seen than I have indicated?

Only this: Mrs. Gaunt, in the warmth of discourse, laid her hand lightly for a moment on the priest's shoulder. That was nothing, she had laid the same hand on Ryder; for, in fact, it was a little womanly way she had, and a hand that settled like down. But this time, as she withdrew it again, that delicate hand seemed to speak; it did not leave Leonard's shoulder all at once, it glided slowly away, first the palm, then the fingers, and so parted lingeringly.

The other woman saw this subtile touch of womanhood, coupled it with Mrs. Gaunt's vivacity and the air of happiness that seemed to inspire her whole eloquent person, and formed an extreme conclusion on the spot, though she could not see the lady's face.

When Mrs. Gaunt came in she met her, and addressed her thus: "If you please, ma'am, have you any one coming in my place?"

Mrs. Gaunt looked her full in the face. "You know I have not," said she, haughtily.

"Then, if it is agreeable to you, ma'am, I will stay. To be sure the place is dull; but I have got a good mistress—and—"

"That will do, Ryder: a servant has always her own reasons, and never tells them to her mistress. You can stay this time; but the next, you go; and once for all.—I am not to be trifled with."

Ryder called up a look all submission, and retired with an obeisance. But, once out of sight, she threw off the mask and expanded with insolent triumph. "Yes, I have my own reasons," said she. "Keep you the priest, and I'll take the man."

From that hour Caroline Ryder watched her mistress like a lynx, and hovered about her master, and poisoned him slowly with vague, insidious hints.

CHAPTER XX.

Brother Leonard, like many holy men, was vain. Not vainer than St. Paul, perhaps; but then he had somewhat less to be vain of. Not but what he had his gusts of humility and diffidence; only they blew over.

At first, as you may perhaps remember, he doubted his ability to replace Father Francis as Mrs. Gaunt's director; but, after a slight disclaimer, he did replace him, and had no more misgivings as to his fitness. But his tolerance and good sense were by no means equal to his devotion and his persuasive powers; and so his advice in matters spiritual and secular somehow sowed the first seeds of conjugal coolness in Hernshaw Castle.

And now Ryder slyly insinuated into Griffith's ear that the mistress told the priest everything, and did nothing but by his advice. Thus the fire already kindled was fanned by an artful woman's breath.

Griffith began to hate Brother Leonard, and to show it so plainly and rudely that Leonard shrank from the encounter, and came less often, and stayed but a few minutes. Then Mrs. Gaunt remonstrated gently with Griffith, but received short, sullen replies. Then, as the servile element of her sex was comparatively small in her, she turned bitter and cold, and avenged Leonard indirectly, but openly, with those terrible pins and needles a beloved woman has ever at command.

Then Griffith became moody, and downright unhappy, and went more and more to the "Red Lion," seeking comfort there now as well as company.

Mrs. Gaunt saw, and had fits of irritation, and fits of pity, and sore perplexity. She knew she had a good husband; and, instead of taking him to heaven with her, she found that each step she made with Leonard's help towards the angelic life seemed somehow to be bad for Griffith's soul and for his earthly happiness.

She blamed herself; she blamed Griffith; she blamed the Protestant heresy; she blamed everybody and everything—except Brother Leonard.

One Sunday afternoon Griffith sat on his own lawn, silently smoking his pipe. Mrs. Gaunt came to him, and saw an air of dejection on his genial face. Her heart yearned. She sat down beside him on the bench, and sighed; then he sighed too.

"My dear," said she, sweetly, "fetch out your viol da gambo, and we will sing a hymn or two together here this fine afternoon. We can praise God together, though we must pray apart; alas that it is so!"

"With all my heart," said Griffith. "Nay, I forgot; my viol da gambo is not here. 'T is at the 'Red Lion.'"

"At the 'Red Lion'!" said she, bitterly. "What, do you sing there as well as drink? O husband, how can you so demean yourself?"

"What is a poor man to do, whose wife is priest-ridden, and got to be no company—except for angels?"

"I did not come here to quarrel," said she, coldly and sadly. Then they were both silent a minute. Then she got up and left him.

Brother Leonard, like many earnest men, was rather intolerant. He urged on Mrs. Gaunt that she had too many Protestants in her household: her cook and her nursemaid ought, at all events, to be Catholics. Mrs. Gaunt on this was quite ready to turn them both off, and that without disguise. But Leonard dissuaded her from so violent a measure. She had better take occasion to part with one of them, and by and by with the other.

The nursemaid was the first to go, and her place was filled by a Roman Catholic. Then the cook received warning. But this did not pass off so quietly. Jane Bannister was a buxom, hearty woman, well liked by her fellow-servants. Her parents lived in the village, and she had been six years with the Gaunts, and her honest heart clung to them. She took to crying; used to burst out in the middle of her work, or while conversing with fitful cheerfulness on ordinary topics.

One day Griffith found her crying, and Ryder consoling her as carelessly and contemptuously as possible.

"Heyday, lasses!" said he; "what is your trouble?"

At this Jane's tears flowed in a stream, and Ryder made no reply, but waited.

At last, and not till the third or fourth time of asking, Jane blurted out that she had got the sack; such was her homely expression, dignified, however, by honest tears.

"What for?" asked Griffith kindly.

"Nay, sir," sobbed Jane, "that is what I want to know. Our dame ne'er found a fault in me; and now she does pack me off like a dog. Me that have been here this six years, and got to feel at home. What will father say? He'll give me a hiding. For two pins I'd drown myself in the mere."

"Come, you must not blame the mistress," said the sly Ryder. "She is a good mistress as ever breathed: 't is all the priest's doings. I'll tell you the truth, master, if you will pass me your word I sha'n't be sent away for it."

"I pledge you my word as a gentleman," said Griffith.

"Well then, sir, Jane's fault is yours and mine. She is not a Papist; and that is why she is to go. How I come to know, I listened in the next room, and heard the priest tell our dame she must send away two of us, and have Catholics. The priest's word it is law in this house. 'T was in March he gave the order: Harriet, she went in May, and now poor Jane is to go—for walking to church behind you, sir. But there, Jane, I believe he would get our very master out of the house if he could; and then what would become of us all?"

Griffith turned black, and then ashy pale, under this venomous tongue, and went away without a word, looking dangerous.

Ryder looked after him, and her black eye glittered with a kind of fiendish beauty.

Jane, having told her mind, now began to pluck up a little spirit. "Mrs. Ryder," said she, "I never thought to like you so well";—and, with that, gave her a great, hearty, smacking kiss; which Ryder, to judge by her countenance, relished, as epicures albumen. "I won't cry no more. After all, this house is no place for us that be women; 't is a fine roost, to be sure! where the hen she crows and the cock do but cluck."

Town-bred Ryder laughed at the rustic maid's simile; and, not to be outdone in metaphor, told her there were dogs that barked, and dogs that bit. "Our master is one of those that bite. I've done the priest's business. He is as like to get the sack as you are."

Griffith found his wife seated on the lawn reading. He gulped down his ire as well as he could; but nevertheless his voice trembled a little with suppressed passion.

"So Jane is turned off now," said he.

"I don't know about being turned off," replied Mrs. Gaunt, calmly; "but she leaves me next month, and Cicely Davis comes back."

"And Cicely Davis is a useless slut that cannot boil a potato fit to eat; but then she is a Papist, and poor Jenny is a Protestant, and can cook a dinner."

"My dear," said Mrs. Gaunt, "do not you trouble about the servants; leave them to me."

"And welcome; but this is not your doing, it is that Leonard's: and I cannot allow a Popish priest to turn off all my servants that are worth their salt. Come, Kate, you used to be a sensible woman, and a tender wife; now I ask you, is a young bachelor a fit person to govern a man's family?"

Mrs. Gaunt laughed in his face. "A young bachelor!" said she; "who ever heard of such a term applied to a priest,—and a saint upon earth?"

"Why, he is not married, so he must be a bachelor; and I say again it is monstrous for a young bachelor to come between old married folk, and hear all their secrets, and have a finger in every pie, and set up to be master of my house, and order my wife to turn away my servants for going to church behind me. Why not turn me away too? Their fault is mine."

"Griffith, you are in a passion, and I begin to think you want to put me in one."

"Well, perhaps I am. Job's patience went at last, and mine has been sore tried this many a month. 'T was bad enough when the man was only your confessor; you told him everything, and you don't tell me everything. He knew your very heart, better than I do, and that was a bitter thing for me to bear, that love you and have no secrets from you. But every man who marries a Catholic must endure this; so I put a good face on it, though my heart was often sore; 't was the price I had to pay for my pearl of womankind. But since he set up your governor as well, you are a changed woman; you shun company abroad, you freeze my friends at home. You have made the house so cold that I am fain to seek the 'Red Lion' for a smile or a kindly word: and now, to please this fanatical priest, you would turn away the best servants I have, and put useless, dirty slatterns in their place, that happen to be Papists. You did not use to be so uncharitable, nor so unreasonable. 'T is the priest's doing. He is my secret, underhand enemy; I feel him undermining me, inch by inch, and I can bear it no longer. I must make a stand somewhere, and I may as well make it here; for Jenny is a good girl, and her folk live in the village, and she helps them. Think better of it, dame, and let the poor wench stay, though she does go to church behind your husband."

"Griffith," said Mrs. Gaunt, "I might retort and say that you are a changed man; for to be sure you did never use to interfere between me and my maids. Are you sure some mischief-making woman is not advising you? But there, do not let us chafe one another, for you know we are hot-tempered both of us. Well, leave it for the present, my dear; prithee let me think it over till to-morrow, at all events, and try if I can satisfy you."

The jealous husband saw through this proposal directly. He turned purple. "That is to say, you must ask your priest first for leave to show your husband one grain of respect and affection, and not make him quite a cipher in his own house. No, Kate, no man who respects himself will let another man come between himself and the wife of his bosom. This business is between you and me; I will brook no interference in it; and I tell you plainly, if you turn this poor lass off to please this d——d priest, I'll turn the priest off to please her and her folk. They are as good as he is, any way."

The bitter contempt with which he spoke of brother Leonard, and this astounding threat, imported a new and dangerous element into the discussion: it stung Mrs. Gaunt beyond bearing. She turned with flashing eyes upon Griffith.

"As good as he is? The scum of my kitchen! You will make me hate the mischief-making hussy. She shall pack out of the house to-morrow morning."

"Then I say that priest shall never darken my doors again."

"Then I say they are my doors, not yours; and that holy man shall brighten them whenever he will."

If to strike an adversary dumb is the tongue's triumph, Mrs. Gaunt was victorious; for Griffith gasped, but did not reply.

They faced each other, pale with fury; but no more words.

No: an ominous silence succeeded this lamentable answer, like the silence that follows a thunder-clap.

Griffith stood still awhile, benumbed as it were by the cruel stroke; then cast one speaking look of anguish and reproach upon her, drew himself haughtily up, and stalked away like a wounded lion.

Well said the ancients that anger is a short madness. When we reflect in cold blood on the things we have said in hot, how impossible they seem! how out of character with our real selves! And this is one of the recognized symptoms of mania.

There were few persons could compare with Mrs. Gaunt in native magnanimity; yet how ungenerous a stab had she given.

And had he gone on, she would have gone on; but when he turned silent at her bitter thrust, and stalked away from her, she came to herself almost directly.

She thought, "Good God! what have I said to him?"

And the flush of shame came to her cheek, and her eyes filled with tears.

He saw them not; he had gone away, wounded to the heart.

You see it was true. The house was hers; tied up as tight as wax. The very money (his own money) that had been spent on the place, had become hers by being expended on real property; he could not reclaim it; he was her lodger, a dependent on her bounty.

During all the years they had lived together she had never once assumed the proprietor. On the contrary, she put him forward as the Squire, and slipped quietly into the background. Bene latuit. But, lo! let a hand be put out to offend her saintly favorite, and that moment she could waken her husband from his dream, and put him down into his true legal position with a word. The matrimonial throne for him till he resisted her priest; and then, a stool at her feet, and his.

He was enraged as well as hurt; but being a true lover, his fury was levelled, not at the woman who had hurt him, but at the man who stood out of sight and set her on.

By this time the reader knows his good qualities, and his defects; superior to his wife in one or two things, he was by no means so thorough a gentleman as she was a lady. He had begun to make a party with his own servants against the common enemy; and, in his wrath, he now took another step, or rather a stride, in the same direction. As he hurried away to the public-house, white with ire, he met his gamekeeper coming in with a bucketful of fish fresh caught. "What have ye got there?" said Griffith, roughly; not that he was angry with the man, but that his very skin was full of wrath, and it must exude.

Mr. Leicester did not relish the tone, and replied, bluntly and sulkily, "Pike for our Papists."

The answer, though rude, did not altogether displease Griffith; it smacked of odium theologicum, a sentiment he was learning to understand. "Put 'em down, and listen to me, Thomas Leicester," said he.

And his manner was now so impressive that Leicester put down the bucket with ludicrous expedition, and gaped at him.

"Now, my man, why do I keep you here?"

"To take care of your game, Squire, I do suppose."

"What? when you are the worst gamekeeper in the county. How many poachers do you catch in the year? They have only to set one of their gang to treat you at the public-house on a moonshiny night, and the rest can have all my pheasants at roost while you are boosing and singing."

"Like my betters in the parlor," muttered Tom.

"But that is not all," continued Gaunt, pretending not to hear him. "You wire my rabbits, and sell them in the town. Don't go to deny it; for I've half a dozen to prove it." Mr. Leicester looked very uncomfortable. His master continued: "I have known it this ten months, yet you are none the worse for 't. Now, why do I keep you here, that any other gentleman in my place would send to Carlisle jail on a justice's warrant?"

Mr. Leicester, who had thought his master blind, and was so suddenly undeceived, hung his head and snivelled out, "'T is because you have a good heart, Squire, and would not ruin a poor fellow for an odd rabbit or two."

"Stuff and nonsense!" cried Gaunt. "Speak your mind, for once, or else begone for a liar as well as a knave."

Thus appealed to, Leicester's gypsy eyes roved to and fro as if he were looking for some loophole to escape by; but at last he faced the situation. He said, with a touch of genuine feeling, "D——n the rabbits! I wish my hand had withered ere I touched one on them." But after this preface he sunk his voice to a whisper, and said, "I see what you are driving at, Squire; and since there is nobody with us" (he took off his cap,) "why, sir, 't is this here mole I am in debt to, no doubt."

Then the gentleman and his servant looked one another silently in the face, and what with their standing in the same attitude and being both excited and earnest, the truth must be owned, a certain family likeness came out. Certainly their eyes were quite unlike. Leicester had his gypsy mother's: black, keen, and restless. Gaunt had his mother's: brown, calm, and steady. But the two men had the same stature, the same manly mould and square shoulders; and, though Leicester's cheek was brown as a berry, his forehead was singularly white for a man in his rank of life, and over his left temple, close to the roots of the hair, was an oblong mole as black as ink, that bore a close resemblance in appearance and position to his master's.

"Tom Leicester; I have been insulted."

"That won't pass, sir. Who is the man?"

"One that I cannot call out like a gentleman, and yet I must not lay on him with my cane, or I am like to get the sack, as well as my servants. 'T is the Popish priest, lad; Brother Leonard, own brother to Old Nick; he has got our Dame's ear, she cannot say him 'nay.' She is turning away all my people, and filling the house with Papists, to please him. And when I interfered, she as good as told me I should go next; and so I shall, I or else that priest."

This little piece of exaggeration fired Tom Leicester. "Say ye so, Squire? then just you whisper a word in my ear, and George and I will lay that priest by the heels, and drag him through the horse-pond. He won't come here to trouble you after that, I know."

Gaunt's eyes flashed triumph. "A friend in need is a friend indeed," said he. "Ay, you are right, lad. There must be no broken bones, and no bloodshed; the horse-pond is the very thing: and if she discharges you for it, take no heed of her. You shall never leave Hernshaw Castle for that good deed; or, if you do, I'll go with you; for the world it is wide, and I'll never live a servant in the house where I have been a master."

They then put their heads together and concerted the means by which the priest at his very next visit was to be decoyed into the neighborhood of the horse-pond.

And then they parted, and Griffith went to the "Red Lion." And a pair of black eyes that had slyly watched this singular interview from an upper window withdrew quietly; and soon after Tom Leicester found himself face to face with their owner, the sight of whom always made his heart beat a little faster.

Caroline Ryder had been rather cold to him of late; it was therefore a charming surprise when she met him, all wreathed in smiles, and, drawing him apart, began to treat him like a bosom friend, and tell him what had passed between the master and her and Jane. Confidence begets confidence; and so Tom told her in turn that the Squire and the Dame had come to words over it. "However," said he, "'t is all the priest's fault: but bide awhile, all of ye."

With this mysterious hint he meant to close his revelations. But Ryder intended nothing of the kind. Her keen eye had read the looks and gestures of Gaunt and Leicester, and these had shown her that something very strange and serious was going on. She had come out expressly to learn what it was, and Tom was no match for her arts. She so smiled on him, and agreed with him, and led him, and drew him, and pumped him, that she got it all out of him on a promise of secrecy. She then entered into it with spirit, and, being what they called a scholar, undertook to write a paper for Tom and his helper to pin on the priest's back. No sooner said than done. She left him, and speedily returned with the following document, written out in large and somewhat straggling letters:—

"Honest Folk, behold a

Mischievious Priest, which

For causing of strife

'Twixt man and wyfe

Hath made acquaintance

With Squire's horse-pond."

And so a female conspirator was added to the plot.

Mrs. Gaunt co-operated too, but, need I say, unconsciously.

She was unhappy, and full of regret at what she had said. She took herself severely to task, and drew a very unfavorable comparison between herself and Brother Leonard. "How ill," she thought, "am I fitted to carry out that meek saint's view. See what my ungoverned temper has done." So then, having made so great a mistake, she thought the best thing she could do was to seek advice of Leonard at once. She was not without hopes he would tell her to postpone the projected change in her household, and so soothe her offended husband directly.

She wrote a line requesting Leonard to call on her as soon as possible, and advise her in a great difficulty; and she gave this note to Ryder, and told her to send the groom off with it at once.

Ryder squeezed the letter, and peered into it, and gathered its nature before she gave it to the groom to take to Leonard.

When he was gone, she went and told Tom Leicester, and he chuckled, and made his preparations accordingly.

Then she retired to her own room, and went through a certain process I have indicated before as one of her habits: knitted her great black brows, and pondered the whole situation with a mental power that was worthy of a nobler sphere and higher materials.

Her practical revery, so to speak, continued until she was rung for to dress her mistress for dinner.

Griffith was so upset, so agitated and restless, he could not stay long in any one place, not even in the "Red Lion." So he came home to dinner, though he had mighty little appetite for it. And this led to another little conjugal scene.

Mrs. Gaunt mounted the great oak staircase to dress for dinner, languidly, as ladies are apt to do, when reflection and regret come after excitement.

Presently she heard a quick foot behind her: she knew it directly for her husband's, and her heart yearned. She did not stop nor turn her head: womanly pride withheld her from direct submission; but womanly tenderness and tact opened a way to reconciliation. She drew softly aside, almost to the wall, and went slower; and her hand, her sidelong drooping head, and her whole eloquent person, whispered plainly enough, "If somebody would like to make friends, here is the door open."

Griffith saw, but was too deeply wounded: he passed her without stopping (the staircase was eight feet broad).

But as he passed he looked at her and sighed, for he saw she was sorry.

She heard, and sighed too. Poor things, they had lived so happy together for years.

He went on.

Her pride bent: "Griffith!" said she, timidly.

He turned and stopped at that.

"Sweetheart," she murmured, "I was to blame. I was ungenerous. I forgot myself. Let me recall my words. You know they did not come from my heart."

"You need not tell me that," said Griffith, doggedly. "I have no quarrel with you, and never will. You but do what you are bidden, and say what you are bidden. I take the wound from you as best I may: the man that set you on, 't is him I'll be revenged on."

"Alas that you will think so!" said she. "Believe me, dearest, that holy man would be the first to rebuke me for rebelling against my husband and flouting him. O, how could I say such things? I thank you, and love you dearly for being so blind to my faults; but I must not abuse your blindness. Father Leonard will put me to penance for the fault you forgive. He will hear no excuses. Prithee, now, be more just to that good man."

Griffith listened quietly, with a cold sneer upon his lip; and this was his reply: "Till that mischief-making villain came between you and me, you never gave me a bitter word: we were the happiest pair in Cumberland. But now what are we? And what shall we be in another year or two?—Revenge!!"

He had begun bravely enough, but suddenly burst into an ungovernable rage; and as he yelled out that furious word his face was convulsed and ugly to look at; very ugly.

Mrs. Gaunt started: she had not seen that vile expression in his face for many a year; but she knew it again.

"Ay!" he cried, "he has made me drink a bitter cup this many a day. But I'll force as bitter a one down his throat, and you shall see it done."

Mrs. Gaunt turned pale at this violent threat; but being a high-spirited woman, she stiffened and hid her apprehensions loftily. "Madman that you are," said she. "I throw away excuses on Jealousy, and I waste reason upon frenzy. I'll say no more things to provoke you; but, to be sure, 't is I that am offended now, and deeply too, as you will find."

"So be it," said Griffith, sullenly; then, grinding his teeth, "he shall pay for that too."

Then he went to his dressing-room, and she to her bedroom. Griffith hating Leonard, and Kate on the verge of hating Griffith.

And, ere her blood could cool, she was subjected to the keen, cold scrutiny of another female, and that female a secret rival.

CHAPTER XXI.

Would you learn what men gain by admitting a member of the fair sex into their conspiracies? read the tragedy of "Venice Preserved"; and, by way of afterpiece, this little chapter.

Mrs. Gaunt sat pale and very silent, and Caroline Ryder stood behind, doing up her hair into a magnificent structure that added eight inches to the lady's height: and in this operation her own black hair and keen black eyes came close to the golden hair and deep blue eyes, now troubled, and made a picture striking by contrast.

As she was putting the finishing touches, she said, quietly, "If you please, Dame, I have somewhat to tell you."

Mrs. Gaunt sighed wearily, expecting some very minute communication.

"Well, Dame, I dare say I am risking my place, but I can't help it."

"Another time, Ryder," said Mrs. Gaunt. "I am in no humor to be worried with my servants' squabbles."

"Nay, madam, 't is not that at all: 't is about Father Leonard. Sure you would not like him to be drawn through the horse-pond; and that is what they mean to do next time he comes here."

In saying these words, the jade contrived to be adjusting Mrs. Gaunt's dress. The lady's heart gave a leap, and the servant's cunning finger felt it, and then felt a shudder run all over that stately frame. But after that Mrs. Gaunt seemed to turn to steel. She distrusted Ryder, she could not tell why; distrusted her, and was upon her guard.

"You must be mistaken," said she. "Who would dare to lay hands on a priest in my house?"

"Well, Dame, you see they egg one another on: don't ask me to betray my fellow-servants; but let us balk them. I don't deceive you, Dame: if the good priest shows his face here, he will be thrown into the horse-pond, and sent home with a ticket pinned to his back. Them that is to do it are on the watch now, and have got their orders; and 't is a burning shame. To be sure I am not a Catholic; but religion is religion, and a more heavenly face I never saw: and for it to be dragged through a filthy horse-pond!"

Mrs. Gaunt clutched her inspector's arm and turned pale. "The villains! the fiends!" she gasped, "Go ask your master to come to me this moment."

Ryder took a step or two, then stopped. "Alack, Dame," said she, "that is not the way to do. You may be sure the others would not dare, if my master had not shown them his mind."

Mrs. Gaunt stopped her ears. "Don't tell me that he has ordered this impious, cruel, cowardly act. He is a lion: and this comes from the heart of cowardly curs. What is to be done, woman? tell me; for you are cooler than I am."

"Well, Dame, if I were in your place, I'd just send him a line, and bid him stay away till the storm blows over."

"You are right. But who is to carry it? My own servants are traitors to me."

"I'll carry it myself."

"You shall. Put on your hat, and run through the wood; that is the shortest way."

She wrote a few lines on a large sheet of paper, for note-paper there was none in those days; sealed it, and gave it to Ryder.

Ryder retired to put on her hat, and pry into the letter with greedy eyes.

It ran thus:—

"Dear Father and Friend,—You must come hither no more at present. Ask the bearer why this is, for I am ashamed to put it on paper. Pray for them: for you can, but I cannot. Pray for me, too, bereft for a time of your counsels. I shall come and confess to you in a few days, when we are all cooler; but you shall honor his house no more. Obey me in this one thing, who shall obey you in all things else, and am

"Your indignant and sorrowful daughter,

"Catharine Gaunt."

"No more than that?" said Ryder. "Ay, she guessed as I should look."

She whipped on her hat and went out.

Who should she meet, or, I might say, run against, at the hall door, but Father Leonard.

He had come at once, in compliance with Mrs. Gaunt's request.

CHAPTER XXII.

Mrs. Ryder uttered a little scream of dismay. The priest smiled, and said, sweetly, "Forgive me, mistress, I fear I startled you."

"Indeed you did, sir," said she. She looked furtively round, and saw Leicester and his underling on the watch.

Leicester, unaware of her treachery, made her a signal of intelligence.

She responded to it, to gain time.

It was a ticklish situation. Some would have lost their heads. Ryder was alarmed, but all the more able to defend her plans. Her first move, as usual with such women, was—a lie.

"Our Dame is in the Grove, sir," said she. "I am to bring you to her."

The priest bowed his head, gravely, and moved towards the Grove with downcast eyes. Ryder kept close to him for a few steps; then she ran to Leicester, and whispered, hastily, "Go you to the stable-gate; I'll bring him round that way: hide now; he suspects."

"Ay, ay," said Leicester; and the confiding pair slipped away round a corner to wait for their victim.

Ryder hurried him into the Grove, and, as soon as she had got him out of hearing, told him the truth.

He turned pale; for these delicate organizations do not generally excel in courage.

Ryder pitied him, and something of womanly feeling began to mingle with her plans. "They shall not lay a finger on you, sir," said she. "I'll scratch and scream and bring the whole parish out sooner; but the best way is not to give them a chance; please you follow me." And she hurried him through the Grove, and then into an unfrequented path of the great wood.

When they were safe from pursuit she turned and looked at him. He was a good deal agitated; but the uppermost sentiment was gratitude. It soon found words, and, as usual, happy ones. He thanked her with dignity and tenderness for the service she had done him, and asked her if she was a Catholic.

"No," said she.

At that his countenance fell, but only for a moment. "Ah! would you were," he said, earnestly. He then added, sweetly, "To be sure I have all the more reason to be grateful to you."

"You are very welcome, reverend sir," said Ryder, graciously. "Religion is religion; and 't is a barbarous thing that violence should be done to men of your cloth."

Having thus won his heart, the artful woman began at one and the same time to please and to probe him. "Sir," said she, "be of good heart; they have done you no harm, and themselves no good; my mistress will hate them for it, and love you all the more."

Father Leonard's pale cheek colored all over at these words, though he said nothing.

"Since they won't let you come to her, she will come to you."

"Do you think so?" said he, faintly.

"Nay, I am sure of it, sir. So would any woman. We still follow our hearts, and get our way by hook or by crook."

Again the priest colored, either with pleasure or with shame, or with both; and the keen feminine eye perused him with microscopic power. She waited, to give him an opportunity of talking to her and laying bare his feelings; but he was either too delicate, too cautious, or too pure.

So then she suddenly affected to remember her mistress's letter. She produced it with an apology. He took it with unfeigned eagerness, and read it in silence; and having read it, he stood patient, with the tears in his eyes.

Ryder eyed him with much curiosity and a little pity. "Don't you take on for that," said she. "Why, she will be more at her ease when she visits you at your place than here; and she won't give you up, I promise."

The priest trembled, and Ryder saw it.

"But, my daughter," said he, "I am perplexed and grieved. It seems that I make mischief in your house: that is an ill office; I fear it is my duty to retire from this place altogether, rather than cause dissension between those whom the Church by holy sacrament hath bound together." So saying, he hung his head and sighed.

Ryder eyed him with a little pity, but more contempt. "Why take other people's faults on your back?" said she. "My mistress is tied to a man she does not love; but that is not your fault: and he is jealous of you, that never gave him cause. If I was a man he should not accuse me—for nothing; nor set his man on to drag me through a horse-pond—for nothing. I'd have the sweet as well as the bitter."

Father Leonard turned and looked at her with a face full of terror. Some beautiful, honeyed fiend seemed to be entering his heart and tempting it. "O, hush! my daughter, hush!" he said; "what words are these for a virtuous woman to speak, and a priest to hear?"

"There, I have offended you by my blunt way," said the cajoling hussy, in soft and timid tones.

"Nay, not so; but O speak not so lightly of things that peril the immortal soul!"

"Well, I have done," said Ryder. "You are out of danger now; so give you good day."

He stopped her. "What, before I have thanked you for your goodness. Ah, Mistress Ryder, 't is on these occasions a priest sins by longing for riches to reward his benefactors. I have naught to offer you but this ring; it was my mother's,—my dear mother's." He took it off his finger to give it her.

But the little bit of goodness that cleaves even to the heart of an intrigante revolted against her avarice. "Nay, poor soul, I'll not take it," said she; and put her hands before her eyes not to see it, for she knew she could not look at it long and spare it.

With this she left him; but, ere she had gone far, her cunning and curiosity gained the upper hand again, and she whipped behind a great tree and crouched, invisible all but her nose and one piercing eye.

She saw the priest make a few steps homewards, then look around, then take Mrs. Gaunt's letter out of his pocket, press it passionately to his lips, and hide it tenderly in his bosom.

This done, he went home, with his eyes on the ground as usual, and measured steps. And to all who met him he seemed a creature in whom religion had conquered all human frailty.

Caroline Ryder hurried home with cruel exultation in her black eyes. But she soon found that the first thing she had to do was to defend herself. Leicester and his man met her, and the former looked gloomy, and the latter reproached her bitterly, called her a double-faced jade, and said he would tell the Squire of the trick she had played them. But Ryder had a lie ready in a moment. "'T is you I have saved, not him," said she. "He is something more than mortal: why, he told me of his own accord what you were there for; but that, if you were so unlucky as to lay hands on him, you would rot alive. It seems that has been tried out Stanhope way; a man did but give him a blow, and his arm was stiff next day, and he never used it again; and next his hair fell off his head, and then his eyes they turned to water and ran all out of him, and he died within the twelvemonth."

Country folk were nearly, though not quite, as superstitious at that time as in the Middle Ages. "Murrain on him," said Leicester. "Catch me laying a finger on him. I'm glad he is gone; and I hope he won't never come back no more."

"Not likely, since he can read all our hearts. Why he told me something about you, Tom Leicester; he says you are in love."

"No! did he really now?"—and Leicester opened his eyes very wide. "And did he tell you who the lass is?"

"He did so; and surprised me properly." This with a haughty glance.

Leicester held his tongue and turned red.

"Who is it, mistress?" asked the helper.

"He didn't say I was to tell you, young man."

And with these two pricks of her needle she left them both more or less discomfited, and went to scrutinize and anatomize her mistress's heart with plenty of cunning, but no mercy. She related her own part in the affair very briefly, but dwelt with well-feigned sympathy on the priest's feelings. "He turned as white as a sheet, ma'am, when I told him, and offered me his very ring off his finger, he was so grateful; poor man!"

"You did not take it, I hope?" said Mrs. Gaunt, quickly.

"La, no ma'am! I hadn't the heart."

Mrs. Gaunt was silent awhile. When she spoke again it was to inquire whether Ryder had given him the letter.

"That I did: and it brought the tears into his poor eyes; and such beautiful eyes as he has, to be sure. You would have pitied him if you had seen him read it, and cry over it, and then kiss it and put it in his bosom he did."

Mrs. Gaunt said nothing, but turned her head away.

The operator shot a sly glance into the looking-glass, and saw a pearly tear trickling down her subject's fair cheek. So she went on, all sympathy outside, and remorselessness within. "To think of that face, more like an angel's than a man's, to be dragged through a nasty horse-pond. 'T is a shame of master to set his men on a clergyman." And so was proceeding, with well-acted and catching warmth, to dig as dangerous a pit for Mrs. Gaunt as ever was dug for any lady; for whatever Mrs. Gaunt had been betrayed into saying, this Ryder would have used without mercy, and with diabolical skill.

Yes, it was a pit, and the lady's tender heart pushed her towards it, and her fiery temper drew her towards it.

Yet she escaped it this time. The dignity, delicacy, and pride, that is oftener found in these old families than out of them, saved her from that peril. She did not see the trap; but she spurned the bait by native instinct.

She threw up her hand in a moment, with a queenly gesture, and stopped the tempter.

"Not—one—word—from my servant against my husband in my hearing!" said she, superbly.

And Ryder shrank back into herself directly.

"Child," said Mrs. Gaunt, "you have done me a great service, and my husband too; for if this dastardly act had been done in his name, he would soon have been heartily ashamed of it, and deplored it. Such services can never be quite repaid; but you will find a purse in that drawer with five guineas; it is yours; and my lavender silk dress, be pleased to wear that about me, to remind me of the good office you have done me. And now, all you can do for me is to leave me; for I am very, very unhappy."

Ryder retired with the spoil, and Mrs. Gaunt leaned her head over her chair, and cried without stint.

After this, no angry words passed between Mr. and Mrs. Gaunt; but something worse, a settled coolness, sprung up.

As for Griffith, his cook kept her place, and the priest came no more to the Castle; so, having outwardly gained the day, he was ready to forget and forgive; but Kate, though she would not let her servant speak ill of Griffith, was deeply indignant and disgusted with him. She met his advances with such a stern coldness, that he turned sulky and bitter in his turn.

Husband and wife saw little of each other, and hardly spoke.

Both were unhappy; but Kate was angriest, and Griffith saddest.

In an evil hour he let out his grief to Caroline Ryder. She seized the opportunity, and, by a show of affectionate sympathy and zeal, made herself almost necessary to him, and contrived to establish a very perilous relation between him and her. Matters went so far as this, that the poor man's eye used to brighten when he saw her coming.

Yet this victory cost her a sore heart and all the patient self-denial of her sex. To be welcome to Griffith she had to speak to him of her rival, and to speak well of her. She tried talking of herself and her attachment; he yawned in her face: she tried smooth detraction and innuendo; he fired up directly, and defended her of whose conduct he had been complaining the very moment before.

Then she saw that there was but one way to the man's heart. Sore, and sick, and smiling, she took that way: resolving to bide her time; to worm herself in any how, and wait patiently till she could venture to thrust her mistress out.

If any of my readers need to be told why this she Machiavel threw her fellow-conspirators over, the reason was simply this: on calm reflection she saw it was not her interest to get Father Leonard insulted. She looked on him as her mistress's lover, and her own best friend. "Was I mad?" said she to herself. "My business is to keep him sweet upon her, till they can't live without one another: and then I'll tell him; and take your place in this house, my lady."

And now it is time to visit that extraordinary man, who was the cause of all this mischief; whom Gaunt called a villain, and Mrs. Gaunt a saint; and, as usual, he was neither, one nor the other.

Father Leonard was a pious, pure, and noble-minded man, who had undertaken to defy nature, with religion's aid; and, after years of successful warfare, now sustained one of those defeats to which such warriors have been liable in every age. If his heart was pure, it was tender; and nature never intended him to live all his days alone. After years of prudent coldness to the other sex, he fell in with a creature that put him off his guard at first, she seemed so angelic. "At Wisdom's gate suspicion slept": and, by degrees, which have been already indicated in this narrative, she whom the Church had committed to his spiritual care became his idol. Could he have foreseen this, it would never have happened; he would have steeled himself, or left the country that contained this sweet temptation. But love stole on him, masked with religious zeal, and robed in a garment of light that seemed celestial.

When the mask fell, it was too late: the power to resist the soft and thrilling enchantment was gone. The solitary man was too deep in love.

Yet he clung still to that self-deception, without which he never could have been entrapped into an earthly passion; he never breathed a word of love to her. It would have alarmed her; it would have alarmed himself. Every syllable that passed between these two might have been published without scandal. But the heart does not speak by words alone: there are looks and there are tones of voice that belong to Love, and are his signs, his weapons; and it was in these very tones the priest murmured to his gentle listener about "the angelic life" between spirits still lingering on earth, but purged from earthly dross; and even about other topics less captivating to the religious imagination. He had persuaded her to found a school in this dark parish, and in it he taught the poor with exemplary and touching patience. Well, when he spoke to her about this school, it was in words of practical good sense, but in tones of love; and she, being one of those feminine women who catch the tone they are addressed in, and instinctively answer in tune, and, moreover, seeing no ill, but good, in the subject of their conversation, replied sometimes, unguardedly enough, in accents almost as tender.

In truth, if Love was really a personage, as the heathens feigned, he must have often perched on a tree in that quiet grove, and chuckled and mocked, when this man and woman sat and murmured together, in the soft seducing twilight, about the love of God.

And now things had come to a crisis. Husband and wife went about the house silent and gloomy, the ghosts of their former selves; and the priest sat solitary, benighted, bereaved of the one human creature he cared for. Day succeeded to day, and still she never came. Every morning he said, "She will come to-day," and brightened with the hope. But the leaden hours crept by, and still she came not.

Three sorrowful weeks went by; and he fell into deep dejection. He used to wander out at night, and come and stand where he could see her windows with the moon shining on them: then go slowly home, cold in body, and with his heart aching, lonely, deserted, and perhaps forgotten. O, never till now had he known the utter aching sense of being quite alone in this weary world!

One day, as he sat drooping and listless, there came a light foot along the passage, a light tap at the door, and the next moment she stood before him, a little paler than usual, but lovelier than ever, for celestial joy softened her noble features.

The priest started up with a cry of joy that ought to have warned her; but it only brought a faint blush of pleasure to her cheek and the brimming tears to her eyes.

"Dear father and friend," said she. "What! have you missed me? Think, then, how I have missed you. But 't was best for us both to let their vile passions cool first."

Leonard could not immediately reply. The emotion of seeing her again so suddenly almost choked him.

He needed all the self-possession he had been years acquiring not to throw himself at her knees and declare his passion to her.

Mrs. Gaunt saw his agitation, but did not interpret to his disadvantage.

She came eagerly and sat on a stool beside him. "Dear father," she said, "do not let their insolence grieve you. They have smarted for it, and shall smart till they make their submission to you, and beg and entreat you to come to us again. Meantime, since you cannot visit me, I visit you. Confess me, father, and then direct me with your counsels. Ah! if you could but give me the Christian temper to carry them out firmly but meekly! 'T is my ungoverned spirit hath wrought all this mischief,—mea culpa! mea culpa!"

By this time Leonard had recovered his self-possession, and he spent an hour of strange intoxication, confessing his idol, sentencing his idol to light penances, directing and advising his idol, and all in the soft murmurs of a lover.

She left him, and the room seemed to darken.

Two days only elapsed, and she came again. Visit succeeded to visit: and her affection seemed boundless.

The insult he had received was to be avenged in one place, and healed in another, and, if possible, effaced with tender hand. So she kept all her sweetness for that little cottage, and all her acidity for Hernshaw Castle.

It was an evil hour when Griffith attacked her saint with violence. The woman was too high-spirited, and too sure of her own rectitude, to endure that: so, instead of crushing her, it drove her to retaliation,—and to imprudence.

These visits to console Father Leonard were quietly watched by Ryder, for one thing. But, worse than that, they placed Mrs. Gaunt in a new position with Leonard, and one that melts the female heart. She was now the protectress and the consoler of a man she admired and revered. I say if anything on earth can breed love in a grand female bosom, this will.

She had put her foot on a sunny slope clad with innocent-looking flowers; but more and more precipitous at every step, and perdition at the bottom.

CHAPTER XXIII.

Father Leonard, visited, soothed, and petted by his idol, recovered his spirits, and, if he pined during her absence, he was always so joyful in her presence that she thought of course he was permanently happy; so then, being by nature magnanimous and placable, she began to smile on her husband again, and a tacit reconciliation came about by natural degrees.

But this produced a startling result.

Leonard, as her confessor, could learn everything that passed between them; he had only to follow established precedents, and ask questions his Church has printed for the use of confessors. He was mad enough to put such interrogatories.

The consequence was, that one day, being off his guard, or literally unable to contain his bursting heart any longer, he uttered a cry of jealous agony, and then, in a torrent of burning, melting words, appealed to her pity. He painted her husband's happiness, and his own misery, and barren desolation, with a fervid, passionate eloquence that paralyzed his hearer, and left her pale and trembling, and the tears of pity trickling down her cheek.

Those silent tears calmed him a little; and he begged her forgiveness, and awaited his doom.

"I pity you," said she, angelically. "What? you jealous of my husband! O, pray to Christ and Our Lady to cure you of this folly."

She rose, fluttering inwardly, but calm as a statue on the outside, gave him her hand, and went home very slowly; and the moment she was out of his sight she drooped her head like a crushed flower.

She was sad, ashamed, alarmed.

Her mind was in a whirl; and, were I to imitate those writers who undertake to dissect and analyze the heart at such moments, and put the exact result on paper, I should be apt to sacrifice truth to precision; I must stick to my old plan, and tell you what she did: that will surely be some index to her mind, especially with my female readers.

She went home straight to her husband; he was smoking his pipe after dinner. She drew her chair close to him, and laid her hand tenderly on his shoulder. "Griffith," she said, "will you grant your wife a favor? You once promised to take me abroad: I desire to go now; I long to see foreign countries; I am tired of this place. I want a change. Prithee, prithee take me hence this very day."

Griffith looked aghast. "Why, sweetheart, it takes a deal of money go abroad; we must get in our rents first."

"Nay, I have a hundred pounds laid by."

"Well, but what a fancy to take all of a sudden!"

"O Griffith, don't deny me what I ask you, with my arm round your neck, dearest. It is no fancy. I want to be alone with you, far from this place where coolness has come between us." And with this she fell to crying and sobbing, and straining him tight to her bosom, as if she feared to lose him, or be taken from him.

Griffith kissed her, and told her to cheer up, he was not the man to deny her anything. "Just let me get my hay in," said he, "and I'll take you to Rome, if you like."

"No, no: to-day, or to-morrow at furthest, or you don't love me as I deserve to be loved by you this day."

"Now Kate, my darling, be reasonable. I must get my hay in; and then I am your man."

Mrs. Gaunt had gradually sunk almost to her knees. She now started up with nostrils expanding and her blue eyes glittering. "Your hay!" she cried, with bitter contempt; "your hay before your wife? That is how you love me!" And, the next moment, she seemed to turn from a fiery woman to a glacier.

Griffith smiled at all this, with that lordly superiority the male sometimes wears when he is behaving like a dull ass; and smoked his pipe, and resolved to indulge her whim as soon as ever he had got his hay in.

CHAPTER XXIV.

Showery weather set in, and the hay had to be turned twice, and left in cocks instead of carried.

Griffith spoke now and then about the foreign tour; but Kate deigned no reply whatever; and the chilled topic died out before the wet hay could be got in: and so much for Procrastination.

Meantime, Betty Gough was sent for to mend the house-linen. She came every other day after dinner, and sat working alone beside Mrs. Gaunt till dark.

Caroline Ryder put her own construction on this, and tried to make friends with Mrs. Gough, intending to pump her. But Mrs. Gough gave her short, dry answers. Ryder then felt sure that Gough was a go-between, and, woman-like, turned up her nose at her with marked contempt. For why? This office of go-between was one she especially coveted for herself under the circumstances; and, a little while ago, it had seemed within her grasp.

One fine afternoon the hay was all carried, and Griffith came home in good spirits to tell his wife he was ready to make the grand tour with her.

He was met at the gate by Mrs. Gough, with a face of great concern; she begged him to come and see the Dame; she had slipped on the oak stairs, poor soul, and hurt her back.

Griffith tore up the stairs, and found Kate in the drawing-room, lying on a sofa, and her doctor by her side. He came in, trembling like a leaf, and clasped her piteously in his arms. At this she uttered a little patient sigh of pain, and the doctor begged him to moderate himself: there was no immediate cause of alarm; but she must be kept quiet; she had strained her back, and her nerves were shaken by the fall.

"O my poor Kate!" cried Griffith; and would let nobody else touch her. She was no longer a tall girl, but a statuesque woman; yet he carried her in his herculean arms up to her bed. She turned her head towards him and shed a gentle tear at this proof of his love; but the next moment she was cold again, and seemed weary of her life.

An invalid's bed was sent to her by the doctor at her own request, and placed on a small bedstead. She lay on this at night, and on a sofa by day.

Griffith was now as good as a widower; and Caroline Ryder improved the opportunity. She threw herself constantly in his way, all smiles, small talk, and geniality.

Like many healthy men, your sickness wearied him if it lasted over two days; and whenever he came out, chilled and discontented, from his invalid wife, there was a fine, buoyant, healthy young woman, ready to chat with him, and brimming over with undisguised admiration.

True, she was only a servant,—a servant to the core. But she had been always about ladies, and could wear their surface as readily as she could their gowns. Moreover, Griffith himself lacked dignity and reserve; he would talk to anybody.

The two women began to fill the relative situations of clouds and sunshine.

But, ere this had lasted long, the enticing contact with the object of her lawless fancy inflamed Ryder, and made her so impatient that she struck her long meditated blow a little prematurely.

The passage outside Mrs. Gaunt's door had a large window; and one day, while Griffith was with his wife, Ryder composed herself on the window-seat in a forlorn attitude, too striking and unlike her usual gay demeanor to pass unnoticed.

Griffith came out and saw this drooping, disconsolate figure. "Hallo!" said he, "what is wrong with you?" a little fretfully.

A deep sigh was the only response.

"Had words with your sweetheart?"

"You know I have no sweetheart, sir."

The good-natured Squire made an attempt or two to console her and find out what was the matter; but he could get nothing out of her but monosyllables and sighs. At last the crocodile contrived to cry. And having thus secured his pity, she said: "There, never heed me. I'm a foolish woman; I can't bear to see my dear master so abused."

"What d' ye mean?" said Griffith, sternly. Her very first shaft wounded his peace of mind.

"O, no matter! why should I be your friend and my own enemy? If I tell you, I shall lose my place."

"Nonsense, girl, you shall never lose your place while I am here."

"Well, I hope not, sir; for I am very happy here; too happy methinks, when you speak kindly to me. Take no notice of what I said. 'T is best to be blind at times."

The simple Squire did not see that this artful woman was playing the stale game of her sex; stimulating his curiosity under pretence of putting him off. He began to fret with suspicion and curiosity, and insisted on her speaking out.

"Ah! but I am so afraid you will hate me," said she; "and that will be worse than losing my place."

Griffith stamped on the ground. "What is it?" said he, fiercely.

Ryder seemed frightened. "It is nothing," said she. Then she paused, and added, "but my folly. I can't bear to see you waste your feelings. She is not so ill as you fancy."

"Do you mean to say that my wife is pretending?"

"How can I say that? I wasn't there: nobody saw her fall; nor heard her either; and the house full of people. No doubt there is something the matter with her; but I do believe her heart is in more trouble than her back."

"And what troubles her heart? Tell me, and she shall not fret long."

"Well, sir; then just you send for Father Leonard; and she will get up, and walk as she used, and smile on you as she used. That man is the main of her sickness, you take my word."

Griffith turned sick at heart; and the strong man literally staggered at this envenomed thrust of a weak woman's tongue. But he struggled with the poison.

"What d' ye mean, woman?" said he. "The priest hasn't been near her these two months."

"That is it, sir," replied Ryder quietly; "he is too wise to come here against your will; and she is bitter against you for frightening him away. Ask yourself, sir, didn't she change to you the moment that you threatened that Leonard with the horse-pond?"

"That is true!" gasped the wretched husband.

Yet he struggled again. "But she made it up with me after that. Why, 't was but the other day she begged me to go abroad with her, and take her away from this place."

"Ay? indeed!" said Ryder, bending her black brows, "did she so?"

"That she did," said Griffith joyfully; "so you see you are mistaken."

"You should have taken her at her word, sir," was all the woman's reply.

"Well, you see the hay was out; so I put it off; and then came the cursed rain, day after day; and so she cooled upon it."

"Of course she did, sir." Then, with a solemnity that appalled her miserable listener, "I'd give all I'm worth if you had taken her at her word that minute. But that is the way with you gentlemen; you let the occasion slip; and we that be women never forgive that: she won't give you the same chance again, I know. Now if I was not afraid to make you unhappy, I'd tell you why she asked you to go abroad. She felt herself weak and saw her danger; she found she could not resist that Leonard any longer; and she had the sense to see it wasn't worth her while to ruin herself for him; so she asked you to save her from him: that is the plain English. And you didn't."

At this, Griffith's face wore an expression of agony so horrible that Ryder hesitated in her course. "There, there," said she, "pray don't look so, dear master! after all, there's nothing certain; and perhaps I am too severe where I see you ill-treated: and to be sure no woman could be cold to you unless she was bewitched out of her seven senses by some other man. I couldn't use you as mistress does; but then there's nobody I care a straw for in these parts, except my dear master."

Griffith took no notice of this overture: the potent poison of jealousy was coursing through all his veins and distorting his ghastly face.

"O God!" he gasped, "can this thing be? My wife! the mother of my child! It is a lie! I can't believe it; I won't believe it. Have pity on me, woman, and think again, and unsay your words; for, if 't is so, there will be murder in this house."

Ryder was alarmed. "Don't talk so," said she hastily; "no woman born is worth that. Besides, as you say, what do we know against her? She is a gentlewoman, and well brought up. Now, dear master, you have got one friend in this house, and that is me: I know women better than you do. Will you be ruled by me?"

"Yes, I will: for I do believe you care a little for me."

"Then don't you believe anything against our Dame. Keep quiet till you know more. Don't you be so simple as to accuse her to her face, or you'll never learn the truth. Just you watch her quietly, without seeming; and I'll help you. Be a man, and know the truth."

"I will!" said Griffith, grinding his teeth. "And I believe she will come out pure as snow."

"Well, I hope so too," said Ryder, dryly. Then she added, "But don't you be seen speaking to me too much, sir, or she will suspect me, and then she will be on her guard with me. When I have anything particular to tell you, I'll cough, so; and then I'll run out into the Grove: nobody goes there now."

Griffith did not see the hussy was arranging her own affair as well as his. He fell into the trap bodily.

The life this man led was now infernal.

He watched his wife night and day to detect her heart; he gave up hunting, he deserted the "Red Lion"; if he went out of doors, it was but a step; he hovered about the place to see if messages came or went; and he spent hours in his wife's bedroom, watching her, grim, silent, and sombre, to detect her inmost heart. His flesh wasted visibly, and his ruddy color paled. Hell was in his heart. Ay, two hells: jealousy and suspense.

Mrs. Gaunt saw directly that something was amiss, and erelong she divined what it was.

But, if he was jealous, she was proud as Lucifer. So she met his ever-watchful eye with the face of a marble statue.

Only in secret her heart quaked and yearned, and she shed many a furtive tear, and was sore, sore perplexed.

Meantime Ryder was playing with her husband's anguish like a cat with a mouse.

Upon the pretence of some petty discovery or other, she got him out day after day into the Grove, and, to make him believe in her candor and impartiality, would give him feeble reasons for thinking his wife loved him still; taking care to overpower these reasons with some little piece of strong good-sense and subtle observation.

It is the fate of moral poisoners to poison themselves as well as their victims. This is a just retribution, and it fell upon this female Iago. Her wretched master now loved his wife to distraction, yet hated her to the death: and Ryder loved her master passionately, yet hated him intensely, by fits and starts.

These secret meetings on which she had counted so, what did she gain by them? She saw that, with all her beauty, intelligence, and zeal for him, she was nothing to him still. He suspected, he sometimes hated his wife, but he was always full of her. There was no getting any other wedge into his heart.

This so embittered Ryder that one day she revenged herself on him.

He had been saying that no earthly torment could equal his: all his watching had shown him nothing for certain. "O," said he, "if I could only get proof of her innocence, or proof of her guilt! Anything better than the misery of doubt. It gnaws my heart, it consumes my flesh. I can't sleep, I can't eat, I can't sit down. I envy the dead that lie at peace. O my heart! my heart!"

"And all for a woman that is not young, nor half so handsome as yourself. Well, sir, I'll try and cure you of your doubt if that is what torments you. When you threatened that Leonard, he got his orders to come here no more. But she visited him at his place again and again."

"'T is false! How know you that?"

"As soon as your back was turned, she used to order her horse and ride to him."

"How do you know she went to him?"

"I mounted the tower, and saw the way she took."

Griffith's face was a piteous sight. He stammered out, "Well, he is her confessor. She always visited him at times."

"Ay, sir; but in those days her blood was cool, and his too; but bethink you now, when you threatened the man with the horse-pond, he became your enemy. All revenge is sweet; but what revenge so sweet to any man as that which came to his arms of its own accord? I do notice that men can't read men, but any woman can read a woman. Maids they are reserved, because their mothers have told them that is the only way to get married. But what have a wife and a priest to keep them distant? Can they ever hope to come together lawfully? That is why a priest's light-o'-love is always some honest man's wife. What had those two to keep them from folly? Old Betty Gough? Why, the mistress had bought her, body and soul, long ago. No, sir, you had no friend there; and you had three enemies,—love, revenge, and opportunity. Why, what did the priest say to me? I met him not ten yards from here. 'Ware the horse-pond!' says I. Says he, 'Since I am to have the bitter, I'll have the sweet as well.'"

These infernal words were not spoken in vain. Griffith's features were horribly distorted, his eyes rolled fearfully, and he fell to the ground, grinding his teeth, and foaming at the mouth. An epileptic fit!

An epileptic fit is a terrible sight: the simple description of one in our medical books is appalling.

And in this case it was all the more fearful, the subject being so strong and active.

Caroline Ryder shrieked with terror, but no one heard her; at all events, no one came; to be sure the place had a bad name for ghosts, etc.

She tried to hold his head, but could not, for his body kept bounding from the earth with inconceivable elasticity and fury, and his arms flew in every direction; and presently Ryder received a violent blow that almost stunned her.

She lay groaning and trembling beside the victim of her poisonous tongue and of his own passions.

When she recovered herself he was snorting rather than breathing, but lying still and pale enough, with his eyes set and glassy.

She got up, and went with uneven steps to a little rill hard by, and plunged her face in it: then filled her beaver hat, and came and dashed water repeatedly in his face.

He came to his senses by degrees; but was weak as an infant. Then Ryder wiped the foam from his lips, and, kneeling on her knees, laid a soft hand upon his heavy head, shedding tears of pity and remorse, and sick at heart herself.

For what had she gained by blackening her rival? The sight of his bodily agony, and his ineradicable love.

Mrs. Gaunt sat out of shot, cold, calm, superior.

Yet, in the desperation of her passion, it was something to nurse his weak head an instant, and shed hot tears upon his brow; it was a positive joy, and soon proved a fresh and inevitable temptation.

"My poor master," said she, tenderly, "I never will say a word to you again. It is better to be blind. My God! how you cling to her that feigns a broken back to be rid of you, when there are others as well to look at, and ever so much younger, that adore every hair on your dear head, and would follow you round the world for one kind look."

"Let no one love me like that," said Griffith feebly, "to love so is to be miserable."

"Pity her then, at least," murmured Ryder; and, feeling she had quite committed herself now, her bosom panted under Griffith's ear, and told him the secret she had kept till now.

My female readers will sneer at this temptation: they cannot put themselves in a man's place. My male readers know that scarcely one man out of a dozen, sick, sore, and hating her he loved, would have turned away from the illicit consolation thus offered to him in his hour of weakness with soft, seducing tones, warm tears, and heart that panted at his ear.

CHAPTER XXV.

How did poor, faulty Griffith receive it?

He raised his head, and turned his brown eye gentle but full upon her. "My poor girl," said he, "I see what you are driving at. But that will not do. I have nothing to give you in exchange. I hate my wife that I loved so dear: d—n her! d—n her! But I hate all womankind for her sake. Keep you clear of me. I would ruin no poor girl for heartless sport, I shall have blood on my hands erelong, and that is enough."

And, with these alarming words, he seemed suddenly to recover all his vigor; for he rose and stalked away at once, and never looked behind him.

Ryder made no further attempt. She sat down and shed bitter tears of sorrow and mortification.

After this cruel rebuff she must hate somebody; and, with the justice of her sex, she pitched on Mrs. Gaunt, and hated her like a demon, and watched to do her a mischief by hook or by crook.

Griffith's appearance and manner caused Mrs. Gaunt very serious anxiety. His clothes hung loose on his wasting frame; his face was of one uniform sallow tint, like a maniac's; and he sat silent for hours beside his wife, eying her askant from time to time like a surly mastiff guarding some treasure.

She divined what was passing in his mind, and tried to soothe him; but almost in vain. He was sometimes softened for the moment; but hæret lateri lethalis arundo; he still hovered about, watching her and tormenting himself; gnawed mad by three vultures of the mind,—doubt, jealousy, and suspense.

Mrs. Gaunt wrote letters to Father Leonard: hitherto she had only sent him short messages.

Betty Gough carried these letters, and brought the answers.

Griffith, thanks to the hint Ryder had given him, suspected this, and waylaid the old woman, and roughly demanded to see the letter she was carrying. She stoutly protested she had none. He seized her, turned her pockets inside out, and found a bunch of keys; item, a printed dialogue between Peter and Herod, omitted in the canonical books, but described by the modern discoverer as an infallible charm for the toothache; item, a brass thimble; item, half a nutmeg.

"Curse your cunning," said he; and went off muttering.

The old woman tottered trembling to Mrs. Gaunt, related this outrage with an air of injured innocence, then removed her cap, undid her hair, and took out a letter from Leonard.

"This must end, and shall," said Mrs. Gaunt, firmly; "else it will drive him mad and me too."

Bolton fair-day came. It was a great fair, and had attractions for all classes. There were cattle and horses of all kinds for sale, and also shows, games, wrestling, and dancing till daybreak.

All the servants had a prescriptive right to go to this fair; and Griffith himself had never missed one. He told Kate over-night he would go, if it were not for leaving her alone.

The words were kinder than their meaning; but Mrs. Gaunt had the tact, or the candor, to take them in their best sense. "And I would go with you, my dear," said she; "but I should only be a drag. Never heed me; give yourself a day's pleasure, for indeed you need it. I am in care about you: you are so dull of late."

"Well, I will," said Griffith. "I'll not mope here when all the rest are merry-making."

Accordingly, next day, about eleven in the morning, he mounted his horse and rode to the fair, leaving the house empty; for all the servants were gone except the old housekeeper; she was tied to the fireside by rheumatics. Even Ryder started, with a new bonnet and red ribbons; but that was only a blind. She slipped back and got unperceived into her own bedroom.

Griffith ran through the fair; but could not enjoy it. Hærebat lateri arundo. He came galloping back to watch his wife, and see whether Betty Gough had come again or not.

As he rode into the stable-yard he caught sight of Ryder's face at an upper window. She looked pale and agitated, and her black eyes flashed with a strange expression. She made him a signal which he did not understand; but she joined him directly after in the stable-yard.

"Come quietly with me," said she, solemnly.

He hooked his horse's rein to the wall, and followed her, trembling.

She took him up the back stairs, and, when she got to the landing, turned and said, "Where did you leave her?"

"In her own room."

"See if she is there now," said Ryder, pointing to the door.

Griffith tore the door open; the room was empty.

"Nor is she to be found in the house," said Ryder; "for I've been in every room."

Griffith's face turned livid, and he shivered and leaned against the wall. "Where is she?" said he, hoarsely.

"Humph!" said Ryder, fiendishly. "Find him, and you'll find her."

"I'll find them if they are above ground," cried Griffith, furiously; and he rushed into his bedroom, and soon came out again, with a fearful purpose written on his ghastly features and in his bloodshot eyes, and a loaded pistol in his hand.

Ryder was terrified; but instead of succumbing to terror, she flew at him like a cat, and wreathed her arms round him.

"What would you do?" cried she. "Madman, would you hang for them? and break my heart,—the only woman in the world that loves you? Give me the pistol. Nay, I will have it." And, with that extraordinary power excitement lends her sex, she wrenched it out of his hands.

He gnashed his teeth with fury, and clutched her with a gripe of iron; she screamed with pain: he relaxed his grasp a little at that; she turned on him and defied him.

"I won't let you get into trouble for a priest and a wanton," she cried; "you shall kill me first. Leave me the pistol, and pledge me your sacred word to do them no harm, and then I'll tell you where they are. Refuse me this, and you shall go to your grave and know nothing more than you know now."

"No, no; if you are a woman, have pity on me; let me come at them. There, I'll use no weapon. I'll tear them to atoms with these hands. Where are they?"

"May I put the pistol away then?"

"Yes, take it out of my sight; so best. Where are they?"

Ryder locked the pistol up in one of Mrs. Gaunt's boxes. Then she said, in a trembling voice, "Follow me."

He followed her in awful silence.

She went rather slowly to the door that opened on the lawn; and then she hesitated. "If you are a man, and have any feeling for a poor girl who loves you,—if you are a gentleman, and respect your word,—no violence."

"I promise," said he. "Where are they?"

"Nay, nay. I fear I shall rue the day I told you. Promise me once more: no bloodshed—upon your soul."

"I promise. Where are they?"

"God forgive me; they are in the Grove."

He bounded away from her like some beast of prey; and she crouched and trembled on the steps of the door: and, now that she realized what she was doing, a sickening sense of dire misgiving came over her, and made her feel quite faint.

And so the weak, but dangerous creature sat crouching and quaking, and launched the strong one.

Griffith was soon in the Grove; and the first thing he saw was Leonard and his wife walking together in earnest conversation. Their backs were towards him. Mrs. Gaunt, whom he had left lying on a sofa, and who professed herself scarce able to walk half a dozen times across the room, was now springing along, elastic as a young greyhound, and full of fire and animation. The miserable husband saw, and his heart died within him. He leaned against a tree and groaned.

The deadly sickness of his heart soon gave way to sombre fury. He came softly after them, with ghastly cheek, and bloodthirsty eyes, like red-hot coals.

They stopped; and he heard his wife say, "'T is a solemn promise, then: this very night." The priest bowed assent. Then they spoke in so low a voice, he could not hear; but his wife pressed a purse upon Leonard, and Leonard hesitated, but ended by taking it.

Griffith uttered a yell like a tiger, and rushed between them with savage violence, driving the lady one way with his wrists, and the priest another. She screamed: he trembled in silence.

Griffith stood a moment between these two pale faces, silent and awful.

Then he faced his wife. "You vile wretch!" he cried: "so you buy your own dishonor, and mine." He raised his hand high over her head; she never winced. "O, but for my oath, I'd lay you dead at my feet! But no; I'll not hang for a priest and a wanton. So, this is the thing you love, and pay it to love you." And with all the mad inconsistency of rage, which mixes small things and great, he tore the purse out of Leonard's hand: then seized him felly by the throat.

At that the high spirit of Mrs. Gaunt gave way to abject terror. "O mercy! mercy!" she cried; "it is all a mistake." And she clung to his knees.

He spurned her furiously away. "Don't touch me, woman," he cried, "or you are dead. Look at this!" And in a moment, with gigantic strength and fury, he dashed the priest down at her feet. "I know ye, ye proud, wanton devil!" he cried; "love the thing you have seen me tread upon! love it—if ye can." And he literally trampled upon the poor priest with both feet.

Leonard shrieked for mercy.

"None, in this world or the next," roared Griffith; but the next moment he took fright at himself. "God!" he cried, "I must go or kill. Live and be damned forever, the pair of ye." And with this he fled from them, grinding his teeth and beating the air with his clenched fists.

He darted to the stable-yard, sprang on his horse, and galloped away from Hernshaw Castle, with the face, the eyes, the gestures, the incoherent mutterings of a raving Bedlamite.

WHAT WILL IT COST US?

If we take the arm of Mr. Smith, who is one of many perplexed at this time by the cost of living, and go round with him to rebuke the tradesmen who oppress and devour him by overcharges of every kind, we shall find these obdurate persons very quick upon their defence, and full of admirable justification of their supposed extortion.

The wicked grocer, who in these piping times of peace makes Mr. Smith pay twenty cents a pound for sugar, fifty-five cents for coffee, and a dollar and a half for tea, replies, when reproached with his heartlessness, that Mr. Smith gives him depreciated paper, not gold, for his sugar, while he must pay the importer for prime cost, freight, and duty, with the added premium on gold, and the importer's profit on the aggregate, as well as the new duty on refining; and that as to coffee, it has actually risen in price at Java through the Dutch government's monopoly of the entire product, while our own law has imposed a duty of five cents in gold upon it. This abandoned tradesman declares that he must have a large profit to cover risks in holding such articles as tea and coffee, when trade is unsettled and gold falling; and asserts that he makes no more on tea now than he did in the days when it cost Mr. Smith only thirty-five or forty cents a pound. The duty of twenty-five cents, and the withdrawal and destruction by privateers of many ships formerly engaged in the trade, have brought up the price of tea, and the grocer is none the richer, though Mr. Smith is considerably the poorer.

Equally unblushing is the butcher,—a man who ought to have finer feelings and some sense of remorse. Steak, he tells us, is thirty, second cut of the rib twenty-eight, mutton twenty-eight, and poultry thirty cents a pound, because, as he pretends, the farmers exhausted their supply of cattle in feeding the army for so long a time, and now find it more profitable to raise their lambs, and keep and shear their sheep, than to kill them. To which he adds a note in the minor key concerning the price of gold, and the increased expenses of living, which he has himself to meet, and drives us in despair to the pitiless merchant of whom we buy our dry-goods. He evidently expects Mr. Smith, for he says, with a shameless frankness and readiness: "I admit that I have doubled my prices, but fifty per cent of the rise is due to the premium on gold. Then there come in the war duties, and then the internal revenue taxes. Don't you know that Congress has put taxes on the materials, and upon every process of manufacture, and a further tax of six per cent on sales, to say nothing of stamps and licenses? Look at the report of the Revenue Commission,[F] which tells us that most of the duties are duplicated, till they lap over like shingles and slates, and come to ten or twenty per cent on manufactures. Look at their story of the umbrella! Think of Webster's Spelling-Book printed in London for our schools, to evade the taxes! Think of the men who go to Montreal, Halifax, and even to London, for new suits, in consequence of the duties, and of others who once came to me quarterly for a new coat and gave away their worn garments, and who now come yearly! Please examine this bill for coal at fifteen dollars instead of six dollars a ton, and do not forget the city, State, and national taxes."

Incensed to the last degree by the merchant's effrontery, Mr. Smith hurries us to the den which the cruel coal-dealer calls his office, and demands to know how it is that, when the nation no longer requires coal for the uses of war, and coal ought, in the very nature of things, to come down, he has actually raised the price of it to fifteen dollars a ton?

"Gentlemen," answers the coal-dealer, with a hardness not equalled by the hardest clinker in his own anthracite,—"gentlemen, it's true the war is over, but there are taxes on cars, engines, repairs, and gross receipts, that add fifty per cent to transportation, while for five years past the nation has required so much coal and iron to carry on the war and to repair Southern tracks that few coal railways have been built and few mines opened. There must be rivalry and increased production to put down prices. New mines and railways cannot be opened with gold at the present rates, or while the internal taxes, direct and indirect, add fifteen dollars to the cost of each ton of bar-iron. Nor can there be a great fall while there is a prospect that the coal from Nova Scotia is to be excluded or raised in price by the repeal of the Reciprocity Treaty. Freights have risen to the unprecedented rate of four or five dollars per ton between Philadelphia and Massachusetts and Maine; and if we wish for former freights of two dollars per ton and lower prices, we must build steam colliers like those which run between Newcastle and London, and bring back the coasters that left the trade and took shelter under the flag of England. But the first thing is to bring down the price of gold, which will bring down both freight and profits, and enable the poor to enjoy the sparkle of the black diamonds. And now, Mr. Smith, let me say that what with the city, the State, and the national taxes, I am obliged to raise my rents, and I take the liberty to notify you that houses are scarce; and although I regret to disturb an old tenant and customer, I must add another hundred to the rent of the house you occupy. Houses are in demand; few dare to build while materials are so dear. And there are the Shoddies, who would take mine to-morrow at any rent."

Not in the least consoled, but rather exasperated by this suggestion, Mr. Smith fails to recover his spirits, even on the assurance of the city official whom we meet, that the city, impoverished by payment of soldiers' bounties and allowances to soldiers' families, as well as the payment of the interest of her debt in gold throughout the war, still hopes to reduce the interest to five per cent, and, when gold falls, to diminish the taxes.

But if our course of inquiry into the causes of the present ruinous cost of living has not given much solace to Mr. Smith, we may, nevertheless, from the facts elicited and from the arguments of the different tradesmen draw a few useful conclusions and decide what are the evils to be removed or obviated before we can reduce the cost of living; and the chief of these, we have learned, are the following:—

The premium on gold.

The taxes on productions.

The duties on materials.

The charges on transportation.

The duties and taxes which absorb income.

Let us consider whether these evils may not be boldly met and surmounted, and this, too, without impairing the ability of the nation to meet the interest of the debt incurred as the price of freedom, or interfering with the payment of army and navy pensions, and similar expenses.

RESUMPTION.

What is there to prevent the nation from resuming specie payments during the present year?

There are those who profit by the fluctuations of gold; who gamble in gold, and would make fortunes regardless of the consequences to others; who control the columns of venal papers and write financial articles; who claim to be the leaders of opinion, and tell their confiding readers that Great Britain did not resume for a quarter of a century; that resumption implies contraction and portends ruin; that we have a thousand millions to fund within three years, and therefore cannot resume.

But is not all this fallacious? Our position is not that of the British Isles half a century since, exhausted by a war of twenty years, without a railway, with less than half the wealth and half the population, and one twentieth of the land and mineral resources that we possess, while their debt was fifty per cent more than our own. They were almost stationary, and we are progressive. In descending from a premium of 180 to 30 on gold, we have already accomplished five sixths of the journey towards specie payment without serious disaster and with an easy money-market.

As respects contraction, the instructive report lately addressed to the Secretary of the Treasury by Mr. Carey, the veteran advocate of manufactures, shows that the compound-interest notes are withdrawn; that a large portion of the greenbacks is held as a reserve fund by the banks, another large portion is locked up in the sub-treasury, and the actual circulation of the Union but $460,000,000,—really less than that of France or Great Britain, although our population exceeds that of either of those countries. And Mr. Carey, in his instructive letter, offers proof that our circulation, although in excess of the gold, silver, and bills circulating before the war, is not disproportionate to our commercial transactions. When the Secretary of the Treasury is ready, no serious contraction will probably be required, and no ruin will follow, if our merchants move with caution, and prepare for a return to the only safe standard of values. Let the manufacturer accumulate no stocks, but continue to make goods to order, to sell in advance. Let him cover his sales by the purchase of the materials as the wise and sagacious have done ever since the surrender of Lee, and we shall be ready for the notice that, after an interval of three or four months, the United States will meet their notes and contracts with specie.

Commerce will gradually adapt itself to this notice, as it has done to the decline of gold from 285 to 130 in less than a year. But it is urged that we have a thousand millions of debt to fund within three years, and therefore cannot resume. Did we not fund nearly a thousand millions at par in 1865, and most of this after gold fell to 30 per cent premium? Then the amount was drawn from hoards and commerce; but now our income exceeds expenditures, and we are reducing the debt ten or twenty millions a month; we require no funds for war or unproductive investments, and when we pay one hundred millions, we return it to those who will seek new loans for investment, and doubtless lend on more favorable terms.

At Paris, Brussels, and Frankfort, the average rate of interest last year was less than five per cent. Give Mr. McCulloch power to go there, to issue bonds for one twentieth part of our debt payable there in the currency of the country; and with such a fund at his disposal, he can at once reduce interest and bring back specie, or rather retain it; for we need not seek it abroad. When the Committee of Ways and Means intimate that they will give him this power, gold and exchange fall; if a doubt is expressed, both advance; and the simple question before the public is, whether we shall cripple the Minister of Finance and give the power to Wall Street;—whether our finances are to be governed by the Jews of the gold board and the speculators of the stock exchange, or by the Secretary of the Treasury. If we ended the war by placing one man on the field to direct every movement,—after we had tried in vain to conduct it by committees of Congress and rival generals,—will not one statesman, with plenary power, be equally effective on the field of finance?

The man who carried a Western State through the revulsion of 1857, and maintained specie payments when Boston and New York succumbed,—who has so well and so successfully wielded the limited power we have given him,—well deserves the confidence of the country. Let him have power at once to go to the fountain-head for the small balance we may require from the Old World; let him have the authority to raise funds to meet the floating debt and temporary loan, and to replace the seven-thirties and compound-interest notes as they mature, and we may confidently anticipate both an early resumption of specie payments and reduced rates of interest, and consequent diminution of debt. With a return to specie payments, our current expenses must fall from thirty to forty per cent, and we can well afford to resign any premium on gold we now enjoy.

TAXES ON PRODUCTION.

The Revenue Commission enlighten us on this point. In their very able and luminous Report they say:—

"The diffuseness of the present revenue system of the United States is doubtless one of its greatest imperfections, and under it the exemption of any article from taxation is the exception rather than the rule. To assert this, however, is no reflection on the judgment or skill of its authors. The system was framed under circumstances of such pressing necessity as to afford but little opportunity for any careful and accurate investigation of the sources of revenue; but it has most certainly accomplished the end designed, namely, the raising of revenue; and the country to-day is undoubtedly receiving by taxation far more revenue than is necessary for its legitimate expenditures. As a success, therefore, our present revenue system is a most honorable testimonial, not only to the wisdom of its authors, but to the patriotism of the people, who not only endured, but welcomed, the burdens it imposed upon them.

"A system of taxation, however, so diffuse as the present one, necessarily entails a system of duplication of taxes, which in turn leads to an undue enhancement of prices; a decrease both of production and consumption, and consequently of wealth; a restriction of exportations and of foreign commerce; and a large increase in the machinery and expense of the revenue collection.

"In respect to the injurious influence of this duplication of taxes upon the industry of the country, the Commission cannot speak too strongly. Its effect has already been most injurious. It threatens the very existence (even with the protection of inflated prices and a high tariff) of many branches of industry; and with a return of the trade and currency of the country to anything approximating its normal condition, it must, by checking development, prove highly disastrous.

"The influence of the duplication of taxes in sustaining prices is also, in the opinion of the Commission, far greater than those not conversant with the subject generally estimate; and were the price of gold and of the national currency made at once to approximate, and the present revenue system to continue unchanged, it would be impossible for the prices of most products of manufacturing industry to return to anything like their former level."

The Commission arrive at the conclusion, that all our manufactures are by these taxes increased in cost from ten to twenty per cent. In the language of Senator Sherman, when defending the Internal Tax Bill in the Senate last year, the nation required funds to maintain its armies in the field; it had put forth its arms and grasped the money of the country, and would reduce and equalize the taxes when the war was ended. The Revenue Commission find the taxes on our manufactures and their materials an incubus upon the industry and a check to the progress of the country, and recommend their remission. And this we may reasonably expect from Congress at its present session. But, it may be urged, how are we to meet the interest on our debt and current expenses of $284,000,000 in the aggregate, if we repeal these taxes? The answer is a simple one. The Commission estimate our imports at $400,000,000, and our duties now average forty-seven per cent. Should this continue, we should draw from this source alone $188,000,000. There is also the revenue from public lands and miscellaneous sources, which the Secretary and the Revenue Commission both rate at $21,000,000, making an aggregate of $209,000,000; although the Commission, to guard against the effects of any change in the tariff, modestly rate these items at only $151,000,000.

To these they add for excise, viz.:—

From five cents per pound on Cotton, | $40,000,000
One dollar per gallon on Spirits, | 40,000,000
Duties on Tobacco, | 18,000,000
Malt Liquors at one dollar only per barrel, | 5,000,000
Twenty cents per gallon on Refined Petroleum, | 3,000,000
From Spirits of Turpentine and Rosin, | 2,000,000
| —————
| $108,000,000
Licenses, | $15,000,000
Stamps, | 20,000,000
Banks, | 15,000,000
Salaries, Sales, and Successions, | 9,000,000
| —————
| $59,000,000

They thus provide a revenue of $318,000,000, or $30,000,000 more than that required by the Secretary,—a surplus which, with the annual excess of duties, to say nothing of the future growth of revenue, would extinguish our debt in little more than thirty years. But to guard against all contingencies, they propose to levy on incomes taxes to the amount of $40,000,000; and on the gross receipts of railways, bridges, canals, and stages, $9,000,000. These change the aggregate to $367,000,000; an excess of $81,000,000 over the estimate of our requirements by the Secretary.

The Commission give us the Budget of France in the following summary, viz.:—

Direct Taxes, | $63,072,280
Registry Stamps and Public Domains, | 81,537,833
Forests, | 8,051,300
Customs and Duties on Salt, | 29,485,000
Indirect Taxes, | 115,600,400
Post-Office, | 14,482,000
Sundry Revenues, | 26,441,989
Miscellaneous, | 11,736,360
| —————
Total, | $350,407,212

Also, the revenues of Great Britain and Ireland for 1865, viz.:—

Customs, | $115,023,808
Excise, | 97,048,180
Stamps, | 47,659,870
Fund and assessed Taxes, | 16,439,670
Income and Property Taxes, | 39,928,865
Post-Office, | 20,852,197
Grain Lands, | 2,212,000
Miscellaneous, | 14,967,183
| —————
Total | $354,131,773

If from these returns we deduct the earnings of the Post-Office Department, which are not included in the Commission's estimate of revenue for the United States, that estimate will exceed the returns of revenue for France or the United Kingdom by more than thirty millions, although the expenses of each of these countries are at least fifty millions more than the computed expenses of our own. It is obvious, therefore, from the Report of the Commission, that we may dispense with the fifty-nine millions from income tax and the duties on transportation, and still have a margin of more than thirty millions to cover contingencies and provide for the gradual reduction of the debt. Such a victory in finance achieved the first year after the war would give us a second great national triumph.

The system proposed by the Commission is entitled to the most favorable consideration. The taxes levied during the war were multifarious in their character. Although effective in producing revenue, they were imposed without discrimination, and they bear heavily alike both on producer and consumer, checking the industry of the one and swelling unduly the expenditures of the other. The plan of the Commission strikes the handcuffs from industry, lessens the expenses of collection, enables our artisan to compete with the foreigner, and, as most of the manufactures of the country are consumed at home, consequently reduces the cost of living. It seems from the Report of the Commission, that their leading idea is to simplify the system and reduce the number of taxes; to shift them from the producer to the consumer, and thus stimulate the creation of wealth; to diminish charges, and at the same time lighten the weight of the impost as it falls on the consumer. Another leading idea is to transfer a portion of our burdens to the foreign consumers of cotton, and at the same time stimulate our manufactures, and the production of cotton, by a remission of the tax on cloth exported; while yet another part of their plan was to take from the illicit trader and give to the public coffers the profit he now realizes upon spirits, and to restore alcohol to the arts.

Let us give to each of these measures the attention it deserves; and inquire if we may not take at once the steps, which the Commission defer for the present, toward the discontinuance of all charges upon transportation and incomes. In recommending the entire removal of taxes on production as the first measure to be adopted, the Commissioners advise: "That the capital stock of the country in the interval between 1850 and 1860, deducting the value of the slaves, increased at the rate of 158 per cent, or from $5,533,000 to $14,282,000; and that, if a development in any degree approximating to the past can be maintained and continued, then the extinguishment of the national debt in a comparatively brief period becomes a matter of no uncertainty. To secure this development, both by removing the shackles from industry, and by facilitating the means of rapid and cheap intercommunication between the different sections of the country, is to effect at the same time a solution of all the financial difficulties that now press upon us."

The policy of the Commission is the speedy abolition or reduction of all taxes which tend to check development. This policy is eminently wise and statesman-like; for while it removes some of our most onerous burdens, it gives a stimulus to the creation of wealth that must annually alleviate our taxes, and is entitled to the approval of an enlightened nation.

The second great measure of the Commission is to increase to five cents the tax on cotton, which has, since the close of our last financial year, begun to aid our revenue. The soil, climate, and seasons of our Southern States are peculiarly adapted to the culture of cotton. In India the fields are parched by the extreme heats of summer, and the staple shortened; in Algiers, the rains of autumn, which favor the young wheat, prevent the opening of the cotton-balls; but in the cotton States of the South, the moisture of the spring, the heats and showers of summer, and the dry weather and late frosts of autumn, all contribute to the full development of the cotton-plant; and the yield is twice or three times as great as in the cotton districts of the East. The staple, too, is much more valuable, and the yield and the quality of the staple are both improved by the application of guano. In 1859 the yield of the United States rose to 2,080,000,000 pounds, while the consumption of the civilized world was as follows:—

In Great Britain, | 1,050,000,000 | lbs.
On the Continent, | 700,000,000 | "
In the United States, | 400,000,000 | "
| ——————
Total, | 2,150,000,000 | lbs.

During the five years of war, the consumption was reduced more than one half by the deficiency; Great Britain was compelled to pay twice the usual amount for half the usual quantity, and cotton rose from ten cents to sixty cents in gold. The world was ransacked for cotton, and the whole addition made to the supply (chiefly from India and Egypt) did not exceed the increase of three years in the United States previous to the war. The Revenue Commission have made a very elaborate report upon this subject, and base their conclusions upon the advice and opinions of the chief manufacturers of New England, who concur in the opinion that the tax will be chiefly paid by the foreign consumer; that it will not give an undue stimulus to the culture of cotton abroad; that Japan and China have, since the decline of cotton to twenty pence in England, ceased to ship it, and are drawing upon Surat and Bombay; that Egypt, our chief rival, has nearly or quite reached her full capacity of production, while India makes little progress.

The late Confederacy, by imposing an export duty of twenty cents per pound, to be paid in gold; France, by her export duty on linen and cotton rags and skins of animals; Russia, by various export duties; Portugal, by her duties on wine exported; Great Britain, by her export duties, imposed in India, on gunny-cloth, linseed, jute, saltpetre, and opium; and Holland, by her monopoly and export duties on the coffee of Java,—give precedents for a tax on cotton. The United States are prohibited by the Constitution from levying an export duty, but may nevertheless impose an internal tax which will cling to the cotton both abroad and at home. A tax of five cents a pound will add but one cent to the cost of a yard of calico; and with a crop of 2,000,000,000 pounds, like that of 1859, will yield a revenue of $100,000,000, although the Commission do not anticipate more than half that revenue for a few years to come. It seems but reasonable that King Cotton, who made the war, should aid in defraying its expenses; and it is also just that England and France, his chief allies, should pay their tribute for the suppression of the revolt they did so much to encourage. The planters and free blacks of the South have sufficient incentives to the culture of cotton in the high prices it must bear for years to come; and the Commission have very wisely recommended a remission of the tax on all cotton cloth or yarn exported, which will give a stimulus to manufactures both at the South and the North, and enable our merchants to meet those of Great Britain in successful competition in all parts of the globe. The cotton tax, as a substitute for taxes on sales and manufactures, will meet the cordial support of our countrymen; and, if it oppose a slight check to production, they have already learned that half a crop gives more dollars than a whole one.

SPIRITS.

Another change of great importance recommended by the Commission, both in their general Report, and in a special report devoted to this subject, is a reduction of the duty on spirits from two dollars to one dollar per gallon as a revenue measure, the higher duty having proved an utter failure. For some months past the average quantity that has monthly paid duty has been less than half a million gallons, or at the rate of six millions of gallons per year, while the entire annual product, by the census of 1860, exceeded ninety-two millions of gallons, and, at the customary rate of increase, would have amounted to one hundred and twenty millions of gallons, or ten millions a month, in place of half a million in 1866. It has been ascertained that in 1860 more than half the annual production was consumed in the arts. As alcohol it was used for ether, spirit-lamps, camphene, and burning-fluid; by apothecaries for tinctures and medicinal preparations; by hair-dressers for lotions; and it was also consumed in many manufactures. The duty has carried alcohol to five dollars per gallon, and nearly stopped its use in the arts, while it has not stopped the use of spirits as a beverage. It has drawn a revenue from the pockets of the people, and transferred it from the government to the illicit trader. While the duty ranged from twenty to sixty cents per gallon, the amount assessed was from six to seven million gallons per month; but the returns nearly ceased with the advance of duty two years since. Efforts have been made to sustain the present duty by reference to the practice of Great Britain, where a duty of $2.40 is imposed upon the imperial gallon; but the imperial gallon is more than twenty per cent larger than the wine gallon of America. The average prime cost of good spirits there being sixty cents a gallon, while it has been but twenty cents in the West, the percentage of the British duty is but 400 per cent, while the duty of the United States is 1000 per cent, or a rate 150 per cent above the rate abroad. Great Britain, in her compact territory, has employed 7,200 men in the preventive service, and 66 cruisers to check the evasions of her duties on spirits and tobacco; and it is estimated by good judges that a large part of the spirits, and more than half the tobacco, consumed in England escape the duty. Several thousand seizures are made annually, and it has been testified before Parliament that not one evasion in sixteen is detected. If this be so in Great Britain, it is not surprising that the government has failed, in this country, with its sparse population, to collect a duty of 1000 per cent, or that the experiment has cost the nation more than fifty millions. Such excessive duties may well be styled over-taxation, and tend to demoralize and corrupt our revenue officers, to encourage fraud, and to enrich illicit traders. The Commission believe that the reduction of the duty will restore alcohol to the arts, diminish fraud, and give us a revenue of at least $40,000,000 annually,—a sum nearly equal to the proceeds of the income tax.

INCOME TAX.

The Revenue Commission clearly demonstrate by their Report and table of income, that this tax will not be required to meet our interest and current expenses, and they apparently retain a portion of it as a flank guard for their other items of revenue; but it is obvious from their very guarded Report that this flank guard may be dispensed with. The Commissioners very properly suggest that it is better to place this tax upon created wealth and net income than to levy it upon production, and in this all sensible men will concur; but we require at this time no surplus revenue of $81,000,000. Our revenue from foreign duties must exceed their estimate; and if it did not, a sinking fund of $32,000,000 is ample for a debt of $2,700,000,000, $400,000,000 of which draws no interest, and the residue of which we may well presume will soon be permanently funded at reduced interest. The income tax in Great Britain is but 1-2/3 per cent, and it is wise to reduce our own tax on the surplus incomes of the rich from ten to five per cent; but the suggestion that an income tax should be imposed on rents exceeding $300 is in conflict with the Commissioners' suggestion, at page 60 of their Report: "The general government has taken to itself nearly every source of revenue, except the single one of real estate, which had been before burdened with large expenditures for schools, roads, and other things with which the local governments stand charged," and "cases can be cited in which taxation upon real estate even now falls little short of confiscation. Justice and wise policy, therefore, would seem to demand that the national government should not now adopt any measures calculated to maintain or increase these burdens, but, on the contrary, do all in its power to diminish them."

Let the nation follow this judicious advice, and dispose of the additional charge on real estate by repealing the income tax, which we cease to require, or reducing it to a tax of three or four per cent upon dividends and coupons, which will yield at least ten millions. This will furnish a sufficient rear-guard for the corps which the Commission has marshalled.

To use another happy expression in the very able Report of the Commission,—"Freedom from multitudinous taxes, espionage, and vexations; freedom from needless official inquisitions and intrusions; freedom from the hourly provocations of each individual in the nation to concealments, evasions, and falsehoods; freedom for industry, circulation, and competition,—everywhere give the nation these conditions, and it will give in return a flowing income."

We indorse the conclusions of the Commission, but would carry them to their legitimate results,—the repeal of the inquisitorial tax on incomes.

One of the Commissioners, Mr. J. S. Hayes, in a special report upon the subject, proposes to draw some part of the revenue from the national bonds. Those which are now reached by the income tax when the holders are residents here should be reached hereafter by an impost on dividends and coupons, according to Mr. Hayes's idea. He urges that these bonds were issued when the currency was depreciated to 73 per cent, or 27 per cent below par; but it was the government paper that depreciated it, and the loyal men who subscribed for the national bonds in many instances used funds drawn from mortgages upon which they had advanced in gold the money they invested. Great Britain realized only 63 per cent or less in depreciated currency from her three-per-cents, but redeems them at par, or buys them in open market. There may be instances in which individuals evade local taxes by such investments, but even this tends to popularize the loans and reduce interest; and it may well be asked whether it would not be wiser for the nation to make the loan popular, treating it as sacred, and thus save twenty or thirty millions in interest annually by reducing interest one per cent, than to attempt to save two thirds that amount by taxes, which would inspire lenders with distrust, injure the credit of the nation, and weaken its resources in a future exigency.

TAXES ON GROSS RECEIPTS.

The Commission, while they condemn charges on transportation, continue for the present nine millions in taxes on the gross receipts of steamers, ships, and railways, which it would be wise to relinquish at the earliest moment. The railways to earn one dollar must charge two, which doubles these taxes to the public, and adds to the cost of delivering each ton of coal and each bushel of grain at the seaports, so that our internal commerce now presents the strange anomaly of Indian corn selling at one dollar per bushel in Boston, and at thirty-six cents in Chicago, or less than the price in gold before the Insurrection. Such charges are an incubus on trade, and may wisely be abandoned.

PROVINCIAL COMMERCE.

For the past ten years the Central and Eastern States have drawn large supplies of breadstuffs, animals, lumber, and other materials for our manufactures, from the Provinces; and under the Treaty of Reciprocity our fisheries have grown vastly in importance. The whole amount of this commerce, including the outfits and returns of the fishermen, is close upon $100,000,000, and the tonnage of arrivals and departures exceeds 7,000,000 tons. Under the Treaty we have imported Canadian and Morgan horses, oats for their support, barley of superior quality for our ale, lustre-wool for our alpacas, and boards and clapboards for our houses and for the fences and corn-cribs of our Western prairies. Indeed, the facilities for communicating with the Provinces are so great, that for some years past we have imported potatoes, coal, gypsum, and building stone to supply the wants of New York and New England. Is it wise, then, to cripple this growing trade by placing a duty of fifty per cent on the spruce and pine we require for the new houses whose construction the war has delayed, and by denying to Maine and Massachusetts the privilege of sending their pine down the Aroostook and St. John, as those who own townships on the waters of the Penobscot propose?

When Mr. Sumner moved the repeal of the Treaty, it was upon the ground that it prevented us from levying a tax on lumber. The Ministers of Canada have at once conceded this, and agree that internal duties may be levied on all they send to us, and thus meet in advance the position of Mr. Sumner. They have shown a desire to revive the Treaty, and to cherish the great commerce between contiguous states. Mr. Derby reports to the State Department that they will extend the free list, and include our manufactures; that they will discourage illicit trade, and repeal all discriminating tolls and duties. The position taken by the Ministers of Canada is eminently wise and judicious. While we may not concede all the privileges they ask, is it our policy to decline to negotiate,—to shut out the materials we require and can command at low rates? Is it wise to propose, as a committee of Congress has done, to reduce a free commerce of seven millions of tons to a traffic in plaster and millstones, and thus jeopard our fisheries and stimulate smuggling? The Canadian Ministers, who visited Washington on business connected with the Treaty, were kindly received by our Executive. They placed the Provinces on the true ground by their proffered concessions and offers to negotiate, and can stand at home upon the ground they took, while their course in retiring after the rebuff they received from the committee was dignified and judicious. When Congress has disposed of reconstruction, and found leisure to attend to revenue and finance; when it sees that we need new materials for our rising manufactures, and require access both by the east and the west to the exhaustless pine forests of Canada,[G] to provincial oats and barley, purchasable at rates lower than those at which the West can afford to send them, and to coal on coasts which Nature designed for the supply of the gas-works and steamers of New England; when it finds proclamations issued excluding our fishermen from the waters to which the mackerel resort,—then Congress at last will doubtless be willing to resume negotiations, and to give to us coal, wood, butter, grain, fish, lumber, and horses at reasonable prices.

Eliminating from the summary of the Commission the items which are condemned by their Report, we have the following result:—

REVENUE LIST OF COMMISSIONERS, EXCLUDING TAXES ON INCOME AND TRANSPORTATION.

Customs, | $130,000,000
Excise on Spirits, Tobacco, Malt Liquors Cotton, Refined Oil, Spirits of Turpentine, and Rosin, | 108,000,000
Licenses, | 15,000,000
Salaries, | 2,000,000
Banks, | 15,000,000
Stamps, | 20,000,000
Sales, Legacies, &c., | 7,000,000
Add Tax on Dividend and Coupons, | 10,000,000
Miscellaneous, | 21,000,000
| —————
Total | $328,000,000
Amount deemed necessary by the Secretary of the Treasury to meet Interest and Expenses of Government annually, | 284,000,000
| —————
Surplus, | $44,000,000

We thus deduce from the estimate of the Secretary and the conclusions to which we are led by the Commission a surplus revenue or sinking fund of $44,000,000, and this, too, after discontinuing all taxes on production, income, and transportation, and liberating industry from the trammels imposed by war. In addition, we may expect from cotton, whenever the crop exceeds two millions of bales, a further revenue from the five-cent tax, while the income from customs, which we rate at $130,000,000, has actually been increased since June, 1865, to the amount of $58,000,000 more.

These results, achieved by the country while emerging from the smoke of the battle-field, and disbanding its troops and placing army and navy on a peace footing, are in the highest degree reassuring. What is there, then, to prevent the nation's prompt return to specie?

Our chief bankers estimate their annual remittances to American citizens for foreign travel and residence abroad at less than five millions yearly. Our exports again exceed our imports, and foreign exchange is at 7-1/4 in gold, or two per cent below par. An emigration, chiefly from Germany, greatly in excess of any former year is predicted. It has been well ascertained that each emigrant brings, on the average, seventy dollars in funds to this country, and these funds alone will suffice to meet our interest abroad. What period could be more auspicious for a gradual return, say in six months, to specie? Of course there would be some decline in merchandise, but the loss would fall on declining stocks, often sold in advance, and would not reach stocks in bond, the price of which is to be paid in specie. The improvident might suffer a little; but when the first shock was past, would not a strong impulse be given to industry? Would not enterprise be at once directed to the erection of the houses, factories, ships, steamers, locomotives, and railways which our growth demands? Would not the community immediately seek to renew their wardrobes and furniture, now worn out or exhausted by the war? Our mutual friend Mr. Smith might then meet his friend the coal-merchant with a smile, and cheer himself with his open fireplace, putting away his stifling but economic stove; he might postpone his retirement from the three-story brick to the wooden two-story in the suburbs, eat his roast beef again on Sunday, and regale himself with black coffee after dinner, without a thought of the slow but sagacious Dutchman, who is transferring at his expense a national debt of $800,000,000 from the sea-girt dikes of little Holland to the populous and fertile isles and spice groves and coffee plantations of Sumatra and Java.

FOOTNOTES:

[F] Report of the United States Revenue Commission to the Secretary of the Treasury, January 29th, 1866.

[G] The annual product of lumber in Maine is rated at 1,100,000,000 feet, worth $20,000,000. By the census of 1860, the lumber produced by all the States was valued at $95,000,000. The consumption was at least $100,000,000, or five times the amount furnished by Maine. Canada has 287,000 square miles of pine forest on the waters of the St. Lawrence.

MEPHISTOPHELEAN.

You have been, I presume, Madam, among the crowds of young and old, to the musical revival of the great wonder-work of the last century. You have heard the Frenchman's musical expression of the German poet's thought, uttered by the motley assemblage of nationalities which constitutes an opera troupe in these latter days. You have seen the learned Dr. Faustus's wig and gown whisked off behind his easy chair, and the rejuvenated Doctor emerge from his antiquated apparel as fresh and sprightly as Harlequin himself, to make love in Do-di-pettos. You have seen the blonde young Gretchen, beauteous and pure at her spinning-wheel, gay and frolicsome before that box looking-glass and that kitchen table,—have heard her tender vows of affection and her passionate outbursts of despair. You have heard the timid Siebel warble out his adolescent longings for the gentle maid in the very scantiest of tunics, as becomes the fair proportions of the stage girl-boy. You have seen the respectable old Martha faint at the news of her husband's death, and forthwith engage in a desperate flirtation with the gentleman who brings the news. You have seen the gallant Valentin lead off the march of that band of stalwart warriors, who seem to have somehow lost the correct step in their weary campaigns. Your memory, even now, has a somewhat confused impression of Frederici, moonlight, Mazzoleni, Kermesse, Sulzer, gardens, Kellogg, churches, Himmer, flaming goblets, Stockton, and an angelic host with well-rounded calves in pink tights, radiant in the red light that, from some hidden regions, illuminates the aforesaid scantily clad angels, as they hang, like Mahomet's coffin, 'twixt heaven and earth.

But I question, Madam, whether the strongest impression which your memory retains be not exactly the one personage in the drama whom I have omitted to mention,—the red-legged, gleaming-eyed, loud-voiced gentleman who pulls the hidden wires which set all the other puppets in motion,—Mr. Mephistopheles himself. Marguerite, studied, refined, unimpassioned in the pretty Yankee girl,—simple, warm, outpouring in the sympathetic German woman,—and Faust, gallant, ardent, winning in the bright-eyed Italian,—thoughtful, tender, fervent in the intelligent German,—are background figures in the picture your memory paints; while the ubiquitous, sneering, specious, cunning, tempting, leering, unholy Mephistopheles is a character of himself, in the foreground, whose special interpreter you do not care to distinguish.

Ring down the curtain. Put out the lights. We will leave the mimic scene, and return to the broad stage of life, whereon all are actors and all are audience. There are Gretchens and Fausts everywhere,—American, English, French, German, Italian,—of all nations and tongues,—but there is only one Mephistopheles. They have lived and loved and fallen and died. But he, indestructible, lives on to flash fire in the cups of beings yet unborn, and lurk with unholy intent in hearts which have not yet learned to beat. There is only one Mephistopheles; but he is protean in shape. The little gentleman in black, the hero of so many strange stories, is but the Teutonic incarnation of a spirit which takes many forms in many lands. Out of the brain of the great German poet he steps, in a guise which is known and recognized wherever the story of love and betrayal finds an echo in human hearts. Poor Gretchen! She had heard of Satan, and had been rocked to sleep by tales of the Loreley, and knew from her Bible that there was an evil spirit in the world seeking whom he might devour. But little did she dream, when she stopped her spinning-wheel to think for a moment of the gallant young lover who wooed her so ardently, that the glance of his eye was lighted with the flame of eternal fire, and that the fond words of love he spoke were hot breathings from the regions of the accursed. Poor Gretchen!

But, my dear Madam, this is all a fable. Mephistopheles—the real, vital, moving Mephistopheles—has outlived Goethe, and will outlast the very memory of the unhappy heroine of his noble poem. He walks the streets to-day as fresh and persuasive as when, in ophidian form, he haunted that lovely garden which is said to have once stood near the banks of the Euphrates, and there beguiled the mother of mankind. Your friend Asmodeus—albeit not the quondam friend of that name for whose especial amusement he unroofed so many houses in the last century, when he was suffering from severe lameness—has a discerning eye to pierce his many disguises. He does not walk our streets now-a-days in red tights or with tinsel eyes; he does not limp about with a sardonic laugh; nor could you see the cloven hoof which is said to betray his identity. Were such the case, the little street-boys would point him out, and the daily papers, with which his friend Dr. Faustus had so much to do in their origin, would record his movements with greater eagerness than they do the comings and goings of generals and governors. No, my dear Madam, he assumes no such striking costumes. But he brushes by you in your daily walks, he sits beside you in the car, the theatre, and even in the church, in respectable, fashionable attire. Frank dickers with him in his counting-room, Tommy chases him in the play-ground, Mrs. Asmodeus makes him a fashionable call, and—God help us all!—we sometimes find him sitting domiciliated at our hearthstones. He changes like the wizard we used to read of in our wonderful fairy books, who was an ogre one moment and a mouse the next. He is more potent than the philosopher's stone; for that changed everything into gold only, while he becomes, at will, all the ores and alloys of creation. Fortunatus's wishing-cap and Prince Hussein's tapestry were baby toys to him. They whisked their owners away to the place where they wished, at the moment, to be. He is ubiquitous.

He lurks under the liberty-cap of the goddess whose features are stamped in the shining gold, and his laugh is the clink of the jingling pieces. He turns himself into a regal sceptre that sways the gaping crowd, and it becomes a magnet that draws with resistless power the outstretched, itching palms of men. He takes the witching form of woman, paints her pulpy cheek with peachy bloom, knots into grace her mass of wavy hair, lights in her sparkling eye the kindling flame, hangs on her pouting lip the expectant kiss, and bids her supple waist invite caress; and more seductive far than gold or power are these cunning lures to win men to bow down in abject, grovelling worship of his might. My dear Madam, I would not imply that your beauty and grace are exhibitions of his skill. By no manner of means! I faithfully believe that Frank was drawn to you by the holiest, purest, best of emotions. But then, you know, so many of your lovely sex are under the influence of that cunning gentleman while they least suspect it. When a poor girl who owns but one jewel on earth—the priceless one that adorns and ennobles her lowliness—barters that treasure away for the cheap glitter of polished stones or the rustling sweep of gaudy silk, is not the basilisk gleam of the Mephistophelean eye visible in the sparkling of those gewgaws and the sheen of that stuff? When your friend Asmodeus, honest in his modest self-respect, is most ignominiously ignored by the stylish Mrs. Money,—her father was a cobbler,—more noted for brocades than brains,—or the refined Miss Blood,—her grandfather was third-cousin to some Revolutionary major,—more distinguished for shallowness than for spirit,—does he not smile in his sleeve, with great irreverence for the brocades and the birth, at the easy way in which the old fellow has wheedled them into his power by tickling their conceit and vanity? He creeps into all sorts of corners, and lurks in the smallest of hiding-places. He lies perdu in the folds of figurante's gauze, nestles under the devotee's sombre veil, waves in the flirt's fan, and swims in the gossip's teacup. He burrows in a dimple, floats on a sigh, rides on a glance, and hovers in a thought.

But I would not infer, Madam, that he is the particular pet of the fair, or that he specially devotes himself to their subjugation. It is certain that he employs them with his most cunning skill, and sways the world most powerfully by their regnant charms. But the lords of creation are likewise the slaves of his will and the dupes of his deception. He bestrides the nib of the statesman's pen and guides it into falsehood and treason. He perches on the cardinal's hat and counsels bigotry and oppression. He sits on the tradesman's counter and bears down the unweighted scale. He hides in the lawyer's bag and makes specious pleas for adroit rogues. He slips into the gambler's greasy pack and rolls over his yellow dice. He dances on the bubbles of the drunkard's glass, swings on the knot of the planter's lash, and darts on the point of the assassin's knife. He revels in a coarse oath, laughs in a perjured vow, and breathes in a lie. He has kept celebrated company in times gone by. He was Superintendent of the Coliseum when the Christian martyrs were given to the wild beasts. He was long time a familiar in the Spanish Inquisition, and adviser of the Catholic priesthood in those days, and Governor of the Bastile afterwards. He was the king's minister of pleasure in the days of the latter Louises. He was court chaplain when Ridley and Latimer were burned. He was Charles IX.'s private secretary at the time of the St. Bartholomew affair, and Robespierre's right-hand man in the days of Terror. He was Benedict Arnold's counsellor, Jefferson Davis's bedfellow, and John Wilkes Booth's bosom friend.

A personage, and yet none ever saw him. His cloven hoof, his twisted horns, his suit of black, his gleaming eyes, his limbs of flame, are but the poet's dream, the painter's color. Mephistopheles is but the creature of our fancy, and exists but in the fears, the passions, the desires of mankind. He is born in hearts where love is linked with license, in minds where pride weds with folly, in souls where piety unites with intolerance. We never meet the roaring lion in our path; yet our hearts are torn by his fangs and lacerated by his claws. We never see the sardonic cavalier; yet we hear his specious whisperings in our ears. The sunlight of truth shines forever upon us; yet we sit in the cold shadow of error. We put the cup of pleasure to our lips, and quaff, instead of cooling draughts, the fiery flashes of searing excess. We long for forbidden delights, and when the fiend Opportunity places them within our reach, we sign the compact of our misery to obtain them. The charmed circle this unholy spirit draws around his fatal power is traced along the devious line that marks our weakness and our ignorance. Storm as we may, he stands intrenched within our souls, defying all our wrath. But he shrinks and crouches before us when, bold and fearless, we lift the cross of truth, and bid him fly the upborne might of our intelligence. Mephistopheles is an unholy spirit, nestling in the hearts of myriads of poor human beings who never heard of Goethe. Long after the mimic scene in which he shares shall have been forgot,—long after the sirens who have warbled poor Gretchen's joys and sorrows shall have mouldered in their graves,—long after the witching beauty of the Frenchman's harmony shall have been forever hushed,—long after the very language in which the German poet portrayed him shall have passed into oblivion,—will Mephistopheles carry his diabolisms into the souls of human kind, and hold there his mystic reign. Yet there are those, and you find Asmodeus is one, who dream of a day when the Mephistophelean dynasty is to be overthrown,—when the sappers and miners of the great army of human progress are to besiege him in his strong-holds, and to lead him captive in eternal bondage. Of all the guides who lead that mighty host, none rank above the Faust of whom tradition tells such wondrous tales. Not the bewigged and motley personage Gounod has sung, not the impassioned lover Goethe drew, but the great genius who first taught mankind to stamp its wisdom in imperishable characters, and to bequeath it unto races yet to rise. The Faust of history shall long outlive the Faust of wild romance. The victim in the transient poem shall be a conqueror in the unwritten chronicles of time.

My dear Madam, let us draw around us a charmed circle; not with the trenchant point of murderous steel, but with the type that Faust gave to the world. Within its bounds, intelligence and thought shall guard us safe from Mephistopheles. Come he in whatever guise he may, its subtile potency shall, like Ithuriel's spear, compel him to display his real form in all its native ugliness and dread. And we must pass away; yet may we leave behind, secure in the defence we thus may raise, the dear ones that we love, to be the parents of an angel race that, in the distant days to come, shall tread the sod above our long-forgotten dust.

MR. HOSEA BIGLOW'S SPEECH IN MARCH MEETING.

Jaalam, April 5, 1866.

My dear Sir,—

(an' noticin' by your kiver thet you're some dearer than wut you wuz, I enclose the diffrence) I dunno ez I know jest how to interdroce this las' perduction of my mews, ez Parson Willber allus called 'em, which is goin' to be the last an' stay the last onless sunthin' pertikler sh'd interfear which I don't expec' ner I wun't yield tu ef it wuz ez pressin' ez a deppity Shiriff. Sence M^r Wilbur's disease I hevn't hed no one thet could dror out my talons. He ust to kind o' wine me up an' set the penderlum agoin' an' then somehow I seemed to go on tick as it wear tell I run down, but the noo minister ain't of the same brewin' nor I can't seem to git ahold of no kine of huming nater in him but sort of slide rite off as you du on the eedge of a mow. Minnysteeril natur is wal enough an' a site better'n most other kines I know on, but the other sort sech as Welbor hed wuz of the Lord's makin' an' naterally more wonderfle an' sweet tastin' leastways to me so fur as heerd from. He used to interdooce 'em smooth ez ile athout sayin' nothin' in pertickler an' I misdoubt he didn't set so much by the sec'nd Ceres as wut he done by the Fust, fact, he let on onct thet his mine misgive him of a sort of fallin' off in spots. He wuz as outspoken as a norwester he wuz, but I tole him I hoped the fall wuz from so high up thet a feller could ketch a good many times fust afore comin' bunt onto the ground as I see Jethro C. Swett from the meetin' house steeple up to th' old perrish, an' took up for dead but he 's alive now an' spry as wut you be. Turnin' of it over I recclected how they ust to put wut they called Argymunce onto the frunts of poymns, like poorches afore housen whare you could rest ye a spell whilst you wuz concludin' whether you'd go in or nut espeshully ware tha wuz darters, though I most allus found it the best plen to go in fust an' think afterwards an' the gals likes it best tu. I dno as speechis ever hez any argimunts to 'em, I never see none thet hed an' I guess they never du but tha must allus be a B'ginnin' to everythin' athout it is Etarnity so I'll begin rite away an' any body may put it afore any of his speeches ef it soots an' welcome. I don't claim no paytent.

THE ARGYMUNT.

Interducshin, w'ich may be skipt. Begins by talkin' about himself: thet 's jest natur an'

most gin'ally allus pleasin', I b'leeve I 've notist, to one of the cumpany, an' thet 's more than wut you can say of most speshes of talkin'. Nex' comes the gittin' the goodwill of the orjunce by lettin' 'em gether from wut you kind of ex'dentally let drop thet they air about East, A one, an' no mistaik, skare 'em up an' take 'em as they rise. Spring interdooced with a fiew approput flours. Speach finally begins witch nobuddy need n't feel obolygated to read as I never read 'em an' never shell this one ag'in. Subjick staited; expanded; delayted; extended. Pump lively. Subjick staited ag'in so 's to avide all mistaiks. Ginnle remarks; continooed; kerried on; pushed furder; kind o' gin out. Subjick restaited; dielooted; stirred up permiscoous. Pump ag'in. Gits back to where he sot out. Can't seem to stay thair. Ketches into Mr. Seaward's hair. Breaks loose ag'in an' staits his subjick; stretches it; turns it; folds it; onfolds it; folds it ag'in so 's 't no one can't find it. Argoos with an imedginary bean thet ain't aloud to say nothin' in repleye. Gives him a real good dressin' an' is settysfide he 's rite. Gits into Johnson's hair. No use tryin' to git into his head. Gives it up. Hez to stait his subjick ag'in; doos it back'ards, sideways, eendways, criss-cross, bevellin', noways. Gits finally red on it. Concloods. Concloods more. Reads sum xtrax. Sees his subjick a-nosin' round arter him ag'in. Tries to avide it. Wun't du. Misstates it. Can't conjectur' no other plawsable way of staytin' on it. Tries pump. No fx. Yeels the flore.

You kin spall an' punctooate thet as you please. I allus do, it kind of puts a noo soot of close onto a word, thisere funattick spellin' doos an' takes 'em out of the prissen dress they wair in the Dixonary. Ef I squeeze the cents out of 'em it's the main thing, an' wut they wuz made for; wut 's left 's jest pummis.

Mistur Wilbur sez he to me onct, sez he, "Hosee," sez he, "in litterytoor the only good thing is Natur. It 's amazin' hard to come at," sez he, "but onct git it an' you 've gut everythin'. Wut's the sweetest small on airth?" sez he. "Noomone hay," sez I, pooty bresk, for he wuz allus hankerin' round in hayin'. "Nawthin' of the kine," sez he. "My leetle Huldy's breath," sez I ag'in. "You 're a good lad," sez he, his eyes sort of ripplin' like, for he lost a babe onct nigh about her age,—"You 're a good lad; but 't ain't thet nuther," sez he. "Ef you want to know," sez he, "open your winder of a mornin' et ary season, and you 'll larn thet the best of perfooms is jest fresh air, fresh air," sez he, emphysizin', "athout no mixtur. Thet 's wut I call natur in writin', and it bathes my lungs and washes 'em sweet whenever I git a whiff on 't," sez he. I offen think o' thet when I set down to write, but the winders air so ept to git stuck, and breakin' a pane costs sunthin'.

Yourn for the last time,

Nut to be continooed,

Hosea Biglow.

I don't much s'pose, hows'ever I should plen it,
I could git boosted into th' House or Sennit,—
Nut while the twolegged gab-machine 's so plenty,
'Nablin' one man to du the talk o' twenty;
I 'm one o' them thet finds it ruther hard
To mannyfactur' wisdom by the yard,
An' maysure off, acordin' to demand,
The piece-goods el'kence that I keep on hand,
The same ole pattern runnin' thru an' thru,
An' nothin' but the customer thet 's new.
I sometimes think, the furder on I go,
Thet it gits harder to feel sure I know,
An' when I 've settled my idees, I find
'T war n't I sheered most in makin' up my mind;
'T wuz this an' thet an' t' other thing thet done it,
Sunthin' in th' air, I could n' seek nor shun it.
Mos' folks go off so quick now in discussion,
All th' ole flint locks seems altered to percussion,
Whilst I in agin' sometimes git a hint
Thet I 'm percussion changin' back to flint;
Wal, ef it's so, I ain't agoin' to werrit,
For th' ole Oueen's-arm hez this pertickler merit,—
It gives the mind a hahnsome wedth o' margin
To kin' o' make its will afore dischargin':
I can't make out but jest one ginnle rule,—
No man need go an' make himself a fool,
Nor jedgment ain't like mutton, thet can't bear
Cookin' tu long, nor be took up tu rare.

Ez I wuz say'n', I ha'n't no chance to speak
So 's 't all the country dreads me onct a week,
But I 've consid'ble o' thet sort o' head
Thet sets to home an' thinks wut might be said,
The sense thet grows an' werrits underneath,
Comin' belated like your wisdom-teeth,
An' git so el'kent, sometimes, to my gardin
Thet I don' vally public life a fardin'.
Our Parson Wilbur (blessin's on his head!)
'Mongst other stories of ole times he hed,
Talked of a feller thet rehearsed his spreads
Beforehan' to his rows o' kebbige-heads,
(Ef 'twarn't Demossenes, I guess 'twuz Sisro,)
Appealin' fust to thet an' then to this row,
Accordin' ez he thought thet his idees
Their diff'runt ev'riges o' brains 'ould please;
"An'," sez the Parson, "to hit right, you must
Git used to maysurin' your hearers fust;
For, take my word for 't when all 's come an' past,
The kebbige-heads 'll cair the day et last;
Th' ain't ben a meetin' sense the worl' begun
But they made (raw or biled ones) ten to one."

I 've allus foun' 'em, I allow, sence then
About ez good for talkin' to ez men;
They 'll take edvice, like other folks, to keep,
(To use it 'ould be holdin' on 't tu cheap,)
They listen wal, don' kick up when you scold 'em,
An' ef they 've tongues, hev sense enough to hold 'em;
Though th' ain't no denger we shall loose the breed,
I gin'lly keep a score or so for seed,
An' when my sappiness gits spry in spring
So 's 't my tongue itches to run on full swing,
I fin' 'em ready-planted in March-meetin',
Warm ez a lyceum-audience in their greetin',
An' pleased to hear my spoutin' frum the fence,—
Comin', ez 't doos, entirely free 'f expense.
This year I made the follerin' observations
Extrump'ry, like most other tri'ls o' patience,
An', no reporters bein' sent express
To work their abstrac's up into a mess
Ez like th' oridg'nal ez a woodcut pictur'
Thet chokes the life out like a boy-constrictor,
I've writ 'em out, an' so avide all jeal'sies
'Twixt nonsense o' my own an' some one's else's.

My feller kebbige-heads, who look so green,
I vow to gracious thet ef I could dreen
The world of all its hearers but jest you,
'T would leave 'bout all tha' is wuth talkin' to,
An' you, my venerable frien's, thet show
Upon your crowns a sprinklin' o' March snow,
Ez ef mild Time had christened every sense
For wisdom's church o' second innocence,
Nut Age's winter, no, no sech a thing,
But jest a kin' o' slippin'-back o' spring,—
We 've gathered here, ez ushle, to decide
Which is the Lord's an' which is Satan's side,
Coz all the good or evil thet can heppen
Is 'long o' which on 'em you choose for Cappen.

Aprul 's come back; the swellin' buds of oak
Dim the fur hillsides with a purplish smoke;
The brooks are loose an', singing to be seen,
(Like gals,) make all the hollers soft an' green;
The birds are here, for all the season 's late;
They take the sun's height an' don' never wait;
Soon 'z he officially declares it 's spring
Their light hearts lift 'em on a north'ard wing,
An' th'ain't an acre, fur ez you can hear,
Can't by the music tell the time o' year;
But thet white dove Carliny scared away,
Five year ago, jes' sech an Aprul day;
Peace, that we hoped 'ould come an' build last year
An' coo by every housedoor, is n't here,—
No, nor won't never be, for all our jaw,
Till we 're ez brave in pol'tics ez in war!
O Lord, ef folks wuz made so 's 't they could see
The bagnet-pint there is to an idee!
Ten times the danger in 'em th' is in steel;
They run your soul thru an' you never feel,
But crawl about an' seem to think you 're livin',
Poor shells o' men, nut wuth the Lord's forgivin',
Till you come bunt agin a real live fact,
An' go to pieces when you 'd ough' to act!
Thet kin' o' begnet 's wut we 're crossin' now,
An' no man, fit to nevvigate a scow,
'Ould stan' expectin' help from Kingdom Come
While t' other side druv their cold iron home.

My frien's, you never gethered from my mouth,
No, nut one word ag'in the South ez South,
Nor th' ain't a livin' man, white, brown, nor black,
Gladder 'n wut I should be to take 'em back;
But all I ask of Uncle Sam is fust
To write up on his door, "No goods on trust";
Give us cash down in ekle laws for all,
An' they 'll be snug inside afore nex' fall.
Give wut they ask, an' we shell hev Jamaker,
Wuth minus some consid'able an acre;
Give wut they need, an' we shell git 'fore long
A nation all one piece, rich, peacefle, strong;
Make 'em Amerikin, an' they'll begin
To love their country ez they loved their sin;
Let 'em stay Southun, an' you 've kep' a sore
Ready to fester ez it done afore.
No mortle man can boast of perfic' vision,
But the one moleblin' thing is Indecision,
An' th' ain't no futur' for the man nor state
Thet out of j-u-s-t can't spell great.
Some folks 'ould call thet reddikle; do you?
'T wuz commonsense afore the war wuz thru;
Thet loaded all our guns an' made 'em speak
So 's 't Europe heared 'em clearn acrost the creek;
"They 're drivin' o' their spiles down now," sez she,
To the hard grennit o' God's fust idee;
"Ef they reach thet, Democ'cy need n't fear
The tallest airthquakes we can git up here."

Some call 't insultin' to ask ary pledge,
An' say 't will only set their teeth on edge,
But folks you 've jest licked, fur 'z I ever see,
Are 'bout ez mad ez they know how to be;
It 's better than the Rebs themselves expected
'Fore they see Uncle Sam wilt down henpected;
Be kind 'z you please, but fustly make things fast,
For plain Truth 's all the kindness thet 'll last;
Ef treason is a crime, ez some folks say,
How could we punish it a milder way
Than sayin' to 'em, "Brethren, lookee here,
We 'll jes' divide things with ye, sheer an' sheer,
An' sence both come o' pooty strongbacked daddies,
You take the Darkies, ez we 've took the Paddies;
Ign'ant an' poor we took 'em by the hand,
An' the 're the bones an' sinners o' the land."
I ain't o' those thet fancy there 's a loss on
Every inves'ment thet don't start from Bos'on;
But I know this: our money 's safest trusted
In sunthin', come wut will, thet can't be busted,
An' thet 's the old Amerikin idee,
To make a man a Man an' let him be.

Ez for their l'yalty, don't take a goad to 't,
But I do' want to block their only road to 't
By lettin' 'em believe thet they can git
More 'n wut they lost, out of our little wit:
I tell ye wut, I 'm 'fraid we 'll drif' to leeward
'Thout we can put more stiffenin' into Seward;
He seems to think Columby 'd better act
Like a scared widder with a boy stiff-necked
Thet stomps an' swears he wun't come in to supper;
She mus' set up for him, ez weak ez Tupper,
Keepin' the Constitootion on to warm,
Till he 'll accept her 'pologies in form:
The neighbors tell her he 's a cross-grained cuss
Thet needs a hidin' 'fore he comes to wus;
"No," sez Ma Seward, "he 's ez good 'z the best,
All he wants now is sugar-plums an' rest";
"He sarsed my Pa," sez one; "He stoned my son,"
Another edds. "O, wal, 't wuz jest his fun."
"He tried to shoot our Uncle Samwell dead."
"'T wuz only tryin' a noo gun he hed."
"Wal, all we ask 's to hev it understood
You'll take his gun away from him for good;
We don't, wal, nut exac'ly, like his play,
Seein' he allus kin' o' shoots our way.
You kill your fatted calves to no good eend,
'Thout his fust sayin', 'Mother, I hev' sinned!'"

The Pres'dunt he thinks thet the slickest plan
'Ould be t' allow thet he 's our only man,
An' thet we fit thru all thet dreffle war
Jes' for his private glory an' eclor;
"Nobody ain't a Union man," sez he,
"'Thout he agrees, thru thick an' thin, with me;
War n't Andrew Jackson's 'nitials jes' like mine?
An' ain't thet sunthin' like a right divine
To cut up ez kentenkerous ez I please,
An' treat your Congress like a nest o' fleas?"
Wal, I expec' the People would n' care, if
The question now wuz techin' bank or tariff,
But I conclude they 've 'bout made up their mind
This ain't the fittest time to go it blind,
Nor these ain't metters thet with pol'tics swings,
But goes 'way down amongst the roots o' things;
Coz Sumner talked o' whitewashin' one day
They wun't let four years' war be throwed away.
"Let the South hev her rights?" They say, "Thet's you!
But nut greb hold of other folks's tu."
Who owns this country, is it they or Andy?
Leastways it ough' to be the People and he;
Let him be senior pardner, ef he 's so,
But let them kin' o' smuggle in ez Co;
Did he diskiver it? Consid'ble numbers
Think thet the job wuz taken by Columbus.
Did he set tu an' make it wut it is?
Ef so, I guess the One-Man-power hez riz.
Did he put thru' the rebbles, clear the docket,
An' pay th' expenses out of his own pocket?
Ef thet 's the case, then everythin' I exes
Is t' hev him come an' pay my ennooal texes.
Was 't he thet shou'dered all them million guns?
Did he lose all the fathers, brothers, sons?
Is this ere pop'lar gov'ment thet we run
A kin' o' sulky, made to kerry one?
An' is the country goin' to knuckle down
To hev Smith sort their letters 'stid o' Brown?
Who wuz the 'Nited States 'fore Richmon' fell?
Wuz the South needfle their full name to spell?
An' can't we spell it in thet short-han' way
Till th' underpinnin' 's settled so 's to stay?
Who cares for the Resolves of '61,
Thet tried to coax an airthquake with a bun?
Hez act'ly nothin' taken place sence then
To l'arn folks they must hendle facts like men?
Ain't this the true p'int? Did the Rebs accep' 'em?
Ef nut, whose fault is 't thet we hev n't kep' 'em?
War n't there two sides? an' don't it stend to reason
Thet this week's 'Nited States ain't las' week's treason?
When all these sums is done, with nothin' missed,
An' nut afore, this school 'll be dismissed.

I knowed ez wal ez though I 'd seen 't with eyes
Thet when the war wuz over copper 'd rise,
An' thet we 'd hev a rile-up in our kettle
'T would need Leviathan's whole skin to settle;
I thought 't would take about a generation
'Fore we could wal begin to be a nation,
But I allow I never did imegine
'T would be our Pres'dunt thet 'ould drive a wedge in
To keep the split from closin' ef it could,
An' healin' over with new wholesome wood;
For th' ain't no chance o' healin' while they think
Thet law an' gov'ment 's only printer's ink;
I mus' confess I thank him for discoverin'
The curus way in which the States are sovereign;
They ain't nut quite enough so to rebel,
But, when they fin' it 's costly to raise h——,
Why, then, for jes' the same superl'tive reason,
They 're most too much so to be tetched for treason;
They can't go out, but ef they somehow du,
Their sovereignty don't noways go out tu;
The State goes out, the sovereignty don't stir,
But stays to keep the door ajar for her.
He thinks secession never took 'em out,
An' mebby he 's correc', but I misdoubt;
Ef they war n't out, then why, 'n the name o' sin,
Make all this row 'bout lettin' of 'em in?
In law, p'r'aps nut; but there 's a diffurence, ruther,
Betwixt your brother-'n-law an' real brother,
An' I, for one, shall wish they 'd all ben som'eres,
Long 'z U. S. Texes are sech reg'lar comers.
But, O my patience! must we wriggle back
Into th' ole crooked, pettyfoggin' track,
When our artil'ry-wheels a road hev cut
Stret to our purpose ef we keep the rut?
War 's jes' dead waste excep' to wipe the slate
Clean for the cyph'rin' of some nobler fate.

Ez for dependin' on their oaths an' thet,
'T wun't bind 'em more 'n the ribbin roun' my het;
I heared a fable once from Othniel Starns,
Thet pints it slick ez weathercocks do barns:
Once on a time the wolves hed certing rights
Inside the fold; they used to sleep there nights,
An', bein' cousins o' the dogs, they took
Their turns et watchin', reg'lar ez a book;
But somehow, when the dogs hed gut asleep,
Their love o' mutton beat their love o' sheep,
Till gradilly the shepherds come to see
Things war n't agoin' ez they 'd ough' to be;
So they sent off a deacon to remonstrate
Along 'th the wolves an' urge 'em to go on straight;
They did n' seem to set much by the deacon,
Nor preachin' did n' cow 'em, nut to speak on;
Fin'ly they swore thet they 'd go out an' stay,
An' hev their fill o' mutton every day:
Then dogs an' shepherds, arter much hard dammin',
Turned tu an' give 'em a tormented lammin',
An' sez, "Ye sha' n't go out, the murrain rot ye,
To keep us wastin' half our time to watch ye!"
But then the question come, How live together
'Thout losin' sleep, nor nary yew nor wether?
Now there wuz some dogs (noways wuth their keep)
Thet sheered their cousins' tastes an' sheered the sheep;
They sez, "Be gin'rous, let 'em swear right in,
An', ef they backslide, let 'em swear ag'in;
Jes' let 'em put on sheep-skins whilst they 're swearin';
To ask for more 'ould be beyond all bearin'."
"Be gin'rous for yourselves, where you 're to pay,
Thet 's the best practice," sez a shepherd gray;
"Ez for their oaths they wun't be wuth a button,
Long 'z you don't cure 'em o' their taste for mutton;
Th' ain't but one solid way, howe'er you puzzle:
Till they 're convarted, let 'em wear a muzzle."

I 've noticed thet each half-baked scheme's abetters
Are in the hebbit o' producin' letters
Writ by all sorts o' never-heared-on fellers,
'Bout ez oridge'nal ez the wind in bellers;
I 've noticed, tu, it 's the quack med'cines gits
(An' needs) the grettest heaps o' stiffykits;
Now, sence I lef' off creepin' on all fours,
I ha' n't ast no man to endorse my course;
It 's full ez cheap to be your own endorser,
An' ef I 've made a cup, I 'll fin' the saucer;
But I 've some letters here from t' other side,
An' them 's the sort thet helps me to decide;
Tell me for wut the copper-comp'nies hanker,
An' I 'll tell you jest where it 's safe to anchor.
Fus'ly the Hon'ble B. O. Sawin writes
Thet for a spell he could n' sleep o' nights,
Puzzlin' which side wuz preudentest to pin to,
Which wuz th' ole homestead, which the temp'ry leanto;
Et fust he jedged 't would right-side-up his pan
To come out ez a 'ridge'nal Union man,
"But now," he sez, "I ain't nut quite so fresh;
The winnin' horse is goin' to be Secesh;
You might, las' spring, hev eas'ly walked the course,
'Fore we contrived to doctor th' Union horse;
Now we 're the ones to walk aroun' the nex' track:
Jest you take hold an' read the follerin' extrac',
Out of a letter I received last week
From an ole frien' thet never sprung a leak,
A Nothun Dem'crat o' th' ole Jarsey blue,
Born coppersheathed an' copperfastened tu."

"These four years past, it hez been tough
To say which side a feller went for;
Guideposts all gone, roads muddy 'n' rough,
An' nothin' duin' wut 't wuz meant for;
Pickets afirin' left an' right,
Both sides a lettin' rip et sight,—
Life war n't wuth hardly payin' rent for.

"Columby gut her back up so,
It war n't no use a tryin' to stop her,—
War's emptin's riled her very dough
An' made it rise an' act improper;
'T wuz full ez much ez I could du
To jes' lay low an' worry thru',
'Thout hevin' to sell out my copper.

"Afore the war your mod'rit men
Could set an' sun 'em on the fences,
Cyph'rin' the chances up, an' then
Jump off which way bes' paid expenses;
Sence, 't wuz so resky ary way,
I did n't hardly darst to say
I 'greed with Paley's Evidences.

"Ask Mac ef tryin' to set the fence
War n't like bein' rid upon a rail on 't,
Headin' your party with a sense
O' bein' tipjint in the tail on 't,
And tryin' to think thet, on the whole,
You kin' o' quasi own your soul
When Belmont's gut a bill o' sale on 't?

"Come peace, I sposed thet folks 'ould like
Their pol'tics done ag'in by proxy,
Give their noo loves the bag an' strike
A fresh trade with their reg'lar doxy;
But the drag 's broke, now slavery 's gone,
An' there 's gret resk they 'll blunder on,
Ef they ain't stopped, to real Democ'cy.

"We've gut an awful row to hoe
In this 'ere job o' reconstructin';
Folks dunno skurce which way to go,
Where th' ain't some boghole to be ducked in;
But one thing 's clear; there is a crack,
Ef we pry hard, 'twixt white an' black,
Where the old makebate can be tucked in.

"No white man sets in airth's broad aisle
Thet I ain't willin' t' own az brother,
An' ef he 's heppened to strike ile,
I dunno, fin'ly, but I 'd ruther;
An' Paddies, long 'z they vote all right,
Though they ain't jest a nat'ral white,
I hold one on 'em good 'z another.

"Wut is there lef' I 'd like to know,
Ef 't ain't the difference o' color,
To keep up self-respec' an' show
The human natur' of a fullah?
Wut good in bein' white, onless
It 's fixed by law, nut lef' to guess,
Thet we are smarter an' they duller?

"Ef we 're to hev our ekle rights,
'T wunt du to 'low no competition;
Th' ole debt doo us for bein' whites
Ain't safe onless we stop th' emission
O' these noo notes, whose specie base
Is human natur', 'thout no trace
O' shape, nor color, nor condition.

"So fur I 'd writ an' could n' jedge
Aboard wut boat I 'd best take pessige,
My brains all mincemeat, 'thout no edge
Upon 'em more than tu a sessige,
But now it seems ez though I see
Sunthin' resemblin' an idee,
Sence Johnson's speech an' veto message.

"I like the speech best, I confess,
The logic, preudence, an' good taste on 't,
An' it 's so mad, I ruther guess
There 's some dependence to be placed on 't;
It 's narrer, but 'twixt you an' me,
Out o' the allies o' J. D.
A temp'ry party can be based on 't.

"Jes' to hold on till Johnson's thru'
An' dug his Presidential grave is,
An' then!—who knows but we could slew
The country roun' to put in ——?
Wun't some folks rare up when we pull
Out o' their eyes our Union wool
An' larn 'em wut a p'lit'cle shave is!

"O, did it seem 'z ef Providunce
Could ever send a second Tyler?
To see the South all back to once,
Reapin' the spiles o' the Freesiler,
Is cute ez though an engineer
Should claim th' old iron for his sheer
Because 't wuz him that bust the biler!"

Thet tells the story! Thet 's wut we shall git
By tryin' squirtguns on the burnin' Pit;
For the day never comes when it 'll du
To kick off Dooty like a worn-out shoe.
I seem to hear a whisperin' in the air,
A sighin' like, of unconsoled despair,
Thet comes from nowhere an' from everywhere,
An' seems to say, "Why died we? war n't it, then,
To settle, once for all, thet men wuz men?
O, airth's sweet cup snetched from us barely tasted,
The grave's real chill is feelin' life wuz wasted!
O, you we lef, long-lingerin' et the door,
Lovin' you best, coz we loved Her the more,
Thet Death, not we, had conquered, we should feel
Ef she upon our memory turned her heel,
An' unregretful throwed us all away
To flaunt it in a Blind Man's Holiday!"

My frien's, I 've talked nigh on to long enough.
I hain't no call to bore ye coz ye 're tough;
My lungs are sound, an' our own v'ice delights
Our ears, but even kebbigeheads hez rights.
It 's the las' time thet I shell e'er address ye,
But you 'll soon fin' some new tormentor: bless ye!

QUESTION OF MONUMENTS.

In the beautiful life which the English-speaking foreigners lead at Rome, the great sensations are purely æsthetic. To people who know one another so familiarly as must the members of a community united in a strange land by the ties of alien race, language, and religion, there cannot, of course, be wanting the little excitements of personal gossip and scandal; but even these have generally an innocent, artistic flavor, and it is ladies' statues, not reputations, which suffer,—gentlemen's pictures, not characters, which are called into question; while the events which interest the whole community are altogether different from those which move us at home. In the Capital of the Past, people meeting at the café, or at the tea-tables of lady-acquaintance, speak, before falling upon the works of absent friends, concerning the antique jewel which Castellani lately bought of a peasant, and intends to reproduce, for the delight of all who can afford to love the quaint and exquisite forms of the ancient workers in gems and gold; or they talk of that famous statue of the young Hercules, dug up by the lucky proprietor, who received from the Pope a marquisate, and forgiveness of all his debts, in return for his gift of the gilded treasure. At the worst these happy children of art, and their cousins the connoisseurs, (every English-speaking foreigner in Rome is of one class or the other,) are only drawn from the debate of such themes by some dramatic aspect of the picturesque Roman politics: a scene between the French commandant and Antonelli, or the arrest of a restaurateur for giving his guests white turnips, red beets, and green beans in the same revolutionary plate; or the like incident.

At home, here, in the multiplicity of our rude affairs, by what widely different events and topics are we excited to talk! It must be some occurrence of very terrible, vile, or grotesque effect that can take our minds from our business. We discuss the ghastly particulars of a steamboat explosion, or the evidence in a trial for murder; or if the chief magistrate addresses his fellow-citizens in his colloquial, yet dignified way, we dispute whether he was not, at the time of the speech, a martyr to those life-long habits of abstinence from which he is known to have once suffered calamities spared the confirmed wine-bibber. Once, indeed, we seemed as a nation to rise to the appreciation of those beautiful interests which occupy our Roman friends, and once, not a great while ago, we may be said to have known an æsthetic sensation. For the first time in our history as a people, we seemed to feel the necessity of art, and to regard it as a living interest, like commerce, or manufacturing, or mining, when, shortly after the close of the war, and succeeding the fall of the last and greatest of its dead, the country expressed a universal desire to commemorate its heroes by the aid of art. But we do not husband our sensations as our Roman friends do theirs: the young Hercules lasted them two months, while a divorce case hardly satisfies us as many days, and a railroad accident not longer. We hasten from one event to another, and it would be hard to tell now whether it was a collision on the Saint Jo line, or a hundred and thirty lives lost on the Mississippi, or some pleasantry from our merry Andrew, which distracted the public mind from the subject of monumental honors. It is certain, however, that, at the time alluded to, there was much talk of such things in the newspapers and in the meetings. A popular subscription was opened for the erection of a monument to Abraham Lincoln at his home in Springfield; each city was about to celebrate him by a statue in its public square; every village would have his bust or a funeral tablet; and our soldiers were to be paid the like reverence and homage. Then the whole affair was overwhelmed by some wave of novel excitement, and passed out of the thoughts of the people; so that we feel, in recurring to it now, like him who, at dinner, turns awkwardly back to a subject from which the conversation has gracefully wandered, saying, "We were speaking just now about"—something the company has already forgotten. So far as we have learned, not an order for any memorial sculpture of Lincoln has been given in the whole country, and we believe that only one design by an American sculptor has been offered for the Springfield monument. There is time, however, to multiply designs; for the subscription, having reached a scant fifty thousand dollars, rests at that sum, and rises no higher.

But we hope that the people will not altogether relinquish the purpose of monumental commemoration of the war, and we are not wholly inclined to lament that the fever-heat of their first intent exhausted itself in dreams of shafts and obelisks, groups and statues, which would probably have borne as much relation to the real idea of Lincoln's life, and the war and time which his memory embodies and represents, as the poetry of the war has borne. In the cool moments of our convalescence from civil disorder, may we not think a little more clearly, and choose rather more wisely than would have been possible earlier?

No doubt there is in every epoch a master-feeling which art must obey, if it would flourish, and remain to represent something intelligible after the epoch is past. We know by the Gothic churches of Italy how mightily the whole people of that land were once moved by the impulses of their religion (which might be, and certainly was, a thing very different from purity and goodness): the Renaissance temples remind us of a studious period passionately enamored of the classic past; in the rococo architecture and sculpture of a later time, we have the idle swagger, the unmeaning splendor, the lawless luxury, of an age corrupted by its own opulence, and proud of its licentious slavery. Had anything come of the æsthetic sensation immediately following the war, and the spirit of martial pride with which it was so largely mixed, we should probably have had a much greater standing-army in bronze and marble than would have been needed for the suppression of any future rebellion. An excitement, a tumult, not a tendency of our civilization, would thus have been perpetuated, to misrepresent us and our age to posterity; for we are not a military people, (though we certainly know how to fight upon occasion,) and the pride which we felt in our army as a body, and in the men merely as soldiers, was an exultation which has already in a great part subsided. Indeed, the brave fellows have themselves meantime given us a lesson, in the haste they have made to put off their soldier-costume and resume the free and individual dress of the civilian. The ignorant poets might pipe of the glory and splendor of war, but these men had seen the laurel growing on the battle-field, and knew

"Di che lagrime grondi e di che sangue"

its dazzling foliage. They knew that the fighting, in itself horrible, and only sublime in its necessity and purpose, was but a minor part of the struggle; and they gladly put aside all that proclaimed it as their vocation, and returned to the arts of peace.

The idea of our war seems to have interpreted itself to us all as faith in the justice of our cause, and in our immutable destiny, as God's agents, to give freedom to mankind; and the ideas of our peace are gratitude and exultant industry. Somehow, we imagine, these ideas should be represented in every memorial work of the time, though we should be sorry to have this done by the dreary means of conventional allegory. A military despotism of martial statues would be far better than a demagogy of these virtues, posed in their well-known attitudes, to confront perplexed posterity with lifted brows and superhuman simpers. A sublime parable, like Ward's statue of the Freedman, is the full expression of one idea that should be commemorated, and would better celebrate the great deeds of our soldiers than bass-reliefs of battles, and statues of captains, and groups of privates, or many scantily-draped, improper figures, happily called Liberties.

With the people chosen to keep pure the instinct of the Beautiful, as the Hebrews were chosen to preserve a knowledge of the Divine, it was not felt that commemorative art need be descriptive. He who triumphed the first and second time in the Olympic games was honored with a statue, but not a statue in his own likeness. Neither need the commemorative art of our time be directly descriptive of the actions it celebrates. There is hardly any work of beautiful use which cannot be made to serve the pride we feel in those who fought to enlarge and confirm the freedom of our country, and we need only guard that our monuments shall in no case express funereal sentiment. Their place should be, not in the cemeteries, but in the busy hearts of towns, and they should celebrate not only those who fought and died for us in the war, but also those who fought and lived, for both are equally worthy of gratitude and honor. The ruling sentiment of our time is triumphant and trustful, and all symbols and images of death are alien to it.

While the commemoration of the late President may chiefly take visible shape at the capital, or at Springfield, near the quiet home from which he was called to his great glory, the era of which he was so grand a part should be remembered by some work of art in every community. The perpetuation of the heroic memories should in all cases, it seems to us, be committed to the plastic arts, and not, as some would advise, to any less tangible witness to our love for them. It is true that a community might endow a charity, to be called forever by some name that would celebrate them, or might worthily record its reverence for them by purchase of a scholarship to be given in our heroes' names to generations of struggling scholars of the place. But the poor we have always with us; while this seems the rare occasion meant for the plastic arts to supply our need of beautiful architecture and sculpture, and to prove their right to citizenship among us, by showing themselves adequate to express something of the spirit of the new order we have created here. Their effort need not, however, be toward novel forms of expression. That small part of our literature which has best answered the want of our national life has been the most jealous in its regard for the gospels of art, and only incoherent mediums and false prophets have disdained revelation. Let the plastic arts, in proving that they have suffered the change which has come upon races, ethics, and ideas in this new world, interpret for us that simple and direct sense of the beautiful which lies hidden in the letter of use. There is the great, overgrown, weary town of Workdays, which inadequately struggled at the time of our national æsthetic sensation, in all its newspapers, pulpits, and rostrums, with the idea of a monument to the regiments it sent to the war. The evident and immediate want of Workdays is a park or public garden, in which it can walk about, and cool and restore itself. Why should not the plastic arts suggest that the best monument which Workdays could build would be this park, with a great triumphal gateway inscribed to its soldiers, and adorned with that sculpture and architecture for which Workdays can readily pay? The flourishing village of Spindles, having outgrown the days of town-pumps and troughs, has not, in spite of its abundant water-power, a drop of water on its public ways to save its operatives from drunkenness or its dogs from madness. O plastic arts! give Spindles a commemorative fountain, which, taking a little music from the mills, shall sing its heroes forever in drops of health, refreshment, and mercy. In the inquiring town of Innovation, successive tides of doubt and revival and spiritualism have left the different religious sects with little more than their names; let Innovation build a votive church to the memory of the Innovators sent to the war, and meet in it for harmonious public worship. At Dulboys and Slouchers, it must be confessed that they sadly need a new union school-house and town-hall, (the old school-house at Dulboys having been at last whittled to pieces, and no town-hall having ever been built in Slouchers,) and there seems no good reason why these edifices should not be given the honor to proclaim the pride of the towns in the deeds of their patriots.

On their part, we hope none of these places will forget that it is bound to the arts and to itself not to build ignobly in memory of its great. A commemorative edifice, to whatever purpose adapted, must first be beautiful, since a shabby or ugly gateway, fountain, or church would dishonor those to whom it was dedicated; a school-house or town-hall built to proclaim pride and reverence cannot be a wooden box; but all must be structures of enduring material and stately architecture. All should, if possible, have some significant piece of statuary within or upon them, or at least some place for it, to be afterwards filled; and all should be enriched and beautified to the full extent of the people's money and the artist's faculty.

For the money, the citizens will, of course, depend upon themselves; but may we pray them to beware of the silliness of local pride—(we imagine that upon reading this paper the cities and towns named will at once move in the business of monuments, and we would not leave them unadvised in any particular)—in choosing their sculptors and architects? Home talent is a good thing when educated and developed, but it must be taught in the schools of art, and not suffered to spoil brick and mortar in learning. Our friends, the depraved Italian popes and princes (of whom we can learn much good), understood this, and called to their capitals the best artist living, no matter what the city of his birth. If a famous sculptor or architect happens to be a native of any of the places mentioned, he is the man to make its monument; and if he is a native of any other place in the country, he is equally the man, while home talent must be contented to execute his design.

REVIEWS AND LITERARY NOTICES.

Mind in Nature; or the Origin of Life, and the Mode of Development of Animals. By Henry James Clark, A. B., B. S., Adjunct Professor of Zoölogy in Harvard University, Cambridge, Mass. New York: D. Appleton & Co.

When all lower branches of Natural History have been finally exhausted, and we begin upon the Natural History of Scientific Men, we shall no doubt discover why it is necessary for each savant to season his mild pursuits by some desperate private feud with the nearest brother in the service. The world of scoffers no doubt revels in this particular weakness, and gladly omits all the rest of the book, in haste to get at the personalities. But to the sedate inquirer it only brings dismay. How painful, as one glides pleasantly on amid "concentric vesicles" and "albuminous specialization," tracing the egg from the germinal dot to the very verge of the breakfast-table, to be suddenly interrupted, like Charles O'Malley's pacific friend in Ireland, by the crack of a duelling-pistol and the fracture of all the teacups! It makes it all the worse to know that the brother professor thus assailed is no mean antagonist, and certainly anything but a non-resistant; and that undoubtedly in his next book our joys will again be disturbed by an answering volley.

Yet it should be said, in justice to Professor Clark, that all this startling fusillade occurs at two or three points only, and that reading the rest of the book is like a peaceful voyage down the Mississippi after the few guerilla-haunted spots are passed. The general tone of the book is eminently quiet, reasonable, and free from partisanship. Indeed, this studied moderation of statement sometimes mars even the clearness of the book, and the reader wishes for more emphasis. Professor Clark loves fact so much better than theory, that he sometimes leaves the theory rather obscure, and the precise bearing of the facts doubtful. To this is added the difficulty of a style, earnest and laborious indeed, but by no means luminous. In a treatise professedly popular, one has a right to ask a few more facilities for the general reader. It can hardly be expected of all scientific men to attain the singular success, in this direction, of Professor Huxley; but the art of popularization is too important a thing to be ignored, and much may be done to cultivate the gift by literary training and by persistent effort. The new researches into the origin of life are awakening the interest of all; and though the popular tendency is no doubt towards the views mainly held by Professor Clark, yet most men prefer an interesting speech on the wrong side of any question to a dull speech in behalf of the right.

When one takes the book piecemeal, however, the author's statements of his own observations and analysis are so thorough and so admirable, his drawings so good, and the interest of many separate portions so great, that it seems hardly fair to complain of the rather fragmentary effect of their combination, and the rather obscure tenor of the whole. Professor Clark holds that the old doctrine, Omne vivum ex ovo, is now virtually abandoned by all, since all admit the origin of vast numbers of animated individuals by budding and self-division. There are, in fact, types of animals, as the Zoöphyta, where these appear the normal modes of reproduction, and the egg only an exceptional process. From this he thinks it but a slight step to admit the possibility of spontaneous generation, and he accordingly does admit it. Touching the development theory, his conclusion is that the barriers between the five great divisions of the animal world are insurmountable, but "that, by the multiplication and intensifying of individual differences, and the projection of these upon the branching lines of the courses of development from a lower to a higher life, the diverse and successively more elevated types among each grand division have originated upon this globe." (p. 248.) This sentence, if any, gives the key-note of the book. To say that this is one of its clearest statements, may help to justify the above criticisms on the rest.

A Noble Life. By the Author of "John Halifax, Gentleman," etc. New York: Harper and Brothers. 1866.

The story of a man born cruelly deformed and infirm, with a body dwarfish, but large enough to hold a good heart and clear brain,—and of such a man's living many years of pain, happy in the blessings which his great wealth and high rank, and, above all, his noble nature, enable him to confer on every one approaching him,—could hardly have been told more simply and pathetically than it is in this book, but it might certainly have been told more briefly. The one slight incident of the fiction—the marriage of the Earl of Cainforth's protégée and protectress and dearest friend to his worthless cousin, who, having found out that the heirless Earl will leave her his fortune, wins her heart by deceit, and then does his worst to break it—occurs when the book is half completed, and scarcely suffices to interest, since it is so obvious what the end must be; while the remaining pages, devoted to study of the Earl's character, do not develop much that is new in literature or humanity. Still, the story has its charm: it is healthful, unaffected, and hopeful; and most people will read it through, and be better for having done so.

Literature in Letters; or, Manners, Art, Criticism, Biography, History, and Morals, illustrated in the Correspondence of Eminent Persons. Edited by James Holcombe, LL. D. New York: D. Appleton & Co. 1866.

The very comprehensive title of this work leaves us little to say in explanation of its purpose, and we can only speak in compliment of the taste with which the editor has performed a not very arduous task. As a matter of course, the famous epistles of Lady Mary Wortley Montague, Pope, Horace Walpole, Madame de Sévigné, Miss Burney, Lady Russell, and Hannah More go to form a large part of the collection; but Mr. Holcombe has drawn from other sources epistolary material of interest and value, and has performed a service to literature by including in his book the occasional letters of great men not addicted to letter-writing, but no doubt as natural and true to themselves and their time as habitual letter-writers. It is curious to note the deterioration in the artistic quality of the letters as the period of their production approaches our own, when people dash off their correspondence rapidly and incoherently, instead of bestowing upon it the artifice and care which distinguished the epistolarians of an elder date, whose letters, fastidiously written, faithfully read, and jealously kept and shown about in favored circles, supplied the place of newspapers. The lowest ebb of indifference seems to be reached in a letter by Daniel Webster, written from Richmond, and devoted to some very commonplace and jejune praises of morning and early rising. Except as an instance of our epistolary degeneracy, we could hardly wish it to have a place in Mr. Holcombe's collection, which is otherwise so judiciously made.

The Criterion; or the Test of Talk about Familiar Things. A Series of Essays. By Henry T. Tuckerman. New York: Hurd and Houghton. 1866.

Mr. Tuckerman's books, if they possess no great value as works of original thought, are characterized by the hardly less desirable quality of unfailing good taste. He has a quiet and meditative way of treating those topics of literature and art with which he chiefly loves to deal, and has much in him which reminds of the race of essayists preceding the brilliant dogmatists of our time; and we confess that we find a great enjoyment in the lazy mood in which he here gossips of twenty desultory matters. The name of the present work is, to be sure, a somewhat formidable mask under which to hide the cheerful visage of a rambler among Inns, Pictures, Sepulchres, Statues and Bridges, and a tattler of Authors, Doctors, Holidays, Lawyers, Actors, Newspapers, and Preachers; but it is only a mask after all, and the talk really tests nothing,—not even the reader's patience. With much charming information from books concerning these things, Mr. Tuckerman agreeably blends personal knowledge of many of the subjects. Bits of reminiscence drift down the tranquil current of story and anecdote, and there is just enough of intelligent comment and well-bred discussion to give each paper union and direction. In fine, "The Criterion" is one of the best of that very pleasant class of books made for the days of unoccupied men and the half-hours of busy ones,—which may be laid down at any moment without offence to their purpose, and taken up again with profit to their readers.

The History of Henry the Fifth: King of England, Lord of Ireland, and Heir of France. By George Makepeace Towle. New York: D. Appleton & Co.

The doubt whether Mr. Towle is writing historical romance or romantic history must often embarrass the reader of a work uniting the amiable weaknesses of both species of composition, and presenting much more that is tedious in narration, affected in style, and feeble in thought, than we have lately found in any large octavo volume of five hundred pages. We begin with four introductory chapters recounting the events which led to the usurpation of Bolingbroke, and the succession of Mr. Towle's hero to the English throne; we go on with two chapters descriptive of the youthful character and career of Henry the Fifth; we end with six chapters devoted to the facts of his reign. Through all this, it appears to us, we are conducted at a pace of singular equality, not to be lightened by the triviality of minor incidents, nor greatly delayed by the most important occurrences. Nearly all the figures of the picture are in the foreground, and few are more prominent than the least significant accessory of the landscape; and, for once, it is scarcely possible to say that the picture would have been better if the painter had taken more pains. Indeed, we incline to think the contrary, and would have been willing to accept a result somewhat less labored than that given us. We confess, for example, that it is a matter of small interest to us to know that the Duke of Lancaster's wife is the "fair Blanche"; that, when Katharine consented to wed Henry, "a blush mounted her clear temple"; that over every part of her wedding dress "glittered the rarest gems of Golconda"; that Henry's heart "ever beat affectionately for his beloved isle" of England; that at a certain moment of the battle of Agincourt a large body of the French forces "shook in their shoes"; that the crossbow was "an object of wonder and delight to the children of olden chivalry"; that Shakespeare "caressed the fame of the hero-king with the richest coruscations of his genius";—not to name a multitude of other facts stated with equal cost of thought and splendor of diction. But Mr. Towle spares us nothing, and sometimes leaves as little to the opinion of his readers as to their imagination. Having to tell us that Henry learned, in his boyhood, to play upon the harp, he will not poorly say as much, but will lavishly declare, "He learned, with surprising quickness, to play upon that noblest of instruments, the harp"; which is, indeed, a finer turn of language, but, at the same time, an invasion of the secret preference which some of us may feel for the bass-viol or the accordion.

The same excellent faculty for characterization serves our historian on great occasions as well as small ones. Of an intriguing nobleman like the Duke of Norfolk, he is as prompt to speak as of the harp itself: "He was one of those politicians who are never contented; who plot and counterplot incessantly; who are always running their heads fearlessly, to be sure, but indiscreetly, into danger of decapitation." This fine analytic power appears throughout the book. Describing the enthusiasm of the Londoners for Henry of Bolingbroke, and their coldness towards the captive King Richard, the historian acutely observes: "Ever thus, from the beginning of the world, have those been insulted who have fallen from a high estate. The multitude follows successful usurpation, but never offers a shield to fallen dignity." The bashfulness and silence of Prince Henry an ordinary writer would perhaps have called by those names; but Mr. Towle says: "He was neither loud nor forward in giving his views; he apparently felt that one so young should never seem dogmatic or positive on questions in regard to which age and learning were in doubt." Such a sentence might perhaps suggest the idea that Mr. Towle's History was intended for the more youthful reader, but when you read, farther on, in the analysis of Henry's character, "It was fitting that so fine a soul should be illustrated by brilliancy of intellect and eloquence of speech, that so precious a jewel should be encased in a casket of beauty and graceful proportion,"—or when you learn, in another place, that "the eloquence of Stephen Partington stirred the religious element of Henry's character, which appreciated and admired superior ability of speech,"—we say, you can no longer doubt that Mr. Towle addresses himself to minds as mature as his own. It is natural that an historian whose warmth of feeling is visible in his glow of language should be an enthusiastic worshipper of his hero, and should defend him against all aspersions. Mr. Towle finds that, if Henry was a rake in youth and a bigot in manhood, he was certainly a very amiable rake and a very earnest bigot. "There can be no doubt," says our historian, in his convincing way, "that he often paused in his reckless career, filled with remorse, wrestling with his flighty spirit, to overcome his unseemly sports"; and as to the sincerity of his fanaticism, "to suppose otherwise is to charge a mere youth with a hypocritical cunning worthy of the Borgias in their zenith." Masterly strokes like these are, of course, intended to console the reader for a want of distinctness in Mr. Towle's narrative, from which one does not rise with the clearest ideas of the civilization and events of the time which he describes.

We can understand how great an attraction so brilliant and picturesque an epoch of history should have for a spirit like Mr. Towle's; but we cannot help thinking it a pity that he should have attempted to reproduce, in such an ambitious form, the fancies which its contemplation suggested. The book is scarcely too large for the subject, but it is much too large for Mr. Towle, whose grievous fashion of padding must be plain enough, even in the few passages which we have quoted from his book. A writer may, by means of a certain dead-a-lively expansive style of narration, contrived out of turns of expression adapted from Percy's Reliques, the Waverly Novels, the newspapers, and the imitators of Thackeray's historical gossip, succeed in filling five hundred pages, but he will hardly satisfy one reader; and we are convinced by Mr. Towle's work that, whatever other species of literature may demand the exercise of a childish imagination,—a weak fancy easily caught with the prettiness as well as the pomp of words,—a slender philosophy incapable of grasping the true significance of events,—a logic continually tripped upon its own rapier,—and a powerful feeling for anti-climax, with no small sentiment for solecism,—History, at least, has little to gain from them.

War of the Rebellion; or, Scylla and Charybdis. Consisting of Observations upon the Causes, Course, and Consequences of the Late Civil War in the United States. By H. S. Foote. New York: Harper and Brothers. 1866.

The slight value which this volume possesses is of a nature altogether different from that which the author doubtless ascribes to it, though we imagine most of his readers will agree with us in esteeming it chiefly for its personal reminiscences of great events and people. As for Mr. Foote's philosophization of the history he recounts, it is so generally based upon erroneous views of conditions and occurrences, that we would willingly have spared it all, if we could have had in its place a full and simple narrative of his official career from the time he took part in secession up to the moment of his departure from the Rebel territory. We find nothing new in what he has to say concerning the character of our colonial civilization and the unity of our colonial origin; and, as we get farther from the creation of the world and approach our own era, we must confess that the light shed upon the slavery question by Mr. Foote seems but vague and unsatisfactory. A few disastrous years have separated us so widely from all the fallacies once current here, that Mr. Foote's voice comes like an utterance from Antediluvia, when he tells us how compromises continually restored us to complete tranquillity, which the machinations of wicked people, North and South, instantly disturbed again. There was once a race of feeble-minded politicians who thought that, if the Northern Abolitionists and Southern fire-eaters were destroyed, there could be no possible disagreement between the sections concerning slavery; and Mr. Foote, surviving his contemporaries, still clings to their delusions, and believes that the late war resulted from the conflict of ambitious and unscrupulous men, and not from the conflict of principles. Now that slavery is forever removed, it might seem that this was a harmless error enough, and would probably hurt nobody,—not even Mr. Foote. But the fact is important, since it is probable that Mr. Foote represents the opinions of a large class of people at the South, who were friendly to the Union in the beginning of the war, but yielded later to the general feeling of hostility. They were hardly less mischievous during the struggle than the original Secessionists, and, now that the struggle is ended, are likely to give us even more trouble.

Mr. Foote offers no satisfactory explanation of his own course in taking part in the Rebel government, which was founded upon a principle always abhorrent to him, and opposed to all his ideas of good faith and good policy; but he gives us to understand that he was for a long time about the only honest man unhanged in the Confederacy. Concerning the political transactions of that short-lived state, he informs us of few things which have not been told us by others, and his criticism of Davis's official action has little to recommend it except its disapproval of Davis.

We must do Mr. Foote the justice to say that his book is not marred by any violence towards the great number of great men with whom he has politically differed; that he frankly expresses his regret for such of his errors as he now sees, and is not ashamed to be ashamed of certain offences (like that which won him a very unpleasant nickname) against good taste and good breeding, which the imperfect civilization of Southern politicians formerly tempted them to commit. Remoteness from the currents of modern thought—such as life in a region so isolated as the South has always been involves—will account for much cast-off allusion in his book to Greece and Rome, as well as that inflation of style generally characteristic of Southern literature.

Poems in Sunshine and Firelight. By John James Piatt. Cincinnati: R. W. Carroll & Co. 1866.

Among the best poems of the earlier days of the Atlantic was Mr. Piatt's "Morning Street," which we think some of our readers may remember even at this remote period, after so much immortality in all walks of literature has flourished and passed away. Mr. Piatt later published a little volume of verses together with another writer of the West; and yet later, "The Nests at Washington,"—a book made up of poems from his own pen and from that of Mrs. Piatt. He now at last appears in a volume wholly his, which we may regard as the work of a mind in some degree confirmed in its habits of perception and expression.

We must allow to the author as great originality as belongs to any of our younger poets. It is true that the presence of the all-pervading Tennyson is more sensibly felt here than in the first poems of Mr. Piatt; but even here it is very faint, and if the diction occasionally reminds of him, Mr. Piatt's poems are undoubtedly conceived in a spirit entirely his own. This spirit, however, is one to which its proper sense of the beautiful is often so nearly sufficient, that the effort to impart it is made with apparent indifference. The poet's ideal so wins him and delights him, in that intangible and airy form which it first wore to his vision, that he seems to think, if he shall put down certain words by virtue of which he can remember its loveliness, he shall also have perfectly realized its beauty to another. We do not know one poem by Mr. Piatt in which a full and clear sense of his whole meaning is at once given to the reader; and he is obscure at times, we fear, because he has not himself a distinct perception of that which he wishes to say, though far oftener his obscurity seems to result from impatience, or the flattery of those hollow and alluring words which beset the dreams of poets, and must be harshly snubbed before they can be finally banished. There are many noble lines in his poems, but not much unity of effect or coherence of sentiment; and it happens now and then that the idea which the reader painfully and laboriously evolves from them is, after all, not a great truth or beauty, but some curious intellectual toy, some plaything of the singer's fancy, some idle stroke of antithesis.

In the poem called "At Evening," in which the poet can be so preposterous as to say,

"Twilight steals
Great stealthy veils of silence over all,"

occur the following lines, full of the tranquil sweetness and the delicacy of feeling characteristic of Mr. Piatt's best mood:—

"O, dear to me the coming forth of stars!
After the trivial tumults of the day
They fill the heavens, they hush the earth with awe,
And when my life is fretted pettily
With transient nothings, it is good, I deem,
From darkling windows to look forth and gaze
At this new blossoming of Eternity,
'Twixt each To-morrow, and each dead To-day;
Or else, with solemn footsteps modulate
To spheral music, wander forth and know
Their radiant individualities,
And feel their presence newly, hear again
The silence that is God's voice speaking, slow
In starry syllables, forevermore."

Such thoughts as these are themselves like the star-rise described, and shine out distinctly above the prevailing twilight of the book, everywhere haunted by breaths of fragrance, and glimpses of beautiful things, which cannot be determined as any certain scent or shape. For example, who can guess this riddle?

"Come from my dreaming to my waking heart!
Awake, within my soul there stands alone
Thy marble soul; in lonely dreams apart,
Thy sweet heart fills the stone!"

It is altogether probable that here the poet had some meaning, though it is entirely eclipsed in its expression. At other times his meaning is not to be detached from the words by any violence of utterance; and if, speaking of the winged steed, he says,

"When in the unbridled fields he flew,"

we understand perfectly that the steed flew unbridled in the limitless fields. But no thanks to the poet!

Among the poems of Mr. Piatt which we understand best and like most, "Riding the Horse to Market"—or the poet's experience of offering his divine faculty to the world's rude uses—is in a spirit of fine and original allegory; "September" and "Travellers" are very noble sonnets; "Fires in Illinois," though a little thin in thought, is subtly and beautifully descriptive, and so is "Sundown," with the exception of a few such unmeaning lines as

"Where the still waters glean
The melancholy scene."

"The Ballad of a Rose" is lovely and pathetic; and in "Riding to Vote" the poet approaches the excellent naturalness and reality of "The Mower in Ohio," which is so simple and touching, so full of homelike, genuine feeling, unclouded by the poet's unhappy mannerism, that we are tempted to call it his best poem, as a whole, and have little hesitation in calling it one of the few good poems which the war has yet suggested. "The Pioneer's Chimney," which is the first thing in the present book, is almost as free from Mr. Piatt's peculiar defects as "The Mower in Ohio," and it is a very charming idyl. We observe in it no strife for remote effect, while there is visible, here and there, as in the lines below, a delicate and finely tempered power of expression, which can only come from the patient industry of true art, and from which we gather more hope for the poet's future than from anything else in the present book:—

"The old man took the blow, but did not fall,—
Its weight had been before. The land was sold,
The mortgage closed. The winter, cold and long,
(Permitted by the hand that grasped his all,
That winter passed he here,) beside his fire,
He talked of moving in the spring....

"In the spring,
When the first warmth had brooded everywhere,
He sat beside his doorway in that warmth,
Watching the wagons on the highway pass,
With something of the memory of his dread
In the last autumn."

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Table of Contents

- THE

- ATLANTIC MONTHLY.

- A Magazine of Literature, Science, Art, and Politics.

- VOL. XVII.—MAY, 1866.—NO. CIII.

- Contents

- THE HARMONISTS.

- FOOTNOTES:

- ABRAHAM DAVENPORT.

- LAST DAYS OF WALTER SAVAGE LANDOR.

- PART II.

- FOOTNOTES:

- TO-MORROW.

- DOCTOR JOHNS.

- LVIII.

- LIX.

- LX.

- LXI.

- LXII.

- PASSAGES FROM HAWTHORNE'S NOTE-BOOKS.

- V.

- THE FENIAN "IDEA."

- THE CHIMNEY-CORNER FOR 1866.

- V.

- WHAT ARE THE SOURCES OF BEAUTY IN DRESS.

- "WHAT ARE THE SOURCES OF BEAUTY IN DRESS.

- EDWIN BOOTH.

- FOOTNOTES:

- AMONG THE LAURELS.

- GRIFFITH GAUNT; OR, JEALOUSY.

- CHAPTER XVIII.

- CHAPTER XIX.

- CHAPTER XX.

- CHAPTER XXI.

- CHAPTER XXII.

- CHAPTER XXIII.

- CHAPTER XXIV.

- CHAPTER XXV.

- WHAT WILL IT COST US?

- RESUMPTION.

- TAXES ON PRODUCTION.

- SPIRITS.

- INCOME TAX.

- TAXES ON GROSS RECEIPTS.

- PROVINCIAL COMMERCE.

- REVENUE LIST OF COMMISSIONERS, EXCLUDING TAXES ON INCOME AND TRANSPORTATION.

- FOOTNOTES:

- MEPHISTOPHELEAN.

- MR. HOSEA BIGLOW'S SPEECH IN MARCH MEETING.

- THE ARGYMUNT.

- QUESTION OF MONUMENTS.

- REVIEWS AND LITERARY NOTICES.

- RECENT AMERICAN PUBLICATIONS.

- THE FULL PROJECT GUTENBERG LICENSE