The Project Gutenberg eBook of Queen Berngerd, The Bard and the Dreams, and Other Ballads

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Queen Berngerd, The Bard and the Dreams, and Other Ballads

Translator: George Borrow

Editor: Thomas James Wise

Release date: December 9, 2008 [eBook #27474]

Language: English

Credits: Transcribed from the 1913 Thomas J. Wise pamphlet by David Price. Many thanks to Norfolk and Norwich Millennium Library, UK, for kindly supplying the images from which this transcription was made

*** START OF THE PROJECT GUTENBERG EBOOK QUEEN BERNGERD, THE BARD AND THE DREAMS, AND OTHER BALLADS ***

Transcribed from the 1913 Thomas J. Wise pamphlet by David Price, email ccx074@pglaf.org.  Many thanks to Norfolk and Norwich Millennium Library, UK, for kindly supplying the images from which this transcription was made.

Manuscript of The Bard and the Dreams

QUEEN BERNGERD
THE BARD AND THE DREAMS
and
OTHER BALLADS

by
GEORGE BORROW

London:
printed for private circulation
1913

Copyright in the United States of America
by Houghton, Mifflin & Co. for Clement Shorter.

QUEEN BERNGERD

Long ere the Sun the heaven arrayed,
For her morning gift her Lord she prayed:
“Give me Samsoe to have and to hold,
And from every maiden a crown of gold.”
   Woe befall her, Berngerd.

The King he answered Berngerd thus:
“Madam, crave something less of us,
For many a maid lives ’neath our sway
To ’scape from death could the like not pay.”
   Woe befall her, Berngerd.

“My gentle Lord, then hear my prayer,
Suffer not ladies the scarlet to wear;
And, Sir, you must grant me this boon beside,
Let no boor’s son a good courser ride.”
   Woe befall her, Berngerd.

“What ladies can buy to wear they are free,
And hindrance none they shall meet from me;
If the son of a Boor can a horse support,
‘Fore God, I’ll never destroy his sport!”
   Woe befall her, Berngerd.

“My Lord, we’ll that matter let drop to the ground;
With chains of steel let the land be bound,
So that man or woman thereout or therein
Withouten toll cannot hope to win.”
   Woe befall her, Berngerd.

“How should we so much steel obtain,
As to bind therewith the land and main?
O Madam! some mercy and kindness shew,
Or expect the curse of the people now.”
   Woe befall her, Berngerd.

“To Ribe, to winter there, we’ll depart,
There smiths we shall find well skilled in their art;
Both locks and keys will we have made,
And toeen and iron palisade.”
   Woe befall her, Berngerd.

“Faggot and coal shall the boor give free,
The smith shall work without thanks or fee.
My Lord, be persuaded, I rede ye do,
Much benefit thence shall to thee accrue.”
   Woe befall her, Berngerd.

“My father was King in the land before me,
And a King for his father also had he;
The Kings of the Danes to live contrive
Without Boor and Burger skinning alive.”
   Woe befall her, Berngerd.

“Sir, what would a peasant more
Than a latticed window and wicker door?
What shall a peasant keep in his stall
Save one draught ox and a cow withall?
   Woe befall her, Berngerd.

“Each peasant’s wife of a son made light
Shall give me an ounce of gold so bright;
But if to a daughter birth she give,
Only the half I’m content to receive.”
   Woe befall her, Berngerd.

The King he turned on his other side,
He’d heard enough to suffice for that tide.
As soon as sleep his brow came o’er,
Dagmar he thought stood his face before.
   Woe befall her, Berngerd.

“The bitter flower, Sir King, you hold,
Brings you trouble, as I foretold.
Be sure if this year you seek the fray,
You suffer not Berngerd at home to stay.
   Woe befall her, Berngerd.

“If she with her flatteries blind your eyes,
The child will weep in the cradle that lies.
Take her with you, I rede and beseech,
How that will boot you time will teach.”
   Woe befall her, Berngerd.

The King has proclaimed through the whole country,
To the war with him each tenth man should hie.
“My dearest Lady, worthy thou art
In the field of honour to bear a part.”
   Woe befall her, Berngerd.

The first shaft shot on the battle day
To the heart of Berngerd found its way;
No soul was seen with a tearful eye—
Who for Berngerd would sorrow or sigh?
   Woe befall her, Berngerd.

Now lies Berngerd in the cold black ground,
Oxen are still in the Boor’s stall found.
Berngerd she lies ’neath the dingy sward,
The Danes their Monarch love and regard.
   Woe befall her, Berngerd.

Now Berngerd lies in eternal pains,
The boor his horse and cow retains.
A name she left of such evil savour,
So little the poor man did she favour.
   Woe befall her, Berngerd.

’Tis better to live in humble state,
Than rich with a poor man’s curse and hate;
After virtue better to ceaseless strain
Than the wealth of the world with scorn obtain.
   Woe befall her, Berngerd.

DAME MARTHA’S FOUNTAIN

Dame Martha dwelt at Karisegaard,
   So many kind deeds she wrought:
If the winter were sharp and the rich man hard,
   Her gate the indigent sought.

With her hand the hungry she loved to feed,
   To the sick she lent her aid;
The prisoner oft from his chains she freed,
   And for souls of sinners pray’d.

Denmark’s land was in peril dire,
   The Swede around burnt and slew;
The castle of Martha was wrapped in fire,
   To the church the good lady flew.

She dwelt in the tower both night and day,
   There unto her none repaired;
’Neath the church roof sat the dull owl gray,
   And at the good lady stared.

In the house of the Lord she dwelt safe and content
   ’Till the foes their departure had ta’en;
Then back to her ruined castle she went,
   And bade it be builded again.

There found the houseless a cover once more,
   And the mouths of the hungry bread;
But all in Karise-By [14] wept sore
   When they knew Dame Martha dead.

And when the Dame lay in her coffin and smil’d,
   So calm with her pallid face,
O there was never so little a child
   But was brought on her to gaze.

The bell on the day of the burial toll’d,
   And youth and age shed the tear;
No man was ever so weak or old
   But helped to lift the bier.

When they the bier set down for a space,
   And rested upon the road,
A fountain sprang forth in that very place,
   To this hour has it flow’d.

God bless for ever the pious soul,
   Her blessings no lips can tell;
For oft have the sick become sound and whole,
   Who drank at Dame Martha’s well!

The tower yet stands with gloomy nook,
   Where Dame Martha sat of old;
The stranger comes thereon to look,
   And to hear the story told.

THE BARD AND THE DREAMS

O’er the sweet smelling meads with his lyre in his hand
   The bard was straying;
In the twilight of evening, refreshing and bland,
   His chords were playing.
He sang of the flowrets that slept in the tomb,
He sang of the flowrets that poured their perfume,
He sang of the flowrets that yet were to bloom.

And the rose departed,
A smile from its sepulchre darted;
And the rose yet living with blushes of red
Breathed sweets o’er his head.
And the rose which unborn concealed yet lies,
Seemed to open before his eyes.
   By a fountain’s side with verdure array’d
   Himself he laid.

And the murmur and hum of the pure water fleeting,
And the strains, which the birds of the wood were repeating,
And the innocent heart, which so peaceful was beating,
   Shed health-giving slumbers,
   On lids which no sorrow cumbers.

In the visions of sleep there came to his side
   A sire with locks snow-hoary;
And the songster sped with that sire for his guide
   To an unknown territory.

On ruins majestic himself he found,
The mouldering bones of old heroes lay round;
   Their ghosts awaking
   Rose from their graves wild gestures making.
   The youth was quaking—
But the old man smiled as his mind he led
To the kempion times long fled.

Then a lamp in the night’s deep silence shone
   Through the dingy mould,
And under the masses of fallen stone
   There glittered gold.

To the harp then pointing the sage disappears,
And the youth shed tears.
“Yes, yes, the young bard thy countenance knows,”
   So sang in wild passion the boy—
“Not in vain in my bosom a holy fire glows,
Not in vain thy bright lamp the grave’s mystery shews,
   The bard will obey thee with joy.”

Again there appeared in the dreams of the stripling
   A being who held him intent;
It came as in flood come the high billows rippling,
   Like billows when ebbing it went.

Though the look of an aged and slow female wearing,
It ran like the breezes in spring time careering,
Full often it vanished with threatening bearing.
   But suddenly caught he the fugitive wild,
   And then by his breast a maiden smil’d.
“Thee often I’ve met on life’s journey,” he said,
“And when like a meteor thou past me hast sped,
   I’ve seen thee look backward—and threaten.

“O! kiss me, sweet maiden, ere on thou dost stray,
I’ve seen thee with flowers strew the wanderer’s way.
   They lived in their brightness,
   When thou in this lightness,
Had’st fled farthest off; and sometimes they became
A Bauta-stone over the worm-wasted frame.

“Vouchsafe me a smile,” said the youth, “I entreat,
I know thy course lightning-fleet.
   Thy light pinions ever
   Thou pliest, sweet giver
   Of palms, verdant palms, to the stripling so clever,
Who caught thee, though lightning fleet.”

Again to his eye a fair vision was given,
A being angelical stood in the heaven.
In morn’s fresh rose-hues drest
Stood the spirit blest.
   As shines from above
   The starlet of love
So kindled his glance toward earth’s gentle child.
   As the maid to her beckons the youth she loves dearly,
   When vespers are chiming and Luna shines clearly,
So toward him beckoned the Angel, and smil’d.

With rapture the songster took thither his way,
Where the winged one of heaven stood beauteous and gay.
But, just as he hoped that the height was surmounted,
Far distant again they each other confronted.
And still the Angel beckoned there,
But—never, never near.
“My seraph! wilt ever avoid my embrace?”
   —Said the songster with mortified mien—
“But though I’m unable to climb to thy place,
My eye thou hast blest from the mansions of grace,
   And thy heaven, thou distant, I’ve seen.”

His slumber departed, his visions they fled,
But oft when he harped they came into his head.
“Blest, trebly blest, may our life be regarded,
Far unto me hear threefold life is awarded.

“See the roselet departed,
A smile from its tomb has darted.
   And the rose, which yet lives in blushes and bloom,
   Breathes o’er me perfume.
Yes, from its concealment, the unborn rose
Before me seems to unclose.”

KING OLUF THE SAINT

King Oluf and his brother bold,
   ’Bout Norroway’s rocks a parley hold.
      (So sweet in Drontheim ’tis to dwell!)

“The one of us two who best can sail,
   Shall rule o’er Norroway’s hill and dale.

“Who first of us reaches our native ground,
   O’er all the region shall King be crown’d.”

Then Harald Haardrode answer made:
   “Aye, let it be even as thou hast said.

“But if I to-day must sail with thee,
   Thou shalt change vessels, I swear, with me.

“For thou hast got the Dragon of speed,
   I shall make with the Ox a poor figure indeed.

“The dragon is swift as the clouds in chase,
   The ox he moveth at lazy pace.”

“Hear, Harald, what I shall say to thee,
   What thou hast proposed well pleaseth me.

“If my ship in aught be better than thine,
   I’m readily, cheerfully lend thee mine.

“Do thou the Dragon so sprightly take,
   And I with the Ox will the journey make.

“But first to the Church we’ll bend our way,
   Ere our hand on sail or on oar we lay.”

And into the Church Saint Oluf trode,
   His beautiful hair like the bright gold glow’d.

But soon out of breath there came a man:
   “Thy brother is sailing off, fast as he can.”

“Let them sail, my friend, who to sail may choose,
   The word of our Lord we will not lose,

“The Mass is the word of our blessed Lord.
   Take water, ye swains, for our table board.

“We will sit at board, and the bread we will taste,
   Then unto the sea-shore will we haste.”

Now down they all sped to the ocean strand,
   Where the Ox lay rocking before the land.

And speedily they to the ocean bore
   The anchor, and cable, the sail and oar.

Saint Oluf he stood on the prow when on board:
   “Now forward, thou Ox, in the name of the Lord!”

He grappled the Ox by the horn so white:
   “Hie now as if thou went clover to bite!”

Then forward the Ox began to hie,
   In his wake roll’d the billows boisterously.

He hallooed to the lad on the yard so high:
   “Do we the Dragon of Harald draw nigh?”

“No more of the pomps of the world I see,
Than the uppermost top of the good oak tree.

“I see, ’neath the land of Norroway, skim
Bright silken sails with a golden rim.

“I see, ’neath Norroway’s mountains proud,
The Dragon bearing of sail a cloud.

“I see, I see, by Norroway’s side,
The Dragon gallantly forward stride!”

On the ribs of the Ox a blow he gave:
“Now faster, faster, over the wave!”

He struck the Ox on the eye with force:
“To the haven much speedier thou must course!”

Then forward the Ox began to leap,
No sailor on deck his stand could keep.

Then cords he took, and his mariners fast
He tied to the vessel’s sheets and mast.

’Twas then, ’twas then, the steersman cried:
“But who shall now the vessel guide?”

His white gloves off Saint Oluf throws,
And he himself to the rudder goes.

“O we will sail o’er cliff and height,
The nearest way like a line of light.”

So o’er the hills and dales they career,
To them they became like water clear.

They sailed along o’er the mountains blue,
Then out came running the Elfin crew.

“Who sails o’er the gold in which we joy?
Our ancient father who dares annoy?”

“Elf, turn to stone and a stone remain,
Till I by this path return again!”

So they sailed o’er Skaaney’s mountains tall,
And stones became the little elves all.

Out came a Carline, with spindle and rok:
“Saint Oluf! why sailest thou us to mock?

“Saint Oluf, thou who the red beard hast,
Through my chamber wall thy ship hath passed.”

With a glance of scorn did Saint Oluf say:
“Stand there a flint rock for ever and aye!”

Unchided, unhindered, they bravely sailed on,
Before them yielded both stock and stone.

Still onward they sailed in such gallant guise,
That no man upon them could fix his eyes.

Saint Oluf a bow before his knee bent,
Behind the sail dropped the shaft he sent.

From the prow Saint Oluf a barb shot free,
Behind the Ox fell the shaft in the sea.

Saint Oluf he trusted In Christ alone,
And therefore home by three days he won.

That made Harald with fury storm,
Of a laidly dragon he took the form.

But the Saint was a man of devotion full,
And the Saint gat Norroway’s land to rule.

Into the Church Saint Oluf strode,
He thanked the Saviour in fervent mode.

Saint Oluf walked the Church about,
There shone a glory his ringlets out.

Whom God doth help makes bravely his way,
His enemies win but shame and dismay.

TO SCRIBBLERS [30]

Would it not be more dignified
To run up debts on every side,
And then to pay your debts refuse,
Than write for rascally Reviews?
And lectures give to great and small,
In pothouse, theatre, and town-hall,
Wearing your brains by night and day
To win the means to pay your way?
I vow by him who reigns in [hell],
It would be more respectable!

TO A CONCEITED WOMAN

Be still, be still, and speak not back again.
What right have you to answer in this strain?
Whilst I’m a man, a prince of the creation,
You’re but a female woman by your station;
A creature for man’s sovereign service born,
Whose fitting wages are contempt and scorn.
A creature formed to dive down in the sea
To fetch up sea-eggs for the likes of me;
Only too grateful, when we’ve stilled our greed,
If on our leavings you’re allowed to feed.
If thus I speak, I speak on public grounds,
My only aim is to keep well in bounds.

* * * * *

London:
Printed for THOMAS J. WISE, Hampstead, N.W.
Edition limited to Thirty Copies.

Footnotes:

[14]  Karise-By = Karise Village.

[30]  Composed upon the occasion of the refusal by Lockhart to insert, in The Quarterly Review, Borrow’s Essay suggested by Ford’s Hand-book for Travellers in Spain, 1845, in the unmutilated and unamended form in which the author had written it.

*** END OF THE PROJECT GUTENBERG EBOOK QUEEN BERNGERD, THE BARD AND THE DREAMS, AND OTHER BALLADS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.