Pastoral Poems by Nicholas Breton, Selected Poetry by George Wither, and Pastoral Poetry by William Browne (of Tavistock)
Author: Nicholas Breton; William Browne; George Wither
Date: 2007-07-06T00:00:00+00:00
Keywords: English poetry -- Early modern; 1500-1700

The Project Gutenberg eBook of Pastoral Poems by Nicholas Breton, Selected Poetry by George Wither, and Pastoral Poetry by William Browne (of Tavistock)

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Title: Pastoral Poems by Nicholas Breton, Selected Poetry by George Wither, and Pastoral Poetry by William Browne (of Tavistock)

Author: Nicholas Breton

William Browne

George Wither

Editor: William Bailey Kempling

Release date: July 6, 2007 [eBook #22001]
Most recently updated: January 2, 2021

Language: English

Credits: Produced by Irma Spehar, Ralf Stephan and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

*** START OF THE PROJECT GUTENBERG EBOOK PASTORAL POEMS BY NICHOLAS BRETON, SELECTED POETRY BY GEORGE WITHER, AND PASTORAL POETRY BY WILLIAM BROWNE (OF TAVISTOCK) ***

Produced by Irma Spehar, Ralf Stephan, and the Online Distributed
Proofreading Team at https://www.pgdp.net (This file was produced
from images generously made available by The Internet Archive/Canadian
Libraries)

The Pembroke Booklets

(First Series)

III

Nicholas Breton

Pastoral Poems

George Wither

Selected Poetry

William Browne

(of Tavistock)

Pastoral Poetry

J. R. Tutin

Hull

1906

Large Paper Edition, limited to 250 copies

Turnbull & Spears, Printers, Edinburgh.

Nicholas Breton

(1558-1626)

Thou that wouldst find the habit of true passion,
And see a mind attired in perfect strains ...
Look here on Breton's work.--BEN JONSON.

George Wither

(1588-1667)

The praises of poetry have been often sung in ancient and in modern times; strange powers have been ascribed to it of influence over animate and inanimate auditors; its force over fascinated crowds has been acknowledged; but before Wither, no one ever celebrated its power at home, the wealth and the strength which this divine gift confers upon its possessor. Fame, and that too after death, was all which hitherto the poets had promised themselves from this art. It seems to have been left to Wither to discover that poetry was a present possession, as well as a rich reversion, and that the Muse has a promise of both lives,--of this, and of that which was to come.--CHARLES LAMB.

William Browne

(1591-? 1645)

I feel an envious touch,
And tell thee Swain: that at thy fame I grutch,
Wishing the Art that makes this Poem shine,
And this thy Work (wert not thou wrongèd) mine.

GEORGE WITHER: To the Author
[of Britannia's Pastorals].

Contents

| PAGE
Prefatory Note | 5
NICHOLAS BRETON
A Sweet Pastoral | 7
Aglaia: a Pastoral | 8
Phyllida and Corydon | 10
Astrophel's Song of Phyllida and Corydon | 12
A Pastoral of Phyllis and Corydon | 13
Corydon's Supplication to Phyllis | 14
A Report Song in a Dream, between a shepherd and his nymph | 15
Another of the Same | 16
A Shepherd's Dream | 16
A Quarrel with Love | 17
A Sweet Contention between Love, his Mistress, and Beauty | 18
Love: "Foolish love is only folly" | 20
"Those eyes that hold the hand of every heart" | 20
Sonnet: "The worldly prince doth in his sceptre hold" | 21
A Sweet Lullaby | 22
GEORGE WITHER
Prelude.   From The Shepherd's Hunting | 24
A Poet's Home.   From Faire Virtue | 27
Her Beauty.   From Faire Virtue | 29
Rhomboidal Dirge.   From Faire Virtue | 30
Song: "Lordly gallants!"   From Faire Virtue | 32
Song: "Shall I, wasting in despair."   From Faire Virtue | 36
"Amarillis I did woo."   From Faire Virtue | 37
Sonnet: On a Stolen Kiss | 37
A Christmas Carol | 38
A Rocking Hymn | 40
The Marigold | 43
Sonnet: On the Death of Prince Henry | 43
From a Satire written to King James I. | 44
WILLIAM BROWNE
From "Britannia's Pastorals":--
To England | 45
The Seasons | 45
May Day Customs | 46
Birds in May | 46
Music on the Thames | 47
A Concert of Birds | 47
Flowers | 48
Morning | 48
Night | 49
A Pleasant Grove | 50
An Angler | 51
A Rill | 52
"Glide soft, ye silver floods" | 52
"Venus by Adonis' side" | 53
A Song: "Gentle Nymphs" | 54
Spring Morning. I.  From The Shepherd's Pipe | 54
Spring Morning. II.  From The Shepherd's Pipe | 55
A Round | 56
"Welcome, welcome, do I sing" | 57
Autumn.  From The Shepherd's Pipe | 58
The Siren's Song.  From Inner Temple Masque | 59
The Charm.   From Inner Temple Masque | 59
Cælia: Five Sonnets--"Lo, I the man" | 60
"Why might I not for once" | 60
"Fairest, when by the rules" | 61
"Were't not for you" | 61
"Sing soft, ye pretty birds" | 62
Visions: Four Sonnets--"I saw a silver swan" | 62
"A Rose, as fair as ever" | 62
"Down in a valley" | 63
"A gentle Shepherd" | 63
Epitaphs: In Obitum | 64
On the Countess Dowager of Pembroke | 64

Prefatory Note

There are few issues attended with greater uncertainty than the fate of a poet, and of the three represented herein it may be said that they survive but tardily in public interest. Such a state of things, in spite of all pleading, is quite beyond reason; hence the purport of this small Anthology is at once obvious.

A group of poets graced with rarest charm and linked together by several and varied circumstances, each one figures here in unique evidence and bold relief of individuality. They are called of the order Spenserian; servants at the altar to the Pastoral Muse; and, in the reckoning of time, belong to that glorious age of great Elizabeth. Nicholas Breton (or Britton, as it is pronounced) and William Browne were both contributors to England's Helicon, of 1614, and Browne and Wither each submitted verses for The Shepherd's Pipe, a publication of the same year. The former two were, in turn, under the patronage of that most cultured family, the Herberts, Breton being a protégé of "Sidney's sister, Pembroke's mother," whom Browne (and not Ben Jonson, as is commonly said) eulogised thus in elegy. George Wither, being Browne's intimate friend, was presumably not unappreciated by the kinsfolk of George Herbert. Thus do they appear as in a bond of spiritual union.

Breton, a step-son to the poet Gascoigne, and the elder of our fascinating trio, is conspicuous for an unswerving, whole-hearted attachment to nature and rural scenes. It is in the pastoral lyric where, with tenderest devotion, he pursues, untrammelled, a light and free-born fancy. His fertile, varied muse, laden with the passionate exaggerations of love-lorn swain, is yet charged with richest imagery and thought, full to overflowing with joyous abandonment, and sweet with the perfume of many flowers, culled in distant fields.

Wither, though best remembered by exploits in the political arena, is none the less a poet of deep and purest feeling. To be sure, his best and earlier work has all of that delightful extravagance and amorous colouring peculiar to the age. But there is reflected a homely dignity and mobile, felicitous vein in which the poet seems endowed with every attribute of a melodist. Exquisite, graceful and diverse he, at times, would soar to flights of highest inspiration and bedeck the page with gems of rarest worth. In the heptasyllabic couplet he is decidedly successful.

And lastly William Browne, than whom we have not a more modest and retiring singer, here makes his bow with a slender portfolio of excerpts. Whatever else may transpire it is certain that labour such as his bears the assurance of unsullied happiness and overflowing joy. It is quaint, simple, unassuming; without affectation, full of pathos, and gently sensitive. He was a man who knew no guile, and his sweet and artless nature is faithfully portrayed in the outpourings of an impressionable, poetic soul. To dance with rustic maidens on the lea; to sing by moonlight to the piper's strain; to be happy, always happy, such is the theme, delicate and refined, of these our half-forgotten poets.

W. B. KEMPLING.

Nicholas Breton

A Sweet Pastoral

Good Muse, rock me asleep

With some sweet harmony:

The weary eye is not to keep

Thy wary company.

Sweet Love, begone awhile,

Thou knowest my heaviness:

Beauty is born but to beguile

My heart of happiness.

See how my little flock,

That loved to feed on high,

Do headlong tumble down the rock,

And in the valley die.

The bushes and the trees

That were so fresh and green,

Do all their dainty colour leese,

And not a leaf is seen.

The blackbird and the thrush,

That made the woods to ring,

With all the rest, are now at hush,

And not a note they sing.

Sweet Philomel, the bird

That hath the heavenly throat,

Doth now alas! not once afford

Recording of a note.

The flowers have had a frost,

Each herb hath lost her savour;

And Phyllida the fair hath lost

The comfort of her favour.

Now all these careful sights

So kill me in conceit,

That how to hope upon delights

It is but mere deceit.

And therefore, my sweet Muse,

Thou know'st what help is best;

Do now thy heavenly cunning use

To set my heart at rest;

And in a dream bewray

What fate shall be my friend;

Whether my life shall still decay,

Or when my sorrow end.

Aglaia: a Pastoral

Sylvan Muses, can ye sing

Of the beauty of the Spring?

Have ye seen on earth that sun

That a heavenly course hath run?

Have ye lived to see those eyes

Where the pride of beauty lies?

Have ye heard that heavenly voice

That may make Love's heart rejoice?

Have ye seen Aglaia, she

Whom the world may joy to see?

If ye have not seen all these,

Then ye do but labour leese;

While ye tune your pipes to play

But an idle roundelay;

And in sad Discomfort's den

Everyone go bite her pen;

That she cannot reach the skill

How to climb that blessed hill

Where Aglaia's fancies dwell,

Where exceedings do excell,

And in simple truth confess

She is that fair shepherdess

To whom fairest flocks a-field

Do their service duly yield:

On whom never Muse hath gazèd

But in musing is amazèd;

Where the honour is too much

For their highest thoughts to touch;

Thus confess, and get ye gone

To your places every one;

And in silence only speak

When ye find your speech too weak.

Blessèd be Aglaia yet,

Though the Muses die for it;

Come abroad, ye blessèd Muses,

Ye that Pallas chiefly chooses,

When she would command a creature

In the honour of Love's nature,

For the sweet Aglaia fair

All to sweeten all the air,

Is abroad this blessèd day;

Haste ye, therefore, come away:

And to kill Love's maladies

Meet her with your melodies.

Flora hath been all about,

And hath brought her wardrobe out;

With her fairest, sweetest flowers,

All to trim up all your bowers.

Bid the shepherds and their swains

See the beauty of their plains;

And command them with their flocks

To do reverence on the rocks;

Where they may so happy be

As her shadow but to see:

Bid the birds in every bush

Not a bird to be at hush:

But to sit, and chirp, and sing

To the beauty of the Spring:

Call the sylvan nymphs together,

Bid them bring their musicks hither.

Trees their barky silence break,

Crack yet, though they cannot speak

Bid the purest, whitest swan

Of her feathers make her fan;

Let the hound the hare go chase;

Lambs and rabbits run at base;

Flies be dancing in the sun,

While the silk-worm's webs are spun;

Hang a fish on every hook

As she goes along the brook;

So with all your sweetest powers

Entertain her in your bowers;

Where her ear may joy to hear

How ye make your sweetest quire;

And in all your sweetest vein

Still Aglaia strike her strain;

But when she her walk doth turn,

Then begin as fast to mourn;

All your flowers and garlands wither

Put up all your pipes together;

Never strike a pleasing strain

Till she come abroad again.

Phyllida and Corydon

In the merry month of May,

In a morn by break of day,

With a troop of damsels playing

Forth I rode, forsooth, a-maying,

When anon by a woodside,

Where as May was in his pride,

I espied, all alone,

Phyllida and Corydon.

Much ado there was, God wot!

He would love, and she would not:

She said, never man was true;

He says, none was false to you.

He said, he had loved her long:

She says, Love should have no wrong.

Corydon would kiss her then,

She says, maids must kiss no men,

Till they do for good and all.

Then she made the shepherd call

All the heavens to witness, truth

Never loved a truer youth.

Thus with many a pretty oath,

Yea, and nay, and faith and troth!--

Such as silly shepherds use

When they will not love abuse;

Love, which had been long deluded,

Was with kisses sweet concluded:

And Phyllida, with garlands gay,

Was made the lady of the May.

Astrophel's Song of Phyllida and Corydon

Fair in a morn (O fairest morn!),

Was never morn so fair,

There shone a sun, though not the sun

That shineth in the air.

For the earth, and from the earth,

(Was never such a creature !)

Did come this face (was never face

That carried such a feature).

Upon a hill (O blessèd hill!

Was never hill so blessèd),

There stood a man (was never man

For woman so distressed):

This man beheld a heavenly view,

Which did such virtue give

As clears the blind, and helps the lame,

And makes the dead man live.

This man had hap (O happy man!

More happy none than he);

For he had hap to see the hap

That none had hap to see.

This silly swain (and silly swains

Are men of meanest grace):

Had yet the grace (O gracious gift!)

To hap on such a face.

He pity cried, and pity came

And pitied so his pain,

As dying would not let him die

But gave him life again.

For joy whereof he made such mirth

As all the woods did ring;

And Pan with all his swains came forth

To hear the shepherd sing;

But such a song sung never was,

Nor shall be sung again,

Of Phyllida the shepherds' queen,

And Corydon the swain.

Fair Phyllis is the shepherds' queen,

(Was never such a queen as she,)

And Corydon her only swain

(Was never such a swain as he):

Fair Phyllis hath the fairest face

That ever eye did yet behold,

And Corydon the constant'st faith

That ever yet kept flock in fold;

Sweet Phyllis is the sweetest sweet

That ever yet the earth did yield,

And Corydon the kindest swain

That ever yet kept lambs in field.

Sweet Philomel is Phyllis' bird,

Though Corydon be he that caught her,

And Corydon doth hear her sing,

Though Phyllida be she that taught her:

Poor Corydon doth keep the fields

Though Phyllida be she that owes them,

And Phyllida doth walk the meads,

Though Corydon be he that mows them:

The little lambs are Phyllis' love,

Though Corydon is he that feeds them,

The gardens fair are Phyllis' ground,

Though Corydon is he that weeds them.

Since then that Phyllis only is

The only shepherd's only queen;

And Corydon the only swain

That only hath her shepherd been,--

Though Phyllis keep her bower of state,

Shall Corydon consume away?

No, shepherd, no, work out the week,

And Sunday shall be holiday.

A Pastoral of Phyllis and Corydon

On a hill there grows a flower,

Fair befall the dainty sweet!

By that flower there is a bower,

Where the heavenly Muses meet.

In that bower there is a chair,

Fringèd all about with gold,

Where doth sit the fairest fair

That did ever eye behold.

It is Phyllis, fair and bright,

She that is the shepherds' joy,

She that Venus did despite,

And did blind her little boy.

This is she, the wise, the rich,

That the world desires to see:

This is ipsa quæ, the which

There is none but only she.

Who would not this face admire?

Who would not this saint adore?

Who would not this sight desire,

Though he thought to see no more?

O, fair eyes, yet let me see,

One good look, and I am gone:

Look on me, for I am he,

Thy poor silly Corydon.

Thou that art the shepherds' queen,

Look upon thy silly swain;

By thy comfort have been seen

Dead men brought to life again.

Corydon's Supplication to Phyllis

Sweet Phyllis, if a silly swain

May sue to thee for grace,

See not thy loving shepherd slain

With looking on thy face;

But think what power thou hast got

Upon my flock and me;

Thou seest they now regard me not,

But all do follow thee.

And if I have so far presumed,

With prying in thine eyes,

Yet let not comfort be consumed

That in thy pity lies;

But as thou art that Phyllis fair,

That fortune favour gives,

So let not love die in despair

That in thy favour lives.

The deer do browse upon the briar,

The birds do pick the cherries;

And will not Beauty grant Desire

One handful of her berries?

If it be so that thou hast sworn

That none shall look on thee,

Yet let me know thou dost not scorn

To cast a look on me.

But if thy beauty make thee proud,

Think then what is ordain'd;

The heavens have never yet allow'd

That love should be disdain'd.

Then lest the fates that favour love

Should curse thee for unkind,

Let me report for thy behoof,

The honour of thy mind;

Let Corydon with full consent

Set down what he hath seen,

That Phyllida with Love's content

Is sworn the shepherds' queen.

A Report Song in a Dream,
between a shepherd and his nymph

Shall we go dance the hay?    The hay?

Never pipe could ever play

Better shepherd's roundelay.

Shall we go sing the song?    The song?

Never Love did ever wrong.

Fair maids, hold hands all along.

Shall we go learn to woo?    To woo?

Never thought came ever to[o](?)

Better deed could better do.

Shall we go learn to kiss?    To kiss?

Never heart could ever miss

Comfort where true meaning is.

Thus at base they run,    They run,

When the sport was scarce begun;

But I waked, and all was done.

Another of the Same

Say that I should say I love ye,

Would you say 'tis but a saying?

But if Love in prayers move ye,

Will ye not be moved with praying?

Think I think that Love should know ye,

Will you think 'tis but a thinking?

But if Love the thought do show ye,

Will ye loose your eyes with winking?

Write that I do write you blessed,

Will you write 'tis but a writing?

But if Truth and Love confess it,

Will ye doubt the true inditing?

No, I say, and think, and write it,

Write, and think, and say your pleasure;

Love, and truth, and I indite it,

You are blessèd out of measure.

A Shepherd's Dream

A silly shepherd lately sat

Among a flock of sheep;

Where musing long on this and that,

At last he fell asleep.

And in the slumber as he lay,

He gave a piteous groan;

He thought his sheep were run away,

And he was left alone.

He whoop'd, he whistled, and he call'd,

But not a sheep came near him;

Which made the shepherd sore appall'd

To see that none would hear him.

But as the swain amazèd stood,

In this most solemn vein,

Came Phyllida forth of the wood,

And stood before the swain.

Whom when the shepherd did behold

He straight began to weep,

And at the heart he grew a-cold,

To think upon his sheep.

For well he knew, where came the queen,

The shepherd durst not stay:

And where that he durst not be seen,

The sheep must needs away.

To ask her if she saw his flock,

Might happen patience move,

And have an answer with a mock,

That such demanders prove.

Yet for because he saw her come

Alone out of the wood,

He thought he would not stand as dumb,

When speech might do him good;

And therefore falling on his knees,

To ask but for his sheep,

He did awake, and so did leese

The honour of his sleep.

A Quarrel with Love

Oh that I could write a story

Of love's dealing with affection!

How he makes the spirit sorry

That is touch'd with his infection.

But he doth so closely wind him,

In the plaits of will ill-pleased,

That the heart can never find him

Till it be too much diseased.

'Tis a subtle kind or spirit

Of a venom-kind of nature,

That can, like a coney-ferret,

Creep unawares upon a creature.

Never eye that can behold it,

Though it worketh first by seeing;

Nor conceit that can unfold it,

Though in thoughts be all its being.

Oh! it maketh old men witty,

Young men wanton, women idle,

While that patience weeps, for pity

Reason bite not nature's bridle.

What it is, in conjecture;

Seeking much, but nothing finding;

Like to fancy's architecture

With illusions reason blinding.

Yet, can beauty so retain it,

In the profit of her service,

That she closely can maintain it

For her servant chief on office?

In her eye she chiefly breeds it;

In her cheeks she chiefly hides it;

In her servant's faith she feeds it,

While his only heart abides it.

A Sweet Contention between Love, his Mistress, and Beauty

Love and my mistress were at strife

Who had the greatest power on me:

Betwixt them both, oh, what a life!

Nay, what a death is this to be!

She said, she did it with her eye;

He said, he did it with his dart;

Betwixt them both (a silly wretch!)

'Tis I that have the wounded heart.

She said, she only spake the word

That did enchant my peering sense;

He said, he only gave the sound

That enter'd heart without defence.

She said, her beauty was the mark

That did amaze the highest mind;

He said, he only made the mist

Whereby the senses grew so blind.

She said, that only for her sake,

The best would venture life and limb:

He said, she was too much deceiv'd;

They honour'd her because of him.

Long while, alas, she would not yield,

But it was she that rul'd the roost;[1]

Until by proof, she did confess,

If he were gone, her joy was lost.

And then she cried, "Oh, dainty love,

I now do find it is for thee,

That I am lov'd and honour'd both,

And thou hast power to conquer me."

But, when I heard her yield to love,

Oh! how my heart did leap for joy!

That now I had some little hope

To have an end to mine annoy!

But, as too soon, before the field

The trumpets sound the overthrow,

So all too soon I joy'd too much,

For I awaked, and nothing saw.[2]

[Transcriber's note 1: The original had 'roast']

[Footnote 2: Ellis reads so.]

Love

Foolish love is only folly;

Wanton love is too unholy;

Greedy love is covetous;

Idle love is frivolous;

But the gracious love is it

That doth prove the work of it.

Beauty but deceives the eye;

Flattery leads the ear awry;

Wealth doth but enchant the wit;

Want, the overthrow of it;

While in Wisdom's worthy grace,

Virtue sees the sweetest face.

There hath Love found out his life,

Peace without all thought of strife;

Kindness in Discretion's care;

Truth, that clearly doth declare

Faith doth in true fancy prove,

Lust the excrements of Love.

Then in faith may fancy see

How my love may constru'd be;

How it grows and what it seeks;

How it lives and what it likes;

So in highest grace regard it,

Or in lowest scorn discard it.

The Passionate Shepherd.

Those eyes that hold the hand of every heart,

That hand that holds the heart of every eye,

That wit that goes beyond all Nature's art,

The sense too deep for Wisdom to descry;

That eye, that hand, that wit, that heavenly sense

Doth show my only mistress' excellence.

O eyes that pierce into the purest heart!

O hands that hold the highest thoughts in thrall!

O wit that weighs the depth of all desert!

O sense that shews the secret sweet of all!

The heaven of heavens with heavenly power preserve thee,

Love but thyself, and give me leave to serve thee.

To serve, to live to look upon those eyes,

To look, to live to kiss that heavenly hand,

To sound that wit that doth amaze the mind,

To know that sense, no sense can understand,

To understand that all the world may know,

Such wit, such sense, eyes, hands, there are no moe.

Sonnet

The worldly prince doth in his sceptre hold

A kind of heaven in his authorities;

The wealthy miser, in his mass of gold,

Makes to his soul a kind of Paradise;

The epicure that eats and drinks all day,

Accounts no heaven, but in his hellish routs;

And she, whose beauty seems a sunny day,

Makes up her heaven but in her baby's clouts.

But, my sweet God, I seek no prince's power,

No miser's wealth, nor beauty's fading gloss,

Which pamper sin, whose sweets are inward sour,

And sorry gains that breed the spirit's loss:

No, my dear Lord, let my Heaven only be

In my Love's service, but to live to thee.

A Sweet Lullaby

Come, little babe, come, silly soul,

Thy father's shame, thy mother's grief,

Born as I doubt to all our dole,

And to thyself unhappy chief:

Sing lullaby and lap it warm,

Poor soul that thinks no creature harm.

Thou little thinkst, and less dost know

The cause of this thy mother's moan;

Thou want'st the wit to wail her woe,

And I myself am all alone;

Why dost thou weep? why dost thou wail,

And know'st not yet what thou dost ail?

Come, little wretch! Ah! silly heart,

Mine only joy, what can I more?

If there be any wrong thy smart,

That may the destinies implore,

'Twas I, I say, against my will--

I wail the time, but be thou still.

And dost thou smile? O thy sweet face!

Would God Himself He might thee see!

No doubt thou wouldst soon purchase grace,

I know right well, for thee and me,

But come to mother, babe, and play,

For father false is fled away.

Sweet boy, if it by fortune chance

Thy father home again to send,

If Death do strike me with his lance

Yet may'st thou me to him commend:

If any ask thy mother's name,

Tell how by love she purchased blame.

Then will his gentle heart soon yield:

I know him of a noble mind:

Although a lion in the field,

A lamb in town[1] thou shalt him find:

Ask blessing, babe, be not afraid!

His sugar'd words hath me betray'd.

Then may'st thou joy and be right glad,

Although in woe I seem to moan;

Thy father is no rascal lad:

A noble youth of blood and bone,

His glancing looks, if he once smile,

Right honest women may beguile.

Come, little boy, and rock a-sleep!

Sing lullaby, and be thou still!

I, that can do naught else but weep,

Will sit by thee and wail my fill:

God bless my babe, and lullaby,

From this thy father's quality.

[Transcribers' note 1: 'lown' in the original]

George Wither

Prelude

(From The Shepherd's Hunting)

Seest thou not, in clearest days,

Oft thick fogs cloud Heaven's rays?

And that vapours which do breathe

From the Earth's gross womb beneath,

Seem unto us with black steams

To pollute the Sun's bright beams,

And yet vanish into air,

Leaving it unblemished fair?

So, my Willy, shall it be

With Detraction's breath on thee:

It shall never rise so high

As to stain thy poesy.

As that sun doth oft exhale

Vapours from each rotten vale,

Poesy so sometime drains

Gross conceits from muddy brains;

Mists of envy, fogs of spite,

Twixt men's judgments and her light;

But so much her power may do,

That she can dissolve them too.

If thy verse do bravely tower,

As she makes wing she gets power;

Yet the higher she doth soar,

She's affronted still the more,

Till she to the highest hath past;

Then she rests with Fame at last.

Let nought, therefore, thee affright;

But make forward in thy flight.

For if I could match thy rhyme,

To the very stars I'd climb;

There begin again, and fly

Till I reached eternity.

But, alas, my Muse is slow,

For thy place she flags too low;

Yea, the more's her hapless fate,

Her short wings were clipt of late;

And poor I, her fortune ruing,

Am put up myself a mewing.

But if I my cage can rid,

I'll fly where I never did;

And though for her sake I'm crost,

Though my best hopes I have lost,

And knew she would make my trouble

Ten times more than ten times double,

I should love and keep her too,

Spite of all the world could do.

For though, banished from my flocks

And confined within these rocks,

Here I waste away the light

And consume the sullen night,

She doth for my comfort stay,

And keeps many cares away.

Though I miss the flowery fields,

With those sweets the spring-tide yields;

Though I may not see those groves,

Where the shepherds chaunt their loves,

And the lasses more excel

Than the sweet-voiced Philomel;

Though of all those pleasures past,

Nothing now remains at last

But Remembrance--poor relief!

That more makes than mends my grief:

She's my mind's companion still,

Maugre envy's evil will;

Whence she should be driven too,

Were't in mortal's power to do.

She doth tell me where to borrow

Comfort in the midst of sorrow,

Makes the desolatest place

To her presence be a grace,

And the blackest discontents

To be pleasing ornaments.

In my former days of bliss

Her divine skill taught me this,

That from everything I saw

I could some invention draw,

And raise pleasure to her height

Through the meanest object's sight;

By the murmur of a spring,

Or the least bough's rustling;

By a daisy, whose leaves spread,

Shut when Titan goes to bed;

Or a shady bush or tree;

She could more infuse in me,

Than all Nature's beauties can

In some other wiser man.

By her help I also now

Make this churlish place allow

Some things that may sweeten gladness

In the very gall of sadness:

The dull loneness, the black shade

That these hanging vaults have made;

The strange music of the waves

Beating on these hollow caves;

This black den which rocks emboss

Overgrown with eldest moss;

The rude portals that give light

More to terror than delight;

This my chamber of neglect,

Walled about with disrespect;

From all these, and this dull air,

A fit object for despair,

She hath taught me, by her might,

To draw comfort and delight.

Therefore, thou best earthly bliss,

I will cherish thee for this.

Poesy, thou sweet'st content

That e'er Heaven to mortals lent!

Though they as a trifle leave thee

Whose dull thoughts cannot conceive thee,

Though thou be to them a scorn

That to nought but earth are born

Let my life no longer be

Than I am in love with thee.

Though our wise ones call thee madness,

Let me never taste of gladness,

If I love not thy maddest fits

More than all their greatest wits.

And though some, too seeming holy,

Do account thy raptures folly,

Thou dost teach me to contemn

What makes knaves and fools of them.

A Poet's Home

Two pretty rills do meet, and meeting make

Within one valley a large silver lake:

About whose banks the fertile mountains stood

In ages passèd bravely crowned with wood,

Which lending cold-sweet shadows gave it grace

To be accounted Cynthia's bathing-place;

And from her father Neptune's brackish court,

Fair Thetis thither often would resort,

Attended by the fishes of the sea,

Which in those sweeter waters came to plea.

There would the daughter of the Sea God dive,

And thither came the Land Nymphs every eve

To wait upon her: bringing for her brows

Rich garlands of sweet flowers and beechy boughs.

For pleasant was that pool, and near it then

Was neither rotten marsh nor boggy fen,

It was nor overgrown with boisterous sedge,

Nor grew there rudely then along the edge

A bending willow, nor a prickly bush,

Nor broad-leaved flag, nor reed, nor knotty rush.

But here well-ordered was a grove with bowers,

There grassy plots set round about with flowers.

Here you might through the water see the land

Appear, strowed o'er with white or yellow sand;

Yon deeper was it, and the wind by whiffs

Would make it rise and wash the little cliffs

On which, oft pluming, sat unfrighted than

The gaggling wild-goose and the snow-white swan,

With all those flocks of fowls which to this day,

Upon those quiet waters breed and play.

For though those excellences wanting be

Which once it had, it is the same that we

By transposition name the Ford of Arle,

And out of which, along a chalky marle,

That river trills whose waters wash the fort

In which brave Arthur kept his royal court.

North-east, not far from this great pool, there lies

A tract of beechy mountains, that arise,

With leisurely ascending, to such height

As from their tops the warlike Isle of Wight

You in the ocean's bosom may espy,

Though near two furlongs thence it lie.

The pleasant way, as up those hills you climb,

Is strewèd o'er with marjoram and thyme,

Which grows unset. The hedgerows do not want

The cowslip, violet, primrose, nor a plant

That freshly scents: as birch, both green and tall;

Low sallows, on whose blooming bees do fall;

Fair woodbines, which about the hedges twine;

Smooth privet, and the sharp-sweet eglantine,

With many moe whose leaves and blossoms fair

The earth adorn and oft perfume the air.

When you unto the highest do attain

An intermixture both of wood and plain

You shall behold, which, though aloft it lie,

Hath downs for sheep and fields for husbandry,

So much, at least, as little needeth more,

If not enough to merchandise their store.

In every row hath nature planted there

Some banquet for the hungry passenger.

For here the hazel-nut and filbert grows,

There bullice, and, a little farther, sloes.

On this hand standeth a fair weilding-tree,

On that large thickets of blackberries be.

The shrubby fields are raspice orchards there,

The new felled woods like strawberry gardens are,

And had the King of Rivers blessed those hills

With some small number of such pretty rills

As flow elsewhere, Arcadia had not seen

A sweeter plot of earth than this had been.

From Faire Virtue.

Her Beauty

Her true beauty leaves behind

Apprehensions in my mind

Of more sweetness than all art

Or inventions can impart;

Thoughts too deep to be expressed,

And too strong to be suppressed....

... What pearls, what rubies can

Seem so lovely fair to man,

As her lips whom he doth love

When in sweet discourse they move:

Or her lovelier teeth, the while

She doth bless him with a smile!

Stars indeed fair creatures be;

Yet amongst us where is he

Joys not more the whilst he lies

Sunning in his mistress' eyes.

Than in all the glimmering light

Of a starry winter's night?

Note the beauty of an eye,

And if aught you praise it by

Leave such passion in your mind,

Let my reason's eye be blind.

Mark if ever red or white

Anywhere gave such delight

As when they have taken place

In a worthy woman's face.

From Faire Virtue.

Rhomboidal Dirge.

Ah me!

Am I the swain

That late from sorrow free

Did all the cares on earth disdain?

And still untouched, as at some safer games,

Played with the burning coals of love, and beauty's flames?

Was't I could dive, and sound each passion's secret depth at will?

And from those huge o'erwhelmings rise, by help of reason still?

And am I now, O heavens! for trying this in vain,

So sunk that I shall never rise again?

Then let despair set sorrow's string,

For strains that doleful be;

And I will sing,

Ah me!

But why,

O fatal time,

Dost thou constrain that I

Should perish in my youth's sweet prime?

I, but awhile ago, (you cruel powers!)

In spite of fortune, cropped contentment's sweetest flowers,

And yet unscornèd, serve a gentle nymph, the fairest she,

That ever was beloved of man, or eyes did ever see!

Yea, one whose tender heart would rue for my distress;

Yet I, poor I! must perish ne'ertheless.

And (which much more augments my care)

Unmoanèd I must die,

And no man e'er

Know why.

Thy leave,

My dying song,

Yet take, ere grief bereave

The breath which I enjoy too long,

Tell thou that fair one this: my soul prefers

Her love above my life; and that I died her's:

And let him be, for evermore, to her remembrance dear,

Who loved the very thought of her whilst he remained here.

And now farewell! thou place of my unhappy birth,

Where once I breathed the sweetest air on earth;

Since me my wonted joys forsake,

And all my trust deceive;

Of all I take

My leave.

Farewell!

Sweet groves, to you!

You hills, that highest dwell;

And all you humble vales, adieu!

You wanton brooks, and solitary rocks,

My dear companions all! and you, my tender flocks!

Farewell my pipe, and all those pleasing songs, whose moving strains

Delighted once the fairest nymphs that dance upon the plains!

You discontents, whose deep and over-deadly smart

Have, without pity, broke the truest heart.

Sighs, tears, and every sad annoy,

That erst did with me dwell,

And all other joys,

Farewell!

Adieu!

Fair shepherdesses!

Let garlands of sad yew

Adorn your dainty golden tresses.

I, that loved you, and often with my quill,

Made music that delighted fountain, grove, and hill;

I, whom you loved so, and with a sweet and chaste embrace.

Yea, with a thousand rather favours, would vouchsafe to grace,

I now must leave you all alone, of love to plain;

And never pipe, nor never sing again!

I must, for evermore, be gone;

And therefore bid I you,

And every one,

Adieu!

I die!

For, oh! I feel

Death's horrors drawing nigh,

And all this frame of nature reel.

My hopeless heart, despairing of relief,

Sinks underneath the heavy weight of saddest grief;

Which hath so ruthless torn, so racked, so tortured every vein,

All comfort comes too late to have it ever cured again.

My swimming head begins to dance death's giddy round;

A shuddering chillness doth each sense confound;

Benumbed is my cold sweating brow

A dimness shuts my eye.

And now, oh! now,

I die!

From Faire Virtue.

Song

Lordly gallants! tell me this

(Though my safe content you weigh not),

In your greatness, what one bliss

Have you gained, that I enjoy not?

You have honours, you have wealth;

I have peace, and I have health:

All the day I merry make,

And at night no care I take.

Bound to none my fortunes be,

This or that man's fall I fear not;

Him I love that loveth me,

For the rest a pin I care not.

You are sad when others chaff,

And grow merry as they laugh;

I that hate it, and am free,

Laugh and weep as pleaseth me.

You may boast of favours shown,

Where your service is applied:

But my pleasures are mine own,

And to no man's humour tied.

You oft flatter, sooth, and feign;

I such baseness do disdain;

And to none be slave I would,

Though my fetters might be gold.

By great titles, some believe,

Highest honours are attained;

And yet kings have power to give

To their fools, what these have gained.

Where they favour there they may

All their names of honour lay;

But I look not raised to be,

'Till mine own wing carry me.

Seek to raise your titles higher;

They are toys not worth my sorrow;

Those that we to-day admire,

Prove the age's scorn to-morrow.

Take your honours; let me find

Virtue in a free born mind--

This, the greatest kings that be

Cannot give, nor take from me.

Though I vainly do not vaunt

Large demesnes, to feed my pleasure;

I have favours where you want,

That would buy respect with treasure.

You have lands lie here and there,

But my wealth is everywhere;

And this addeth to my store--

Fortune cannot make me poor.

Say you purchase with your pelf

Some respect, where you importune;

Those may love me for myself,

That regard you for your fortune.

Rich or born of high degree,

Fools as well as you may be;

But that peace in which I live

No descent nor wealth can give.

If you boast that you may gain

The respect of high-born beauties;

Know I never wooed in vain,

Nor preferrèd scornèd duties.

She I love hath all delight,

Rosy-red with lily-white,

And whoe'er your mistress be,

Flesh and blood as good as she.

Note of me was never took,

For my woman-like perfections;

But so like a man I look,

It hath gained me best affections.

For my love as many showers

Have been wept as have for yours:

And yet none doth me condemn

For abuse, or scorning them.

Though of dainties you have store,

To delight a choicer palate,

Yet your taste is pleased no more

Than is mine in one poor sallet.

You to please your senses feed

But I eat good blood to breed;

And am most delighted then

When I spend it like a man.

Though you lord it over me,

You in vain thereof have braved;

For those lusts my servants be

Whereunto your minds are slaved.

To yourselves you wise appear,

But, alas! deceived you are;

You do foolish me esteem,

And are that which I do seem.

When your faults I open lay,

You are moved, and mad with vexing;

But you ne'er could do or say

Aught to drive me to perplexing.

Therefore, my despisèd power

Greater is, by far, than your.

And, whate'er you think of me,

In your minds you poorer be.

You are pleasèd, more or less,

As men well or ill report you;

And show discontentedness,

When the times forbear to court you.

That in which my pleasures be,

No man can divide from me;

And my care it adds not to,

Whatso others say or do.

Be not proud, because you view

You by thousands are attended;

For, alas! it is not you,

But your fortune that's befriended.

Where I show of love have got,

Such a danger fear I not:

Since they nought can seek of me,

But for love, beloved to be.

When your hearts have everything,

You are pleasantly disposed:

But I can both laugh and sing,

Though my foes have me enclosed.

Yea, when dangers me do hem,

I delight in scorning them,

More than you in your renown,

Or a king can in his crown.

You do bravely domineer,

Whilst the sun upon you shineth:

Yet, if any storm appear,

Basely, then, your mind declineth.

But, or shine, or rain, or blow,

I my resolutions know--

Living, dying, thrall, or free,

At one height my mind shall be.

When in thraldom I have lain,

Me not worth your thought you prized;

But your malice was in vain,

For your favours I despised.

And, howe'er you value me,

I with praise shall thought on be

When the world esteems you not

And your names shall be forgot.

In these thoughts my riches are;

Now, though poor or mean you deem me,

I am pleased, and do not care

How the times or you esteem me.

For those toys that make you gay

Are but play-games for a day:

And when nature craves her due,

I as brave shall be as you.

Song

Shall I, wasting in despair,

Die, because a woman's fair?

Or make pale my cheeks with care

'Cause another's rosy are?

Be she fairer than the day,

Or the flow'ry meads in May;

If she be not so to me,

What care I how fair she be.

Should my heart be grieved or pined

'Cause I see a woman kind?

Or a well-disposèd nature

Joinèd with a lovely creature?

Be she meeker, kinder than

Turtle-dove or pelican:

If she be not so to me,

What care I how kind she be.

Shall a woman's virtues move

Me to perish for her love?

Or, her well-deserving known,

Make me quite forget mine own?

Be she with that goodness blest

Which may gain her name of best

If she be not such to me,

What care I how good she be.

'Cause her fortune seems too high,

Shall I play the fool and die?

Those that bear a noble mind,

Where they want or riches find,

Think what with them they would do

That without them dare to woo.

And unless that mind I see,

What care I though great she be.

Great, or good, or kind, or fair,

I will ne'er the more despair;

If she love me, this believe,

I will die ere she shall grieve.

If she slight me, when I woo,

I can scorn, and let her go.

For, if she be not for me,

What care I for whom she be.

"Amarillis I Did Woo"

Amarillis I did woo,

And I courted Phillis too;

Daphne, for her love, I chose;

Cloris, for that damask rose

In her cheek, I held as dear;

Yea, a thousand liked well near.

And, in love with all together,

Fearèd the enjoying either;

'Cause to be of one possest,

Barred the hope of all the rest.

Sonnet: On A Stolen Kiss

Now gentle sleep hath closèd up those eyes,

Which waking kept my boldest thoughts in awe,

And free access unto that sweet lip lies

From whence I long the rosy breath to draw.

Methinks no wrong it were if I should steal,

From those two melting rubies, one poor kiss.

None sees the theft that would the thief reveal,

Nor rob I her of aught which she can miss.

Nay, should I twenty kisses take away,

There would be little sign I had done so.

Why then should I this robbery delay?

Oh, she may wake, and therewith angry grow.

Well, if she do, I'll back restore that one,

And twenty hundred thousand more for loan.

A Christmas Carol

So now is come our joyful feast,

Let every man be jolly;

Each room with ivy leaves is drest,

And every post with holly.

Though some churls at our mirth repine,

Round your foreheads garlands twine,

Drown sorrow in a cup of wine,

And let us all be merry.

Now all our neighbours' chimnies smoke,

And Christmas blocks are burning;

Their ovens they with baked meats choke,

And all their spits are turning.

Without the door let sorrow lie,

And if for cold it hap to die,

We'll bury it in a Christmas pie;

And evermore be merry.

Now every lad is wondrous trim,

And no man minds his labour;

Our lasses have provided them

A bagpipe and a tabour.

Young men and maids, and girls and boys

Give life to one another's joys;

And you anon shall by their noise

Perceive that they are merry.

Rank misers now do sparing shun,

Their hall of music soundeth;

And dogs thence with whole shoulders run,

So all things there aboundeth.

The country-folk themselves advance,

For Crowdy-Mutton's come out of France;

And Jack shall pipe and Jill shall dance,

And all the town be merry.

Ned Swatch hath fetched his bands from pawn,

And all his best apparel;

Brisk Nell hath bought a ruff of lawn

With droppings of the barrel.

And those that hardly all the year

Had bread to eat or rags to wear,

Will have both clothes and dainty fare,

And all the day be merry.

Now poor men to the justices

With capons make their errands;

And if they hap to fail of these,

They plague them with their warrants.

But now they feed them with good cheer,

And what they want they take in beer,

For Christmas comes but once a year,

And then they shall be merry.

Good farmers in the country nurse

The poor, that else were undone;

Some landlords spend their money worse,

On lust and pride at London.

There the roysters they do play,

Drab and dice their land away,

Which may be ours another day;

And therefore let's be merry.

The client now his suit forbears,

The prisoner's heart is easèd;

The debtor drinks away his cares,

And for the time is pleasèd.

Though others' purses be more fat,

Why should we pine or grieve at that;

Hang sorrow, care will kill a cat,

And therefore let's be merry.

Hark how the wags abroad do call

Each other forth to rambling;

Anon you'll see them in the hall,

For nuts and apples scrambling,

Hark how the roofs with laughters sound,

Anon they'll think the house goes round:

For they the cellar's depths have found,

And there they will be merry.

The wenches with their wassel-bowls

About the streets are singing;

The boys are come to catch the owls,

The wild mare in is bringing.

Our kitchen boy hath broke his box,

And to the dealing of the ox

Our honest neighbours come by flocks,

And here they will be merry.

Now kings and queens poor sheep-cotes have,

And mate with everybody;

The honest now may play the knave,

And wise men play at noddy.

Some youths will now a mumming go,

Some others play at rowland-hoe,

And twenty other gameboys moe;

Because they will be merry.

Then wherefore in these merry days

Should we, I pray, be duller?

No, let us sing some roundelays

To make our mirth the fuller.

And whilst we thus inspirèd sing,

Let all the streets with echoes ring;

Woods, and hills, and everything

Bear witness we are merry.

A Rocking Hymn

Sweet baby, sleep! what ails my dear,

What ails my darling thus to cry?

Be still, my child, and lend thine ear

To hear me sing thy lullaby.

My pretty lamb, forbear to weep;

Be still, my dear; sweet baby, sleep.

Thou blessed soul, what canst thou fear?

What thing to thee can mischief do?

Thy God is now thy father dear,

His holy Spouse, thy mother too.

Sweet baby, then forbear to weep;

Be still, my babe; sweet baby, sleep.

Though thy conception was in sin,

A sacred bathing thou hast had;

And, though thy birth unclean hath been,

A blameless babe thou now art made.

Sweet baby, then forbear to weep;

Be still, my dear; sweet baby, sleep,

While thus thy lullaby I sing,

For thee great blessings ripening be;

Thine eldest brother is a King,

And hath a kingdom bought for thee.

Sweet baby, then forbear to weep;

Be still, my babe; sweet baby, sleep.

Sweet baby, sleep and nothing fear,

For whosoever thee offends,

By thy protector threat'ned are,

And God and angels are thy friends.

Sweet baby, then forbear to weep;

Be still, my babe; sweet baby, sleep.

When God with us was dwelling here,

In little babes he took delight;

Such innocents as thou, my dear,

Are ever precious in His sight.

Sweet baby, then forbear to weep;

Be still, my babe; sweet baby, sleep.

A little infant once was He,

And, strength in weakness, then was laid

Upon His virgin-mother's knee,

That power to thee might be conveyed.

Sweet baby, then forbear to weep;

Be still, my babe; sweet baby, sleep.

In this, thy frailty and thy need,

He friends and helpers doth prepare,

Which thee shall cherish, clothe and feed;

For of thy weal they tender are.

Sweet baby, then forbear to weep;

Be still, my babe; sweet baby, sleep.

The King of kings, when he was born,

Had not so much for outward ease;

By Him such dressings were not worn,

Nor such like swaddling-clothes as these.

Sweet baby, then forbear to weep;

Be still, my babe; sweet baby, sleep.

Within a manger lodged thy Lord

Where oxen lay and asses fed;

Warm rooms we do to thee afford,

An easy cradle or a bed.

Sweet baby, then forbear to weep;

Be still, my babe; sweet baby, sleep.

The wants that He did then sustain

Have purchased wealth, my babe, for thee;

And by His torments and His pain

Thy rest and ease securèd be.

My baby, then forbear to weep;

Be still, my babe; sweet baby, sleep.

Thou hast (yet more) to perfect this,

A promise and an earnest got

Of gaining everlasting bliss,

Though thou, my babe, perceiv'st it not;

Sweet baby, then forbear to weep;

Be still, my babe; sweet baby, sleep.

The Marigold

When with a serious musing I behold

The grateful and obsequious marigold,

How duly every morning she displays

Her open breast, when Titan spreads his rays;

How she observes him in his daily walk,

Still bending towards him her small slender stalk;

How when he down declines, she droops and mourns,

Bedewed, as 'twere with tears, till he returns;

And how she veils her flowers when he is gone,

As if she scornèd to be lookèd on

By an inferior eye; or did contemn

To wait upon a meaner light than him.

When this I meditate, methinks the flowers

Have spirits far more generous than ours,

And give us fair examples to despise

The servile fawnings and idolatries,

Wherewith we court these earthly things below,

Which merit not the service we bestow....

Sonnet: On the Death of Prince Henry

Methought his royal person did foretell

A kingly stateliness, from all pride clear;

His look majestic seemèd to compel

All men to love him, rather than to fear.

And yet though he were every good man's joy,

And the alonely comfort of his own,

His very name with terror did annoy

His foreign foes so far as he was known.

Hell drooped for fear; the Turkey moon looked pale;

Spain trembled; and the most tempestuous sea,

(Where Behemoth, the Babylonish whale,

Keeps all his bloody and imperious plea)

Was swoln with rage, for fear he'd stop the tide

Of her o'er-daring and insulting pride.

From a Satire written to King James I

Did I not know a great man's power and might

In spite of innocence can smother right,

Colour his villainies to get esteem,

And make the honest man the villain seem?

I know it, and the world doth know 'tis true,

Yet I protest if such a man I knew,

That might my country prejudice or thee

Were he the greatest or the proudest he,

That breathes this day; if so it might be found

That any good to either might redound,

I unappalled, dare in such a case

Rip up his foulest crimes before his face,

Though for my labour I were sure to drop

Into the mouth of ruin without hope.

William Browne

To England

Hail, thou my native soil! thou blessed plot

Whose equal all the world affordeth not!

Show me who can so many crystal rills,

Such sweet-clothed valleys or aspiring hills;

Such wood-ground, pastures, quarries, wealthy mines;

Such rocks in whom the diamond fairly shines;

And if the earth can show the like again,

Yet will she fail in her sea-ruling men.

From Britannia's Pastorals.

The Seasons

The year hath first his jocund spring,

Wherein the leaves, to birds' sweet carolling,

Dance with the wind; then sees the summer's day

Perfect the embryon blossom of each spray;

Next cometh autumn, when the threshèd sheaf

Loseth his grain, and every tree his leaf;

Lastly, cold winter's rage, with many a storm,

Threats the proud pines which Ida's top adorn,

And makes the sap leave succourless the shoot,

Shrinking to comfort his decaying root.

From Britannia's Pastorals.

May Day Customs

I have seen the Lady of the May

Set in an arbour, on a holiday,

Built by the May-pole, where the jocund swains

Dance with the maidens to the bagpipe's strains,

When envious night commands them to be gone

Call for the merry youngsters one by one,

And for their well performance soon disposes:

To this a garland interwove with roses,

To that a carvèd hook or well-wrought scrip,

Gracing another with her cherry lip;

To one her garter, to another then

A handkerchief cast o'er and o'er again;

And none returneth empty that hath spent

His pains to fill their rural merriment.

From Britannia's Pastorals.

Birds in May

As (woo'd by May's delights) I have been borne

To take the kind air of a wistful morn

Near Tavy's voiceful stream (to whom I owe

More strains than from my pipe can ever flow),

Here have I heard a sweet bird never lin

To chide the river for his clam'rous din;

There seem'd another in his song to tell,

That what the fair stream did he liked well;

And going further heard another too,

All varying still in what the others do;

A little thence, a fourth with little pain

Conn'd all their lessons, and them sung again;

So numberless the songsters are that sing

In the sweet groves of the too-careless spring,

That I no sooner could the hearing lose

Of one of them, but straight another rose,

And perching deftly on a quaking spray,

Nigh tir'd herself to make her hearer stay.

.      .      .      .      .

Shrill as a thrush upon a morn of May.

From Britannia's Pastorals.

Music on the Thames

As I have seen when on the breast of Thames

A heavenly bevy of sweet English dames,

In some calm ev'ning of delightful May,

With music give a farewell to the day,

Or as they would, with an admired tone,

Greet Night's ascension to her ebon throne,

Rapt with their melody a thousand more

Run to be wafted from the bounding shore.

From Britannia's Pastorals.

A Concert of Birds

The mounting lark (day's herald) got on wing,

Bidding each bird choose out his bough and sing.

The lofty treble sung the little wren;

Robin the mean, that best of all loves men;

The nightingale the tenor, and the thrush

The counter-tenor sweetly in a bush.

And that the music might be full in parts,

Birds from the groves flew with right willing hearts;

But (as it seem'd) they thought (as do the swains,

Which tune their pipes on sack'd Hibernia's plains)

There should some droning part be, therefore will'd

Some bird to fly into a neighb'ring field,

In embassy unto the King of Bees,

To aid his partners on the flowers and trees

Who, condescending, gladly flew along

To bear the bass to his well-tuned song.

The crow was willing they should be beholding

For his deep voice, but being hoarse with scolding,

He thus lends aid; upon an oak doth climb,

And nodding with his head, so keepeth time.

From Britannia's Pastorals.

Flowers

The daisy scatter'd on each mead and down,

A golden tuft within a silver crown;

(Fair fall that dainty flower! and may there be

No shepherd grac'd that doth not honour thee!)

The primrose, when with six leaves gotten grace

Maids as a true-love in their bosoms place;

The spotless lily, by whose pure leaves be

Noted the chaste thoughts of virginity;

Carnations sweet with colour like the fire,

The fit impresas for inflam'd desire;

The harebell for her stainless azur'd hue

Claims to be worn of none but those are true;

The rose, like ready youth, enticing stands,

And would be cropp'd if it might choose the hands,

The yellow kingcup Flora them assign'd

To be the badges of a jealous mind;

The orange-tawny marigold: the night

Hides not her colour from a searching sight....

The columbine in tawny often taken,

Is then ascrib'd to such as are forsaken;

Flora's choice buttons of a russet dye

Is hope even in the depth of misery.

From Britannia's Pastorals.

Morning

The Muses' friend (grey-eyed Aurora) yet

Held all the meadows in a cooling sweat,

The milk-white gossamers not upwards snow'd,

Nor was the sharp and useful-steering goad

Laid on the strong-neck'd ox; no gentle bud

The sun had dried; the cattle chew'd the cud

Low levell'd on the grass; no fly's quick sting

Enforc'd the stonehorse in a furious ring

To tear the passive earth, nor lash his tail

About his buttocks broad; the slimy snail

Might on the wainscot, by his many mazes,

Winding meanders and self-knitting traces,

Be follow'd where he stuck, his glittering slime

Not yet wip'd off. It was so early time,

The careful smith had in his sooty forge

Kindled no coal; nor did his hammers urge

His neighbours' patience: owls abroad did fly,

And day as then might plead his in fancy.

From Britannia's Pastorals.

Night

Now great Hyperion left his golden throne

That on the dancing waves in glory shone,

For whose declining on the western shore

The oriental hills black mantles wore,

And thence apace the gentle twilight fled,

That had from hideous caverns ushered

All-drowsy Night, who in a car of jet,

By steeds of iron-grey, which mainly sweat

Moist drops on all the world, drawn through the sky,

The helps of darkness waited orderly.

First thick clouds rose from all the liquid plains;

Then mists from marishes, and grounds whose veins

Were conduit-pipes to many a crystal spring;

From standing pools and fens were following

Unhealthy fogs; each river, every rill

Sent up their vapours to attend her will

These pitchy curtains drew 'twixt earth and heaven

And as Night's chariot through the air was driven,

Clamour grew dumb, unheard was shepherd's song

And silence girt the woods; no warbling tongue

Talk'd to the Echo; satyrs broke their dance,

And all the upper world lay in a trance.

Only the curled streams soft chidings kept;

And little gales that from the green leaf swept

Dry summer's dust, in fearful whisp'rings stirred.

As loath to waken any singing bird.

From Britannia's Pastorals.

A Pleasant Grove

Unto a pleasant grove or such like place,

Where here the curious cutting of a hedge:

There, by a pond, the trimming of the sedge:

Here the fine setting of well-shading trees:

The walks there mounting up by small degrees,

The gravel and the green so equal lie,

It, with the rest, draws on your ling'ring eye:

Here the sweet smells that do perfume the air,

Arising from the infinite repair

Of odoriferous buds and herbs of price,

(As if it were another Paradise)

So please the smelling sense, that you are fain

Where last you walk'd to turn and walk again.

There the small birds with their harmonious notes

Sing to a spring that smileth as she floats:

For in her face a many dimples show,

And often skips as it did dancing go:

Here further down an over-arched alley,

That from a hill goes winding in a valley,

You spy at end thereof a standing lake,

Where some ingenious artist strives to make

The water (brought in turning pipes of lead

Through birds of earth most lively fashioned)

To counterfeit and mock the sylvans all,

In singing well their own set madrigal.

This with no small delight retains your ear,

And makes you think none blest but who live there.

Then in another place the fruits that be

In gallant clusters decking each good tree,

Invite your hand to crop some from the stem,

And liking one, taste every sort of them:

Then to the arbours walk, then to the bowers,

Thence to the walks again, thence to the flowers,

Then to birds, and to the clear spring thence,

Now pleasing one, and then another sense.

Here one walks oft, and yet anew begin'th,

As if it were some hidden labyrinth;

So loath to part and so content to stay,

That when the gard'ner knocks for you away,

It grieves you so to leave the pleasures in it,

That you could wish that you had never seen it.

From Britannia's Pastorals.

An Angler

Now as an angler melancholy standing

Upon a green bank yielding room for landing,

A wriggling yellow worm thrust on his hook,

Now in the midst he throws, then in a nook:

Here pulls his line, there throws it in again,

Mendeth his cork and bait, but all in vain,

He long stands viewing of the curled stream;

At last a hungry pike, or well-grown bream

Snatch at the worm, and hasting fast away,

He knowing it a fish of stubborn sway,

Pulls up his rod, but soft, as having skill,

Wherewith the hook fast holds the fish's gill;

Then all his line he freely yieldeth him,

Whilst furiously all up and down doth swim

Th' insnared fish, here on the top doth scud,

There underneath the banks, then in the mud,

And with his frantic fits so scares the shoal,

That each one takes his hide, or starting hole:

By this the pike, clean wearied, underneath

A willow lies.

From Britannia's Pastorals.

A Rill

So when the pretty rill a place espies,

Where with the pebbles she would wantonize,

And that her upper stream so much doth wrong her

To drive her thence, and let her play no longer;

If she with too loud mutt'ring ran away,

As being much incens'd to leave her play,

A western, mild and pretty whispering gale

Came dallying with the leaves along the dale,

And seem'd as with the water it did chide,

Because it ran so long unpacified:

Yea, and methought it bade her leave that coil,

Or he would choke her up with leaves and soil:

Whereat the riv'let in my mind did weep,

And hurl'd her head into a silent deep.

From Britannia's Pastorals.

"Glide soft, ye Silver Floods"

Glide soft, ye silver floods,

And every spring:

Within the shady woods

Let no bird sing!

Nor from the grove a turtle-dove

Be seen to couple with her love;

But silence on each dale and mountain dwell,

Whilst Willy bids his friend and joy farewell.

But (of great Thetis' train)

Ye mermaids fair,

That on the shores do plain

Your sea-green hair,

As ye in trammels knit your locks,

Weep ye; and so enforce the rocks

In heavy murmurs through the broad shores tell

How Willy bade his friend and joy farewell.

Cease, cease, ye murd'ring winds,

To move a wave;

But if with troubled minds

You seek his grave;

Know 'tis as various as yourselves,

Now in the deep, then on the shelves,

His coffin toss'd by fish and surges fell,

Whilst Willy weeps and bids all joy farewell.

Had he Arion-like

Been judged to drown,

He on his lute could strike

So rare a sowne,

A thousand dolphins would have come

And jointly strive to bring him home.

But he on shipboard died, by sickness fell,

Since when his Willy bade all joy farewell.

Great Neptune, hear a swain!

His coffin take,

And with a golden chain

For pity make

It fast unto a rock near land!

Where ev'ry calmy morn I'll stand,

And ere one sheep out of my fold I tell,

Sad Willy's pipe shall bid his friend farewell.

"Venus by Adonis' Side"

Venus by Adonis' side

Crying kiss'd, and kissing cried,

Wrung her hands and tore her hair

For Adonis dying there.

Stay (quoth she) O stay and live!

Nature surely doth not give

To the earth her sweetest flowers

To be seen but some few hours.

On his face, still as he bled

For each drop a tear she shed,

Which she kiss'd or wip'd away,

Else had drown'd him where he lay.

Fair Proserpina (quoth she)

Shall not have thee yet from me;

Nor my soul to fly begin

While my lips can keep it in.

Here she clos'd again. And some

Say Apollo would have come

To have cur'd his wounded limb,

But that she had smothered him.

From Britannia's Pastorals.

A Song

Gentle nymphs, be not refusing,

Love's neglect is time's abusing,

They and beauty are but lent you;

Take the one and keep the other;

Love keeps fresh what age doth smother;

Beauty gone you will repent you.

'Twill be said when ye have proved,

Never swains more truly loved:

Oh then fly all nice behaviour!

Pity fain would (as her duty)

Be attending still on Beauty,

Let her not be out of favour.

From Britannia's Pastorals.

Spring Morning--I

Thomalin.

Where is every piping lad

That the fields are not yclad

With their milk-white sheep?

Tell me: is it holiday,

Or if in the month of May

Use they long to sleep?

Piers.

Thomalin, 'tis not too late,

For the turtle and her mate

Sitten yet in nest:

And the thrustle hath not been

Gath'ring worms yet on the green,

But attends her rest.

Not a bird hath taught her young,

Nor her morning's lesson sung

In the shady grove:

But the nightingale in dark

Singing woke the mounting lark:

She records her love.

Not the sun hath with his beams

Gilded yet our crystal streams;

Rising from the sea,

Mists do crown the mountains' tops,

And each pretty myrtle drops:

'Tis but newly day.

The Shepherd's Pipe.

Spring Morning--II

Willie.

Roget, droop not, see the spring

Is the earth enamelling,

And the birds on every tree

Greet this morn with melody:

Hark, how yonder thrustle chants it,

And her mate as proudly vants it

See how every stream is dress'd

By her margin with the best

Of Flora's gifts; she seems glad

For such brooks such flow'rs she had.

All the trees are quaintly tired

With green buds, of all desired;

And the hawthorn every day

Spreads some little show of May:

See the primrose sweetly set

By the much-lov'd violet,

All the banks do sweetly cover,

As they would invite a lover

With his lass to see their dressing

And to grace them by their pressing:

Yet in all this merry tide

When all cares are laid aside,

Roget sits as if his blood

Had not felt the quick'ning good

Of the sun, nor cares to play,

Or with songs to pass the day

As he wont: fie, Roget, fie,

Raise thy head, and merrily

Tune us somewhat to thy reed:

See our flocks do freely feed,

Here we may together sit,

And for music very fit

Is this place; from yonder wood

Comes an echo shrill and good,

Twice full perfectly it will

Answer to thine oaten quill.

Roget, droop not then, but sing

Some kind welcome to the spring.

The Shepherd's Pipe.

A Round

All.

Now that the Spring hath fill'd our veins

With kind and active fire,

And made green liv'ries for the plains,

And every grove a quire:

Sing me a song of merry glee,

And Bacchus fill the bowl.

1. Then here's to thee: 2. And thou to me

And every thirsty soul.

Nor Care nor Sorrow e'er paid debt,

Nor never shall do mine;

I have no cradle going yet,

Not I, by this good wine.

No wife at home to send for me,

No hogs are in my ground,

No suit in law to pay a fee,

Then round, old Jocky, round.

All.

Shear sheep that have them, cry we still,

But see that no man 'scape

To drink of the sherry,

That makes us so merry,

And plump as the lusty grape.

Welcome, welcome, do I sing,

Far more welcome than the spring;

He that parteth from you never

Shall enjoy a spring for ever.

Love, that to the voice is near

Breaking from your iv'ry pale,

Need not walk abroad to hear

The delightful nightingale.

Welcome, welcome, then I sing,

Far more welcome than the spring;

He that parteth from you never

Shall enjoy a spring for ever.

Love, that looks still on your eyes,

Though the winter have begun

To benumb our arteries,

Shall not want the summer's sun.

Welcome, welcome, then I sing, &c.

Love that still may see your cheeks,

Where all rareness still reposes,

Is a fool, if e'er he seeks

Other lilies, other roses.

Welcome, welcome, &c.

Love, to whom your soft lip yields,

And perceives your breath in kissing,

All the odours of the fields

Never, never shall be missing.

Welcome, welcome, &c.

Love, that question would anew

What fair Eden was of old,

Let him rightly study you,

And a brief of that behold.

Welcome, welcome, then I &c.

Autumn

Autumn it was when droop'd the sweetest flow'rs,

And rivers, swoll'n with pride, o'erlook'd the banks;

Poor grew the day of summer's golden hours,

And void of sap stood Ida's cedar-ranks.

The pleasant meadows sadly lay

In chill and cooling sweats

By rising fountains, or as they

Fear'd winter's wastfull threats.

The Shepherd's Pipe.

The Siren's Song

Steer hither, steer your wingèd pines,

All beaten mariners,

Here lie Love's undiscover'd mines,

A prey to passengers;

Perfumes far sweeter than the best

Which makes the Phœnix' urn and nest.

Fear not your ships,

Nor any to oppose you save our lips,

But come on shore,

Where no joy dies till love hath gotten more.

For swelling waves our panting breasts,

Where never storms arise,

Exchange; and be awhile our guests:

For stars gaze on our eyes.

The compass love shall hourly sing,

And as he goes about the ring,

We will not miss

To tell each point he nameth with a kiss.

CHORUS.

Then come on shore,

Where no joy dies till love hath gotten more.

The Inner Temple Masque.

The Charm

Son of Erebus and Night,

Hie away; and aim thy flight

Where consort none other fowl

Than the bat and sullen owl;

Where upon the limber grass

Poppy and mandragoras

With like simples not a few

Hang for ever drops of dew.

Where flows Lethe without coil

Softly like a stream of oil.

Hie thee thither, gentle Sleep:

With this Greek no longer keep.

Thrice I charge thee by my wand;

Thrice with moly from my hand

Do I touch Ulysses' eyes,

And with the jaspis: Then arise,

Sagest Greek....

The Inner Temple Masque.

Cælia

(Sonnets)

Lo, I the man that whilom lov'd and lost,

Not dreading loss, do sing again of love;

And like a man but lately tempest-toss'd,

Try if my stars still inauspicious prove:

Not to make good that poets never can

Long time without a chosen mistress be,

Do I sing thus; or my affections ran

Within the maze of mutability;

What last I lov'd was beauty of the mind,

And that lodg'd in a temple truly fair,

Which ruin'd now by death, if I can find

The saint that liv'd therein some otherwhere,

I may adore it there, and love the cell

For entertaining what I lov'd so well.

Why might I not for once be of that sect,

Which hold that souls, when Nature hath her right,

Some other bodies to themselves elect;

And sunlike make the day, and license night?

That soul, whose setting in one hemisphere

Was to enlighten straight another part;

In that horizon, if I see it there,

Calls for my first respect and its desert;

Her virtue is the same and may be more;

For as the sun is distant, so his power

In operation differs, and the store

Of thick clouds interpos'd make him less our.

And verily I think her climate such,

Since to my former flame it adds so much.

Fairest, when by the rules of palmistry

You took my hand to try if you could guess

By lines therein if any wight there be

Ordain'd to make me know some happiness;

I wish'd that those characters could explain,

Whom I will never wrong with hope to win;

Or that by them a copy might be ta'en,

By you alone what thoughts I have within.

But since the hand of Nature did not set

(As providently loath to have it known)

The means to find that hidden alphabet.

Mine eyes shall be th' interpreters alone:

By them conceive my thoughts, and tell me, fair,

If now you see her that doth love me there.

Were't not for you, here should my pen have rest

And take a long leave of sweet poesy;

Britannia's swains, and rivers far by west,

Should hear no more mine oaten melody;

Yet shall the song I sung of them awhile

Unperfect lie, and make no further known

The happy loves of this our pleasant Isle;

Till I have left some record of mine own.

You are the subject now, and, writing you,

I well may versify, not poetize:

Here needs no fiction: for the graces true

And virtues clip not with base flatteries.

Here could I write what you deserve of praise,

Others might wear, but I should win the bays.

Sing soft, ye pretty birds, while Cælia sleeps,

And gentle gales play gently with the leaves;

Learn of the neighbour brooks, whose silent deeps

Would teach him fear, that her soft sleep bereaves

Mine oaten reed, devoted to her praise,

(A theme that would befit the Delphian lyre)

Give way, that I in silence may admire.

Is not her sleep like that of innocents,

Sweet as herself; and is she not more fair,

Almost in death, than are the ornaments

Of fruitful trees, which newly budding are?

She is, and tell it, Truth, when she shall lie

And sleep for ever, for she cannot die.

Visions

(Sonnets)

I saw a silver swan swim down the Lea,

Singing a sad farewell unto the vale,

While fishes leapt to hear her melody,

And on each thorn a gentle nightingale

And many other birds forbore their notes,

Leaping from tree to tree, as she along

The panting bosom of the current floats,

Rapt with the music of her dying song:

When from a thick and all-entangled spring

A neatherd rude came with no small ado,

Dreading an ill presage to hear her sing,

And quickly struck her tender neck in two;

Whereat the birds, methought, flew thence with speed,

And inly griev'd for such a cruel deed.

A rose, as fair as ever saw the North,

Grew in a little garden all alone;

A sweeter flower did Nature ne'er put forth,

Nor fairer garden yet was never known:

The maidens danc'd about it morn and noon,

And learned bards of it their ditties made;

The nimble fairies by the pale-faced moon

Water'd the root and kiss'd her pretty shade.

But well-a-day, the gard'ner careless grew;

The maids and fairies both were kept away,

And in a drought the caterpillars threw

Themselves upon the bud and every spray.

God shield the stock! if heaven send no supplies,

The fairest blossom of the garden dies.

Down in a valley, by a forest's side,

Near where the crystal Thames rolls on her waves,

I saw a mushroom stand in haughty pride,

As if the lilies grew to be his slaves;

The gentle daisy, with her silver crown,

Worn in the breast of many a shepherd's lass;

The humble violet, that lowly down

Salutes the gay nymphs as they trimly pass:

These, with a many more, methought, complain'd

That Nature should those needless things produce,

Which not alone the sun from others gain'd

But turn it wholly to their proper use:

I could not choose but grieve that Nature made

So glorious flowers to live in such a shade.

A gentle shepherd, born in Arcady,

That well could tune his pipe, and deftly play

The nymphs asleep with rural minstrelsy,

Methought I saw, upon a summer's day,

Take up a little satyr in a wood,

All masterless forlorn as none did know him,

And nursing him with those of his own blood,

On mighty Pan he lastly did bestow him;

But with the god he long time had not been,

Ere he the shepherd and himself forgot,

And most ingrateful, ever stepp'd between

Pan and all good befell the poor man's lot:

Whereat all good men griev'd, and strongly swore

They never would be foster-fathers more.

Epitaphs

In Obitum M S, X° Maij, 1614

May! Be thou never grac'd with birds that sing,

Nor Flora's pride!

In thee all flowers and roses spring,

Mine only died.

W. B.

On the Countess Dowager of Pembroke

Underneath this sable herse

Lies the subject of all verse:

Sidney's sister, Pembroke's mother:

Death, ere thou hast slain another,

Fair and learn'd, and good as she,

Time shall throw a dart at thee.

Marble piles let no man raise

To her name: for after days

Some kind woman born as she,

Reading this, like Niobe

Shall turn marble, and become

Both her mourner and her tomb.

*** END OF THE PROJECT GUTENBERG EBOOK PASTORAL POEMS BY NICHOLAS BRETON, SELECTED POETRY BY GEORGE WITHER, AND PASTORAL POETRY BY WILLIAM BROWNE (OF TAVISTOCK) ***

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Table of Contents

Nicholas Breton

- Pastoral Poems

George Wither

- Selected Poetry

William Browne

- (of Tavistock)

- Pastoral Poetry

- J. R. Tutin Hull 1906
- Nicholas Breton (1558-1626)
- George Wither (1588-1667)
- William Browne (1591-? 1645)

- Contents

- Prefatory Note

- Nicholas Breton

- A Sweet Pastoral
- Aglaia: a Pastoral
- Phyllida and Corydon
- Astrophel's Song of Phyllida and Corydon
- A Pastoral of Phyllis and Corydon
- Corydon's Supplication to Phyllis

- A Report Song in a Dream, between a shepherd and his nymph

- Another of the Same
- A Shepherd's Dream
- A Quarrel with Love

- A Sweet Contention between Love, his Mistress, and Beauty

- Love
- Sonnet
- A Sweet Lullaby

- George Wither

- Prelude
- A Poet's Home
- Her Beauty
- Rhomboidal Dirge.
- Song
- Song
- "Amarillis I Did Woo"
- Sonnet: On A Stolen Kiss
- A Christmas Carol
- A Rocking Hymn
- The Marigold
- Sonnet: On the Death of Prince Henry
- From a Satire written to King James I

- William Browne

- To England
- The Seasons
- May Day Customs
- Birds in May
- Music on the Thames
- A Concert of Birds
- Flowers
- Morning
- Night
- A Pleasant Grove
- An Angler
- A Rill
- "Glide soft, ye Silver Floods"
- "Venus by Adonis' Side"
- A Song

- Spring Morning--I

- Thomalin.

- Piers.

- Spring Morning--II

- Willie.

- A Round

- All.

- All.

- Autumn
- The Siren's Song
- The Charm

- Cælia

- (Sonnets)

- Visions

- (Sonnets)

- Epitaphs

- In Obitum M S, X° Maij, 1614

- On the Countess Dowager of Pembroke

- THE FULL PROJECT GUTENBERG LICENSE