Mother Earth, Vol. 1 No. 3, May 1906 / Monthly Magazine Devoted to Social Science and Literature
Date: 2008-11-14T00:00:00+00:00
Keywords: Anarchism -- Periodicals

The Project Gutenberg eBook of Mother Earth, Vol. 1 No. 3, May 1906

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Mother Earth, Vol. 1 No. 3, May 1906

Author: Various

Editor: Emma Goldman

Release date: November 14, 2008 [eBook #27262]
Most recently updated: January 4, 2021

Language: English

Credits: Produced by Fritz Ohrenschall, Martin Pettit and the Online
Distributed Proofreading Team at https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK MOTHER EARTH, VOL. 1 NO. 3, MAY 1906 ***

Transcriber's Note:

Obvious typographical errors have been corrected.

CONTENTS.

| PAGE
Tidings of May | 1
Envy     WALT WHITMAN | 2
Observations and Comments | 3
"This Man Gorky"     MARGARET GRANT | 8
Comrade     MAXIM GORKY | 17
Alexander Berkman     E. G. | 22
Poem     VOLTAIRINE DE CLEYRE | 25
The White Terror | 25
Paternalistic Government     THEODORE SCHROEDER | 27
Liberty in Common Life     BOLTON HALL | 34
Statistics     H. KELLY | 35
Gerhart Hauptmann with the Weavers of Silesia     MAX BAGINSKI | 38
Disappointed Economists | 47
Vital Art     ANNY MALI HICKS | 48
Kristofer Hansteen     VOLTAIRINE DE CLEYRE | 52
Fifty Years of Bad Luck     SADAKICHI HARTMANN | 56

TIDINGS OF MAY.

The month of May is a grinning satire on the mode of living of human beings of the present day.

The May sun, with its magic warmth, gives life to so much beauty, so much value.

The dead, grayish brown of the forest and woods is transformed into a rich, intoxicating, delicate, fragrant green.

Golden sun-rays lure flowers and grass from the soil, and kiss branch and tree into blossom and bloom.

Tillers of the soil are beginning their activity with plough, shovel, rake, breaking the firm grip of grim winter upon the Earth, so that the mild spring warmth may penetrate her breast and coax into growth and maturity the seeds lying in her womb.

A great festival seems at hand for which Mother Earth has adorned herself with garments of the richest and most beautiful hues.

What does civilized humanity do with all this splendor? It speculates with it. Usurers, who gamble with the necessities of life, will take possession of Nature's gifts, of wheat and corn, fruit and flowers, and will carry on a shameless trade with them, while millions of toilers, both in country and city, will be permitted to partake of the earth's riches only in medicinal doses and at exorbitant prices.

May's generous promise to mankind, that they were to receive in abundance, is being broken and undone by the existing arrangements of society.

The Spring sends its glad tidings to man through the jubilant songs that stream from the throats of her feathered messengers. "Behold," they sing, "I have such wealth to give away, but you know not how to take. You count and bargain and weigh and measure, rather than feast at my heavily laden tables. You crawl about on the ground, bent by worry and dread, rather than drink in the free balmy air!"

The irony of May is neither cold nor hard. It contains a mild yet convincing appeal to mankind to finally break the power of the Winter not only in Nature, but in our social life,—to free itself from the hard and fixed traditions of a dead past.

ENVY.

By Walt Whitman.

When I peruse the conquered fame of heroes, and the victories of mighty generals, I do not envy the generals,

Nor the President in his Presidency, nor the rich in his great house;

But when I hear of the brotherhood of lovers, how it was with them,

How through life, through dangers, odium, unchanging, long and long

Through youth, and through middle and old age, how unfaltering, how affectionate and faithful they were,

Then I am pensive—I hastily walk away, filled with the bitterest envy.

OBSERVATIONS AND COMMENTS.

A young man had an Ideal which he cherished as the most beautiful and greatest treasure he had on earth. He promised himself never to part with it, come what might.

His surroundings, however, repeated from morn till night that one can not feed on Ideals, and that one must become practical if he wishes to get on in life.

When he attempted the practical, he realized that his Ideal could never become reconciled to it. This, at first, caused him deep suffering, but he soon conceived a pleasant thought: "Why should I expose my precious jewel to the vulgarity, coarseness and filth of a practical life? I will put it into a jewel case and hide it in a secluded spot."

From time to time, especially when business was bad, he stole over to the case containing his Ideal, to delight in its splendor. Indeed, the world was shabby compared with that!

Meanwhile he married and his business began to improve. The members of his party had already begun to discuss the possibility of putting him up as a candidate for Alderman.

He visited his Ideal at longer intervals now. He had made a very unpleasant discovery,—his Ideal had lessened in size and weight in proportion to the practical opulence of his mind. It grew old and full of wrinkles, which aroused his suspicions. After all, the practical people were right in making light of Ideals. Did he not observe with his own eyes how his Ideal had faded?

It had been overlooked for a long time. Once more he stole over to the safety vault containing his Ideal. It was at a time when he had suffered a severe business loss. With great yearning in his breast, he lifted the cover of the case. He was worn from practical life and his heart and head felt heavy. He found the case empty. His Ideal had vanished, evaporated!—It dawned upon him that he had proven false to the Ideal, and not the Ideal to him.

Pity and sympathy have been celebrating a great feast within the last few weeks. When they look into the mirror of public opinion they find their own reflex touchingly beautiful, big, very human. Want was about to commit self-destruction in abolishing poverty, tears and the despair of suffering humanity forever.

The "heart" of New York, the "heart" of the country, the "heart" of the entire world throbs for San Francisco. The press says so, at least.

No doubt a large amount in checks and banknotes was sent to the city of the Golden Gate. Money, in these days, is the criterion of emotions and sentiments; so that the pity of one who gives $10,000 must appear incomparably greater than the pity of one who contributes a small sum which was perhaps intended to buy shoes for the children, or to pay the grocery bill. A large sum is always loud and boastful in the way it appears in the newspapers. The delicate tact and fine taste of the various editors see to it that the names of the donors of large sums be printed in heavy type.

After all, can not one every day and in every large city observe the same phenomenon that has followed the disaster in San Francisco? Surely there were homeless, starved, despaired, wretched beings in San Francisco before the earthquake and the fire, yet the public's pity and sympathy haughtily passed them by; and official sympathy and compassion had nothing but the police station and the workhouse to give them.

And now,—what is really being done now? Humanitarianism is exhibiting itself in a low and vulgar manner, and superficiality and bad taste are stalking about in peacock fashion.

The newspapers are full of praise for the bravery of the militia in their defense of property. A man was instantly shot as he walked out of a saloon with his arms full of champagne bottles, and another was shot for carrying off a sack of coffee, etc. How strange that the "brave boys" of the militia,—who, by the way, had to be severely disciplined because of their beastly drunkenness,—showed so much noble indignation against a few clumsy thieves! During the strikes and labor conflicts it is usually their mission to protect the property of skillful thieves,—legal thieves, of course.

Finally what is going to be the end of the great display of superficial sentimentality for the stricken city? An all-around good deal: Moneyed people, contractors, real estate speculators will make large sums of money. Indeed it is not at all unlikely that within a few months good Christian capitalists will secretly thank their Lord that he sent the earthquake.

As an employer, the United States Government is certainly tolerant and liberal, especially so far as the highly remunerative offices are concerned.

The President, for instance, loves to deliver himself of moral sermons. Recently he spoke of the people who criticise government and society and breed discontent. He considers them dangerous and entertains little regard for them. He ought not be blamed for that, since, as the first clerk of the State, it is his duty to represent its interests and dignity.

The most ordinary business agent, though he may be convinced of the corruption of his firm, will take good care to keep this fact from the public. Business morals demand it.

Besides, no one will expect or desire that the President should become a Revolutionist. This would certainly be no gain of ours, nor would the State suffer harm. Surely there are enough professional politicians who do not lack talent for the calling of doorkeepers on a large scale.

As to the moral sermons against the undesirable and obnoxious element, all that can be said, from a practical standpoint, is, that their originality and wisdom are in no proportion to the salary the sermonizer receives. Competition among preachers of penitence and servility is almost as great as among patent medicine quacks. Four or five thousand a year can easily buy the services of a corpulent, reverend gentleman of some prominence.

The dangers of the first of May, when France was to be ruined by the "mob" of socialists and anarchists, was very fantastically described by the Paris correspondents of the American newspapers. These gentlemen seem to have known everything. They discovered that the cause of the threatened revolution was to be found in the irresponsible good nature and kindness of the French government.

Just show "Satan" Anarchy a finger, and straightway he will seize the entire arm. Especially M. Clemenceau was severely censured as being altogether too good a fellow to make a reliable minister. There he is with France near the abyss of a social revolution! That is the manner in which history is being manufactured for boarding-school young ladies.

The social revolution may come, but surely not because of the kindness or good nature of the government. France needed a newspaper boom for her elections: "The republic is in danger; for goodness' sake give us your vote on election day!"

In order that the citizens might feel the proper horror, trade-union leaders, anarchists and even a few royalistic scare-crows were arrested; at the same time the sympathy and devotion of the government for its people manifested itself in the reign of the military terror in the strike regions.

The real seriousness of the situation, the correspondents failed to grasp. How could they? since they got their wisdom in the ante-chamber of the ministry.

The revolutionary labor organizations care little for the good will or the Jesuit kindness of the authorities. They continue with their work, propagate the idea of direct action, and strengthen the anti-military movement, the result of which is already being felt among the soldiers and officers.

The officer who jumped upon the platform at the Bourse du Travail, expressing his solidarity with the workers and declaring that he would not fire on them, was immediately arrested; but this will only influence others to follow the good example.

In the old fables the lion is described as supreme judge and not the mule or the wether.

In Cleveland things are different. Several weeks ago Olga Nethersole gave a performance of Sappho there. Whereupon the police felt moved to perform an operation on the play, for moral reasons, of course. The staircase scene was ordered to be left out altogether.

Ye poor, depraved artists, how low ye might sink, were the police and Comstock not here to watch over the moral qualities of your productions!

If one observes one of these prosaic fellows on the corner, terribly bored, and with his entire intellect concentrated on his club, and how out of pure ennui he is constantly recapitulating the number of his brass buttons, one can hardly realize that such an individual has been entrusted with the power to decide the fate of an artistic production.

1792 the French people marched through the streets singing:

O, what is it the people cry?

They ask for all equality.

The poor no more shall be

In slavish misery;

The idle rich shall flee.

O, what is it the people need?

They ask for bread and iron and lead.

The iron to win our pay,

The lead our foes to slay,

The bread our friends to feed.

The soldiers at Mount Carmel, Pennsylvania, who were ordered by their superiors to fire into a crowd of strikers and wounded and killed innocent men and women, do not sing the Carmagnole; they sing:

"My country, 'tis of thee,

Sweet land of Liberty!"

If the ruling powers continue to maintain peace and order with iron and blood it may happen that the meaningless national hymn may be drowned by the Carmagnole, pealing forth like thunder from the throats of the masses.

To the credit of human nature be it said, it is not altogether hopeless. Since tyranny has existed, human nature has ever rebelled against it.

Real slavery exists only when the oppressed consider their fate as something normal, something self-evident.

There is greater security for tyranny in slavish thoughts, indifference and pettiness than in cannons and swords.

"THIS MAN GORKY."

By Margaret Grant.

THE women of America are aroused as never before. They always are aroused to the defense of their firesides. Even those women who live in flats are awake to the need for defending their radiators or their gas stoves; it is inherent in the nature of woman, it seems.

Most of the women's societies and clubs have spoken in no uncertain terms concerning the outrage that has been put upon the civilization of this great country by the conduct of this man Gorky. And, in fact, it is a thing not to be borne.

As for me, I belong to the Woman's Association for the Regulation of the Morals of Others, a society which is second to none in its activity and usefulness, but which has seen fit to defer its own discussion of this man Gorky's conduct until most of the other women's societies have spoken.

We have just had our meeting, and I think that if this man Gorky should read an account of our proceedings, he would certainly get out of this outraged country with all the celerity of which he is capable. But, of course, he is only a foreigner after all and probably will not comprehend the exquisite purity of our morals.

I want to say that in our meetings we do not slavishly follow those parliamentary rules which men have made for their guidance, but allow ourselves some latitude in discussion. And we do not invite some man to come and do all the talking, as is the case in some women's clubs.

Mrs. Blanderocks was in the chair. We began with an informal discussion of the best way of preventing the common people from dressing so as not to be distinguished from the upper classes, but there was no heart in the talk, for we all felt that it was only preliminary. It was my friend Sarah Warner who changed the subject.

"The Woman's State Republican Association held its annual meeting at Delmonico's yesterday," she said, quietly drawing a newspaper clipping from her pocket-book.

"And had some men there to amuse them and to tell them what to do," said Mrs. Blanderocks with cutting irony.

We all laughed heartily. We meet at Mrs. Blanderocks' house, and she always provides a beautiful luncheon.

"But Mrs. Flint said some things that I would like to read to you," said Sarah. "It won't take long. I cut this out of the 'Times' this morning."

"What is it about?" some one asked.

"Gorky," Sarah answered, closing her eyes in a way to express volumes.

You could hear all the members catch their breath. This was what they had come for. I broke the oppressive silence.

"I foresee," I said, "that in the discussion of this subject there will be said things likely to bring a blush to the cheek of innocence, and I move that all unmarried women under the age of twenty-five be excluded from the meeting for as long as this man is under discussion."

A fierce cry of rage rose from all parts of the crowded room. I did not understand. I could see no one who would be affected by the rule. Mrs. Blanderocks raised her hand to command silence and said coldly:

"The motion is out of order. By a special provision of our constitution it is the inalienable right of all unmarried women to be under twenty-five. We will be as careful in our language as the subject will permit. Mrs. Warner will please read the words of Mrs. Flint."

I was shocked to think I had made such a mistake. Sarah rose and read in a clear, sharp voice from the clipping:

"Should not we as women take some action against this man? People of such character should not be allowed in this country. Of course when he arrived it was not known how he was living, but he came here and expected to be received; and I think he should be deported. Gorky is the embodiment of Socialism."

Everybody applauded violently. I was puzzled and asked a question as soon as I could make myself heard.

"Suppose Gorky is a Socialist," I said; "what has that to do with his morals?"

"Everything," replied Mrs. Blanderocks, haughtily.

"Socialists don't believe in marriage," said Sarah Warner, taking another clipping from her pocket-book and reading: "'Mrs. Cornelia Robinson said: When the question of uniform divorce law is taken up, we shall find that the Socialists are against it as a body. It is not that they are opposed to divorce, but they do not believe in marriage.'"

"And does she know?" I asked.

"Would she say it publicly if it were not true?" demanded Mrs. Blanderocks, glaring disapprovingly at me.

I rose to my feet. I will say for myself that my desire for knowledge is greater even than my shyness, and usually overcomes it.

"I want to make a motion," I said, "that this man Gorky be deported—" (loud applause)—"but before doing so I would like some one to explain in as plain words as the nature of the subject will permit, just what he has been guilty of." Dead silence broken by a voice saying: "He's a foreigner."

"I'll tell you what he has done," cried Sarah Warner; "he came into this country pretending that the woman who was with him was his wife; he allowed her to be registered at the hotel as his wife; he permitted her to sleep under the same roof with pure men and women—"

"I would like to ask Mrs. Warner," said a lady in a remote corner of the room, "if she will vouch for the purity of the men?"

"Perhaps," said Mrs. Blanderocks, gravely, "it will be better if the word men be stricken from the record. Do you object, Mrs. Warner?"

"It was a slip of the tongue," Sarah answered, "and I am grateful to the member who called attention to it; though I will say that I think there are some pure men."

"We are discussing Gorky now," said Mrs. Blanderocks with an indulgent smile.

"True," answered Sarah, beaming back at the chairwoman; "and I was saying that he had subjected the pure women of the hotel to the unspeakable indignity of having to sleep under the same roof with the woman he called his wife."

"I would like to ask," I interposed timidly, "if it is right for a woman to sleep under the same roof with an impure man, or is it only an impure woman who is injurious?"

"A woman has to sleep under some roof," came in the voice of the woman in the corner.

"I think Mrs. Grant would show better taste if she did not press such a question," said another voice. "Will Mrs. Warner be good enough to describe the exact status—I think status is right—of the woman he tried to pass as his wife?"

"She was his——" Sarah had a fit of coughing, "she was not his wife. I do not care to be more explicit."

"Perhaps," I said, groping for light, "it would be better if I made my motion read that she should be deported from the country, since it is her immorality that counts."

"And let those Republican Association women stand for more morality than we do?" cried Mrs. Blanderocks. "No, you cannot make your motion too strong."

"Oh, then," I said, with a sigh of relief, "I will move that Gorky and all other men, immoral in the same way, shall be deported from the country."

"Then who is to take care of us women?" demanded the voice in the corner.

"Do be reasonable, Margaret," said Sarah Warner, "we can't drive all the men out of the country, and don't want to, but we can fix a standard of morals to astonish the world, and there could be no better way than by making an example of this man Gorky. Don't you see that he is a foreigner and can't very well know that our men are just as bad as he is? Besides, isn't he a Socialist? We would have been willing to condone his relations with that woman if only he'd hid them respectably as our men do, but to come here with his free ideas—— Well, I'm willing to let the Russians have all the freedom they want, and I would have given my mite toward stirring up trouble over there, but we have all the freedom we want over here, and a little more, too, if I know anything about it."

"Very well," I replied, "I will withdraw the motion and make one to have a committee appointed to investigate the matter and find out the whole truth about it."

"What is there to find out?" demanded Sarah, aghast.

"Well, you know he insists that she is his wife. Maybe she is by Russian law or custom."

"Perfectly absurd! His own wife and he separated because they couldn't be happy together. Was ever anything more ridiculous?"

"As if happiness had anything to do with marriage!" said the voice from the corner.

Everybody laughed and applauded as if something very funny had been said.

"Well, anyhow," I insisted, for I can be obstinate when a thing isn't clear to me, "if they both thought they were justified in calling themselves man and wife, and if the people in Russia thought so, too, why should we make any fuss about it?"

"Pardon me, Mrs. Grant," said Mrs. Blanderocks, suavely, "if I say that your words are very silly. In the first place, the Russians are barbarians, as we all know; and, in the next place, the law is the law, and the law says that a man may not have two wives. A man who does is a bigamist. A man who has a wife and yet lives with another woman is an adulterer. Pardon me for using such a word, but it was forced from me. Now, this man Gorky, who may be a very great genius for all I know—I never read any of his stuff—but he isn't above the law: not above the moral law anyhow, and the moral law is the same all over the world. He says he and his wife parted because they were unhappy together, which is a very flimsy excuse for immorality. Then he says that his wife is living now with a man she loves and is happy with."

"Which makes a bad matter worse," interposed Sarah Warner. "No one has any business to be happy in immorality."

"What is morality for," demanded the voice from the corner, "if it isn't to make people unhappy?"

Everybody screamed with laughter over that, and Mrs. Blanderocks went so far as to raise her eyebrows at Sarah Warner, who bit her lip to keep from smiling.

"But," said I, for I had been reading the papers, too, "he says the reason they were not divorced was because the Church would not permit it."

"If the laws of his country were opposed to this divorce," said Mrs. Blanderocks, triumphantly, "all the more reason why he should be ashamed of living with this actress in such an open, defiant way."

"The Church has nothing to do with divorces in this country," I said, "yet many of our best people are divorced."

"The law permits it," said Mrs. Blanderocks curtly.

"Who makes the law?" I asked, determined to get at the bottom of the thing if I could.

"The people through the Legislature," was the prompt answer.

"Well," I said, very timidly, not knowing but I was quite in the wrong, "it seems that the people of Russia not being able to make laws nevertheless recognize the separation of a man and his wife as proper, and permit them to take other husbands and wives without loss of standing."

"A law's a law," said Sarah, sternly; "and a law should be sacred. The very idea of anybody pretending to be above the law like this man Gorky! I would like to know what would become of the holy institution of matrimony if it could be trifled with in such a fashion?"

"You want Russia to be free from the rule of the Tsar, don't you?" I asked.

"Certainly, he is a tyrant and an irresponsible weakling, unfit to govern a great people. Of course, we want Russia to be free. The people of Russia are entitled to be free, to govern themselves."

"Do you think they ought to be allowed to make their own laws?" I asked.

"Of course."

"Then, why do you say that Gorky is not properly divorced from his first wife and married to his second? The people of Russia approve."

"Margaret Grant!" cried Sarah, outraged and voicing the horror of the other members, "I sometimes wonder if you have any respect at all for the law. How can you speak as you do? If men and women could dispense with the law in that way what would become of society?"

"But this state used to permit men and women to live together without any ceremony and so become man and wife," I said.

"Well, we don't permit it now," retorted Sarah, grimly.

"If they want to live together now," cried the voice from the corner, "they must pretend they don't, even if everybody knows they do."

Some of the members laughed at that, but Mrs. Blanderocks thought that was going too far and said so in her coldest manner.

"I see nothing funny in that. We cannot change the natures of men, but we can insist upon their hiding their baser conduct and the degraded portions of their lives from our view."

"But," said I, "Gorky evidently considers this woman his wife, and had no idea that anybody would think otherwise."

"The point is," said Sarah Warner, in exasperation, "and I think I voice the sentiments of this organization, that he was not legally divorced from his first wife and that, therefore, he cannot be legally married to this woman. A law is a law, no matter who makes it. The law is sacred and must not be tampered with."

"How about the Supreme Court on divorces in Dakota?" demanded the voice from the corner.

A dead silence fell on the meeting. Some of the members looked at each other and showed signs of hysterics. Mrs. Blanderocks flashed a withering glance at the corner, but rose to the occasion.

"Ladies," she said in a solemn tone, "I deeply regret that this subject has been touched upon in a spirit of levity. It was my intention, at the proper time, to introduce a resolution of sympathy for those ladies who have been so summarily and I may say brutally unmarried by the unfeeling wretches who sit upon the bench of the Supreme Court. It is awful to think that our highly respected sisters, whose wealth alone should have protected them, have been told by the highest court in the land that they have been living in shame all this time, and that their children are not legitimate. Ladies, I call your attention to the fact that many of our own members are thus branded by those judges. It is infamous. It is more than infamous—it is a reason why women should sit on the judicial bench."

"Yes," I said, "it seems impossible for men to comprehend the mental or emotional processes of women."

"True, too true," murmured our President, giving me a look of gratitude. "I remember how the men of this country cried out against us a few years ago because they could not understand why we send flowers and tender letters to a poor, handsome negro who had first outraged and then murdered a woman."

"Yes," I said, "and no doubt they will pretend not to understand our indignation against this man Gorky, who thinks the customs of his own country justify him his terrible conduct. But we must be careful how we word our condemnation of this man lest he should somehow learn of what our Supreme Court has so wickedly done and retort on us that these, our wealthiest and most respected citizens, not being legally divorced and hence not being legally married again, are no better than he and his so-called wife."

The ladies looked at each other in consternation. Evidently the thought had not suggested itself to them. Mrs. X. Y. Z. Asterbilt (née Clewbel) rose and in a voice choked with emotion said:

"Speaking for myself as well as for some of the other ladies, members of this organization, who are temporarily déclassée, so to speak, by this decree of the Supreme Court, I beg that you will do nothing to call undue attention to us, until we have arranged matters so that our wealth will enable us to have that legislation which is necessary to make us respectable women again."

"Is it true," I asked, "that you have sent an invitation to Madame Andreieva to meet you to discuss the steps to be taken to reinstate yourselves?"

"It is true, but the extraordinary creature returned word that as a lady of good standing in her own country she did not feel that she could afford to associate with women whom the courts of this country held to be living in shame."

"Did you ever!" cried Mrs. Blanderocks. "But it shows us that we must be careful. Mrs. Grant, you have had experience in such matters, suppose you retire and draw up a set of resolutions that will not expose us to the ribald and unseemly comments of the light-minded."

Of course I accepted the task, fully realizing its gravity, and following is the resolution I brought back with me:

"Whereas, Maxim Gorky, recognized in the world of letters as a man of genius, and in the world at large as a man of great soul, high purpose and pure nature, having come to this country accompanied by a lady whom he considers and treats as his wife; and

"Whereas, The wealthy, and therefore the better classes, tumbled all over themselves in order to exploit him as a lion; and

"Whereas, He had not the wisdom and craft and sense of puritanical respectability to pretend that he did not know the lady he believed his wife, and to whom he believes himself united by a law higher than that of man; and

"Whereas, He was guileless enough to believe he had come to a free country where purity of motive and of conduct would take precedence of hollow and rotten forms; and

"Whereas, He did not know that the American people practise polygamy secretly, while condemning it in words, and that the United States Senate has been nearly two years in pretending to try to find a polygamist in their midst; and

"Whereas, He was so injudicious as to come here with a defective divorce just at a time when our Supreme Court was making the divorce of some of us, the gilded favorites of fortune, defective; and

"Whereas, He had the audacity to proclaim himself a Socialist, which is the same thing as saying that he is opposed to special privilege, and is in favor of the abolition of property in land and in the tools of labor—in other and plainer words, is against Us; and

"Whereas, He is only a foreigner, anyhow, and no longer available as a toy and plaything for us; therefore be it

"Resolved, That this man, Gorky, be used as a means of proclaiming our extraordinary virtue to the world at large, as a robber cries stop thief in order to direct attention from himself; that accordingly he be treated with the utmost outrageous discourtesy and hounded from hotel to hotel on the ground that such places by no chance harbor men and women unless they have passed through the matrimonial mill; that we withdraw our patronage from the revolution in Russia—not being seriously interested in it anyhow—and that we will show our contempt for revolutionary patriots by entertaining the rottenest grand duke in Russia if only he will come over to us, bringing his whole harem if he wish; that he is a reproach to us while he remains in this country, and that it is the sense of this great organization that he and the lady who is his wife in the highest sense shall be deported."

The resolution was not passed.

I have been expelled from the association.

COMRADE.

By Maxim Gorky.

Translated from the French translation by S. Persky, published in "L'Aurore," Paris.

ALL in that city was strange, incomprehensible. Churches in great number pointed their many-tinted steeples toward the sky, in gleaming colors; but the walls and the chimneys of the factories rose still higher, and the temples were crushed between the massive façades of commercial houses, like marvelous flowers sprung up among the ruins, out of the dust. And when the bells called the faithful to prayer, their brazen sounds, sliding along the iron roofs, vanished, leaving no traces in the narrow gaps which separated the houses.

They were always large, and sometimes beautiful, these dwellings. Deformed people, ciphers, ran about like gray mice in the tortuous streets from morning till evening; and their eyes, full of covetousness, looked for bread or for some distraction; other men placed at the crossways watched with a vigilant and ferocious air, that the weak should, without murmuring, submit themselves to the strong. The strong were the rich: everyone believed that money alone gives power and liberty. All wanted power because all were slaves. The luxury of the rich begot the envy and hate of the poor; no one knew any finer music than the ring of gold; that is why each was the enemy of his neighbor, and cruelty reigned mistress.

Sometimes the sun shone over the city, but life therein was always wan, and the people like shadows. At night they lit a mass of joyous lights; and then famishing women went out into the streets to sell their caresses to the highest bidder. Everywhere floated an odor of victuals, and the sullen and voracious look of the people grew. Over the city hovered a groan of misery, stifled, without strength to make itself heard.

Every one led an irksome, unquiet life; a general hostility was the rule. A few citizens only considered themselves just, but these were the most cruel, and their ferocity provoked that of the herd. All wanted to live; and no one knew or could follow freely the pathway of his desires; like an insatiable monster, the Present enveloped in its powerful and vigorous arms the man who marched toward the future, and in that slimy embrace sapped away his strength. Full of anguish and perplexity, the man paused, powerless before the hideous aspect of this life: with its thousands of eyes, infinitely sad in their expression, it looked into his heart, asking him for it knew not what,—and then the radiant images of the future died in his soul; a groan out of the powerlessness of the man mingled in the discordant chorus of lamentations and tears from poor human creatures tormented by life.

Tedium and inquietude reigned everywhere, and sometimes terror. And the dull and somber city, the stone buildings atrociously lined one against the other, shutting in the temples, were for men a prison, rebuffing the rays of the sun. And the music of life was smothered by the cry of suffering and rage, by the whisper of dissimulated hate, by the threatening bark of cruelty, by the voluptuous cry of violence.

In the sullen agitation caused by trial and suffering, in the feverish struggle of misery, in the vile slime of egoism, in the subsoils of the houses wherein vegetated Poverty, the creator of Riches, solitary dreamers full of faith in Man, strangers to all, prophets of seditions, moved about like sparks issued from some far-off hearthstone of justice. Secretly they brought into these wretched holes tiny fertile seeds of a doctrine simple and grand;—and sometimes rudely, with lightnings in their eyes, and sometimes mild and tender, they sowed this clear and burning truth in the sombre hearts of these slaves, transformed into mute, blind instruments by the strength of the rapacious, by the will of the cruel. And these sullen beings, these oppressed ones, listened without much belief to the music of the new words,—the music for which their hearts had long been waiting. Little by little they lifted up their heads, and tore the meshes of the web of lies wherewith their oppressors had enwound them. In their existence, made up of silent and contained rage, in their hearts envenomed by numberless wrongs, in their consciences encumbered by the dupings of the wisdom of the strong, in this dark and laborious life, all penetrated with the bitterness of humiliation, had resounded a simple word:

Comrade.

It was not a new word; they had heard it and pronounced it themselves; but until then it had seemed to them void of sense, like all other words dulled by usage, and which one may forget without losing anything. But now this word, strong and clear, had another sound; a soul was singing in it,—the facets of it shone brilliant as a diamond. The wretched accepted this word, and at first uttered it gently, cradling it in their hearts like a mother rocking her new-born child and admiring it. And the more they searched the luminous soul of the word, the more fascinating it seemed to them.

"Comrade," said they.

And they felt that this word had come to unite the whole world, to lift all men up to the summits of liberty and bind them with new ties, the strong ties of mutual respect, respect for the liberties of others in the name of one's own liberty.

When this word had engraved itself upon the hearts of the slaves, they ceased to be slaves; and one day they announced their transformation to the city in this great human formula:

I will not.

Then life was suspended, for it is they who are the motor force of life, they and no other. The water supply stopped, the fire went out, the city was plunged in darkness. The masters began to tremble like children. Fear invaded the hearts of the oppressors. Suffocating in the fumes of their own dejection, disconcerted and terrified by the strength of the revolt, they dissimulated the rage which they felt against it.

The phantom of Famine rose up before them, and their children wailed plaintively in the darkness. The houses and the temples, enveloped in shadow, melted into an inanimate chaos of iron and stone; a menacing silence filled the streets with a clamminess as of death; life ceased, for the force which created it had become conscious of itself; and enslaved humanity had found the magic and invincible word to express its will; it had enfranchised itself from the yoke; with its own eyes it had seen its might,—the might of the creator.

These days were days of anguish to the rulers, to those who considered themselves the masters of life; each night was as long as thousands of nights, so thick was the gloom, so timidly shone the few fires scattered through the city. And then the monster city, created by the centuries, gorged with human blood, showed itself in all its shameful weakness; it was but a pitiable mass of stone and wood. The blind windows of the houses looked upon the street with a cold and sullen air, and out on the highway marched with valiant step the real masters of life. They, too, were hungry, more than the others perhaps; but they were used to it, and the suffering of their bodies was not so sharp as the suffering of the old masters of life; it did not extinguish the fire in their souls. They glowed with the consciousness of their own strength, the presentiment of victory sparkled in their eyes. They went about in the streets of the city which had been their narrow and sombre prison, wherein they had been overwhelmed with contempt, wherein their souls had been loaded with abuse, and they saw the great importance of their work, and thus was unveiled to them the sacred right they had to become the masters of life, its creators and its lawgivers.

And the lifegiving word of union presented itself to them with a new face, with a blinding clearness:

"Comrade."

There among lying words it rang out boldly, as the joyous harbinger of the time to come, of a new life open to all in the future;—far or near? They felt that it depended upon them whether they advanced towards liberty or themselves deferred its coming.

The prostitute who, but the evening before, was but a hungry beast, sadly waiting on the muddy pavement to be accosted by some one who would buy her caresses, the prostitute, too, heard this word, but was undecided whether to repeat it. A man the like of whom she had never seen till then approached her, laid his hand upon her shoulder and said to her in an affectionate tone, "Comrade." And she gave a little embarrassed smile, ready to cry with the joy her wounded heart experienced for the first time. Tears of pure gaiety shone in her eyes, which, the night before, had looked at the world with a stupid and insolent expression of a starving animal. In all the streets of the city the outcasts celebrated the triumph of their reunion with the great family of workers of the entire world; and the dead eyes of the houses looked on with an air more and more cold and menacing.

The beggar to whom but the night before an obol was thrown, price of the compassion of the well-fed, the beggar also heard this word; and it was the first alms which aroused a feeling of gratitude in his poor heart, gnawed by misery.

A coachman, a great big fellow whose patrons struck him that their blows might be transmitted to his thin-flanked, weary horse, this man imbruted by the noise of wheels upon the pavement, said, smiling, to a passer-by: "Well, Comrade!" He was frightened at his own words. He took the reins in his hands, ready to start, and looked at the passer-by, the joyous smile not yet effaced from his big face. The other cast a friendly glance at him and answered, shaking his head: "Thanks, comrade; I will go on foot; I am not going far."

"Ah, the fine fellow!" exclaimed the coachman enthusiastically; he stirred in his seat, winking his eyes gaily, and started off somewhere with a great clatter.

The people went in groups crowded together on the pavements, and the great word destined to unite the world burst out more and more often among them, like a spark: "Comrade." A policeman, bearded, fierce, and filled with the consciousness of his own importance, approached the crowd surrounding an old orator at the corner of a street, and, after having listened to the discourse, he said slowly: "Assemblages are interdicted ... disperse...." And after a moment's silence, lowering his eyes, he added, in a lower tone, "Comrades."

The pride of young combatants was depicted in the faces of those who carried the word in their hearts, who had given it flesh and blood and the appeal to union; one felt that the strength they so generously poured into this living word was indestructible, inexhaustible.

Here and there blind troops of armed men, dressed in gray, gathered and formed ranks in silence; it was the fury of the oppressors preparing to repulse the wave of justice.

And in the narrow streets of the immense city, between the cold and silent walls raised by the hands of ignored creators, the noble belief in Man and in Fraternity grew and ripened.

"Comrade."—Sometimes in one corner, sometimes in another, the fire burst out. Soon this fire would become the conflagration destined to enkindle the earth with the ardent sentiment of kinship, uniting all its peoples; destined to consume and reduce to ashes the rage, hate and cruelty by which we are mutilated; the conflagration which will embrace all hearts, melt them into one,—the heart of the world, the heart of beings noble and just;—into one united family of workers.

In the streets of the dead city, created by slaves, in the streets of the city where cruelty reigned, faith in humanity and in victory over self and over the evil of the world grew and ripened. And in the vague chaos of a dull and troubled existence, a simple word, profound as the heart, shone like a star, like a light guiding toward the future: Comrade.

ALEXANDER BERKMAN.

By E. G.

ON the 18th of this month the workhouse at Hoboken, Pa., will open its iron gates for Alexander Berkman. One buried alive for fourteen years will emerge from his tomb. That was not the intention of those who indicted Berkman. In the kindness of their Christian hearts they saw to it that he be sentenced to twenty-one years in the penitentiary and one year in the workhouse, hoping that that would equal a death penalty, only with a slow, refined execution. To achieve the feat of sending a man to a gradual death, the authorities of Pittsburg at the command of Mammon trampled upon their much-beloved laws and the legality of court proceedings. These laws in Pennsylvania called for seven years imprisonment for the attempt to kill, but that did not satisfy the law-abiding citizen H. C. Frick. He saw to it that one indictment was multiplied into six. He knew full well that he would meet with no opposition from petrified injustice and the servile stupidity of the judge and jury before whom Alexander Berkman was tried.

In looking over the events of 1892 and the causes that led up to the act of Alexander Berkman, one beholds Mammon seated upon a throne built of human bodies, without a trace of sympathy on its Gorgon brow for the creatures it controls. These victims, bent and worn, with the reflex of the glow of the steel and iron furnaces in their haggard faces, carry their sacrificial offerings to the ever-insatiable monster, capitalism. In its greed, however, it reaches out for more; it neither sees the gleam of hate in the sunken eyes of its slaves, nor can it hear the murmurs of discontent and rebellion coming forth from their heaving breasts. Yet, discontent continues until one day it raises its mighty voice and demands to be heard:

Human conditions! higher pay! fewer hours in the inferno at Homestead, the stronghold of the "philanthropist" Carnegie!

He was far away, however, enjoying a much needed rest from hard labor, in Scotland, his native country. Besides he knew he had left a worthy representative in H. C. Frick, who could take care that the voice of discontent was strangled in a fitting manner,—and Mr. Carnegie had judged rightly.

Frick, who was quite experienced in the art of disposing of rebellious spirits (he had had a number of them shot in the coke regions in 1890), immediately issued an order for Pinkerton men, the vilest creatures in the human family, who are engaged in the trade of murder for $2 per day.

The strikers declared that they would not permit these men to land, but money and power walk shrewd and cunning paths. The Pinkerton blood-hounds were packed into a boat and were to be smuggled into Homestead by way of water in the stillness of night. The amalgamated steel workers learned of this contemptible trick and prepared to meet the foe. They gathered by the shores of the Monongahela River armed with sticks and stones, but ere they had time for an attack a violent fire was opened from the boat that neared the shore, and within an hour eleven strikers lay dead from the bullets of Frick's hirelings.

Every beast is satisfied when it has devoured its prey,—not so the human beast. After the killing of the strikers H. C. Frick had the families of the dead evicted from their homes, which had been sold to the workingmen on the instalment plan and at the exorbitant prices usual in such cases.

Out of these homes the wives and children of the men struggling for a living wage were thrown into the street and left without shelter. There was one exception only. A woman who had given birth to a baby two days previous and who, regardless of her delicate condition, defended her home and succeeded in driving the sheriff from the house with a poker.

Everyone stood aghast at such brutality, at such inhumanity to man, in this great free republic of ours. It seemed as if the cup of human endurance had been filled to the brim, as if out of the ranks of the outraged masses some one would rise to call those to account who had caused it all.

And some one rose in mighty indignation against the horrors of wealth and power. It was Alexander Berkman!

A youth with a vision of a grand and beautiful world based upon freedom and harmony, and with boundless sympathy for the suffering of the masses. One whose deep, sensitive nature could not endure the barbarisms of our times. Such was the personality of the man who staked his life as a protest against tyranny and iniquity; and such has Alexander Berkman remained all these long, dreary fourteen years.

Nothing was left undone to crush the body and spirit of this man; but sorrow and suffering make for sacred force, and those who have never felt it will fail to realize how it is that Alexander Berkman will return to those who loved and esteemed him, to those whom he loved so well, and still loves so well,—the oppressed and down-trodden millions—with the same intense, sweet spirit and with a clearer and grander vision of a world of human justice and equality.

UT SEMENTEM FECERIS, ITA METES.

By Voltairine De Cleyre

(To the Czar, on a woman, a political prisoner, being flogged to death in Siberia.)

How many drops must gather to the skies

Before the cloud-burst comes, we may not know;

How hot the fires in under hells must glow
Ere the volcano's scalding lavas rise,
Can none say; but all wot the hour is sure!
Who dreams of vengeance has but to endure!
He may not say how many blows must fall,
How many lives be broken on the wheel,
How many corpses stiffen 'neath the pall,
How many martyrs fix the blood-red seal;
But certain is the harvest time of Hate!
And when weak moans, by an indignant world
Re-echoed, to a throne are backward hurled,
Who listens hears the mutterings of Fate!

THE WHITE TERROR.

I.—The Flogging of a Student.

(By an Eye-Witness—M. Kirilov, of the "Russ.")

December 18th. Near the Gorbaty Bridge, Moscow. A group of soldiers of various arms and an officer. Great animation, jokes, cries, gesticulation, contented faces. A student has fallen into their hands.

"Well, boys, make room," says the officer. "The performance begins!"

"Take off your trousers," says the officer, turning to the student. The latter is pale, silent, and does not move.

"Trousers off!" cries the officer, in rage; but the student, without a drop of blood in his face, whiter than the snow, does not move, but only looks around in silence with horrified eyes and meets everywhere the triumphant faces of his tormentors. He drops his head and remains silent as before.

"Well, then, boys, we must assist our dear student; his hands, poor thing, are frost bitten and do not obey."

The voice of the officer changes; it becomes sweet and smooth. He looks at the student with pleasure.

"Take off his dear little trousers!" he orders his soldiers. The latter unbutton and tear down his trousers. The student does not resist. Then he is thrown on the ground.

"Give him beans, boys!"

Two powerfully-built soldiers step forward, holding whips in their hands.

The flogging begins. It lasts a long time, accompanied by loud laughter, jokes and noise. The student is silent all the time and lies with his face buried in the snow. He is constantly being asked whether he feels allright, and is kicked with the boots on his head.

"Halt!" cries the officer at last, when the whole body of the student has been covered with blood. The excited soldiers do not leave off at once, but continue for some time. At last they stop.

"Please, sir, won't you allow us, too, to have a little game?" smilingly ask a couple of artillery soldiers, saluting the officer.

"Well, have a go at him," says the officer kindly.

The second shift gets to work, and turning up their sleeves, takes over the bloody whips and resumes the flogging of the student, who still, as before, is lying in the snow without uttering a word. Only his body still thrills instinctively as the soldiers get more and more excited and the blows become more and more frequent.

"Sir, we, too, want some of the lark," impatiently interfered some of the dragoons, and having received the permission of the officer, substituted themselves for the artillery men and with new force and zeal began to flog the student, who still lay strictly as before, only his body scarcely moving.

"Well, here you are, you got your higher education—all the three faculties!" somebody joked as the flogging at last stopped and the student lay motionless in the snow.

But he was not flogged to death. He was taken to the other side of the river and there shot.

II.—Lieutenant Schmidt, of the Sevastopol Mutiny, after being captured.

(From a letter received by Prof. Miliukov from a lady correspondent who saw Schmidt in the Fortress and had the tale from his own lips.)

....He only remembers how the officers of the "Rostislavl" posted him naked, with a broken leg, between two sentries in their mess-room and approached him in turns, shaking their fists in his face and abusing him in the vilest terms. Schmidt's son, who, for some unaccountable reason, had been kept in fortress for two months, said to me: "I cannot tell you how they abused my father, the terms are unpronounceable." Schmidt himself spoke to me sobbingly of the painful treatment meted out to him by the officers.... For twenty-four hours the two of them, father and son, were kept stark naked and without food, under a fierce electric light, on the open deck. They lay together, pressing against each other so as to warm themselves, and everyone who passed looked at them, and those who wanted, abused them. When Schmidt, being wounded, asked for a drop of water, the senior officer shouted at him: "Silence, or I'll stop your gullet with my fist."

PATERNALISTIC GOVERNMENT.

By Theodore Schroeder.

HISTORY serves no purpose to those who cannot, or do not avail themselves of it as a means of learning helpful lessons, for present use. From a few sources not readily accessible to the masses, I have copied a partial summary of paternalistic legislation which even the most devout devotees to mass or ruling class wisdom would now decline to defend.

It is helpful, perhaps, to look back to the persistent fallacious assumption that men can be made frugal and useful members of society by laws and edicts. Every thoughtful student feels sure that future generations will look upon our present efforts to regulate the self-regarding activities of humans with the same cynical leer as that which now flits over our faces as we read the following:—

The earliest sumptuary law was passed 215 B. C., enacted that no woman should own more than half an ounce of gold or wear a dress of different colors, or ride in a carriage in the city or in any town or within a mile of it, unless on occasion of public sacrifices. This law was repealed in twenty years. In 181 B. C. a law was passed limiting the number of guests at entertainments. In 161 B. C. it was provided that at certain festivals named the expense of entertainments should not exceed 100 asses, and on ten other days of each month should not exceed 10 asses. Later on it was allowed that 200 asses, valued at about $300, be spent upon marriage days.

A statute under Julian extended the privileges of extravagance on certain occasions to the equivalent of $10, and $50 upon marriage feasts. Under Tiberius, $100 was made the limit of expense for entertainments. Julius Cæsar proposed another law by which actual magistrates, or magistrates elect, should not dine abroad except at certain prescribed places.

Sumptuary laws, that is to say, laws which profess to regulate minutely what people shall eat and drink, what guests they shall entertain, what clothes they shall wear, what armor they shall possess, what limit shall be put to their property, what expense they shall incur at their funerals, were considered by the Early and Middle Ages as absolutely necessary for the proper government of mankind.

Tiberius issued an edict against people kissing each other when they met and against tavern keepers selling pastry. Lycurgus even prohibited finely decorated ceilings and doors. In England the statutes of laborers, reciting the pestilence and scarcity of servants, made it compulsory on every person who had no merchandise, craft or land on which to live, to serve at fixed wages, otherwise to be committed to gaol till he found sureties. At a latter day, all men between twelve and sixty not employed were compelled to hire themselves as servants in husbandry; and unmarried women between twelve and forty were also liable to be hired, otherwise to be imprisoned. All this, of course, was to compel people of modest wealth to remain among the laboring class purely for their own good. (?) But they were quite impartial in enforcing benefits, since the Star Chamber also assumed to fine persons for not accepting knighthood.

Compulsion was also used at the time of the Reformation, to uphold the Protestant faith and keep people in the right way. Refusing to confess or receive the sacrament was first made subject to fine or imprisonment, and a second offense was a felony punishable by death, and involved forfeiture of land and goods. Those who, having no lawful excuse, failed to attend the parish church, in the time of Elizabeth, were fined twelve pence—at that time a considerable sum. This penalty was afterwards altered to twenty pounds a month, but those were exempted who did not obstinately refuse. The penalty on all above sixteen who neglected to go for a month was abjuration of the realm; and to return to the realm thereafter was felony. And two-thirds of the rent of the offender's lands might also be seized till he conformed.

An ordinance of Edward III., in 1336, prohibited any man having more than two courses at any meal. Each mess was to have only two sorts of victuals, and it was prescribed how far one could mix sauce with his pottage, except on feast days, when three courses, at most, were allowable.

The Licinian law limited the quantity of meat to be used. The Orcian law limited the expense of a private entertainment and the number of guests. And for like reasons, the censors degraded a senator because ten pounds weight of silver plate was found in his house. Julius Cæsar was almost as good a reformer as our modern Puritans. He restrained certain classes from using litters, embroidered robes and jewels; limited the extent of feasts; enabled bailiffs to break into the houses of rich citizens and snatch the forbidden meats from off the tables. And we are told that the markets swarmed with informers, who profited by proving the guilt of all who bought and sold there. So in Carthage a law was passed to restrain the exorbitant expenses of marriage feasts, it having been found that the great Hanno took occasion of his daughter's marriage to feast and corrupt the Senate and the populace, and gained them over to his designs.

The Vhennic Court established by Charlemagne in Westphalia put every Saxon to death who broke his fast during Lent. James II. of Arragon, in 1234, ordained that his subjects should not have more than two dishes, and each dressed in one way only, unless it was game of his own killing.

The Statute of Diet of 1363 enjoined that servants of lords should have once a day flesh or fish, and remnants of milk, butter and cheese; and above all, ploughmen were to eat moderately. And the proclamations of Edward IV. and Henry VIII. used to restrain excess in eating and drinking. All previous statutes as to abstaining from meat and fasting were repealed in the time of Edward VI. by new enactments, and in order that fishermen might live, all persons were bound under penalty to eat fish on Fridays or Saturdays, or in Lent, the old and the sick excepted. The penalty in Queen Elizabeth's time was no less than three pounds or three months' imprisonment, but at the same time added that whoever preached or taught that eating of fish was necessary for the saving of the soul of man, or was the service of God, was to be punished as a spreader of false news. And care was taken to announce that the eating of fish was enforced not out of superstition, but solely out of respect to the increase of fishermen and mariners. The exemption of the sick from these penalties was abolished by James I., and justices were authorized to enter victualing houses and search and forfeit the meat found there. All these preposterous enactments were swept away in the reign of Victoria.

Of all the petty subjects threatening the cognizance of the law, none seems to have given more trouble to the ancient and mediæval legislatures than that of dress. * * * Yet views of morality, of repressing luxury and vice, of benefiting manufacturers, of keeping all degrees of mankind in their proper places, have induced the legislature to interfere, where interference, in order to be thorough, would require to be as endless as it would be objectless.

Solon prohibited women from going out of the town with more than three dresses. Zaleucus is said to have invented an ingenious method of circuitously putting down what he thought bad habits, namely, by prohibiting things with an exception, so that the exception should, in the guise of an exemption, really carry out the sting and operate as a deterrent. Thus he forbade a woman to have more than one maid, unless she was drunk; he forbade her to wear jewels or embroidered robes, or go abroad at night, except she was a prostitute; he forbade all but panders to wear gold rings or fine cloth. And it was said that he succeeded admirably in his legislation. The Spartans had such a contempt for cowards that those who fled in battle were compelled to wear a low dress of patches and shape, and, moreover, to wear a long beard half shaved, so that any one meeting them might give them a stroke. The Oppian law of Rome restricted women in their dress and extravagance, and the Roman knights had the privilege of wearing a gold ring. The ancient Babylonians held it to be indecent to wear a walking stick without an apple, a rose, or an eagle engraved on the top of it. The first Inca of Peru is said to have made himself popular by allowing his people to wear ear-rings—a distinction formerly confined to the royal family. By the code of China, the dress of the people was subject to minute regulation, and any transgression was punished by fifty blows of the bamboo. And he who omitted to go into mourning on the death of a relation, or laid it aside too soon, was similarly punished. Don Edward of Portugal, in 1434, passed a law to suppress luxury in dress and diet, and with his nobles set an example. In Florence a like law was passed in 1471. And in Venice, laws regulating nearly all the expenses of families, in table, clothes, gaming and traveling. A law of the Muscovites obliged the people to crop their beards and shorten their clothes. In Zurich a law prohibited all except strangers to use carriages, and in Basle no citizen or inhabitant was allowed to have a servant behind his carriage. About 1292, Philip the Fair, of France, by edict, ordered how many suits of clothes, and at what price, and how many dishes at table should be allowed, and that no woman should keep a cur.

The Irish laws regulated the dress, and even its colors, according to the rank and station of the wearer. And the Brehon laws forbade men to wear brooches so long as to project and be dangerous to those passing near. In Scotland, a statute enacted that women should not come to Kirk or market with their faces covered, and that they should dress according to their estate. In the City of London, in the thirteenth century, women were not allowed to wear, in the highway or the market, a hood furred with other than lamb-skin or rabbit-skin. In the Middle Ages, it was not infrequent to compel prostitutes to wear a particular dress, so that they might not be mistaken for other women. And this was the law in the City of London, as appears from records of 1351 and 1382.

The views and objects of English legislators as to the general subject of dress, however preposterous in our eyes, were grave and serious enough. They were so confident of their ground that it was recited that "wearing inordinate and excessive apparel was a displeasure to God, was an impoverishing of the realm and enriching other strange realms and countries, to the final destruction of the husbandry of the realm, and leading to robberies."

The Statute of Diet and Apparel in 1363, and the later statutes, minutely fixed the proper dress for all classes according to their estate, and the price they were to pay; handicraftsmen were not to wear clothes above forty shillings, and their families were not to wear silk or velvet. And so with gentlemen and esquires, merchants, knights and clergy, according to graduations. Ploughmen were to wear a blanket and a linen girdle. No female belonging to the family of a servant in husbandry was to wear a girdle garnished with silver. Every person beneath a lord was to wear a jacket reaching to his knees, and none but a lord was to wear pikes to his shoes exceeding two inches. (1463.) Nobody but a member of the royal family was to wear cloth of gold or purple silk, and none under a knight to wear velvet, damask or satin, or foreign wool, or fur of sable. It is true, notwithstanding all these restrictions, that a license of the king enabled the licensee to wear anything. For one whose income was under twenty pounds, to wear silk in his night-cap was to incur three months' imprisonment or a fine of ten pounds a day. And all above the age of six, except ladies and gentlemen, were bound to wear on the Sabbath day a cap of knitted wool. These statutes of apparel were not repealed till the reign of James I.

Sometimes, though rarely, a legislature has gone the length of suddenly compelling an entire change of dress among a people, for reasons at the time thought urgent.

In China a law was passed to compel the Tartars to wear Chinese clothes, and to compel the Chinese to cut their hair, with a view to unite the two races. And it was said there were many who preferred martyrdom to obedience.

So late as 1746, a statute was passed to punish with six months' imprisonment, and on a second offense with seven years' transportation, the Scottish Highlanders, men or boys, who wore their national costume or a tartan plaid, it being conceived to be closely associated with a rebellious disposition. After thirty-six years the statute was repealed. While the act was in force it was evaded by people carrying their clothes in a bag over their shoulders. The prohibition was hateful to all, as impeding their agility in scaling the craggy steeps of their native fastnesses. In 1748 the punishment assigned by the act of 1746 was changed into compulsory service in the army.

Plato says it is one of the unwritten laws of nature that a man shall not go naked into the market-place or wear woman's clothes. The Mosaic law forbade men to wear women's clothes, which was thought to be a mode of discountenancing the Assyrian rites of Venus. The early Christians, following a passage of St. Paul (1 Cor. xi.), treated the practice of men and women wearing each other's clothes as confounding the order of nature, and as liable to heavy censure of anathema.

There was formerly rigorous punishment of persons poaching game with blackened faces. Those who hunted in forests with faces disguised were declared to be felons. And as disguises led to crime, and mummers often were pretenders, all who assumed disguise or visors as mummers, and attempted to enter houses or committed assaults in highways, were liable to be arrested and committed to prison for three months, without bail.

The Mosaic law prohibited the practice of using alhenna, or putting an indelible color on the skin, as was done on occasions of mourning, or in resemblance of the dead, or in honor of some idol. And two fashions of wearing the beard and hair were prohibited, as has been supposed, on account of idolatrous association. Even Bacon said he wondered there was no penal law against painting the face.

(To be Continued.)

LIBERTY IN COMMON LIFE.

By Bolton Hall.

IT seems to me that none of us see how far-reaching freedom will be.

The Socialists have abundantly shown that if only the wastes of production and distribution were saved, two or three hours' labor per day would produce all that we produce now. If, in addition to this saving, the land, including all the resources of nature, were opened to labor, so that all workers would use the best parts of the earth to the best advantage, wealth would be so abundant that interest would disappear.

Even now, with increased production, and notwithstanding the restrictions on the issue of money and our crazy banking system, interest is decreasing so that we find it hard to get 4 per cent. here.

Suppose to-day the mortgages and railroad bonds, which are forms of ownership of land, were taken out of the market, what interest could we get? Certainly not one per cent.

Were the restrictions on production of the tariff, taxes on products of labor, patent monopolies, hindrances to the making of money through franchise privileges done away with, and above all were private appropriation of rent abolished, wealth would not be so abundant and so easy to obtain that it would not be worth anyone's while to keep account of what he had "lent" to another. With the disappearance, at once, of interest and of the fear of poverty the motive for accumulations of more than would be sufficient to provide against disability or old age will disappear, while such small but universal accumulations made available by a system of mutual banking will provide ample capital for all needed enterprises.

Co-operation will spring up as a labor-saving device, and the great abilities of the trust managers will be turned to public service instead of public plunder.

Henry George is wrong in thinking that the increased demand for capital due to free opportunities for labor would increase interest. If it did, it would perpetuate a form of slavery. He omits to notice that the very use of the capital would reproduce wealth and capital so much more abundantly that it would destroy the motive for accumulation.

The time will come—it is even now at hand—when dollars and meals and goods will be given to those who ask these as freely as candies or water or cigars are offered to visitors. If I am wrong in this, then I am wasting my efforts, as far as sincere efforts can be wasted.

If Socialism or Anarchism is needed to insure voluntary communism of goods, then it is for Socialism or Anarchism that we should work; and for me, if I could see, I would turn from single tax to either of them as readily as I would turn down hill if I found that up hill was the wrong road.

At present, hardly any one favors these views—of course, not plutocrats, because the doctrine is dangerous; not Socialists, because they think that its words turn Socialists into land reformers; nor Anarchists, because they regard compulsory payment of a fair price for the land one uses as a form of tax; not even single taxers, as yet, because they are wedded to the theory of Henry George.

My only fear, if there be room for fear, is that the new liberty and leisure will come too soon for the sordid people to make a wise use of it. Yet such a fear is like that of a man who should fear that his jaw would grind so hard as to destroy his teeth.

The world is moved by one Spirit, which everlastingly adjusts action against reaction, so that all is and always must be well.

Do not shy at truth for fear of its logical consequence.

STATISTICS.

By H. Kelly.

(Special Cable Despatch to "The Sun.")

"London.—The result of the first organized census of the British Empire is issued in a Blue Book. It shows that the empire consists of an approximate area of 11,908,378 square miles, or more than one-fifth of the entire land area of the world.

"The population is about 400,000,000, of whom 54,000,000 are whites. The population is roughly distributed as follows: In Asia, 300,000,000; Africa, 43,000,000; Europe, 42,000,000; America, 7,500,000, and Australasia, 5,000,000.

"The most populous city after London is Calcutta. The highest proportion of married persons is in India, Natal, Cyprus and Canada. The lowest is in the West Indies. Depression in the birth rate is general almost everywhere, but is most remarkable in Australasia. The proportion of insane persons in the colonies is much below that in the United Kingdom. Insanity is markedly decreasing in India, despite consanguineous marriages. Indeed, the theory that such marriages produce mental unsoundness is little supported by these statistics."

To those who read without preconceived notions, the figures given above show how history repeats itself. The British Empire is decaying at the centre, and the census just taken proves it conclusively. The proportion of insane in the colonies, even in poor famine-stricken India, is "much below" that in the United Kingdom. Striking as these figures on insanity are, they convey but a part of the truth as to the real condition of the people of England, Ireland, Scotland and Wales, as all reference to their material well-being (if we were Christians we would add and spiritual, for over one million people in these countries never heard of God) is carefully omitted. Charles Booth, author of that truly great work, "Life and Labor in London," seventeen volumes, estimates that 30 per cent. of the population of the United Kingdom live in a state of poverty, and Seebohm Rowntree, author of "Poverty, A Study of Town Life," puts it at 27.84 per cent. Mr. Rowntree also states that an average of one person in five, or 20 per cent. of the population, die in some public institution, i. e., prison, poor-house, hospital or insane asylum. These statements are depressing enough as they are, but they become worse when we learn that the standard of living upon which they are based are those enjoyed—we use the word advisedly—by poor-house inmates. Think of this, ye Pharisees, Christian and otherwise, 30 per cent. of the population of the British Isles living under such conditions! These are not the idle statements of long-haired reformers or yellow journalists, but of two very estimable Christian gentlemen, both of them manufacturers and successful business men. They are different from the ordinary exploiter only in the sense of being honest and humane enough to recognize that something is radically wrong with modern civilization and make an earnest attempt to remedy it.

In this connection it is worthy of note that when the proprietors of the London "Daily News" had a systematic canvas and investigation made into the housing conditions in London, some six or seven years ago, it was found that 900,000 people, one-fifth of the population, were living in violation of the law. This was the case notwithstanding that the law says 400 cubic feet of air space for each adult and 200 cubic feet for each child must be provided, whereas Professor Huxley, who at one time was a physician in the East End of London, said at least 800 cubic feet for an adult and 400 cubic feet for a child was absolutely necessary to keep the air in a fair state of purity.

It was and is the proud boast of millions of people that they are co-inheritors of this glorious empire, an empire the greatest the world has ever seen: 400,000,000 souls and an area so vast that the sun never sets on all its parts at one time. Pete Curran, the Trade Unionist and Socialist, once remarked he knew parts of the empire upon which the sun never shone, and Pete knew.

Glory and aggrandizement based upon injustice brings its own reward, and when a people subjugate and exploit another, they must inevitably pay the price of their own brutality and injustice. The handwriting is on the wall in the shape of the present census report. Decaying at the centre, the British Empire is rapidly going the way of the Persian, Greek and Roman Empires, and her name will be synonymous with injustice as theirs are. Nations no more than individuals can thrive, expand and develop their best faculties unless their lives are based upon freedom and justice. Not freedom to exploit a weaker person or people, not justice before the law which is a mockery and a sham, but freedom for each to live his own life in his own way, and justice to all in the shape of equal opportunity to the earth and all it may contain.

This lesson applies equally to America, and if any of my countrymen are so blind as not to see it, they deserve pity rather than censure, and it is to be hoped their awakening will not long be delayed.

GERHART HAUPTMANN WITH THE WEAVERS OF SILESIA.

By Max Baginski.

WHEN I look at the last engraving in the illustrated edition of "Hannele," at the Angel of Death with the impenetrable brow, over whom Hannele passes into the region of beauty, I have the consciousness, that that is Gerhart Hauptmann, such is the inexhaustible wealth of his inner world.

The stress of the life effort and the certainty of death, groping forth from delicate intimacies, ripened the fineness and sweetness of this man's soul. The picture contains transitoriness, finiteness, yet also a vista of new formation, new land.

Of Gerhart Hauptmann one can say, his art has given meaning to the idea of human love, which in this period is looked upon with suspicious eyes as a bad coin, a new impetus, the reality and symbolic depth of which grips the heart. Out of his books one can draw life more than literature. A strong soul-similarity with Tolstoi might be observed, I think, if Hauptmann were a fighting spirit.

I met the poet among the weavers of the Eulengebirge, Silesia, in the districts of greatest human misery, February, 1891, in Langenbielau, the large Silesian weaving village. One evening, on my return from a journey, I was informed that a tall gentleman in black had inquired for me. The name of the stranger was Gerhart Hauptmann, who came to study the conditions of the weaving districts. The visitor had taken lodgings in the "Preussischen Hof," where I called on him the same evening, with joyous expectation. The name of Gerhart Hauptmann in those days seemed to contain a watchword, a battle call: not only against the unimportant thrones of literature at that time but also against social oppression, prejudices and moral crippling. Hauptmann's first drama, "Vor Sonnenaufgang," had just appeared and been produced by the Free Stage in Berlin; and had operated like an explosive. It was followed by a flood of vicious and vile criticism. The literary clique little imagined that the future held great success for such "stuff" both in book form and on the stage.

This lamentable lack of judgment misled the various pot-boiler writers to attack the new tendency with the most repulsive arguments. One leading paper of those days wrote of Hauptmann as an individual of a pronounced criminal physiognomy, of whom one could expect nothing else but dirty, appalling things.

Such literary highway assaults made one feel doubly happy over the fact, that together with Hauptmann were a few splendidly armed fighters, like the aged Fontane, with his great poise and fine exactness.

The first impression of Hauptmann was that he was not a man of easy social carriage, rather discreet, almost shy, and uncommunicative. An absorbed, deep dreamer, yet a keen observer of the human all too human, not easily led astray, not Goethe, rather Hoelderlin.

The guest room of the "Preussischen Hof" contained many empty benches. The keeper thereof had ample time to meditate over the mission of the strange gentleman, in the weaving districts. I learned the next morning that he had quite decided that Hauptmann was some government emissary, intrusted with examining the prevailing distress of the weavers. One thing, however, appeared suspicious, the man associated with the "Reds," who, according to the government newspaper, only exaggerated the need and poverty to incite the people for their own political ends.

Whether or not the misery of the weavers that winter had reached such a point as to warrant an official investigation, had been the topic of discussion for weeks. The State Attorney, too, had taken an active part in the matter. The criticism in the labor paper, "The Proletarian," of which I was the editor, that the exorbitant profit-making methods of the manufacturers, which left the workers nothing to live on, were met with a number of indictments against the paper on the following grounds: "It was indictable to incite the public at the moment when the prevailing poverty was in itself sufficient to arouse the people and cause danger; that this was criminal, and therefore punishable. The distress was thereby officially acknowledged; was that not sufficient? Why then hold the conditions up before the special attention of the people?"

We mapped out a tour through the home-weaving settlements. At Langenbielau, the textile industry had to a large extent been carried on in mills and factories and at a higher wage. Misery was not so appalling and hopeless there, as in the huts of the home weavers.

The following days unrolled a horrible picture before the eyes of the poet. The figures of Baumann and Ansorge from his play "The Weavers" became real.

With mute accusation on their lips, they moved before the human eye in tangible shape; yet one longed to believe they were only phantoms. They lived, but how they lived was a burning shame to civilization. Huts, standing deep in the snow, like whitened sepulchres, and despair staring from every nook, in these days of paternal care, just as at the time of the famine that swept across the district in 1844.

Strewn among the hills and valleys lay bits of industry that had been passed by technical progress, as so many damned, spooklike spots; and yet those, who vegetated, worked and gradually perished here, were compelled to compete with the great productive giants of steel and iron machinery.

The poet entered these homes not with the spirit of a cool observer, nor as a samaritan,—he came as man to man, with no appearance of one stooping to poor Lazarus. Indeed, it seemed as though Hauptmann walked with a much steadier gait in the path of human misery, than on the road of conventionality.

Steinseifersdorf, situated beyond Peterswaldau. A bare snow field, spread about huts of clay, shingles and branches, without a sign of life. Neither a cat, dog nor sparrow, not even chimney smoke, to indicate the activity of the inhabitants. Heated dwellings in this stretch of land are luxuries, difficult of achievement; and how is one to prepare a warm meal out of nothing?

We attempted to enter one of the huts to the right; there was no path leading to it, so that we were compelled to work our way through the deep snow. Was it possible that human beings breathed within? The old weather-worn shanty looked as if the slightest breeze would tumble it over. The few wooden steps, leading to the entrance, creaked underneath our steps, and our knock was met with dead silence. We knocked again, and this time heard a faint step slowly moving toward the door; a heavy wooden bolt was moved aside, and we perceived a human face, with the expression of a wounded, frightened animal. Like a delinquent, caught at the offense, the human being at the door stared at the invaders. Not a ray of hope enlivened the dead expression. No doubt the man had long ceased to expect amelioration of his needs from his fellow beings. The figure was covered with rags, and what rags! Not the kind of rags, that tramps wear and which they throw off when luck strikes them, but eternal rags, that seemed to have grown to the skin, to have mingled with it so long that they had become part of it,—disgustingly filthy, but the only cover he had and that he could not throw away.

The man, about fifty years of age, was silent and led us through a dirty, cold gray entry into a room. In front of the loom we observed the drooping figure of a woman, a cold oven, four dirty, wet walls, at one of them a wooden bunk also covered with rags that served as bedding; nothing else. The man murmured something to the woman, she rose; both had inflamed eyes, water dripping from them with the same monotony as from the walls.

Hauptmann began to speak hesitatingly, depressed by the sight of such misery. He received a few harsh replies. The last piece of cloth had been delivered some time since; there was neither bread, flour, potatoes, coal nor wood in the house; in fact, no food or fuel of any sort. This was said in a subdued, fearful voice, as if they expected severe censure or punishment. Hauptmann gave the woman some money. The thought of going without leaving sufficient for a supply of food at least for the next few days, was agony.

On the widening of the road stood the village inn. The guest room showed little comfort, the innkeeper looked worn and in bad spirits. No trade. Innkeepers of factory towns are better off. They can afford guest rooms of a higher order, since they enjoy the patronage of bookkeepers, clerks and teachers. In Steinseifersdorf one had to depend on the weavers, and that did not bring enough for a square meal, especially in the winter. The wife of the innkeeper assured us that the misery in Kaschbach, a neighboring village, was even greater, even more awful. It was getting late, so we decided to go there the following day.

Our conversation on our ride homeward dwelt on the fate of these unfortunates, condemned by modern industrialism to a life of the Inferno. I asked Hauptmann what an effect an artistic, dramatic representation of such a fate could possibly have. He replied that his inclinations were more for summernight's dreams toward sunny vistas, but that an impelling inner force urged him to use this appalling want as an object of his art. As for the hoped-for effect, human beings are not insensible; even the most satisfied, the most comfortable or rich must be gripped in his innermost depths when pictures of such terrible human wretchedness are being unrolled before him. Every human being is related to another.

My remark that the right of possession has the tendency to blind those who are part of it, Hauptmann would not accept as generally true. He was anxious to bring the sympathies of the wealthy into energetic activity; sympathies that would, of course, bring to the poor real relief from their hideous conditions. He added that the poverty of the masses had at times tortured him to such an extent that he was unable to partake of his meals, which were meager enough, especially during his student life in Zurich; yet he had felt ashamed of partaking of such a luxury as a cup of coffee even. I had to admit that I could not share his hopes of the influence of an artistic portrayal of the sufferings of the weavers upon the people of wealth. Self-satisfied virtue is hard to move. Rather did I believe that a great work of art, treating of the life of the masses, was bound to rouse their consciousness to their own conditions.

At that time, I believe, Hauptmann had already completed his "Weavers." His journey into the weaving district was not to collect material for the structure of that tremendous play, rather than it was devoted to details, localities and landscapes. He had already drawn up the outline for his other play, "College Crampton," portraying a genial and joyous man, of whom narrowness and miserableness of surroundings make a caricature and who is finally wrecked.

Langenbielau, after our journey through the Golgatha of poverty, seemed a place of relief. The mills, with the increasing noise of machines that dulls the ears and racks the nerves, are by no means an elevating sight, but they bring the workingmen together and awaken their feeling and understanding of solidarity and the necessity for concerted action. Here, in spite of sunken chests, great fatigue, poor nourishment, one felt the breeze of the struggling proletarian mind that indicated a new land of regeneration, beyond the misery of our times.

For one of the evenings a gathering of the older weavers was arranged. Hauptmann had a plate set for each one. During the meal a lively discussion developed. There was one weaver, Mathias, very bony, and with a skin like parchment, very poor, but blessed with many children. He related of a bet he had won. The owner of the tavern where we were having our feast had expressed doubt as to the ability of Mathias to consume three pounds of pork at once. He volunteered to do it, if the meat would be paid for and a quantity of beer added to it. A neighbor was intrusted with the preparation of the roast. At the appointed hour Mathias appeared, together with two other men as witnesses of the contest. The prize eating began, when Mathias was confronted by an obstacle: Five children belonging to the neighbor surrounded the table, with their eyes widely opened at the unusual sight of a roast. Their little faces expressed great desire and their mouths began to water. The prize eater felt very uncomfortable before the longing look of the children. He imagined himself a hard-hearted guzzler, only concerned about his own stomach. He forgot the bet, cut up some of the meat and was about to place it before the children, when a howl of protest arose. This was not permitted, if he wanted to win he would have to eat the entire roast himself. Mathias submitted, but dropped his eyes in shame before the children. Time and again he involuntarily passed portions of meat to them, but his attempts were frustrated by renewed protests. He could not continue, however, until the little ones were taken out into the cold. There was no other place, since the only room was taken up by the parties concerned in the contest. They might have been put into the cold, dark garret, but that would have been too cruel and would have made Mathias unable to carry out the feat. The undertaking was finished, but the winner felt quite wretched; he was conscious of having committed a great sin against the simplest of human demands.

The conversation turned to the uprising of the weavers in 1844. Many incidents of those days were related. Various legend-like and fantastic stories told. Also names of people of the neighborhood who had participated in that historic event.

The entire affair was very informal and simple, and not an atom of the oppressive atmosphere one feels in the relations between the members of the upper and lower stations of life.

The next morning we started for Kaschbach. The place looked even more dismal than the one we had visited the day previous. In one of the huts a weaver, with a swollen arm in a sling, led us into a corner of the room. On a bunk covered with straw and rags lay a woman with a little baby near her. Its body was covered with a terrible rash, perfectly bare, almost hidden within the floor rags. The shy father, himself in pain, stood near, the personification of helplessness. If only there were food in the house! The district physician? He would have been compelled to prescribe food, light, warmth and sanitation for every hut he visited, if he did not wish his science to prove a mockery. He could not do that, so he came but rarely. Humanitarianism, thus far your name is impotency! All that could be done was to leave money and hurry out into the air.

The next abode might be considered pleasant compared with the previous one. Two elderly people, not so worn and wan, and not so ragged. The man was weaving, still having some work at times; his wife, very pleasant and amiable, was almost ready to praise the good fortune of their home. "We are better off than our neighbors," she said with some pride. She pointed to a freshly cut loaf of bread, to the fire in the oven, to a table and a real bed—a great fortune, indeed. The walls were covered with some colored prints, representing virtue, patience, endurance to the end. One picture showed the return of the prodigal son, one the ejection of Hagar from the house of Abraham. Our hostess could boast of the luxury of a coffee mill even, and, after she had ground and brewed the coffee, we were invited to partake of it, which we gratefully did. Local and general affairs were talked over; the man, quite talkative, but careful and reticent in his remarks, especially when religious and political questions were approached. His remarks were kept within careful lines so as not to offend. Hauptmann said afterwards that he had noticed such cautiousness in all weavers. No doubt it had grown out of the great poverty that often brought out diffidence and reticence toward strangers.

Hauptmann sat on a low stool, and, while we were sipping our coffee, the woman petted him tenderly on the brow. "Yes, yes, young man, Want, the awfulness of Want, but we cannot complain." At our departure, she pointed to a hut nearby and said: "The people in there are nearly starved." It was not exaggerated. When we entered, we saw a woman in the dismal gray of the room, surrounded by a number of crying children. Two or three of the maturer girls, thin and pale and drawn out by the Procrustean bed of poverty, secretly wiped the last drops of tears from their suffering faces. Hunger reigned supreme within these walls. The woman, in the last stage of pregnancy, suffered the keenest under the lamentations of the younger children, to whom she could give no food. The husband had been gone two days on a begging tramp. He would surely bring home something, though it was very difficult to get anything in this neighborhood. One must tramp a long distance for a piece of bread. Yesterday they could still obtain a few potatoes, but to-day she had nothing more to give, nor did she know what to tell the children. She had implored the minister to let her have something to eat, if only a few morsels, but he had nothing himself, he said. The tightly pressed lips of the older girls trembled violently, every breath of the family was despair. Our presence had silenced the cries of the children with the frost-bitten faces, but when we left, they again would tear the heart of their mother, their weak little voices calling for bread.

No one could expect such fatalism from these starving little ones, that they should coolly and philosophically analyse the "economic necessity" that condemned their parents to a desperate battle with hunger. The only thing that could perform miracles here was a coin. The poor woman did not dare to believe that she actually held one in her hand. That which was to secure these unfortunates relief from death, at the same moment fostered elsewhere conceit, corruption and extravagance, and is being used for the conversion of heathen to brotherly love. The terrible sight of this mother and her little ones conjured up the heartlessness and emptiness of all philanthropy and charity for dumb misery. Greatest of all social crimes, that makes the possibility of stilling the hunger of the little children dependent on money.

One morning Hauptmann and I went on foot to Reichenbach, where I introduced him to an old weaver, a Socialist, who had participated in the co-operative scheme proposed by Bismarck. The old man had much of interest to relate of this venture, that had been very meagerly assisted by the government. He said that the association could have survived, had it not been for the conspiracy of the manufacturers, who had a large capital at their disposal. The result of this, for the co-operative movement, was the closing of the market. At one time all the weaving products sent to the Leipzig Fair had to be transported back; a clandestine but effective boycott had made the sale thereof impossible. With much more gusto he related the days of Lassalle's agitation—that had brought life into the still limbs of the masses, a great change had seemed to be at hand. The wife of our old friend, too, had hoped for the change; but now, she remarked somewhat resigned, "we old people would rejoice if we were confident that the young generation would live to bring about the change."

In this house we met a widow with a thirteen-year-old daughter. Hauptmann found the child very striking. She had beautiful, soft, golden-blond hair, deep-set eyes and a very delicate, pale complexion. I learned later that he sent her occasional gifts. And when I read "Hannele" I could not rid myself of the thought that the vision of this child from Reichenbach must have haunted him when he created this drama.

That was my last outing with Hauptmann in the textile regions. A few months later I visited him at his home, located in the woods, close to the edge of a mountain.

Still later, when I was serving a term of imprisonment at the Schweidnitzer prison for my sins in exercising too much freedom of the press, I was overjoyed one morning by the news that Hauptmann had sent me a box of books. Through his kindness, Gottfried Keller, Konrad Ferdinand Meyer and other authors have illumined many dreary days of my cell life.

All the books reached me safely but the "Weavers," which had just been published at that time, and that I could not get hold of, in spite of every effort. The inspector had strict orders to consider that book as contraband.

Every time I went into the office to change one book for another, I saw the "Weavers" on the table. The temptation to shove the book under my jacket at an opportune moment was very great and trying, but unfortunately the State Attorney had instilled the idea into the head of the inspector that it was a very dangerous work; he never took his eyes from it.

Gerhart Hauptmann remained to the Schweidnitzer prison administration the most dangerous, prohibited author.

DISAPPOINTED ECONOMISTS.

Teachers and economists represent the bees as models of diligence. Behold how these little hard workers gather the honey together! Not a sign of obstinacy. They never insist on a certain number of hours for their workday, nor do they crave time for leisure, meditation or rest. Indeed, they employ all their energies, so that the owner of the beehive shall gain high profits.

No matter if they gather a thousandfold as much honey as they can consume, they never seek iniquity. Man takes all their wealth from them, and in the spring, in the beautiful month of May, when the flower cups begin to fill, the little hustlers resume their work again without complaint and without murmur.

Probably some economists regret that workmen are not endowed by nature with such an instinct for work as would let them feel nothing else but the desire to accumulate wealth for others.

It is too bad, indeed, that house builders, railroad workers, miners, garment workers and farmers are creatures with thinking faculties. That they should be able to analyze, to compare, to draw conclusions is really very unfortunate for the "Captains of Industry."

Next to the bee, the Asiatic coolie is the favorite ideal of the every-day economist. In one respect he surpasses the bee—he does not destroy drones.

How smoothly everything might run along in this world of material supremacy, if only the workers were made up of such a desirable mixture as the bees and coolies.

Fortunately, Fate hath not willed it so.

VITAL ART.

Anny Mali Hicks.

IN order to estimate the value of any movement, whether social, economic, ethical or esthetic, it must be studied in its relation and attitude to general progress. Its effectiveness should be judged by what it contributes to the growth of the universal conscience. That "no man liveth unto himself alone" is never so true as now, because now it is more generally realized. Therefore, any expression which concerns itself solely with its own special field of action finds itself soon set aside, and presently becoming divorced from reality, ends as a sporadic type. Any expression, however, which responds to the larger life gains a vitality which insures its continuance.

Thus, the effort to apply certain truths not new in themselves, is a tendency to work in harmony with progress. The effort to apply principle, however imperfectly expressed, is important, not because of its results, but because of the desire to relate theory and action in a conduct of life. Almost every type of expression is undergoing its phase of application. Esthetics have somewhat aligned themselves to the others, but at last there is a movement, known as the arts and crafts movement, more properly called applied esthetics, which is the effort to relate art to life. The old banality, "Art for Art's sake," is obsolete, and the vital meaning of art is in a more rational and beautiful expression of life, as it were, the continent art of living well.

This is the ideal and educational aspect of applied esthetics. Within the limits of its exclusive circle and within the radius of its special activities there is a trend to contentment with the production of objects of "worth and virtue." The object of luxury, which in fact has no vital meaning to either the producer or consumer. Were the production of such things to be its only aim, it would soon defeat its own end. But this movement has in reality wider and more democratic ideals. Because of its power to stimulate self-expression and the creative impulses, its greatest and most vital influence is more social than artistic. It principally concerns itself with the desire of the worker to express in his work whatever impulse for beauty may be his. There is no surer way of feeling the pressure of present economic conditions. The value of applied esthetics is as a medicine to stir up social unrest and discontent. Its keynote is self-expression, and it is when men and women begin to think and act for themselves that they most keenly feel social and economic restrictions, and are made to suffer under them. But if suffering is necessary to growth, let us have it and have it over with by all means. No sane being will stand much of it without making an effort to get at its cause. It has been said that the most important part of progress is to make people think; it is vastly more important that they should feel. The average individual is not discontented with his surroundings, else he would go to work to change them. As a product of them he is benumbed by their mechanical influence, and consequently expresses himself within their limits. He is the mouthpiece of existing conditions, and, accordingly, acts in law-abiding fashion.

The larger emotional life, or inner social impulse emanates from those pioneers who, living beyond existing conditions, are the dynamics of society. Through them life pushes onward. The inner impulse becomes public opinion, public opinion becomes custom, custom crystallizes into law. Now the fresh impulse is needed for new growth; where shall it be sought if not in the expression of the emotional life? What form shall the expression take unless it be the purest and most spontaneous form of art, which is without purpose other than the expression of an impulse? This alone fosters the growth of the emotions.

Art, like justice, has many crimes committed in its name, and much called so that is merely a methodical and imitative performance. It is in no wise that spontaneous expression of life which, coming simply and directly as an impulse, takes a decorative or applied form. All the beginnings of art grew up in this way. In primitive peoples it is the first expression of emotional life, which comes after the material need is satisfied. The savage makes his spade or fish spear from the necessity of physical preservation. Thus from the joy of living he applies to it his feeling for beauty.

The earliest forms of art were all applied. Stone carving was applied to architecture, thus colored stones, called mosaics, as wall decorations; from these to the fresco; from the fresco to the pictorial form of painting. To-day the final degeneration of art is in the easel picture, which as an object detached and disassociated from its surroundings, takes refuge in the story-telling phase to justify its raison d'être. But, alas for the easel picture! alas, also, for the usual illustration, without which most literature would be so difficult to understand. In each case the one is there to help out the other's deficiency. Two important expressions of art, in a state of insubordination. It is the opera over again, where music and drama keep up an undignified race for prominence. Supposing an illustration were decorative in character echoing in a minor manner the suggested theme, would that not be a fitting background for the story-telling art? The Greeks knew very well what they were about when they introduced the relatively subordinate but decoratively important chorus into their dramas. This as well expresses their sense of relative proportion as does their sculpture and architecture.

What is decorative art, if not a sense of beauty applied to objects of use? That these need the emotional element as well as their element of service is as essential as the life breath in the body. It is the spark of divine fire which relates the actual to the ideal, resulting in the reality. It removes from our surroundings any influence which is solely mechanical. Applied art is alike because of its association with that which is necessary to life.

The test is necessity, not alone the physical, but likewise the emotional necessity, for all sides of our nature must be developed if life is to have full meaning and come to its maturity. The influence of applied esthetics is more vital because it is unconsciously absorbed through constant association. Imagine surroundings where everything which did not have a distinct use were eliminated and where everything else was distinctly fitted to its use. If this were put into practice in the usual household, a certain simplicity would be the result, to say the least. Most things with which we surround ourselves are neither useful nor beautiful. They are either so absurdly over-ornamented as to have their usefulness completely impaired, or else they are the usual mechanical device equally complicated and hideous. Ornament is usually an anomaly, added to cover structural defect. If the relation of the parts to the whole is perfect, beauty is there. But being accustomed to the over-ornamented and wholly mechanical, we do not resent their presence. For what, indeed, is habit not responsible? Even such innocent objects as pictures hang on our walls until they are scarcely noticed by us. Why not change them to suit our moods? Why not, indeed? There are so many of them, in the first place—and one remembers the time and trouble, even the family dissension which it took to hang them. But no one cares much, no one is alive enough to care much—the economic struggle which deadens our other senses is responsible for this also.

No unit of the social body can disentangle itself from existing conditions. Each is affected by all its influences. Some are more, some less, some are so much a part that they are not conscious. These last also suffer, but without knowing why. Vital education would show them. But the factory system pervades the school and art school as well as the factory.

What if the underlying force of education were spontaneous expression, instead of the limited method or system? The cry of the teacher is always, "It is very well to be spontaneous, but we must deal with the child en masse." The remedy for that is simple, because there is no real necessity to deal with children en masse. It is so much easier to apply the same system to each varied unit of a mass than to discover and help the individual expression of each. The basis of vital art, of vital education, is self-expression; from it and through it comes self-control. Self-repression is as socially uneconomic as jails and standing armies. If, instead of building prisons where human life is entombed, libraries where literature moulds, museums where art becomes archaic, why not establish centers of education, where spontaneous expression is encouraged, and where the soul, mind, and hand are simultaneously developed.

Think of a state where each individual working out from its own standpoint, truly without hypocrisy, would contribute his quota of individual life to the life of the whole. Pleasing himself in his work without fear. Then would come the true democracy, possible only under just economic conditions, where each has equal opportunity for self-expression. Then can the higher emotional life develop necessary to all human growth.

KRISTOFER HANSTEEN.

By Voltairine De Cleyre.

"OF the earth, unearthly—"

The sentence remained unfinished as I had written it two years and a half ago when Disease laid its hand on me, and all my MSS. ended in a dash. It was a description of Kristofer Hansteen, an explanation of his work in Norway. And now that I am ready to pick up the thread of life again, I read that he is dead—of the earth no more, he who hardly ever belonged to it. At this moment the most insistent memory I have of that delicate, half-aërial personality are the words: "When the doctors told me that I might perhaps not live longer than spring, I thought: 'If I die, what will become of Anarchism in Norway?'" He had no other idea of his meaning in life than this.

Somewhere fluctuant in my memory runs broken music—you have heard it?—"an ineffectual angel, beating his luminous wings within the void,"—something like that,—words descriptive of Shelley—they haunt me whenever I would recall Kristofer Hansteen. Perhaps to those who had known him in his youth, before his body was consumed like a half-spent taper, he might have seemed less spirit-like; but when I met him, three years ago this coming August, his eyes were already burning with ethereal fires, the pallor of waste was on the high, fine forehead, the cough racked him constantly, and there was upon the whole being the unnameable evanescence of the autumn leaf; only—his autumn came in summer.

The utter incapacity of the man before the common, practical requirements of life would have been irritating to ordinary individuals. The getting of a meal or the clothing of the body with reference to the weather, were things that he thought of vaguely, uncomfortably, only with forced attention. What he saw clearly, entranced by the vision, was the future—the free future. He had been touched by the wan wizard of Olive Schreiner's Dream of Wild Bees, and "the ideal was real to him." The things about him, other people's realities, were shadows—oppressive shadows, indeed, but they did not concern him deeply. It was the great currents of life he saw as real things, and among all the confusion of world-movements he could trace the shining stream that ran towards liberty; and with his hectic face and burning eyes he followed it, torn by the cough and parched by the fever.

The Hansteens are a well-known family in Norway, clever and often eccentric, Kristofer's aunt, Aosta Hansteen, at the time of my visit an old lady over eighty, having fought many a battle for the equality of woman both in Norway and America. Artist, linguist, and literary woman of marked ability, but, after the manner of her cotemporaries, rather outlandish and even outrageous in her attacks on masculine prerogative, she is a target for satirists and wits, few of whom, however, approach her virility of intellect. Her father, Kristofer's grandfather, was an astronomer and mathematician. In his youth Kristofer had gone afoot through the "dals" of Norway, and when he took me through the art galleries of Kristiania he was a most interesting guide, through his actual acquaintance with the scenes and the characters of the dalesmen depicted. He knew the lights upon the snow and rocks, just what time of the year shone on the leaves, where the wood-paths wound, the dim glories of the mist upon the fjords, the mountain stairways in their craggy walls, and the veiled colors of the summer midnight. And he knew the development of Norwegian art life and literary life, as one who wanders always in those paths, mysteriously lit.

Our hours of fraternization were few but memorable. He was a frequent visitor at the house of Olav Kringen, the editor of the daily Social Democrat, a big, kindly Norseman, who had remembered me from America, and who had defended me in his paper against the ridiculous charge in the ordinary press that I had come there to assassinate Kaiser Wilhelm. Through the efforts of Hansteen and the kindliness and largemindedness of Kringen and his Socialistic comrades, I spoke before the Socialistic League of Youth in their hall in Kristiania. The hall was crowded, over eight hundred being present, and there was some little money in excess of expenses, which was given to me. I shared it with Hansteen, and he looked up with a bright flash in his dark eyes: "Now," said he, "'Til Frihet' will come out one month sooner." "Til Frihet" (Towards Freedom) was his paper; and would you know how it came out? He set it up in his free moments, he did the mechanical work; and then, being too poor to pay for its delivery through the post, except the few copies that were sent abroad, he took it from house to house himself, over the hills of Kristiania!—he, a consumptive, the cough rending him!

There was a driving rain the night I left the city; he wore no rubbers or gum-coat. I was in hopes that he might think the propaganda deserved that its one active worker should get a pair of rubbers, since he must carry papers through the rain. I reminded him that he should keep his feet dry; he only glanced at them as if they were no concern of his, and—"'Til Frihet' will come out one month sooner."

It was in "Til Frihet" that he had been guilty of high treason. It happened once that King Oscar, in temporary retirement from public king-business, had left over to the Crown Prince the execution of certain matters, which according to the "Ground Law" of Norway could not be so left; whereupon Comrade Hansteen printed an editorial saying, "Oscar has broken the ground-law, and there is no more a King in Norway." For this he was charged with high treason, and to escape imprisonment he went to England, where he remained about a year among the London comrades. On his return, there was some threat of carrying out the prosecution, but, probably to avoid wider publication of the king's "treason," the matter was dropped. Previous to that Comrade Hansteen had had experience of prison life. In a May-day procession, ostensibly to include all labor reform or revolutionary parties, he, declaring that Anarchists should be given place too, marched, carrying a red flag. The chief of police directed a subordinate to take the flag away from him. Easily enough done, but not, as an evidence of unwilling submission, before he had struck the official in the face with his hand. That little hand, weak and delicate as a woman's! An ordinary man would have pushed it aside like a feather and thought no more of it; but the official paid tribute to the big will behind the puny flesh by sentencing him to seven months in prison.

My ignorance of Norwegian prevents my giving any adequate idea of his work. I know he was the author of a little pamphlet, "Det frie samfund" (Free Society), and that he had translated and published one of Krapotkin's works (whether "The State" or "The Conquest of Bread," I do not now remember), which he had issued in a series of instalments, intended ultimately to be bound together. As I recall the deep earnestness of his face in speaking of the difficulties he had had in getting it out, and the unsolved difficulties still facing its completion, I find myself wanting to pray that he saw that precious labor finished. It was so much to him. And I prophecy that the time will come when young Norwegians will treasure up those sacrificial fragments as dearer than any richer and fuller literature. They are the heart's blood of a dying man—the harbinger of the anarchistic movement in Norway.

I cannot say good-bye to him forever without a word concerning his personal existence, as incomprehensible to the practical as his social dreams perhaps. He had strong love of home and children; and once he said, the tone touched with melancholy: "It used to pain me to think that I should die and have no son; but now I am contented that I have no son." One knew it was the wrenching cough that made him "contented." A practical man would have rejoiced to be guiltless of transmitting the inheritance, but one could see the dreamer grieved. His eyes would grow humid looking at his little daughters; and indeed they were bright, beautiful children, though not like him. In his early wanderings he had met and loved a simple peasant woman, unlettered, but with sound and serviceable common sense, and with the beauty of perfect honesty shining in her big Norse-blue eyes. It was then and it is now a wonder to me how in that mystical brain of his, replete with abstractions, generalizations, idealizations, he placed his love for wife and children; strong and tender as it was, one could appreciate at once that he had no sense of the burden of practical life which his wife seemed to have taken up as naturally hers. The whole world of the imagination wherein he so constantly moved seemed entirely without her ken, yet this did not seem to trouble either. Nor did the fact that his unworldliness doubled her portion of responsibility seem to cause him to reflect that she was kept too busy, like Martha of old, to "choose that good part" which he had chosen. Thinking of it now, still with some sense of puzzlement, I believe his love for human creatures, and especially within the family relation, were of that deep, still, yearning kind we feel towards the woods and hills of home; the silent, unobtrusive presence fills us with rest and certainty, and we are all unease when we miss it; yet we take it for granted, and seldom dwell upon it in our active thoughts, or realize the part it plays in us; it belongs to the dark wells of being.

Dear, falling star of the northland,—so you have gone out, and—it was not yet morning.

FIFTY YEARS OF BAD LUCK.

By Sadakichi Hartmann.

EVERY occupant of the ramshackle, old-fashioned studio building on Broadway knew old Melville, the landscape painter, who had roughed life within its dilapidated walls for more than a score of years. In former years the studio building had been quite fashionable and respectable; there is hardly a painter of reputation in New York to-day who has not, once in his life, occupied a room on the top floor. But in these days of "modern improvements," of running water and steam heat, of elevators and electric lights, it has lost its standing and is inhabited by a rather precarious and suspicious clan of pseudo artists, mountebanks who vegetate on the outskirts of art; "buckeye painters," who turn out a dozen 20x30 canvases a day for the export trade to Africa and Australia; unscrupulous fabricators of Corots and Daubignys, picture drummers who make such rascality profitable, illustrators of advertising pamphlets, and so-called frescoe painters, who ornament ceilings with sentimental clouds, with two or three cupids thrown in according to the price they extort from ignorant parvenues.

And yet, no matter on what by-roads these soldiers of fortune wandered to earn their dubious livelihood, they all respected the white-bearded tenant, in his shabby gray suit, a suit which he wore at all seasons, and which time seemed to have treated just as unkindly as the bent and emaciated form of its wearer. Old Melville gave offense to nobody, and always had a pleasant word for everybody, but, as he was not talkative, and the other tenants were too busy to bother an old man painting, nobody knew much about his mode of living, the standard of his art, or his past history.

Very few had ever entered his studio—he had neither patrons nor intimate friends—and very likely they would not have enjoyed their visit. A peculiar gloomy atmosphere pervaded the room, almost sickening in its frugality, and as its skylight lay north, the sun never touched it. It had something chilly and uncanny about it even in summer. The floor was bare, furniture there was none, except an old worn-out kitchen table and chair, an easel and an old box which served as a bookcase for a few ragged unbound volumes. The comfort of a bed was an unknown luxury to him; he slept on the floor, on a mattress which in daytime was hidden with his scant wardrobe and cooking utensils in a corner, behind a gray faded curtain. His pictures, simple pieces of canvas with tattered edges, nailed to the four walls, leaving hardly an inch uncovered, were the only decoration and furnished a most peculiar wall paper, which heightened the dreariness of the room.

There was after all a good deal of merit to old Melville's landscapes; on an average they were much better than many of those hung "on the line"; the only disagreeable quality was their sombreness of tone. He invariably got them hopelessly muddy in color, despite their resembling the color dreams of a young impressionist painter at the start. He worked at them so long until they became blurred and blotchy, dark like his life, a sad reflection of his unprofitable career.

It was nearly thirty years ago that he had left his native town and had come to New York as a boy of sixteen. He already knew something of life then; at an early age he had been obliged to help to support his family, and had served an apprenticeship as printer and sign painter. In New York he determined to become an artist: a landscape painter, who would paint sunshine as had never been done before; but many years elapsed before he could pursue his ambition. Any amount of obstacles were put in his way. He had married and had children, and could only paint in leisure hours, all his other time being taken up in the endeavor to provide for his family, by inferior work, inferior decoration, etc. Not before years of incessant vicissitudes, heart-rending domestic troubles and sorrow, not before his poor wife had died of consumption—that awful day when he had to run about all day in the rain to borrow money enough to bury her!—and his children had been put in a charitable institution, he took up painting as a profession. Then the hard times, which are proverbial with struggling artists without means, began; only they were easier to bear, as he was suffering alone. In days of dispossess and starvation he had at least his art to console him, and he remained true to her in all those years of misery, and never degraded himself again to "pot boiling." In hours of despair, he also tried his hand at it, but simply "couldn't do it." Now and then he had a stroke of luck, a moderate success, but popularity and fame would not come. His pictures were steadily refused by the Academy. Every year he made a new effort, but in vain.

One day, when one of his large pictures was exhibited in the show window of a fashionable art store, a rich collector stepped out of his carriage and, entering the store, asked, "How much do you want for the Inness you have in the window?" The picture dealer answered, "It is no Inness, but just as good a piece of work." "No Inness!" ejaculated the man who wanted to buy a name, "then I don't want it," and abruptly left the store. This event, trifling as it was, threw a pale halo over old Melville's whole life and gave him strength to overcome many a severe trial. He hoped on, persevering in his grim fight for existence, despite failures and humiliation.

But the years passed by, and he still sat there in his studio, and in its emptiness, its walls covered with his dark and unsold pictures, whose tone seemed to grow darker with every year. He was one of those sensitive beings who continually suffer from the harsh realities of life, who are as naive as children, and therefore as easily disillusionized, and nevertheless cannot renounce their belief in the ideal. Not a day passed that he did not sit several hours before his easel, trying to paint sunshine as it really is. Nobody in this busy world, however, took notice of his efforts or comprehended the pathos of old Melville's life, those fifty years of bad luck. And yet such martyr-like devotion to art, such a glorious lifelong struggle against fate and circumstances, is so rare in modern times that one might expect the whole world to talk about it in astonished admiration.

And how did he manage to get along all this time, these twenty-five years or more, since "pot boiling" had become an unpardonable crime to him? Now and then he borrowed a dollar or so, that lasted him for quite a while, as his wants were almost reduced to nothing. Of course he was always behind in the rent, but as he sometimes sold a sketch, he managed somehow to keep his studio. He did not eat more than once a day. "Too much eating is of no use," he consoled himself, and in this respect he had many colleagues in the fraternity of art, as more than one-half of our artists do not manage to get enough to eat, which fact may explain why many paint so insipidly.

A few days before his sudden death, an old gentleman, a chance acquaintance, was talking with him about the muddy coloring of the pictures. Old Melville's eyes wandered over the four walls representing a life's work; at first he ardently argued in their favor, but finally gave in that they, perhaps, were a little bit too dark. "Why do you not take a studio where you can see real sunlight; there is one empty now with Southern exposure, right in this building." Old Melville shook his head, murmuring some excuses of "can't afford it," of "being used so long to this one," but his visitor insisted, "he would pay the rent and fix matters with the landlord." The good soul did not understand much about painting, about tones and values, but merely wanted to get the old man into a more cheerful room.

It was difficult for old Melville to take leave of his studio, in which he had seen a quarter of a century roll by, which he had entered as a man in the best years of his life, and now left as an old man; but when he had moved into the new room, the walls of which were an agreeable gray, he exclaimed, "How nice and light!" After arranging his few earthly possessions, he brought out a new canvas, opened a side window, sat down once more before his easel, and gazed intently at the sunshine streaming in and playing on the newly painted and varnished floor.

For years he had wielded the brush every day, but on this day he somehow could not paint; he could not find the right harmony. He at first attributed it to a cold which he had contracted, but later on, irritated and somewhat frightened, he mumbled to himself, "I fear I can't paint in this room." And thus he sat musing at his easel with the blank canvas before him, blank as once his youth had been, full of possibilities of a successful career, when suddenly an inspiration came upon him. He saw before him the orchard of his father's little Canadian farm, with the old apple trees in bloom, bathed in the sweet and subtle sunlight of spring, a scene that for years had lain hidden among the faint, almost forgotten memories of his childhood days, but now by some trick of memory was conjured up with appalling distinctiveness. This he wished to realize in paint, and should he perish in the effort!

Feverishly he seized his palette and brushes, for hours and hours he painted—the sunlight had long vanished from his studio floor, a chill wind blew through the open window and played with his gray locks—and when the brush at last glided from his hand he had accomplished his lifelong aim—he had painted sunshine.

Slowly he sank back in his chair, the arms hanging limp at his sides, and his chin falling on his chest, an attitude a painter might adopt gazing at a masterpiece he had just accomplished—in this case old Melville's painting hours were over for evermore, his eyes could no longer see the colors of this world. Like a soldier he had died at his post of duty, and serene happiness over this final victory lay on his features. In every life some ideal happiness is hidden, which may be found, and for which we should prospect all our days. Old Melville had attained his little bit of sunshine rather late in life, but he had called it his own, at least for however short a moment, while most of us others, whom life treats less scurvily, blinded by foolish and selfish desire, cannot even succeed in grasping material happiness, which crosses our roads quite often enough and stands at times right near us, without being recognized.

And the fate of old Melville's pictures? Who knows if they may not some day, when their colors have mellowed, be discovered in some garret, and re-enter the art world in a more dignified manner? True enough, they will not set the world on fire, yet they may be at least appreciated as the sincere efforts of a man who loved his art above all else, and, despite deficiencies, had a keen understanding for nature and considerable ability to express it. Whatever their future may be, his work has not been in vain. It is the cruel law of human life that hundreds of men must drudge their whole lives away in order that one may succeed, not a bit better than they; in the same way in art, hundreds of talents must struggle and suffer in vain that one may reach the cloud-wrapped summit of popularity and fame. And that road is sure to lead over many corpses, and many of the nobler altruistic qualities of man have to be left far behind in the valley of unknown names.

Life was brutal to you, old Melville! But this way or that way, what is the difference?

There was a time when in the name of God and of true faith in Him men were destroyed, tortured, executed, beaten in scores and hundreds of thousands. We, from the height of our attainments, now look down upon the men who did these things.

But we are wrong. Amongst us there are many such people, the difference lies only here—that those men of old did these things then in the name of God, and of His true service, whilst now those who commit the same evil amongst us do so in the name of "the people," "for the true service of the people."—Leo Tolstoy.

Books to be had through Mother Earth

The Doukhobors: Their History in Russia; Their Migration to Canada. By Joseph Elkins  .  .   $2.00

Moribund Society and Anarchism. By Jean Grave  .  .   25c.

Education and Heredity. By J. M. Guyau  .  .   $1.25

A Sketch of Morality—Independent of Obligation and Sanction. By J. M. Guyau  .  .   $1.00

American Communities: New and Old Communistic, Semi-Communistic, and Co-Operative. By W. A. Hinds  .  .   $1.00

History of the French Revolution. (An excellent work for students. It begins with a sketch of history of the earliest times; the decline of the ancient empires, the rise of the French monarchy, and traces the causes which made the Revolution inevitable. The philosophic conclusion is unsurpassed, and the position taken, laying a foundation for the philosophy of freedom, is bound to attract the attention of thinkers.) By C. L. James. Reduced to  .  .   50c.

Origin of Anarchism. By C. L. James  .  .   5c.

Fields, Factories, and Workshops. By Peter Kropotkin  .  .   50c.

Mutual Aid: A Factor of Evolution. By Peter Kropotkin. Reduced to  .  .   $1.20

Memoirs of a Revolutionist. By Peter Kropotkin. Reduced to  .  .   $1.60

Modern Science and Anarchism. By Peter Kropotkin  .  .   25c.

Ideals of Russian Literature. By Peter Kropotkin  .  .   $2.00

The State: Its Role in History. By Peter Kropotkin  .  .   10c.

Anarchism: Its Philosophy and Ideal. By Peter Kropotkin  .  .   5c.

The Wage System. By P. Kropotkin  .  .   5c.

Anarchist Morality. By P. Kropotkin  .  .   5c.

History of Civilization In England. By Henry Thomas Buckle  .  .   $2.00

England's Ideal and other Papers on Social Subjects. By Ed. Carpenter  .  .   $1.00

Civilization: Its Cause and Cure. By Ed. Carpenter  .  .   $1.00

Love's Coming of Age. By Ed. Carpenter  .  .   $1.00

Towards Democracy. By Ed. Carpenter  .  .   $2.50

The Chicago Martyrs: The Famous Speeches of the Eight Anarchists in Judge Gary's Court, and Gov. Altgeld's Reasons for Pardoning Fielden, Neebe and Schwab  .  .   25c.

Books to be had through Mother Earth

Essays on the Materialistic Conception of History. By Antonio Labriola  .  .   $1.00

Wealth Against Commonwealth. By H. D. Lloyd  .  .   $1.00

Woman's Share in Primitive Culture. By O. Mason. Leather, reduced to $1.50. Cloth, reduced to  .  .   $1.00

Superstition in All Ages. By Jean Meslier. Cloth  .  .   $1.00

News from Nowhere; or, An Epoch of Rest. By William Morris  .  .   60c.

Thus Spake Zarathustra: A Book for All and None. Friedrich Nietzsche  .  .   $2.50

Rights of Man. By Thomas Paine  .  .   25c.

The Martyrdom of Man. By Winwood Reade  .  .   $1.00

The Science of Life. By J. Arthur Thomson  .  .   75c.

Pages of Socialist History. By W. Tcherkesoff  .  .   25c.

The Slavery of Our Times. By Leo Tolstoy  .  .   75c.

Bethink Yourself. By Leo Tolstoy  .  .   10c.

Church and State. By Leo Tolstoy  .  .   15c.

Volney's Ruins: or, Meditation on the Revolutions of Empires and the Law of Nature  .  .   75c.

The Ballad of Reading Gaol. By Oscar Wilde  .  .   10c.

The Soul of Man under Socialism. By Oscar Wilde  .  .   50c.

De Profundis. By Oscar Wilde  .  .   $1.25

Intentions. By Oscar Wilde  .  .   $1.50

Plays. By Oscar Wilde. 2 vols  .  .   $2.50

Life Without a Master. By J. Wilson, Ph.D.  .  .   $1.50

The New Dispensation. By J. Wilson, Ph.D.  .  .   $1.50

Living Thoughts. By J. Wilson, Ph.D.  .  .   $1.50

Paris and the Social Revolution. By J. Sanborn  .  .   $3.50

Anarchism: Is It All a Dream? By E. Malatesta and J. F. Morton, M.A.  .  .   5c.

Who Is the Enemy; Anthony Comstock or You? A Study of the Censorship. By Edwin C. Walker  .  .   25c.

All Orders, Money Prepaid, to be sent to E. GOLDMAN, Box 217,
Madison Square Station, New York City.

THE BOOKS OF ERNEST CROSBY

Garrison the Non-Resistant. 16mo, cloth, 144 pages, with photogravure portrait, 50c.; by mail  .  .   55c.

Plain Talk In Psalm and Parable. A collection of chants in the cause of justice and brotherhood. 12mo, cloth, 188 pages, $1.50; by mail, $1.62. Paper, 40c.; by mail  .  .   44c.

Captain Jinks, Hero. A keen satire on our recent wars, in which the parallel between savagery and soldiery is unerringly drawn. Profusely illustrated by Dan Beard. 12mo, cloth, 400 pages, postpaid  .  .   $1.50

Swords and Plowshares. A collection of poems filled with the hatred of war and the love of nature. (Not sold by us in Great Britain.) 12mo, cloth, 126 pages, $1.20; by mail  .  .   $1.29

Tolstoy and His Message. "A concise and sympathetic account of the life, character and philosophy of the great Russian."—New York Press. "A genuinely illuminative interpretation of the great philosopher's being and purpose."—Philadelphia Item. (Not sold by us in Great Britain.) 16mo, cloth, 93 pages, 50c.; by mail  .  .   54c.

Tolstoy as a Schoolmaster. An essay on education and punishment with Tolstoy's curious experiments in teaching as a text. 16mo, cloth, 94 pages, 50c.; by mail  .  .   53c.

Broad-Cast. New chants and songs of labor, life and freedom. This latest volume of poems by the author of "Plain Talk in Psalm and Parable" and "Swords and Plowshares" conveys the same message delivered with equal power. 12mo, cloth, 128 pages, 50c.; by mail  .  .   54c.

Edward Carpenter, Poet and Prophet. An illuminative essay, with selections and portrait of Carpenter. 12mo, paper, 64 pages, with portrait of Carpenter on cover, postpaid  .  .   20c.

THE BOOKS OF BOLTON HALL

Free America. 16mo, cloth, ornamental, gilt top, 75c.; by mail  .  .   80c.

The Game of Life. A new volume of 111 fables. Most of them have been published from time to time in Life, Collier's, The Outlook, The Century, The Independent, The Ram's Horn, The Pilgrim, The Christian Endeavor World, The Rubric, The New Voice, The Philistine and other papers and magazines. 16mo, cloth, ornamental, postpaid  .  .   $1.00

Even as You and I. This is a presentation, by means of popular and simple allegories, of the doctrine of Henry George and the principle which underlies it. A part of the volume is an account of Tolstoy's philosophy, drawn largely from the Russian's difficult work, "Of Life." This section is called "True Life," and follows a series of thirty-three clever parables. Count Tolstoy wrote to Mr. Hall: "I have received your book, and have read it. I think it is very good, and renders in a concise form quite truly the chief ideas of my book." 16mo, cloth, ornamental, gilt top, 50 c.; by mail  .  .   54c.

*** END OF THE PROJECT GUTENBERG EBOOK MOTHER EARTH, VOL. 1 NO. 3, MAY 1906 ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

Table of Contents

- CONTENTS.

- TIDINGS OF MAY.

- ENVY.

- OBSERVATIONS AND COMMENTS.

- "THIS MAN GORKY."

- COMRADE.

- ALEXANDER BERKMAN.

- UT SEMENTEM FECERIS, ITA METES.

- THE WHITE TERROR.

- I.—The Flogging of a Student.

- II.—Lieutenant Schmidt, of the Sevastopol Mutiny, after being captured.

- PATERNALISTIC GOVERNMENT.

- LIBERTY IN COMMON LIFE.

- STATISTICS.

- GERHART HAUPTMANN WITH THE WEAVERS OF SILESIA.

- DISAPPOINTED ECONOMISTS.

- VITAL ART.

- Anny Mali Hicks.

- KRISTOFER HANSTEEN.

- FIFTY YEARS OF BAD LUCK.

- All Orders, Money Prepaid, to be sent to E. GOLDMAN, Box 217, Madison Square Station, New York City.

- THE FULL PROJECT GUTENBERG LICENSE