The Project Gutenberg eBook of The Home Life of Poe

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Home Life of Poe

Author: Susan Archer Talley Weiss

Release date: October 13, 2010 [eBook #33930]

Language: English

Credits: Produced by Barbara Tozier, Turgut Dincer, Bill Tozier and
the Online Distributed Proofreading Team at
http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE HOME LIFE OF POE ***

EDGAR ALLAN POE

EDGAR ALLAN POE

[REPRODUCED FROM A PHOTO GIVEN TO MRS. WEISS BY POE THREE DAYS BEFORE HE LEFT RICHMOND]

The Home Life,
of
POE

By Susan Archer Weiss

BROADWAY
PUBLISHING
COMPANY
NEW YORK
1907

Title Page by Wm. Lincoln Hudson · Cover by Stephen G. Clow

Copyright, 1907,
BY
SUSAN ARCHER WEISS.

All rights reserved.

CONTENTS

CHAPTER I. | PAGE.
First Glimpse of Edgar Poe | 1
CHAPTER II.
Poe's First Home | 9
CHAPTER III.
The Allan Home | 13
CHAPTER IV.
Poe's Boyhood | 20
CHAPTER V.
Schoolboy Love Affairs | 36
CHAPTER VI.
Rosalie Poe | 41
CHAPTER VII.
The Unrest of Youth | 44
CHAPTER VIII.
In Barracks | 52
CHAPTER IX.
Poe and Mrs. Allan | 57
CHAPTER X.
The Closing of the Gate | 61
CHAPTER XI.
Mrs. Clemm | 64
CHAPTER XII.
A Pretty Girl with Auburn Hair Whom Poe Loved | 70
CHAPTER XIII.
Poe's Double Marriage | 74
CHAPTER XIV.
The Poes in Richmond | 82
CHAPTER XV.
In New York | 88
CHAPTER XVI.
The Real Virginia | 90
CHAPTER XVII.
Poe's Philadelphia Home | 90
CHAPTER XVIII.
Virginia's Illness | 102
CHAPTER XIX.
Back to New York | 108
CHAPTER XX.
Poe and Mrs. Osgood | 119
CHAPTER XXI.
At Fordham | 127
CHAPTER XXII.
The Shadow at the Door | 137
CHAPTER XXIII.
Mrs. Shew | 145
CHAPTER XXIV.
Quiet Life at Fordham | 148
CHAPTER XXV.
With Old Friends | 154
CHAPTER XXVI.
Mrs. Whitman | 169
CHAPTER XXVII.
Again in Richmond | 179
CHAPTER XXVIII.
A Morning with Poe—"The Raven" | 184
CHAPTER XXIX.
Mrs. Shelton | 194
CHAPTER XXX.
The Mystery of Fate | 203
CHAPTER XXXI.
After the War | 212
CHAPTER XXXII.
Poe's Character | 219
Appendix | 227

TO THE READER.

In considering this book, will the reader especially note that it is not a "Life" or a "Biography" of Poe, of which too many already exist and to which nothing can be added after the exhaustive works of Woodbury and Prof. Harrison. I have not treated Poe in his character of poet or author, but confined myself to his private home-life, domestic and social, as I have heard it described by Poe's most intimate friends who knew him from infancy—some of them my own relatives—and from my own brief knowledge of him in the last three months of his life. The book may therefore be considered as a supplement to the more complete "Lives and Biographies," showing Poe in a character as yet wholly unknown to the public, but which should be known in order to enable us to form a correct judgment of his character. I have corrected various misstatements of writers which, repeated by one from another, have come to be received as truth.

I have made no attempt at producing an artistic work, but have treated the subject as it demands, in a plain and practical manner with regard to facts apart from idealism of any kind.

The Author.

HOME LIFE OF POE.

CHAPTER I.

FIRST GLIMPSE OF EDGAR POE.

It may be regarded as a somewhat curious coincidence that the first glimpse afforded us of Edgar Poe is on the authority of my own mother.

This is the story, as she told it to me:

"In the summer of 1811 there was a fine company of players in Norfolk, and we children were as a special treat taken to see them. I remember the names of Mr. Placide, Mr. Green, Mr. Young and Mr. Poe, with their wives. I can recall Mrs. Young as a large, fair woman with golden hair; but my most distinct recollection is of Mrs. Poe. She was rather small, with a round, rosy, laughing face, short dark curls and beautiful large blue eyes. Her manner was gay and saucy, and the audience was continually applauding her. She appeared to me a young girl, but was past thirty, and had been twice married.

"At this time," continued my mother, "we were living on Main street, and my uncle, Dr. Robert Butt, of the House of Burgesses, lived close by, on Burmuda street. The large, bright garret-room of his house was used by our little cousins as a play-room, and was separated from that of the adjoining house by only a wooden partition. One day, when we were playing here, we heard voices on the other side of the partition, and, peeping through a small knothole, saw two pretty children, with whom we soon made acquaintance. Mr. and Mrs. Poe had taken lodgings in this garret with a little boy and girl and an old Welsh nurse. Sometimes this woman would say to us, 'Hush, hush, dumplings, don't make a noise,' and we knew that some one was sick in that room. Most of the time she had the children out of doors, and in the evenings we would play with them on the sidewalk. The boy was a merry, romping little fellow, but hard to manage. One day, when he would persist in playing in the middle of the street, a runaway horse came dashing around a corner, and I remember how the nurse rushed toward him, screaming: 'Ho! Hedgar! Hedgar!' snatching him away at the risk of her own life.

"This nurse was a very nice old woman, plump, rosy and good-natured. She wore a huge white cap with flaring frills, and pronounced her words in a way that amused us. She was devoted to the children, who were spoiled and wilful. The little girl was running all about, and the boy appeared about three years old."

Of this old lady it may be here said that she was really the mother of Mrs. Poe, whom she called "Betty." As an actress of the name of Arnold, she had played in various companies in both this country and Europe, taking parts in which comic songs were sung. Her pretty daughter, Elizabeth, she had brought up to her own profession, and had married her early to an actor named Hopkins, who died in October, 1805. Two months after his death his widow married David Poe, who was at that time a member of their company; and mean while her mother, Mrs. Arnold, had bestowed her own hand upon a musician of the romantic name of Tubbs, who soon left her a widow. Thenceforth she devoted herself to her daughter's family, remaining with the company and occasionally appearing in some unimportant part.

When in the summer of that year of 1811 Mr. Placide's company left Norfolk to open a season in Richmond, Mr. David Poe was too ill with consumption to accompany them, and his family remained in Norfolk. He must undoubtedly have died there; for from that time in all the affairs of his family his name is not once mentioned, nor is the remotest allusion made to him. He was probably buried by the city in one of the obscure suburban cemeteries. By his death the widow was left penniless, and Mr. Placide, to whose company she still belonged, and who was anxious to have her services in his Richmond campaign, sent one of his employees to bring the family to Richmond at his own expense. A room and board had been engaged for them "at the house of a milliner named Fipps on Main street," in the low-lying district between Fifteenth and Seventeenth streets, still known as "Bird-in-hand." This room was not by any means the wretched apartment which it has been described by some of Poe's biographers. It was not a "cellar," not even a basement room, but one back of the shop, the family residing above, and must have been comfortably furnished, for this neighborhood was at this time the shopping district of the ladies of Richmond, and Mrs. Fipps was probably a fashionable shopkeeper. Damp Mrs. Poe's room must have been, since this locality was the lowest point in the city, where, when the river overflowed its banks, as was frequently the case, the water would rise to the back doors of the Main street buildings and at times flood the ground floors. In this room Mrs. Poe contracted the malarial fever then known as "ague-and-fever," which proved fatal to her.

Owing to her illness Mrs. Poe, though her appearance was constantly advertised, did not appear on the stage more than a half dozen times, if as often. Mr. Placide wrote to her husband's relatives in Baltimore in behalf of herself and children, but received no satisfactory answer, and the company kindly gave her a benefit performance. Also, one of the Richmond papers, the "Enquirer," of November 25th, made an appeal "to the kind-hearted of the city" in behalf of the sick actress and her little children. This brought to their aid among others Mr. John Allan and his friend, Mr. Mackenzie.

Both these gentlemen were engaged in the tobacco business, and being of Scotch nationality, the feeling of clanship led them to take a special interest in this family, whom they discovered to be of good Scotch stock. Everything possible was done for their comfort, and Mrs. Allan herself came to minister to the sick woman. On her first visit she found Mrs. Tubbs feeding the children with bread soaked in sweetened gin and water, which she called "gin-tea," and explained that it was her custom, in order to "make them strong and healthy." This was little Edgar's initiation into the habit which became the bane and ruin of his life.

It soon became evident that Mrs. Poe was very near her end. Pneumonia set in; and on the 8th of December, 1811, she died.

The question now was, what was to be done with the children? After a consultation among all parties, it was agreed that Mr. Mackenzie and Mr. Allan should take charge of them at their own homes until they should be claimed by their Baltimore relatives.

It was a sad scene when the little ones were lifted up to look their last upon the face of their dead mother, and then to be separated forever from the grandmother who had so loved and cared for them. In parting she gave to each a memento of their mother; to the boy a small water-color portrait of the latter, inscribed, "For my dear little son, Edgar, from his mother," and to the girl a jewel case, the contents of which had long since been disposed of. It was all that she had had to leave them, and with this slender inheritance in their hands the little waifs were taken away to the homes of strangers.

On the day following a small funeral procession wended its way up the steep ascent of Church Hill to the graveyard of St. John's church,1 crowning its summit. At that day it was no easy matter to get one whose profession had been that of an actor buried in consecrated ground; yet Mr. Mackenzie succeeded in effecting this. The grave was in a then obscure part of the cemetery, "close against the eastern wall," and here, after the brief service, the mother of Edgar Poe was laid to rest.

Mrs. Tubbs remained with Mr. Placide's company, and doubtless returned with them to England and to her own family.

Six weeks after the death of Mrs. Poe occurred that awful tragedy and holocaust of the burning of the Richmond theatre, which shrouded the whole country in gloom. On that night a large and fashionable audience attended the performance of "The Bleeding Nun," eighty of whom perished in the flames. Mrs. Allen had expressed a wish to attend, with her sister and little Edgar, but her husband objected and instead took them on a Christmas visit to the country; so they escaped the tragedy, as did also the members of Placide's company.

CHAPTER II.

POE'S FIRST HOME.

Mr. and Mrs. Mackenzie, on taking charge of the Poe children, entered into a correspondence with their grandfather, Mr. David Poe, of Baltimore, in regard to them. He was by no means anxious to claim them. He represented that he and his wife were old and poor, and that already having the eldest child, William Henry, upon his hands, he could not afford to burden himself with the others. Finally he proposed that the children should be placed in an orphan asylum, where they would be properly cared for, on hearing of which Mrs. Mackenzie declared that she would never turn the baby, Rosalie, out of her home, but would bring her up with her own children; while Mrs. Allan, who was childless and had become much attached to Edgar, proposed to her husband to adopt him.

Mr. Allan demurred. His chief objection was that the boy was the child of actors, and that to have him brought up as his son would not be advisable for him or creditable to themselves. It required some special pleading on the part of the lady, and she so far prevailed as that her husband consented to keep and care for the boy as for a son, but refused to be bound by any terms of legal responsibility as either guardian or adoptive parent, preferring to remain free to act in the future as he might think proper. Mr. Mackenzie pursued the same course with regard to Rosalie, though each bestowed on his protege his own family name in baptism.

There has been much useless discussion among Poe's biographers in regard to the ages of the children at this time. Woodbury "calculates," according to certain data obtained from a Boston newspaper regarding the appearance of Mrs. Poe on the stage. "At this time," he says, speaking of her prolonged absence in 1807, "William Henry may have been born;" and accordingly fixes Edgar's birth as having occurred two years later, in 1809.

Wishing to satisfy myself on this point, I some time since decided to go to the fountain-head for information, and wrote to Mrs. Byrd, a daughter of Mrs. Mackenzie, who had been brought up with Rosalie Poe. Her answer I have carefully preserved and here give verbatim:

"Dear S——.—You ask the ages of Rose and Edgar. He was born in 1808, Rose in 1810. A remark of his (in answer to an invitation to her wedding) was that if I had put off my marriage one week it would have been on his birthday. I was married on the 5th of October.... Their mother died on the 8th Dec., 1811; and on the 9th the children were taken to Mr. Allan's and our house.... Their mother was boarding at Mrs. Fipps', a milliner on Main street. She was Scotch and of good family; and my father and Mr. Allan had her put away decently at the old Church on the Hill.... Mr. Poe died first."

This account of the children's ages is entitled to more weight than those of his biographers, based upon mere calculation and "probabilities." When the children were baptized as Edgar Allan and Rosalie Mackenzie, their ages were also recorded, though whether in church or family records is not known; and it is not likely that Mrs. Byrd, who was brought up with Rosalie Poe, could be mistaken on this point.

Were Woodbury correct in assuming that William Henry, the eldest child, "may have been born" in October, 1807, and Edgar, January 19, 1809, it would follow that the latter, when taken charge of by the Allans in December, 1811, was less than two years old; an impossibility, considering that his sister was then over one year old and running about playing with other children. As to Mr. Poe's claim to October 12 as his birthday, it is not likely that, howsoever often he may have given a false date to others, he would have ventured upon it to the daughter of Mrs. Mackenzie, the latter of whom would have detected the error.

It must be accepted as a final conclusion that, as Mrs. Byrd states, Edgar was born in 1808 and Rosalie in 1810.2 Her positive assertion is proof sufficient against all mere calculation and conjecture; and in this book I shall hold to these dates as authentic.

CHAPTER III.

THE ALLAN HOME.

Mr. Allan was at this time thirty-one years of age—a plain, practical business man, or, as some one has described him, "an honest, hard-headed Scotchman, kindly, but stubborn and irascible." His wife, some years younger than himself, was a beautiful woman, warm-hearted, impulsive and fond of company and amusement. Both were charitable, and though not at this time in what is called "society," were in comfortable circumstances and fond of entertaining their friends.

There was yet another member of the family, Miss Ann Valentine, an elder sister of Mrs. Allan; a lady of a lovely disposition and almost as fond of Edgar as was his so-called "mother." She was always his "Aunt Nancy."

The Allans were at this time living in the business part of the town, occupying one of a row of dingy three-story brick houses still standing on Fourteenth street, between Main and Franklin. Mr. Allan had his store on the ground floor, the family apartments being above. This was at that time and until long afterward a usual mode of living with some of the down-town merchants; though a few had already built handsome residences on Shocko Hill.

Little Edgar, bright, gay and beautiful, soon became the pet and pride of the household. Even Mr. Allan grew fond of him, and his wife delighted in taking him about and showing him off among her acquaintances. In his baggy little trousers of yellow Nankin or silk pongee, with his dark ringlets flowing over an immense "tucker," red silk stockings and peaked purple velvet cap, with its heavy gold tassel falling gracefully on one shoulder, he was the admiration of all beholders. His disposition was affectionate and his temper sweet, though having been hitherto allowed to have his own way, he was self-willed and sometimes difficult to manage. To correct his faults and as a counter balance to his wife's undue indulgence, Mr. Allan conscientiously set about training the boy according to his own ideas of what was best. When Edgar was "good" he was petted and indulged, but an act of disobedience or wrong-doing was punished, as some said, with undue severity. To shield him from this was the aim of the family, even of the servants; and the boy soon learned to resort to various little tricks and artifices on his own account. An amusing instance of this was told by Mrs. Allan herself. Edgar one day would persist in running out in the rain, when Mr. Allan peremptorily called him in, with the threat of a whipping. He presently entered and, meekly walking up to his guardian, looked him in the face with his large, solemn gray eyes and held out a bunch of switches. "What are these for?" inquired the latter. "To whip me with," answered the little diplomat; and Mr. Allan had to turn aside to hide a smile, for the "switches" had been selected with a purpose, being only the long, tough leaf-stems of the alanthus tree.

Another anecdote I recall illustrative of the strict discipline to which Edgar was subject.

My uncle, Mr. Edward Valentine, who was a cousin of Mrs. Allan, and often a visitor at her house, was very fond of Edgar; and liking fun almost as much as did the child, taught him many amusing little tricks. One of these was to snatch away a chair from some big boy about to seat himself; but Edgar, too young to discriminate, on one occasion made a portly and dignified old lady the subject of this performance. Mr. Allan, who in his anger was always impulsive, immediately led away the culprit, and his wife took the earliest opportunity of going to console her pet. As the child was little over three years old, it may be doubted whether the punishment administered was the wisest course, but it was Mr. Allan's way, who apparently believed in the moral suasion of the rod.

Edgar had no dogs and no pony, and did not ride out with a groom to attend him, "like a little prince," as a biographer has represented. At this time the Allans' circumstances were not such as to admit of such luxuries. As to his appearance in this style at the famous White Sulphur Springs, that is equally mythical.3

There was, however, at least one summer when Edgar was six years of age in which the Allans were at one of the lesser Virginia springs, and in returning paid a visit to Mr. Valentine's family, near Staunton. This gentleman often took Edgar out with him, either driving or seated behind him on horseback; and on receiving his paper from the country post-office would make the boy read the news to the mountain rustics, who regarded him as a prodigy of learning. Thus far he had been taught by an old Scotch dame who kept an "infant-school," and who then and for years afterward called him "her ain wee laddie," and to whom as long as she lived he was accustomed to carry offerings of choice smoking tobacco. He also learned from her to speak in the broad Scottish dialect, which greatly amused and pleased Mr. Allan. The boy was at even this age remarkably quick in learning anything.

Mr. Valentine also delighted in getting up wrestling matches between Edgar and the little pickaninnies with whom he played, rewarding the victor with gifts of money. But there was one thing which no money or other reward could induce the boy to undertake, and this was to go near the country churchyard after sunset, even in company with these same little darkies. Once, in riding home late, Edgar being seated behind Mr. Valentine, they passed a deserted log-cabin, near which were several graves, when the boy's nervous terror became so great that he attempted to get in front of his companion, who took him on the saddle before him. "They would run after us and pull me off," he said, betraying at even this early age the weird imagination of his maturer years.

This incident led to his being questioned, when it was discovered that he had been accustomed to go with his colored "mammy" to the servants' rooms in the evenings, and there listen to the horrible stories of ghosts and graveyard apparitions such as this ignorant and superstitious race delight in. It is not improbable that the gruesome sketch of the "Tempest" family, one of his earliest published, whose ghosts are represented as seated in coffins around a table in an undertaker's shop, and thence flying back to their near-by graves, was not inspired by some such story heard in Mr. Allan's kitchen.

Undoubtedly, these ghostly narratives, heard at this early and impressionable age, served in part to produce those weird and ghoulish imaginings which characterize some of Poe's writings, and to create that tinge of superstition which was well known to his friends. He always avoided cemeteries, hated the sight of coffins and skeletons, and would never walk alone at night even on the street; believing that evil spirits haunted the darkness and walked beside the lonely wayfarer, watching to do him a mischief. Death he loathed and feared, and a corpse he would not look upon. And yet, as bound by a weird fascination, he wrote continually of death.

Edgar Poe, like every other Southern child, had his negro "mammy" to attend to him until he went to England, to whom and the other servants he was as much attached as they to him. Indeed, a marked trait of his character was his liking for negroes, the effect of early association, and to the end of his life he delighted in talking with them and in their quaint and kindly humor and odd modes of thought and expression.

Edgar had been about three years with the Allans when he was again deprived of a home and sent among strangers. Mr. Allan went on a business trip to England and Scotland, accompanied by his wife, Miss Valentine and Edgar; the latter of whom was put to school in London, where he must have felt his loneliness and isolation. Still, he came to the Allans in holiday times, and was with them in Scotland for some months previous to their return to Virginia. Little is known of them during this absence of five years.

CHAPTER IV.

POE'S BOYHOOD.

The Allans returned to Richmond in June, 1820, Edgar being then twelve years old. Having no house ready for their reception they were invited by Mr. Ellis, Mr. Allan's business partner, to his home on Franklin, then as now the fashionable street of the city.

Mr. Allan at once put Edgar to Professor Clarke's classical school, where he was in intimate association with boys of the best city families.

At the end of this year the Allans removed to a plain cottage-like dwelling at the corner of Clay and Fifth streets, in a quiet and out-of-the-way neighborhood. It consisted of but five rooms on the ground floor and a half story above; and here for some years they resided.

Of Poe as a schoolboy various accounts have been given by former schoolmates, with most of whom he was very popular, while others represent him as reserved and not generally liked. All, however, agree that he was a remarkably bright pupil, with, in the higher classes, but one rival, and that he was high-spirited and the leader in all sorts of fun and frolic.

Mrs. Mackenzie's eldest son, John, or "Jack," two years older than Edgar, though not mentioned by any of Poe's biographers, was the most intimate and trusted of all his lifelong friends. The two were playmates in childhood, and schoolmates and companions up to the time of Poe's departure for the University. Poe always called Mrs. Mackenzie "Ma," and was almost as much at home in her house as was his sister.

I remember Mr. John Mackenzie as a portly, jolly, middle-aged gentleman with a florid face and a hearty laugh. This is what he said of Poe after the latter's death:

"I never saw in him as boy or man a sign of morbidness or melancholy; unless," he added, "it was when Mrs. Stanard died, when he appeared for some time grieving and depressed. At all other times he was bright and full of fun and high spirits. He delighted in playing practical jokes, masquerading, and making raids on orchards and turnip-patches. Oh, yes; every schoolboy liked a sweet, tender, juicy turnip; and many a time after the apple crop had been gathered in, we might have been seen, a half dozen of us, seated on a rail-fence like so many crows, munching turnips. We didn't object to a raw sweet potato at times—anything that had the relish of being stolen. On Saturdays we had fish-fries by the river, or tramped into the woods for wild grapes and chinquepins. It was not always that Mr. Allan would allow Edgar to go on these excursions, and more than once he would steal off and join us, though knowing that he would be punished for it."

"Mr. Allan was a good man in his way," added Mr. Mackenzie, "but Edgar was not fond of him. He was sharp and exacting, and with his long, hooked nose and small keen eyes looking from under his shaggy eyebrows, always reminded me of a hawk. I know that often, when angry with Edgar, he would threaten to turn him adrift, and that he never allowed him to lose sight of his dependence on his charity."

Edgar, he said, was allowed a liberal weekly supply of pocket money, but being of a generous disposition and giving treats of taffy and hot gingerbread to his schoolmates at recess, besides being generally extravagant, this supply was always exhausted before the week was out, when he would borrow, and so be kept constantly in debt. He was, however, very prompt in paying off his debts.

Mr. Robert Sully, nephew of the distinguished artist, Thomas Sully, and himself an artist, was through life one of Poe's firmest friends. A boy of delicate physique and a disposition so sensitive and irritable that few could keep on good terms with him, he was always in difficulties. "I was a dull boy at school," he said to me; "and Edgar, when he knew that I had an unusually hard lesson, would help me out with it. He would never allow the big boys to teaze me, and was kind to me in every way. I used to admire and in a way envy him, he was so bright, clever and handsome.

"He lived not far from me, just around the corner; and one Saturday he came running up to our house, calling out, "Come along, Rob! We are going to the Hermitage woods for chinquepins, and you must come too. Uncle Billy is going for a load of pine-needles, and we can ride in his wagon." Now, that showed his consideration; he knowing that I could not walk the long distances that most boys could, and therefore seldom went on one of their excursions."

In one of Poe's biographies is an absurd story to the effect that Mr. Clarke, his first teacher, once on detecting him robbing a neighbor's turnip-patch, tied one of the vegetables about his neck as a token of disgrace, which the boy purposely wore home, when Mr. Allan, in a fury at this insult to his adopted son, called on the teacher and threatened him with personal chastisement. It is scarcely necessary at this day to deny the truth of that story; but the following is what Mr. Clarke himself says about it in an interview with a reporter in Baltimore some years after Poe's death, he being at that time nearly eighty years old.4

"Edgar had a very sweet disposition. He was always cheerful, brimful of mirth and a very great favorite with his schoolmates. I never had occasion to speak a harsh word to him, much less to make him do penance. He had a great ambition to excel."

He spoke with pride of Edgar as a student, especially in the classics. He and Nat Howard on one vacation each wrote him a complimentary letter in Latin, both equally excellent in point of scholarship; but Edgar's was in verse, which Nat could not write.

"Whenever Poe came to Baltimore he would not forget to come and see me, and I would offer him wine. It was the custom, you know. When he became editor of Graham's Magazine and could afford it, he sent wine to me, gratis.... I think that as boy and man Edgar loved me dearly. I am sure I loved him.... Yes; he was a dear, open-hearted, cheerful and good boy; and as a man he was a loving and affectionate friend to me. I went to his funeral."

The old Professor said that Poe's sister, Rosalie, he had seen when her brother was a pupil of his. "She was at that time about ten years old, was pretty and a very sweet child."

Poe, after leaving Professor Clarke's, entered Dr. Burke's classical school in 1832, where he remained until he went to the University. Here one of his classmates was Dr. Creed Thomas, a noted Richmond physician, who died so late as in 1890. In his reminiscences of Poe, published in a Richmond paper not long before his own death, he says:

"Poe was one of our brightest pupils. He read and scanned the Latin poets with ease when scarcely thirteen years of age. He was an apt student and always recited well, with a great ambition to excel in everything.

"Despite his retiring disposition he was never lacking in courage. There was not a pluckier boy in school. He never provoked a quarrel, but would always stand up for his rights.... It was a noticeable fact that he never asked any of his schoolmates to go home with him after school. The boys would frequently on Fridays take dinner or spend the night with each other at their homes, but Poe was never known to enter in this social intercourse. After he left the school ground we saw no more of him until next day."

Dr. Thomas spoke of Poe's fondness for the stage. He and several other of the brightest boys held amateur theatricals in an old building rented for the purpose. Poe was one of the best actors; but Mr. Allan, upon learning of it, forbade his having anything to do with these theatricals, a great grievance to the boy.

"A singular fact," proceeds Dr. Thomas, "is that Poe never got a whipping while at Burke's. I remember that the boys used to come in for a flogging quite frequently—I got my share. Poe was quiet and dignified during school hours, attending strictly to his studies; and we all used to wonder at his escaping the rod so successfully."

He adds that Poe was not popular with most of his schoolmates; that his manners were retiring and distant. Doubtless there were boys with whom he did not care to associate, feeling the lack of a congeniality between himself and them. Then there were the prim and priggish class who looked with virtuous disapproval on the robber of apple orchards and turnip-patches, and who in after years never had a good word to say of Poe, whether as boy or man.

It will be observed from Dr. Davis' account that the "quiet and dignified" manner which distinguished Poe in manhood was natural to him even as a boy.

As regards his never inviting his schoolmates to accompany him home to dinner or to spend the night, this would not have been agreeable to Edgar, who would have preferred having his time to himself for reading or writing his verses, a volume of which he now began to make up. But he was by no means deprived of company at home. The Allans, as has been said, were fond of entertaining their friends, and at their "sociables" and "tea parties" Edgar was generally required to be present, with one or two young friends to keep him company, and often he was treated to a "party" of his own—boys and girls—where a rigid etiquette was required, though dancing and charades were indulged in. This was Mrs. Allan's idea of affording him enjoyment and cultivating in him elegant and graceful manners; but to him it was most distasteful. Throughout his life he detested social companies. Mrs. Mackenzie, in speaking of the social restraint under which the Allans at this time sought to keep Edgar, said that it was very distasteful to the boy, who liked to choose his companions, and who now, at the age of fifteen, began to be dissatisfied and to think that he was subject to undue restraint at home. She often heard him express the wish that he had been adopted by Mr. Mackenzie instead of by Mr. Allan; and she would talk to him in her motherly way, endeavoring to impress him with a sense of what he owed to the latter. His disposition, she said, was very sweet and affectionate, and he was grateful for any kindness, and always happy to be at her house as much as he was allowed to be from home. Her son John could never be persuaded to visit Edgar at his home, so strict was the etiquette observed at table and in general behavior. She believed that Mr. Allan, in taking charge of Edgar, had been influenced more by a desire to please his wife than any real interest in the child, though he had conscientiously endeavored to do his duty by him. She had once heard him say that Edgar did not know the meaning of the word gratitude; to which she replied that it could not be expected of children, who were not able to understand their obligations; and that she did not at present look for gratitude from Rose, but for affection and obedience. Mrs. Allan was devoted to Edgar and he was very fond of her. It was she, Mrs. Mackenzie thought, rather than her husband, who so extravagantly supplied him with money, seeming to take a pride in his having more than his schoolmates. She was a good and amiable woman, fond of pleasure generally, and less domestic in her tastes than either her husband or sister.

Mr. John Mackenzie, in speaking of Edgar, bore witness to his high spirit and pluckiness in occasional schoolboy encounters, and also to his timidity in regard to being alone at night and his belief in and fear of the supernatural. He had heard Poe say, when grown, that the most horrible thing he could imagine as a boy was to feel an ice-cold hand laid upon his face in a pitch-dark room when alone at night; or to awaken in semi-darkness and see an evil face gazing close into his own; and that these fancies had so haunted him that he would often keep his head under the bed-covering until nearly suffocated.

The restrictions sought to be placed upon Poe's associations and amusements served only to render him more democratic. He, with two or three of his young friends of congenial tastes, were fond of stealing off for a bath in the river near Rocketts or below the Falls, in company with the hardy, adventurous boys of those localities, who were known as "river rats." It was from them that he learned to swim, to row and, when the river was low, to wade across its rocky bed to the willowy islands and set fish-traps. When in Richmond in after years, he told how he had met with some of these former companions, and how much he had enjoyed talking with them about "old times" on the river.

As regards religious influences and teachings in the Allan home, it does not appear that Edgar was especially subject to these. Mr. and Mrs. Allan were members of St. John's Episcopal church and punctilious in all church observances, and they required of Edgar a strict attendance at Sunday school and his presence in the family pew during divine service. But in those days it was not thought necessary for professed Christians to deny themselves social pleasures. On Sundays luxurious dinners were provided, to which friends were invited from church, and rides and drives were indulged in. Edgar was sent to dancing school, and Mrs. Allan had her dancing entertainments and her husband his card parties, which were attended by some of the most prominent professional men of the city; amusements which, as is well known, exposed Episcopalians to the charge of worldliness by other denominations. At all these entertainments wine flowed freely.

I have an impression, too vague to be asserted as fact, that Edgar Poe was confirmed at the same time with his sister and Mary Mackenzie, at St. John's church, and by the clergyman who had baptized them. To any inquiry as to his religious denomination, he always answered, "I am an Episcopalian." But it was often remarked upon by their friends in Richmond that neither he nor Rosalie had ever been known to manifest a sign of religious feeling or of interest in religious things. It was noticeable in both that, phrenologically considered, the organ of veneration was so undeveloped as to give a depressed or flat appearance to the top of the head when seen in profile. And it was known to Poe's intimate friends that, while he believed in a Supreme Power, he had no faith in the doctrine of the Divinity of Christ. Hence he was as a bark at sea with a guiding star in view but no rudder to direct its course. His eager seeking for truth was ever but a groping in darkness, with now and then a faint, far-away ray of the light of Truth flashing upon his sight—as we see in Eureka.

Yet Poe was careful to offer no disrespect to religion, and he was a frequent attendant at church and a great lover of church music.

Great injustice has been done the Allans by Poe's biographers in representing them as responsible for his early dissipation. By all the story has been repeated of how the child of three or four years was accustomed to be given a glass of wine at dinner parties and required to drink the health of the company.

It was no unusual thing for little children to be taught this trick for the amusement of company, as from my own recollections I can myself aver. But the liquor given them was simply a little sweetened wine and water. As Edgar grew older he was, like other boys in his position—as the Mackenzies—allowed his glass of wine at table; but no word was ever heard of his being fond of wine until his return from the University.

I have heard a Richmond gentleman who was Poe's chum at the University speak of the latter's peculiar manner of drinking. He was no connoisseur, they said, in either wine or other liquors, and seemed to care little for their mere taste or flavor. "You never saw him critically discussing his wine or smacking his lips over its excellence; but he would generally swallow his glass at a draught, as though it had been water—especially when he was in any way worried." In this way he would soon become intoxicated, while his companions remained sober. "He had the weakest head of any one that I ever knew," said this gentleman, who attributed his dissipation while at the University, not to a natural inclination, but to a weakness of will which allowed himself to be easily influenced by his companions.

Hitherto we have seen in Poe, the schoolboy, only what was amiable and lovable; but now, in his sixteenth year, he began to show that beneath this were springs of bitterness which, when disturbed, could arouse him to a passion and a power hitherto unsuspected.

I never heard of but one authentic instance of his being subject to slight or "snubbing" while a boy on account of his parentage or his dependent position in Mr. Allan's family, although several writers have taken it for granted that such was the case. What effect such treatment would have had upon him is evinced in the instance in question, in which a young man, a sprig of an aristocratic family, chose to object to association with the son of actors, and not only made a point of ignoring him on all occasions, but made offensive allusions to him as a "charity boy." This last being reported to Edgar, aroused in him a resentment which found expression in a rhyming lampoon upon "Don Pompiosa," so brimfull of wit, sarcasm and keenest ridicule that it was circulated throughout the city for some time, though none knew who was the author. The young man in question could not make his appearance upon the street without being pointed out and laughed at, with audible allusions to "Don Pompiosa," and was, it was said, at length actually driven from the town, leaving Poe triumphant. This was the forerunner of those keen literary onslaughts which in after years made Poe as a critic the terror of his enemies.

CHAPTER V.

SCHOOLBOY LOVE AFFAIRS.

That Poe was, both as boy and man, unusually susceptible to the influence of feminine charms has been the testimony of all who best knew him. "I never knew the time," said Mr. Mackenzie, "that Edgar was not in love with some one."

Nor was it unusual for me, when a girl, to meet with some comely matron who would laughingly admit that she had been "one of Edgar Poe's sweethearts." Neither did he confine his boyish gallantries to girls of his own age, but admired grown-up belles and young married ladies as well; though this was probably in a great measure owing to the playful petting with which they treated the handsome and chivalrous boy-lover.

But this was a trait which did not meet with the approval of Miss Jane Mackenzie, sister of the gentleman who adopted Rosalie Poe. This lady, noted for her elegant manners and accomplishments, kept a fashionable "Young Ladies' Boarding-School," patronized by the best families of the State; and many a brilliant belle and admired Virginia matron boasted of having received her education at "Miss Jane's." As I remember her, she was tall and stately, prim and precise, and was attired generally in black silk and elaborate cap and frizette, a very Lady-Prioress sort of a person. She had the reputation of being exceedingly "strict" in regard to the manners and conduct of her pupils, and was a contrast to the rest of her family, all of whom were remarkably genial.

When Edgar was about fifteen or sixteen he began to make trouble for Miss Jane. Repeatedly she would detect him in secret correspondence with some one of her fair pupils, supplemented on his part by offerings of candy and "original poetry," his sister Rosalie being the medium of communication. The verses were sometimes compared by the fair recipients and found to be alike, with the exception of slight changes appropriate to each; a practice which he kept up in after years. He possessed some skill in drawing, and it was his habit to make pencil-sketches of his girl friends, with locks of their hair attached to the cards.

Poe himself has told of his boyish devotion to Mrs. Stanard, which made so deep an impression upon the mind and heart of the embryo poet. The story is well known of how he once accompanied little Robert Stanard home from school (to see his pet pigeons and rabbits), and how his heart was won by the gentle and gracious reception given him by the boy's lovely mother, and the tenderness of tone and manner with which she talked to him; she knowing his pathetic history. In his heart a chord of feeling was stirred which had never before been touched; and thenceforth he regarded her with a passionate and reverential devotion such as we may imagine the religious devotee to feel for the Madonna. He calls this "the first pure and ideal love of his soul," and possibly it may in time have been increased by the knowledge of the doom which hung above and overtook her at the last—the partial shrouding of the bright intellect, the effect of a hereditary taint. Indeed, it is probable that on this account Poe saw very little if anything of Mrs. Stanard in the two succeeding years, in which time she led a secluded life with her family, dying in April, 1824, at the age of thirty-one. But the impression had been made, and remained with him during his lifetime, forming the one solitary Ideal which pervaded nearly all his poems—the death of the young, lovely and beloved. This experience was probably the beginning of those occasional dreamy and melancholy moods about this time noticed by some of his companions. The living friend of his boyhood's dream became the "lost Lenore" of his maturer years.

But though Poe deeply felt the loss of this beloved friend, the story is not to be accepted that he was accustomed to go at night to the cemetery where she was buried "and there, prostrate on her grave, weep away the long hours of cold and darkness." No one who knew Poe in his boyhood, with his horror of cemeteries, of darkness, and of being alone at night, would believe this story, first told by Poe himself to Mrs. Whitman, and by her poetic fancy further embellished. Besides this is the practical refutation afforded by the high brick wall and locked gates of the cemetery, with the strict discipline of the Allan home, which would have made such midnight excursions impossible.

Another account connected with Mrs. Stanard, and repeated by Poe's biographers until it has become an article of faith with the public, is that the exquisite lines "To Helen" were inspired by and addressed to that lady. If written at ten years of age, as Poe asserts, it will be remembered that he was at this time at school in London, and it was not until two years after his return, and when he was thirteen years of age, that he ever saw Mrs. Stanard. He might have altered the lines to suit her—his "Psyche," with the pale and "classic face"—and I recall that the "folded scroll" of the first version was afterward changed to "the agate lamp within thy hand," as more appropriate to Psyche. Poe never made an alteration in his poems that was not an improvement.

Those who knew Mrs. Stanard describe her as slender and graceful, with regular delicate features, a complexion of marble pallor and dark, pensive eyes. A portrait of her which was in possession of her son, Judge Robert Stanard, represented her as a young girl wearing—perhaps in respect to her Scottish descent—a snood in her dark, curling hair.

CHAPTER VI.

ROSALIE POE.

Of Edgar Poe's sister, Rosalie, it may be said that all accounts represent her as having been, up to the age of ten years, a pretty child, with blue eyes and rosy cheeks, and of a sweet disposition. Though evincing nothing of Edgar's talent and quickness at learning, she was yet a rather better pupil than the average; and it had been Miss Mackenzie's intention to give her every advantage of education afforded by her own school, so as to fit her for becoming a teacher.

But when Rosalie Poe was in her eleventh or twelfth year, a strange change came over her, for which her friends could never account. Without having ever been ill, a sudden blight seemed to fall upon her, as frost upon a flower, and she drooped, as it were, mentally and physically. She lost all energy and ambition, and thenceforth made little or no progress in her studies, growing up into a languid and uninteresting girlhood. Still, she was amiable, generous and devoted to her friends, who were generally chosen for their personal beauty, and for this reason my sister was a great favorite with her. To Mrs. Mackenzie she was always dutiful and affectionate, but her great pride and affection centered in her brother. She felt painfully, and would often allude to, the difference between them. Once she said to me, "Of course, I can't expect Edgar to love me as I do him, he is so far above me."

A peculiarity of Miss Poe is worth mentioning, because it is one shared by her brother, and must have been hereditary. She could not taste wine without its having an immediate effect upon her. She would, after venturing to take a glass of wine at dinner, sleep for hours, and awaken either with a headache or in an irritable and despondent mood. As is well known, the same effect was produced upon Edgar by a moderate indulgence in drink, such as would not affect another man; and this hereditary weakness should go far in accounting for and excusing those excesses of which all the world is unfortunately aware.

Of the elder brother of Edgar, William Henry, I have heard scarcely any mention until after Poe's death, and few seemed to know that there was such a person. It seems, however, that in the summer, when Edgar was preparing for the University, this brother came to Richmond on a visit to himself and Rose. Edgar took him around to introduce to his young lady acquaintances, by one of whom he has been described as handsome, gentlemanly and agreeable. He died a year or two afterward, leaving some poems which show him to have been possessed of unusual poetic talent. Had he lived, he might have rivaled his brother as a poet.

CHAPTER VII.

THE UNREST OF YOUTH.

In the summer of 1825, Mr. Allan, having come into possession of a large fortune left him by an uncle, purchased and removed to the handsome brick residence at the corner of Main and Fifth streets, built by Mr. Gallego, a wealthy Spanish gentleman, and which became known as the Allan House.

To own such a residence had long been the desire of Mrs. Allan, and upon taking possession of the house she furnished it handsomely and commenced entertaining in a style which rendered them conspicuous in Richmond society. It was even said that they lived extravagantly; and Edgar, with abundance of pocket-money, became the envy of his companions.

But he was not happy. The impatience of restraint of which the Mackenzies spoke, and the dissatisfaction of which was to him, despite its luxuries, an uncongenial home, rendered him discontented. The heart of the boy of fifteen began to pulse with the restlessness of the bird when it feels the first nervous twitchings of its wings, and his great desire now was to get away from home and enjoy greater freedom. He would often, when particularly dissatisfied, speak to the Mackenzies of going to sea or enlisting in the army. At present, however, he contented himself with requesting Mr. Allan to send him to the University.

Mr. Allan did not see the use of a higher education for one whom he destined for a commercial business, but finally yielded; and Edgar left Mr. Burke's school and, under a private tutorage, commenced fitting himself for the University. This period, from June to February 14, 1825, was the only time, with the exception of two brief intervals, that he resided in the Allan House.

On another point, however, he did not so easily have his way. He was very anxious that his youthful poems should be published in book form, and importuned Mr. Allan to that effect, but this was a thing with which the latter had no sympathy. He did consent to go with the boy to hear what Mr. Clarke's judgment of the verses would be; but finally concluded that Edgar was too young to publish a book; and so the latter's eager and ambitious hopes were for the time frustrated.

Still, this must have been a pleasant summer for him, in the enjoyment of his new home, with its fine lawn and garden, in place of the cramped cottage on Clay street, and especially in the knowledge that he was breaking away from his schoolboy days and assuming something of the independence of youth. It was at this time that he made the famous swim of seven miles on James river, from Warwick Park to Richmond, which has been so much commented upon—showing with what fine athletic powers he was gifted.

It was on the 14th of February, 1825, that Poe entered the University; inscribing on the matriculation book the date of his birth as January 19, 1809, making him sixteen years of age, when he was really seventeen (born in 1808). This date, it will be observed, agrees with no other that he has given.

Of his course at the University his biographers have informed us, on the authority of professors and students, some of whom credit him with almost every vice of dissipation, while others defend him from such imputation. But when he returned home, at the end of the first year, with a brilliant scholastic record, it became known that Mr. Allan had been called upon to pay his gambling and other debts, amounting on the whole to over two thousand dollars. Mr. Allan went on to Charlottesville to investigate the matter, and scrupulously paid all that he considered honest debts, refusing to notice the gambling debts.

Poe, having paid little attention to his personal affairs, was almost as much surprised as was Mr. Allan at the amount of his indebtedness. He appeared truly penitent, and frankly so expressed himself to Mr. Allan, offering to repay the latter by his services in his counting-house. It was agreed that after the Christmas holidays he should take his place in the office as clerk.

This was the beginning of the declension of Poe's social and personal reputation. By his elders he was severely condemned, while the good little boys who had formerly looked doubtfully upon the robber of orchards and turnip-patches now passed him by with sidelong glances and pursed-up lips. And yet, good cause though Mr. Allan had to be angry—as he was—we have the following account of Edgar's reception at home when he returned from the University for the Christmas holidays, a reception for which he was doubtless indebted to his devoted foster-mother:

A former schoolmate of his, Charles Bolling, writes to the editor of a Richmond paper that Mr. Allan, when on a visit to the country, having given him a cordial invitation to call on him when in Richmond, he, one evening, near Christmas, went to his house, where he was kindly received. After sitting awhile, he perceived certain signs as of preparation for the entertainment of company, and at once rose to leave, but his host insisted upon his remaining, saying that Edgar had just come home from the University, and some of his young friends had been invited to meet him. Bolling replied that he was not in a suitable dress for company, when Mr. Allan said: "Go up to Edgar's room. He will supply you with one of his own suits." He found Edgar lying on a lounge reading, who welcomed him cordially, and, throwing open his wardrobe doors, placed the contents at his disposal.

This was a room which, on their removal to their new home, Mrs. Allan had chosen for Edgar's occupation, furnishing it handsomely, with his books and pictures arranged in bookcases and on the wall. He took great pleasure in this apartment, and had always passed much of his time there.

When the two youths had attired themselves to their satisfaction, they repaired to the drawing-room, where Poe did his duty in welcoming his guests. But after awhile he took Bolling aside and proposed that they should go down the street and have a spree of their own. To this the latter very properly objected, saying: "Oh, no; that would never do." But being urged, finally consented; and they stole away from the company together.

This was an assertion of independence which one year previous he would not have ventured upon. But he was now no longer a schoolboy, but a University student and, as he claimed, nearly eighteen years of age. This past year had wrought a great change in him; and he was already in his heart prepared to break away from the restraint and authority which he had found so irksome and assert his independence.

In due time Poe was installed in Mr. Allan's counting-house as clerk, but had occupied that position but a short time when it became intolerable to him. He begged Mr. Allan to give him some other employment, saying that he would rather earn his living in any other way. Mr. Allan, still angry about the University debts, told him that he was his own master, and could choose what employment he pleased, but that henceforth he was not to look to him for assistance. After an angry scene between the two, Poe packed his traveling bag and, leaving the Allan house, did not return to it for the space of two years.

It will be observed that this was no runaway act on Poe's part, as asserted by biographers. He took an affectionate leave of Mrs. Allan and Miss Valentine—who supplied him with money—and neither of whom believed but that he would be back in a few weeks.

He went to take leave of the Mackenzies, who, all but his friend "Jack," advised him to return and submit himself to Mr. Allan; but this he would not, could not, do. He claimed that Mr. Allan had spoken insultingly to him, and declared that he would no longer be dependent on him. And so he went forth, as he said, to seek his fortune.

He made his way to Boston, where the first use to which he put his money was in publishing a cheap edition of his poems. They were not of a kind to attract attention, and he never realized a dollar from them. Ambitious to have them known, he sent a number to his friends in Richmond and other places South, and the rest turned over to his publisher, an obscure young man of the name of Thomas, in part payment of the expense of publishing.

Then followed a season of wandering in search of employment until, his money all gone, he had no resource but to enlist in the army, which he did on May 2, 1827, being then, as he claimed, eighteen (really nineteen) years of age, but representing himself as twenty-two.

CHAPTER VIII.

IN BARRACKS.

In the year 1829, my uncle, Dr. Archer, then Post Surgeon at Fortress Monroe, was one day called to the hospital to attend a private soldier known as Edgar A. Perry. Finding him a young man of superior manners and education, his interest was aroused, and his patient, won by his sympathy, finally confessed that his real name was Edgar A. Poe, and that he was the adopted son of Mr. John Allan, of Richmond; and also expressed an earnest desire to leave the army, in which he had now been for two years, the term of enlistment being five years.

Dr. Archer informed the commanding officer of these revelations, and as Perry, alias Poe, had proven himself in all respects a model soldier, interest in his case was at once aroused. It was suggested that, with his education and the social position which he had enjoyed, a cadetship at West Point would be more suited to him than the place of a private at Fortress Monroe. Poe, in his anxiety to be rid of the army, was willing enough to accept this proposal, and by the advice of his new friends wrote to Mr. Allan, informing him of his wishes and asking his assistance.

For some time he received no answer; but at length there came a letter which must have caused his heart a pang of real sorrow. It was from Mr. Allan, informing him of the death of his wife, and directing him to apply for a furlough and come on at once to Richmond, where he arrived two days after her burial.

Woodbury is mistaken in saying that in all this time Mr. Allan had not known of Edgar's whereabouts. According to Miss Valentine, Poe never at any time ceased entirely to correspond with Mrs. Allan, who never, to her dying day, lost her interest in the boy whom she had loved as a son, and neither ceased her endeavors to reconcile himself and her husband, urging Edgar to return and Mr. Allan to receive him. In anticipation of such result, she kept his room as he had left it, ready for his occupation at any time that it might suit his wayward fancy to return.

Mr. Allan talked to Poe seriously, and, finding that his great desire was to get a discharge from the army, promised to assist him; but only upon condition of his entering West Point, by which there would be secured to him an honorable and independent position for life, and Allan himself be relieved from all responsibility concerning him. But that he had not entirely forgiven Edgar was evident from a letter to the latter's commanding officer, wherein he exposes, unnecessarily, perhaps, the youth's gambling habits at the University, declaring that "he is no relation of mine whatever, and no more to me than many others who, being in need, I have regarded as being my care." Poe must have felt this latter as a humiliation; and it was certainly not calculated to increase his regard for the writer.

Poe's career at West Point is well known. At first all went well. One of his Virginia comrades, Col. Allan Magruder, describes him as of a simple and kindly nature, but, by reason of his distance and reserve, not popular with the cadets, and that he at length confined his association exclusively to Virginians. But the old discontent and impatience of restraint returned upon him, and after some months he wrote to Mr. Allan that he wished to leave West Point—a step to which the latter positively refused his assistance.

Finding nobody inclined to help him, he resolved to force his discharge. He purposely neglected his studies and military duties, deliberately violated the rules, engaged—it was said by some—in all sorts of disgraceful pranks; and finally was tried by court-martial and, on March 7, 1831, dismissed from the institute.

It has been naturally inferred that Poe's object in this voluntary self-sacrifice was simply to free himself from the irksomeness of military duties which, on trial, he found so opposed to his taste and inclination. But perhaps the real motive was one which has never yet been suspected.

Some time after Poe's death I was informed by a lady that, being in company where the conversation turned upon the poet and his writings, one who did not admire the latter remarked that Edgar Poe could have been of more use to both himself and others by remaining at West Point and adopting the army as a profession. To this an old army officer, Capt. Patrick Galt, replied that he had been informed by one who had been a classmate of Poe that the latter had been driven away from West Point by the slights and snubs of the cadets on account of his parentage and his bringing up as an object of charity. West Point, this officer declared, had in Poe's time been a very hotbed of aristocratic prejudice and pretension, and, Poe's history being known, these young aristocrats held themselves aloof, while the more snobbish among them, probably by reason of his reserve and acknowledged superiority in some respects, did not hesitate to attempt to humiliate him on occasion. Poe, he said, probably knew that this odium would in a measure attach to him throughout his whole military career, and he acted wisely in declining to expose himself to it.

Hence the shyness and reserve of which some of his fellow-cadets speak, and his exclusive association with Virginians, who generally stand by each other.

CHAPTER IX.

POE AND MRS. ALLAN.

In the meantime Mr. Allan had contracted a second marriage, the lady being a Miss Louisa Patterson, of New Jersey. She was thirty years of age; not handsome, but of dignified and courteous manners, with large, strongly-marked features, indicative of decision of character and, as was said, of a will of her own. Nevertheless, she was amiably inclined, and as a society leader very tactful and diplomatic. One marked characteristic of hers was that she never forgave the least slight or disrespect to herself, though the offender were but a child; and of this I remember some curious instances in my own acquaintance with her, many years after the time of which I speak.

It does not appear how Poe received the news of this marriage; but one thing seems certain—that, strangely enough, the idea never occurred to him that it in any way affected his own position in Mr. Allan's house. He had never received from the latter any word to that effect; Miss Valentine (his "Aunt Nancy"), with the old servants, who had known, and served, and loved him from his babyhood, were still there, and doubtless his room was still being kept, as ever before, ready for his occupation.

It was therefore with perfect confidence that, upon being dismissed from West Point, he proceeded to Richmond, having barely enough money to pay his way, and, sounding the brazen knocker of Mr. Allan's door, greeted the old servant pleasantly, handing him his traveling bag to be carried to his room, at the same time asking for Miss Valentine.

The answer of the servant astonished him. His old room had been taken by Mrs. Allan as a guest-chamber and his personal effects removed to "the end-room." This was the last of several small apartments opening upon a narrow corridor extending on one side of the house above the kitchen and the servants' apartments. It had at one time been occupied by Mrs. Allan's maid.

On receiving this information, Poe was extremely indignant, and, refusing to have his carpet-bag carried to that room, requested to see Mrs. Allan.

The lady came down to the parlor in all her dignity, and answered to his inquiry that she had arranged her house to suit herself; that she had not been informed that Mr. Poe had any present claim to that room or that he was expected again to occupy it. Warm words ensued, and she reminded him that he was a pensioner on her husband's charity, which provoked him to more than hint that she had married Mr. Allan from mercenary motives. This was enough for the lady. She sent for her husband, who was at his place of business, and who, upon hearing her account of the interview, coupled with the assertion that "Edgar Poe and herself could not remain a day under the same roof," without seeing Poe, sent to him an imperative order to leave the house at once, which he immediately did. It was told by himself that as he crossed the hall Mr. Allan hastily entered it from a side-door and called harshly to him, at the same time drawing out his purse, but that he, without pause or notice, continued on his way.

This account of the rupture between Poe and the Allans I heard from the Mackenzies and Mrs. Julia Mayo Cabell, wife of Poe's schoolboy friend, Dr. Robert G. Cabell, to whom Poe himself related it. The friends of the Allens gave a much more sensational account of the affair, which was much discussed, and went the rounds of the city, with such additions and exaggerations as gossip could invent, until it culminated at length in the dark picture with which Griswold horrified the world.

It was to this incident that Poe alluded when he told Mrs. Whitman that "his pride had led him to deliberately throw away a large fortune rather than submit to a trivial wrong."

CHAPTER X.

THE CLOSING OF THE GATE.

When Poe, after leaving Mr. Allan's door, crossed the lawn and passed out of the gate, can any one realize how momentous was the instant of time in which the gate closed after him, or what a woeful human tragedy was in that instant inaugurated? The closing of the gate meant the shutting out forever of his past life; the clang of the iron latch was the knell of all that had been bright and pleasant and prosperous in that life, now lost to him forever. There he stood, homeless, penniless, friendless, utterly alone in the world, with a pathless future before him, shadowy, dim, no hand to point him onward and no star to guiden. From this moment commences the true history of Edgar A. Poe.

On leaving the Allan house, Poe went directly to the Mackenzies, the only place to which he could turn, and spent several days with these kind friends, discussing what would be best for him to do, now that he had his own way to make in the world. They advised him to begin by teaching, until he could see his way more clearly; but Richmond was at present no place for him, and he decided to go to Baltimore, where his relatives, knowing the city so well, might be able to assist him. The Mackenzies gave him what money they could spare, and Miss Valentine, on hearing where he was, sent more.

But in Baltimore Poe found himself coldly received by his relatives. Since his miserable failure at West Point, when his prospects had seemed so bright and all conspiring for his good, they had lost all faith in him, and did not propose to trouble themselves on his account. On his last visit, Neilson Poe, at whose house he was staying, had obtained for him a place in an editor's office, which after a brief trial Poe threw up. He now again applied for that place, but failed; as also in his application for the position of assistant teacher in some academy. And now commenced that wretched life of wandering, and penury, and, according to Mr. Kennedy, of actual starvation, which is as sad as any other such history in literature, with the exception of that of poor Chatterton. His days were passed in roaming about the streets in search of employment—anything by which he could obtain food and at night a miserable place where to rest his weary limbs. He wrote a few stories which he endeavored to dispose of to editors, but met with no success.

Many stories have been told in regard to this unhappy period of Poe's life. One, related by a Richmond man, stated that, being in Baltimore about the time in question, he one day had occasion to visit a brick-yard, when there passed him by a line of men bearing the freshly moulded bricks to the kiln. Glancing at them casually, he was amazed to recognize among them Edgar Poe. He could not be mistaken, having been for years familiar with his appearance. Whether Poe recognized him, he could not say; but when he returned next day he was not there, nor did any one know of the name of Poe among the laborers. It was the opinion of this man that he had merely picked up a day's job for a day's need.

He was said to have been recognized in other equally uncongenial occupations, but relief was at hand in the time of his sorest need.

CHAPTER XI.

MRS. CLEMM.

His father's sister, Mrs. Maria Clemm, who had for some years been living in a New York country town, supporting herself and little daughter by dressmaking, about this time returned to Baltimore, and hearing from the Poes of the presence of her brother's son in the city, commenced a search for him. She found him, at length, ill—really ill; and at once took him to her own humble home, installing him in a room which had been furnished for a lodger, and from that hour attended and cared for him with a true motherly devotion.

Those who believe in the spirit of the old adage, "Blood is thicker than water," may imagine what a blessed relief this was to the weary and almost despairing wanderer. Here he had what he needed almost as much as he did food—rest; rest for the weak and exhausted body and for the anxious mind as well. Here, in the quiet little room, he could lie and dream, in the blissful consciousness that near him were the watchful eyes and careful hands of his own father's sister, ready to attend to his slightest want. And from the day on which he first entered her humble abode Poe was never more to be a homeless wanderer. To him it proved ever a safe little harbor, a sure haven of refuge and repose in all storms and troubles that assailed, even to his life's end.

Mrs. Clemm was at this time a strong, vigorous woman, somewhat past middle age, and of large frame and masculine features. Her manner was dignified and well-bred, and she was possessed of abundant self-reliance, ready resource, and, as must be said, of clever artifice as well, where artifice was necessary to the accomplishment of a purpose. Her abode, though plainly and cheaply furnished, was a picture of neatness and such comfort as she could afford to give it; but her means were only what could be derived from dressmaking, taking a lodger or two, and at times teaching a few small children.

This state of affairs dawned upon Poe as he slowly recovered from his fever-dreams; and he again became aware of the strong necessity of further exertion on his part. Mrs. Clemm would not allow him to go to a hospital. Probably she feared to lose him. In some degree, isolated from her other kindred, she had in her loneliness found a son, and the pertinacity with which she thenceforth clung to him was something remarkable.

Poe soon resumed his weary search for employment, but for some time without success. In his hours of enforced idleness at home he found employment in teaching his little cousin, Virginia, a pretty and affectionate child of ten years, who, however, was fonder of a walk or a romp with him than of her lessons. She was devoted to her handsome cousin, and having hitherto lived with her mother and with few or no playmates or companions, soon learned to depend upon him for all pleasure or amusement. They called each other both then and ever after, "Buddie" and "Sissy," while Mrs. Clemm was "Muddie" to both.

Of this period of Poe's life in Baltimore, Dr. Snodgrass, a literary Bohemian of the time, has given us glimpses:

"In Baltimore, his chief resort was the Widow Meagher's place, an inexpensive but respectable eating-house, with a bar attached and a room where the customers could indulge in a smoke or a social game of cards. This was frequented chiefly by printers and employees of shipping offices. Poe was a great favorite with the Widow Meagher, a kindly old Irish woman. On entering there you would generally find him seated behind her oyster counter, at which she presided; himself as silent as an oyster, grave and retiring. Knowing him to be a poet, she addressed him always by the old Irish title of Bard, and by this name he was here known. It was, "Bard, have a nip;" "Bard, take a hand." Whenever anything particularly pleased the old woman's fancy, she would request Poe to put it in "poethry," and I have seen many of these little pieces which appeared to me more worthy of preservation than some included in his published works.

It happened that Poe one evening, in his wanderings about the streets, stopped to read a copy of The Evening Visitor exposed for sale, and had his attention attracted by the offer of a purse of one hundred dollars for the best original story to be submitted to that journal anonymously. Remembering his rejected manuscripts, he at once hastened home and, making them into a neat parcel, dispatched them to the office of the Visitor, though with little or no hope of their meeting with acceptance.

His feelings may therefore be imagined when he shortly received a letter informing him that the prize of one hundred dollars had been awarded to his story of "The Gold Bug," and desiring him to come to the office of the Visitor and receive the money.

It was on this occasion that Poe made the acquaintance of Mr. J. P. Kennedy, author of "Swallow Barn," who proved such a true friend to him in time of need. Mr. Kennedy says he recognized in the thin, pale, shabbily dressed but neatly groomed young man a gentleman, and also that he was starving. He invited him frequently to his table, presented him with a suit of clothes and, seeing how feeble he was, gave him the use of a horse for the exercise which he so much needed. He also obtained for him some employment in the office of the Evening Visitor, whose editor, Mr. Wilmer, accepted several stories from his pen; and it was now, evidently, that Poe decided upon literature as a profession.

Under these favoring conditions Poe rapidly recovered his health and spirits. Mr. Wilmer, who saw a good deal of him at this time, says that when their office work was done they would often walk out together into the suburbs, generally accompanied by Virginia, who would never be left behind. At the office he was punctual, industrious and his work satisfactory. In all his association with him he never saw him under the influence of intoxicants or knew him to drink except once, moderately, when he opened a bottle of wine for a visitor.

I once clipped from a Baltimore paper the following article by a reporter to whom the story was related by "a lively and comely old lady," herself its heroine. I give it as an illustration of the easy confidence with which Poe, even in his youth, sought the acquaintance of women who attracted his attention:

CHAPTER XII.

"A PRETTY GIRL WITH AUBURN HAIR WHOM POE LOVED."

"The old lady commenced by saying that she had known Poe quite intimately when she and her mother were residents of Baltimore, about 1832. She was then seventeen years of age and attending a finishing school in that city. She confided to me, laughingly, that she was considered a very pretty girl, with dark eyes and curling auburn hair.

"The first time she noticed Poe, she said, was once when she was studying her lesson at the window of her room, which was in the rear of the house. Looking up, she saw a very handsome young man standing at an opposite back window on the next street looking directly at her. She pretended to take no notice, but on the following evening the same thing occurred. He appeared to be writing at his window, and each time that he laid aside a sheet he would look over at her, and at length bowed. This time a school friend was with her, who, in a spirit of fun, returned the bow. That evening, as the two were seated on the veranda together, this young man sauntered past and, deliberately ascending the steps of the adjoining house, spoke to them, addressing them by name. He sat for some time on the dividing rail of the two verandas, making himself very agreeable, and the acquaintance thus commenced in a mere spirit of school-girl fun, was kept up for several weeks, some story being invented to satisfy the mother.

"'Of course, it was all wrong,' said the old lady, 'but it was fun, nevertheless; and we girls could see no harm in it. But one evening, when Mr. Poe and myself had been strolling up and down in the moonlight until quite late, my mother desired him not to come again, as I was only a school girl and the neighbors would talk. So our acquaintance ended abruptly.' She added that, although they never again met, she always felt the deepest interest in hearing of him, and had never forgotten her fascinating boy-lover.

"Asked if she had ever seen Virginia, she replied: 'Yes, several times, when she was with her cousin;' that 'she was a pretty child, but her chalky-white complexion spoiled her.'"

Mr. Allan died in March, 1834, leaving three fine little boys to inherit his fortune.

Some time before his death an absurd story was circulated, which we find related in the Richmond Standard, of April, 1881, thirty-one years after Poe's death, on the authority of Mr. T. H. Ellis, of Richmond. It appears that a friend of Poe wrote to the latter that Mr. Allan had spoken kindly of him, seeming to regret his harshness, and advising him to come on to Richmond and call on him in his illness. Acting upon this advice, he, one evening in February, presented himself at Mr. Allan's door. The rest, as told by Ellis, is as follows:

"He was met at the door by Mrs. Allan, who, not recognizing him, said that her husband had been forbidden by his physician to see visitors. Thrusting her rudely aside, he rapidly made his way upstairs and into the chamber where Mr. Allan sat in an arm-chair, who, on seeing him, raised his cane, threatening to strike him if he approached nearer, and ordered him to leave the house, which he did."

Woodbury asserts the truth of this story, because, as he says, "Mr. Ellis had the very best means of knowing the truth." But Ellis was at this time only a youth of 18 or 20, and had no more opportunity of knowing the truth than the numerous acquaintances of the Allans' to whom they related their version of the incident, with never a mention of the cane. Poe, they said, accused the servant of having delivered his message to Mrs. Allan and, creating some disturbance, the latter called to the servant to "drive that drunken man away." Mr. Ellis should have remembered that Mrs. Allan, to the day of her death, asserted that she had never but once seen Poe; consequently, this story of the second meeting between them and of Poe's "rudely thrusting her aside," and being threatened with the cane, is simply a specimen of the gossip which was continually being circulated concerning Poe by his enemies.

CHAPTER XIII.

POE'S DOUBLE MARRIAGE.

How it was that Poe, when a mature man of twenty-seven, came to marry his little cousin of twelve or thirteen has ever appeared something of a mystery.

As understood by his Richmond friends, it appeared that when, in July of 1835, he left Baltimore to assume the duties of assistant editor to Mr. White of the Southern Literary Messenger, Virginia, deprived of her constant companion, so missed him and grieved over his absence that her mother became alarmed for her health, and wrote to Poe concerning it; and that in May of the following year the two came to Richmond, where Poe and Virginia were married, she being at that time not fourteen years of age. For this marriage Mrs. Clemm was severely criticised, the universal belief being that she had "made the match."

Of any other marriage than this these friends never heard; since it was only from a letter found among Poe's papers after his death, and the reluctant admission of Mrs. Clemm, that it became known that a previous marriage had taken place.

The marriage records of Baltimore show that on September 22, 1835, Edgar A. Poe took out a license to marry Virginia E. Clemm. Mrs. Clemm, when interviewed by one of Poe's biographers, admitted that there had been such a marriage, and stated that the ceremony had been performed by Bishop John Johns in Old Christ Church; though of this there is no mention in the church records. Immediately after the ceremony, she said, Poe returned to Richmond and to his editorial duties on the Messenger. She vouchsafed no explanation, except that the two were engaged previous to Poe's departure for Richmond.

A possible explanation of the mystery may be that Mrs. Clemm, having set her heart upon keeping her nephew in the family, could think of no surer means than that of a match between himself and her daughter. When he left Baltimore for Richmond, in July, she doubtless had her fears; and then came reports of his notorious love affairs, one of which came near ending in an elopement and marriage. It was probably then that she wrote to him about Virginia's grieving for him; following up this letter with another saying that Neilson Poe had offered to take Virginia into his family and care for her until she should be eighteen years of age. This brought a prompt reply from Poe, begging that she would not consent to this plan and take "Sissy" away from him.

This last letter is dated August 29. What other correspondence followed we do not know; but two weeks later, on September 11, 1835, we find Poe writing to his friend, Mr. Kennedy, the following extraordinary letter, in which he clearly hints at suicide:

"I am wretched. I know not why. Console me—for you can. But let it be quickly, or it will be too late. Convince me that it is worth one's while to live.... Oh, pity me, for I feel that my words are incoherent.... Urge me to do what is right. Fail not, as you value your peace of mind hereafter.

"Edgar A. Poe."

This production, which, in whatever light it is viewed, cannot but be regarded as an evidence of pitiable weakness. Some writer has chosen to attribute Poe's anguish to the prospect of losing Virginia. But it does not at all appear that such is the case; for, even if Neilson Poe did make such an offer, Poe knew well enough that neither Mrs. Clemm nor her daughter would ever consent to accept it. The whole thing appears to have been simply a plan of Mrs. Clemm to bring matters to the satisfactory conclusion which she desired. She possessed over her nephew then and always the influence and authority of a strong and determined will over a very weak one; and we here see that in less than two months after Poe's leaving her house she had carried her point and married him to her daughter. Having thus secured him, she was content to wait a more propitious time for making the marriage public.

There is yet a little episode which may have influenced this affair and may serve further to explain it.

When Poe first went to Richmond, Mr. White, as a safeguard from the temptation to evil habits, received him as an inmate of his own home, where he immediately fell in love with the editor's youngest daughter, "little Eliza," a lovely girl of eighteen. It was said that the father, who idolized his daughter, and was also very fond of Poe, did not forbid the match, but made his consent conditional upon the young man's remaining perfectly sober for a certain length of time. All was going well, and the couple were looked upon as engaged, when Mrs. Clemm, who kept a watchful eye upon her nephew, may have received information of the affair, and we have seen the result.

Does this throw any light upon Poe's pitiful appeal, "Urge me to do what is right"? Was this why the marriage was kept secret—to give time for a proper breaking off of the match with Elizabeth White? And it is certain, from all accounts, that Poe now, at once, plunged into the dissipation which was, according to general report, the occasion of Mr. White's prohibition of his attentions to his daughter. It was she to whom the lines, "To Eliza," now included in Poe's poems, were addressed.

When I was a girl I more than once heard of Eliza White and her love affair with Edgar Poe. "She was the sweetest girl that I ever knew," said a lady who had been her schoolmate; "a slender, graceful blonde, with deep blue eyes, who reminded you of the Watteau Shepherdesses upon fans. She was a great student, and very bright and intelligent. She was said to be engaged to Poe, but they never appeared anywhere together. It was soon broken off on account of his dissipation. I don't think she ever got over it. She had many admirers, but is still unmarried."

Recently I read an article written by Mrs. Holmes Cumming, of Louisville, Kentucky, in which she spoke of persons and places that she had seen in Richmond associated with Poe. Among others, she met with a niece of Eliza White, who, when a child, had often seen Poe at the latter's home. She remembered having at a party seen him dancing with Eliza, and how every one remarked what a handsome couple they were. She had never seen any one enjoy dancing more than Poe did; not but that he was very dignified, but you could see in his whole manner and expression how he enjoyed it." Perhaps it was because he had "little Eliza" for a partner.

Previous to Poe's first marriage, he had boarded with a Mrs. Poore on Bank street, facing the Capitol square, and with whose son-in-law, Mr. Thomas W. Cleland, he held friendly relations. A few weeks after his first marriage (which was still kept secret) he removed to the establishment of a Mrs. Yarrington, in the same neighborhood, where, being joined by Mrs. Clemm and Virginia, they lived together as formerly, he—as he informed Mr. George Poe—paying out of his slender salary nine dollars a week for their joint board. This continued until May of the next year, when the public marriage of Poe and Virginia took place.

On this occasion Mr. Thomas Cleland was obliging enough to consent to act as Poe's surety, and he also secured the services of his own pastor, the Rev. Amasa Converse, a noted Presbyterian minister. Late on the evening of May 16, Mr. Cleland, with Mrs. Clemm, Poe and Virginia, left Mrs. Yarrington's and, walking quietly up Main street to the corner of Seventh, were married in Mr. Converse's own parlor and in the presence of his family, Mrs. Clemm giving her full and free consent. The clergyman remarked afterward that Mrs. Clemm struck him as being "polished, dignified, and agreeable in her bearing," while the bride "looked very young." The party then returned to their boarding-house, where Mrs. Clemm invited the lady boarders to her room to partake of wine and cake, when it was discovered that it was a wedding celebration.5

It will be observed that, according to the marriage bond, Virginia was married under her maiden name of Clemm, thus ignoring the former ceremony; and that Poe subscribed to the oath of Thomas Cleland that she was "of the full age of twenty-one years," when in reality she was but thirteen, having been born August 16, 1822. Thus is shown how pliable was Poe in the hands of his mother-in-law; and as regards Mr. Cleland, who was a very pious Presbyterian, it can only be hoped that he never discovered in what manner he had been imposed upon.

CHAPTER XIV.

THE POES IN RICHMOND.

When Poe went to Richmond as assistant editor to Mr. White, it had been with the expectation of resuming his old place among his former friends and associates—a prospect which, as he himself stated in a letter to that gentleman, had afforded him very great pleasure. He had no idea of the altered estimate in which he was held by some of these, and of the general prejudice existing against him in consequence of the exaggerated reports concerning his rupture with the Allans and the later story of his attempt to force himself into Mr. Allan's presence. It is true that the Mackenzies, the Sullys, Dr. Robert G. Cabell and his wife, with some others of the best people, remained his firm friends; but he found himself without social standing and with but few associates among his former acquaintances. It was even said that when a leading society lady, enjoying a literary reputation—the mother of Mrs. Julia Mayo Cabell and Mrs. General Winfield Scott—gave an entertainment to which she invited the talented young editor of the Messenger, two of the most priggish of these gentlemen declined to attend rather than meet their former schoolmate, Edgar Poe.

This state of things must undoubtedly have served to irritate and embitter one of Poe's proud and sensitive nature, and may have partly led to the dissipated habits in which he now for the first time began to indulge—besides, in some measure, influencing the extreme bitterness and severity, or, as it has been called, venom of the criticism for which the Messenger began to be noted. Never before had he been accused of unamiability of disposition, but his temper seems suddenly to have changed, and he was called "haughty, overbearing and quarrelsome."

A great and, it is to be feared, irreparable obloquy has attached to Poe's name through the utterance of a single individual—a Mr. Ferguson, who was employed as a printer's assistant in the office of the Messenger at the time of Poe's editorship of that magazine. Not many years ago, Mr. Ferguson, who is still living, said, in answer to some inquiry concerning the poet: "There never was a more perfect gentleman than Mr. Poe when he was sober," but that at other times "he would just as soon lie down in the gutter as anywhere else." And this assertion has been taken up by one and another writer until it appears now to be received as a fixed fact.

I have often heard this statement indignantly denied by persons who knew Poe at this time. Howsoever much under the influence of drink he might be, he was, they say, never at any time or by any person seen staggering through the streets or lying in a gutter. On the contrary, he was extremely sensitive about being seen by his friends, and especially ladies, under the influence of drink.

Poe himself, long after this time, while denying the charge of general dissipation, confessed that while in Richmond he at long intervals yielded to temptation, and after each excess was invariably for some days confined to his bed. And now, in addition to other charges against him, was that of neglecting his wife and being frequently seen in attendance on other women; a point on which his motherly friend, Mrs. Mackenzie, more than once felt herself called upon to remonstrate with him. He would be, for a week at a time, away from his home, putting up at various hotels and boarding-houses, and spending his money freely, instead of, as formerly, committing it to the keeping of his mother-in-law. Mrs. Clemm, descending from the dignity of a boarder, tried to open a boarding-house of her own, but failed; and she now rented a cheap tenement on Seventh street and went back to her dressmaking, letting out rooms, and probably taking one or two boarders. But it was seldom that her son-in-law was to be found here; though always, after one of his excesses, he would seek its seclusion until fit to again appear in public.

Mr. Hewitt, who was about this time in Richmond, says that he heard a great deal of gossip about Poe's love affairs; and describes him as, at this time, of remarkable personal beauty—"graceful, and with dark, curling hair and magnificent eyes, wearing a Byron collar and looking every inch a poet." An old gentleman, a distinguished lawyer, once undertook his defence, saying: "Poe is one of the kind whom men envy and calumniate and women adore. How many could resist the temptation?"

The Mackenzies spoke of Virginia at this time—now fourteen years of age—as being small for her age, but very plump; pretty, but not especially so, with sweet and gentle manners and the simplicity of a child. Rose Poe, now twenty-six years of age, would sometimes take her young sister-in-law to spend an afternoon at the Mackenzies, where she appeared as much of a child as any of the pupils, joining in their sports of swinging and skipping rope. On one occasion her husband—"Buddy"—came unexpectedly to bring her home, when she scandalized Miss Jane Mackenzie by rushing into the street and greeting him with the abandon of a child.

Nearly twenty years after this time there were persons living on Main street who remembered having almost daily seen about the Old Market, in business hours, a tall, dignified looking woman, with a market basket on one arm, while on the other hung a little girl with a round, ever-smiling face, who was addressed as "Mrs. Poe"! She, too, carried a basket.

Whatsoever was the cause of Poe's discontent, he never appeared happy or satisfied while in Richmond. His dissipated habits grew upon him, with a consequent neglect of editorial duties, which sorely tried the patience of his good and kind friend, Mr. White, to whom, it must be admitted, Poe never appeared sufficiently grateful. Whether Mr. White was compelled at length to reluctantly discharge him, or whether, as Mr. Kennedy says, Poe himself gave up his place as editor of the Messenger, thinking that with his now established literary reputation he could do better in the North, is not clear; but in the summer of 1838 he left Richmond and, with his family, removed to New York.

Mrs. Clemm, at least, could not have been averse to the move; for it seems certain that there was a general prejudice against her on account of her having made or consented to the match between her little daughter and a man of Poe's age and dissipated habits.

CHAPTER XV.

IN NEW YORK.

Of Poe's business and literary affairs in New York, and subsequently in Philadelphia, his biographers have fully informed us, but with little or no mention of his home life or his family. All that we can gather concerning the latter is that never at any time were their circumstances such as would enable them to dispense with the utmost economy of living, and that, as regarded the practical everyday business affairs of life, Poe was almost as helpless and dependent upon his mother-in-law as was his child-wife. But for this devoted mother, what could they have done?—those two, whom she rightly called her "children."

Poe was sadly disappointed in his hopes of obtaining literary employment in New York, and but for Mrs. Clemm's opening a boarding-house on Carmine street, an obscure locality, the family might have starved. Here, however, he seems to have turned over a new leaf, for one of the boarders, a Mr. Gowans, a book-seller on the next street, declares that in the eight months of his residence at Mrs. Clemm's, and a daily intercourse with Poe, he never saw him otherwise than "sober, courteous, and a perfect gentleman." Being a stranger in New York, he was removed from the temptations which had assailed him in Richmond, and this fact should be noted as a proof that, when left to himself, he showed no inclination to indulge in dissipation. Of Virginia, Poe's wife, then fifteen years of age, this gallant old bachelor says, in the exaggerated style of flattery common in those days: "Her eyes outshone those of any houri, and her features would defy the genius of a Canova to imitate. Poe delighted in her round, childlike face and plump little figure."

CHAPTER XVI.

THE REAL VIRGINIA.

As regards the nature of Poe's affection for his wife, I have often recalled an expression of Mr. John Mackenzie when, after the poet's death, a group of his friends were familiarly discussing his character. One doubted whether Poe had ever really loved his wife; to which Mr. Mackenzie replied: "I believe that Edgar loved his wife, but not that he was ever in love with her—which accounts for his constancy."

I have heard other men say that it was impossible that Poe, at the age of twenty-seven, could have felt for the child of twelve, with whom he had played and romped in the familiar association of home life and the free intercourse of brother and sister, aught of the absorbing and idealizing passion of love. At most, said they, there could have been but the tender and protective affection of an elder brother or cousin; which, as Mr. Mackenzie remarked, was in one of Poe's temperament the best guarantee for its continuance.

Apart from the disparity of age, there was no congeniality of mind or character to draw these two into sympathy. Virginia was not mentally gifted, and Poe once, after her death, remarked to Mrs. Mackenzie that she had never read half of his poems. When writing, he would go to Mrs. Clemm to explain his ideas or to ask her opinion, but never to Virginia. She was his pet, his plaything, his little "Sissy," whose sunny temper and affectionate disposition brightened and cheered his home.

"She was always a child," said a lady who knew her well. "Even in person smaller and younger looking than her real age, she retained to the last the shy sweetness and simplicity of childhood."

It would certainly appear that Poe's child-wife never attained to the full completeness of the nature and affections of a mature woman. She was never known to manifest jealousy of the women whom he so notoriously admired; neither did scandals disturb nor his neglect estrange her. Mrs. Clemm would sometimes, as in duty bound, take him to task for his irregularities, but no word of reproach ever escaped Virginia. She regarded him with the most implicit and childlike trust; and certainly it seems that Poe, of all men, knew how, by endearing epithets and eloquent protestations, to win a woman's confidence—as will presently appear.

But, naturally, this was not the kind of affection to satisfy one of Poe's impassioned and poetic nature. He craved a woman's love, and the sympathetic appreciation of talented women, in whose companionship, as Mrs. Whitman assures us, he delighted. What he did not find in Virginia he sought elsewhere. In special he missed in her that understanding and appreciation of his genius which he found in some other women. She loved and admired her handsome and fascinating husband, but never appeared to take pride in his genius or his fame as a poet.

The accounts of Virginia's beauty, say those who knew her personally, have been greatly exaggerated by Poe's biographers, who, taking their impressions from the description of Mr. Gowans already mentioned, have painted the poet's child-wife in the most glowing colors. The general idea of her is like that which Mr. Woodbury expresses: "A sylph-like creature, of such delicate and ethereal beauty that we almost expect to see it vanish away, like one of Poe's own creations."

But the real Virginia was neither delicate nor ethereal. She is described by those who knew her at the age of twenty-two as looking more like a girl of fifteen than a woman grown, with, notwithstanding her frail health, a round, full face and figure, full, pouting lips, a forehead too high and broad for beauty, and bright black eyes and raven-black hair, contrasting almost startlingly with a white and colorless complexion. Her manner and expression were soft and shy, with something childlike and appealing. "She was liked by every one," says Mr. Graham. A decided lisp added to her child-likeness.

CHAPTER XVII.

POE'S PHILADELPHIA HOME.

Poe, disappointed in his hopes of success in New York, left that city and, in the summer of 1839, removed to Philadelphia, then the literary center of the United States.

Of his business experiences while here—his successes and disappointments—his quarrels with certain editors and literary men and his friendly relations with others, his biographers have informed us. But it is in his home and private life that we are interested.

Their financial circumstances at this time must have been deplorable, for they had to borrow money to enable them to remove to Philadelphia. Under the circumstances, to take board was impracticable; and it appears from the reminiscences of certain neighbors, that they for some time occupied very poor lodgings in an obscure street in the vicinity of a market. But Poe was much more successful here than in New York, and we find them in the following spring established in a home of their own in a locality known as Spring Garden, a quiet suburb far from the dust and noise of the city.

Some one has recently taken pains to hunt out with infinite patience and perseverance this house, which the Poes occupied for nearly five years. It was an ordinary framed Dutch-roofed building, with but three rooms on the ground floor, and under the eaves little horizontal strips of windows on a level with the floor, which could scarcely have admitted light and air. But there was, when they took possession, a bit of grassy side yard which had once been part of a garden, and a porch over which grew a straggling rose-bush. This latter Mrs. Clemm's skillful hands carefully pruned and trained, thus winning for the humble abode the title still applied to it of "The poet's rose-embowered cottage," to which some enthusiast has added, "Where Poe and his idolized Virginia dreamed their divine dream of love."

To a lady who was at this time a resident of Spring Garden we are indebted for a glimpse of the Poes in this their quiet and half-rural abode.

"Twice a day, on my way to and from school," she said, "I had to pass their house, and in summer time often saw them. In the mornings Mrs. Clemm and her daughter would be generally watering the flowers, which they had in a bed under the windows. They seemed always cheerful and happy, and I could hear Mrs. Poe's laugh before I turned the corner. Mrs. Clemm was always busy. I have seen her of mornings clearing the front yard, washing the windows and the stoop, and even white-washing the palings. You would notice how clean and orderly everything looked. She rented out her front room to lodgers, and used the middle room, next to the kitchen, for their own living room or parlor. They must have slept under the roof. We never heard that they were poor, and they kept pretty much to themselves in the two years we lived near them. I don't think that in that time I saw Mr. Poe half a dozen times. We heard he was dissipated, but he always appeared like a gentleman, though thin and sickly looking. His wife was the picture of health. It was after we moved away that she became an invalid."

Mrs. Clemm, she added, was a dress and cloak maker; and she thinks that Mrs. Poe assisted her, as she would sometimes see the latter seated on the stoop engaged in sewing. "She was pretty, but not noticeably so. She was too fleshy."

This account refers to a time when Poe was assistant editor of The Gentleman's Magazine, and the family were enjoying a degree of peace and prosperity such as they never subsequently knew.

Poe lost this position, according to Mr. Burton, the editor-in-chief, by indulgence in dissipated habits. In replying to this charge, he wrote to a friend, Mr. Snodgrass, that "on the honor of a gentleman" he had not, since leaving Richmond, tasted anything stronger than cider, and that upon one occasion only. In this he was borne out by the testimony of Mrs. Clemm, who asserted, "I know that for years he never tasted even a glass of wine." Mr. Burton, in making the charge, adds: "I believe that for eighteen months previous to this time he had not drank." Still, the severity and, one might say, almost cruelty of his personal criticisms continued, and nothing could exceed the bitterness of his vituperation against those by whom, as he conceived, he had been wronged or unjustly treated. Mr. Burton, in replying, in a forbearing and even kindly manner, to a very abusive letter from him, advised him to "lay aside his ill-feeling against his fellow-writers, and to cultivate a more tolerant and kindly spirit." He even proposed that Poe should resume his place upon the magazine, but this he proudly declined, and continued to contribute his brilliant stories to other periodicals. These attracted the attention of Mr. Graham, who had just established the magazine which bore his name, and who offered him the editorship, which Poe accepted, and gave to it his best work. Under his management it prospered wonderfully, and soon became the leading periodical of the country.

Still, with a good salary and a brilliant literary reputation, Poe was dissatisfied. The old restlessness and discontent returned. What he desired was a magazine of his own, for which he might be at liberty to write according to his own will. His independent and ambitious spirit revolted at being limited to certain bounds and controlled by what he considered the narrow views of editors. We find him as early as June 26, 1841, writing to Mr. Snodgrass: "Notwithstanding Graham's unceasing civility and real kindness, I am more and more disgusted with my situation." It ended at length in his resigning the editorship of Graham's and devoting himself to writing for other publications, a step which was the beginning of a long period of financial and other troubles.

From Col. Du Solle, editor of "Noah's New York Sunday Times," who as a resident of Philadelphia about that time knew Poe well, I gained some information concerning him. His dissipation, the Colonel said, was too notorious to be denied; and that for days, and even weeks at a time, he would be sharing the bachelor life and quarters of his associates, who were not aware that he was a married man. He would, on some evenings when sober, come to the rooms occupied by himself and some other writers for the press and, producing the manuscript of The Raven, read to them the last additions to it, asking their opinion and suggestions. He seemed to be having difficulty with it, said Col. Du Solle, and to be very doubtful as to its merits as a poem. The general opinion of these critics was against it.

The irregular habits of this summer resulted in the fall (1839) in a severe illness, the first of the peculiar attacks to which Poe during the rest of his life was at intervals subject. On recovering, he devoted himself to the realization of a plan for establishing a magazine of his own, to be called "The Penn Magazine," and wrote to Mr. Snodgrass that his "prospects were glorious," and that he intended to give it the reputation of using no article except from the best writers, and that in criticism it was to be sternly, absolutely just with both friends and foe, independent of the medium of a publisher's will." In these last words we read the whole secret of his past dissatisfaction and of his future aspiration as an editor.

The Penn Magazine was advertised to appear on January 1, 1841, but this scheme was balked by a financial depression which at that time occurred throughout the country.

But who will not sympathize with Poe and admit that, considering the disappointments to which he was continually subject, and the constant humiliation and drawback of the poverty which met him on every hand, balking each movement and design—together with the ill-health from which he was now destined to be a constant sufferer—his faults and failures should not be treated with every possible allowance? If he were naturally weak, and lacking in the strength and firmness of will to determinately resist obstacles and discouragements, we see in it the effect of the heredity, apparent in his sister; and consequently so much greater is his claim to be leniently judged.

CHAPTER XVIII.

VIRGINIA's ILLNESS.

In all this time of which we have spoken, embracing a period of several years, Mrs. Clemm and her daughter continued their quiet life at the cottage, the former doing what she could toward the support and comfort of the family. But a great affliction was to befall them, in the dangerous illness of Virginia, now in her twenty-first year, who had the misfortune, while singing, to break a small blood-vessel. She had already developed signs of consumption, and from this time forth remained more or less an invalid, subject to occasional hemorrhages, but, from all accounts, losing none of her characteristic cheerfulness and light-heartedness.

Poe was at this time still engaged in the editorship of Graham's Magazine, and it is now that we begin to hear of him in the character of "a devoted husband, watching beside the sick bed of an idolized wife," with which the world is familiar. Certainly the condition of the helpless creature who so clung to him, and the real danger which threatened her, was calculated to awaken all the tenderness of his nature.

"She could not bear the slightest exposure," wrote Mr. Harris in Hearth and Home, "all needed the utmost care and all those conveniences as to apartment and surroundings which are so important in the case of an invalid. And yet the room where she lay for weeks, hardly able to breathe except as she was fanned, was a little place with the ceiling so low over the narrow bed that her head almost touched it."

Mr. Graham tells how he saw Poe "hovering around his wife's couch with fond fear and tender anxiety, shuddering visibly at her slightest cough;" and mentions his driving out with them one summer day, and of the husband's "watchful eyes eagerly bent on the slightest change in that beloved face."

Another literary friend of Poe's who visited the family in this time of trial, Mr. Clarke, tells of his once taking his little daughter with him, knowing Virginia to be fond of the companionship of children; and as a proof of the latter's light-heartedness relates how the little girl was induced to sing a comic song, which Virginia received with "peal after peal of merry laughter."

The reminiscences of these kindly gentlemen who, at Poe's own request, called upon him, regarding the poet and his family, are of the most flattering character. Poe in his own home was the perfection of graceful courtesy, and Mrs. Clemm amiably dignified, with a countenance when speaking of "her children" almost "saint-like in its expression of patience and motherly devotion." Of Virginia, Mr. Harris says, "She looked hardly more than fourteen, was soft, fair and girlish." He says, furthermore, that Mrs. Poe, whom he had not known previous to her misfortune, had up to that time "possessed a voice of marvelous sweetness and a harp and piano," which leads an English writer to represent the poet's wife as "an accomplished musician, with the voice of a St. Cecilia." This is a specimen of the exaggeration to which "biographers" sometimes lend themselves, to be taken up by those who follow and received by the public as fact.

Poe now again interested himself in getting up a magazine, to which he gave the name of "The Stylus" and there seemed an even more brilliant prospect than before of its success. He wrote a prospectus, and went to Washington to obtain subscriptions from President Tyler and the Cabinet, but was taken ill, the result, it was said, of his meeting with a convivial acquaintance; and Mrs. Clemm being notified thereof, on his return to Philadelphia met him at the railroad station and took him home in safety from further possible temptation. Owing partly to this indiscretion, The Stylus was again a failure; and the matter being known throughout the city, did not add to Poe's personal reputation.

Now, also, just as for the first time, Poe began to be mentioned in the character of a devoted husband, there arose a widespread scandal concerning a handsome and wealthy lady whom, it was said, he accompanied to Saratoga, and who was paying his expenses there. But while the story appears to have been so far true, it certainly admits of a different construction from that given by the gossips. Poe was at this time in wretched health, hardly able to attend to his literary work, and in consequence the financial condition of himself and family was deplorable. What more probable than that some kind friend of his, seeing the absolute necessity to him of a change, should have invited him to be her guest at the quiet summer resort near Saratoga to which she was going? It was a more delicate and, for him, a safer way than to have supplied him with money on his own account. The lady, it was said, had her own little turn-out, in which they daily drove into Saratoga; and this exercise, with the mineral waters, the nourishing food and other advantages of the place, doubtless secured to him the benefits which his friend desired.

It is impossible to believe that Poe could so have defied public opinion as to have voluntarily given cause for a scandal of this nature, for which the gossip of a public watering place should alone be held responsible.

Poe now again applied himself to his writing, but, for some reason, with but little success. In desperation he hastily finished the manuscript of The Raven and offered it to Graham, who, not satisfied as to its merits as a poem, declined it, but expressed a willingness to abide by the decision of a number of the office employees, clerks and others, who, being called in, sat solemnly attentive and critical while Poe read to them the poem. Their decision was against it, but on learning of the poet's penniless condition and that, as he confessed, he had not money to buy medicine for his sick wife, they made up a subscription of fifteen dollars, which was given, not to Poe himself, but to Mrs. Clemm, "for the use of the sick lady."

This account, given in a New York paper by one of the office committee many years after the poet's death, has been denied by a Mr. William Johnston, who was at that time an office-boy in Graham's employ. He says that he was present at the reading of the poem, and that no subscription was taken up. This may have been done subsequently, without his knowledge. Of Poe, he spoke in the most enthusiastic terms of admiration and affection, as the kindest and most courteous gentleman that he had ever met with; prompt and industrious at his work, and having always a pleasant word and smile for himself. He never, in the course of Poe's engagement with Graham, saw him otherwise than perfectly sober.

CHAPTER XIX.

BACK TO NEW YORK.

Poe, discouraged, and with the old restlessness upon him, suddenly resolved to leave Philadelphia. On the 6th of April, 1844, he started with Virginia for New York, leaving Mrs. Clemm to settle their affairs in general.

Most fortunately for Poe's memory, there remains to us a letter written by him to Mrs. Clemm, in which he gives her an account of their journey. It is of so private and confidential a nature, and speaks so frankly and freely of such small domestic matters as most persons do not care to have exposed to strangers, that in reading it one feels almost as if violating the sacredness of domestic privacy. But I here refer to it as showing Poe's domestic character in a most attractive light:

     "New York, Sunday morning, April 7,
         just after breakfast.

"My Dear Muddie: We have just this moment done breakfast, and I now sit down to write you about everything.... In the first place, we arrived safe at Walnut street wharf. The driver wanted me to pay him a dollar, but I wouldn't. Then I had to pay a boy a levy to put the trunks in the baggage car. In the meantime I took Sis into the Depot Hotel. It was only a quarter-past six, and we had to wait until seven.... We started in good spirits, but did not get here until nearly three o'clock. Sissy coughed none at all. When we got to the wharf it was raining hard. I left her on board the boat, after putting the trunks in the ladies' cabin, and set off to buy an umbrella and look for a boarding-house. I met a man selling umbrellas, and bought one for twenty-five cents. Then I went up Greenwich street and soon found a boarding-house.... It has brown-stone steps and a porch with brown pillars. "Morrison" is the name on the door. I made a bargain in a few minutes and then got a hack and went for Sis. I was not gone more than half an hour, and she was quite astonished to see me back so soon. She didn't expect me for an hour. There were two other ladies on board, so she wasn't very lonely. When we got to the house we had to wait about half an hour till the room was ready. The cheapest board that I ever knew, taking into consideration the central situation and the living. I wish Kate (Virginia's pet cat, 'Catalina') could see it. She would faint. Last night for supper we had the nicest tea you ever drank, strong and hot; wheat bread and rye bread, cheese, tea-cakes (elegant), a good dish (two dishes) of elegant ham and two of cold veal, piled up like a mountain and large slices; three dishes of the cakes, and everything in the greatest profusion. No fear of our starving here. The land-lady seemed as if she could not press us enough, and we were at home directly. Her husband is living with her, a fat, good-natured old soul. There are eight or ten boarders, two or three of them ladies—two servants. For breakfast we had excellent flavored coffee, hot and strong, not too clear and no great deal of cream; veal cutlets, elegant ham-and-eggs and nice bread and butter. I never sat down to a more plentiful or a nicer breakfast. I wish you could have seen the eggs, and the great dishes of meat. I ate the first hearty breakfast I have eaten since we left our little home. Sis is delighted, and we are both in excellent spirits. She has coughed hardly any and had no night-sweat. She is now mending my pants, which I tore against a nail. I went out last night and bought a skein of silk, a skein of thread, two buttons and a tin pan for the stove. The fire kept in all night. We have now got four dollars and a half left. To-morrow I am going to try and borrow three dollars, so that I may have a fortnight to go upon. I feel in excellent spirits and have not drank a drop, so that I hope soon to get out of trouble. The very instant that I scrape together enough money I will send it on. You can't imagine how much we both miss you. Sissy had a hearty cry last night because you and Catalina weren't here. We are resolved to get two rooms the first moment we can. In the meantime it is impossible that we can be more comfortable or more at home than we are. Be sure to go to the P. O. and have my letters forwarded. It looks as if it were going to clear up now. As soon as I can write the article for Lowell, I will send it to you and get you to get the money from Graham. Give our best love to Catalina."

(Signature cut out here.)

In this letter, written as simply and as unreservedly as that of a child to its mother, we see Poe himself—Poe in his real nature. Not the poet, with his studied affectation of gloom and sadness; not the critic, severe in his judgment of all that did not agree with his standard of literary excellence, and not even the society man, wearing the mask of cold and proud reserve—but Poe himself; Poe the man, shut in from the eyes of the world in the privacy of his home life and the companionship of his own family. Who could recognize in this gentle, kindly and tender man, with his playful mood and his affectionate consideration for those whom he loved—even for Catalina—the "morbid and enigmatical" being that the world chooses to imagine him—the gloomy wanderer amid "the ghoul-haunted regions of Weir," the despairing soul forever brooding over the memory of his lost Lenore? And how readily he yields himself to the enjoyment of the moment; how cheerful he is in a situation which would depress any other man—a stranger in a strange city, just making a new start in life, with "four dollars and a half" to begin with! Surely there is something most pathetic in all this as we see it from Poe's own unconscious pen; with the purchase of the twenty-five-cent umbrella to shield "Sissy" from the rain, the two buttons and the skein of thread, and, ever mindful of Sissy's comfort, the tin pan for the stove. The picture is invaluable as enabling us to understand the true characters of Poe and his wife and the peculiar relations existing between them—Virginia, trustful, loving and happy, and Poe, all kindness and protective tenderness for his little "Sissy." We look upon it as a life-like photograph, clear and distinct in every line; Poe with the traces of care and anxiety for the time swept away from his face, and Virginia—as she is described at this time—a woman grown, but "looking not more than fourteen," plump and smiling, with her bright, black eyes and full pouting lips. It is Poe himself who reveals her character as no other has done, when he says that, though "delighted" with her new experience and situation, she yet "had a hearty cry," childlike, missing her mother and her cat.

It would have been well for them could they have remained at this model "cheap" boarding-house, where they were so well provided for. But it was beyond their means, with board for three persons; and so they look about for "two rooms," and when ready send for Mrs. Clemm and Catalina. Two rooms for the three; in one of which Mrs. Clemm must perform all her domestic operations of cooking and laundering, for, as we afterwards learn, Poe was indebted to his mother-in-law for that "immaculate linen" in which, howsoever shabby the outer garments, he invariably appeared. And despite the threadbare suit, he was always, it was said, as well groomed and scrupulously neat as the most fastidious gentleman could be.

That in New York Poe did not at first succeed according to his expectations is rendered evident by the fact that in the following October, he being ill, Mrs. Clemm applied to N. P. Willis for some employment for him, who gave him a place in his office as assistant editor. Willis says that Mrs. Clemm's countenance as she pleaded for her son-in-law was "beautiful and saintly by reason of an evident complete giving up of her life to privation and sorrowful tenderness" for those whom she loved. Of Poe, he says that he was "a quiet, patient, industrious and most gentlemanly person, commanding the utmost respect and good feeling of every one." He also says, in speaking of a lecture which he delivered about this time before the New York Lyceum, and which was attended by several hundred persons: "He becomes a desk; his beautiful head showing like a statuary embodiment of Discrimination—his accent like a knife through water."

It was now—in January, 1845—that The Raven was published in the Evening Mirror, taking the world by storm. Probably no one was more surprised at its immediate success than was Poe himself, who, as he afterwards stated to a friend, had never had much opinion of the poem. He now found himself elevated to the highest rank of American literary fame, and with this his worldly fortune should also have risen, yet we find him going on in the same rut as before, writing but little for the magazine and for that little being poorly paid—too poorly to enable the family to live in any degree of comfort. From one cheap lodging to another they removed, with such frequency as to suggest to us the suspicion that their rent was not always ready when due.

But after some time the old discontent returned upon Poe. Willis and the Mirror were too narrow for him; and he sought and was fortunate enough to obtain a place on the Broadway Journal, at that time the leading journal of the day, and of which he was soon appointed assistant editor.

With a good salary, the family were now enabled to live in more comfort. They rented a front and back room on the third story of an old house on East Broadway, which had once been the residence of a prosperous merchant, but had long ago been given over to the use of poor but respectable tenants. It was musty and mouldy, but here they were elevated somewhat above the noise and dust of the street, and had sunlight and a good view from the narrow windows.

It was here that, late one evening, Mr. R. H. Stoddard, whose sarcastic pen is so well known, called on Poe instead of at his office, to inquire the fate of a certain "Ode" which he had sent to the Broadway Journal for publication. Necessarily he was received in the front room, which was Virginia's. The following is his account of the visit:

"Poe received me with the courtesy habitual with him when he was himself, and gave me to understand that my Ode would be published in the next number of his paper.... What did he look like?... He was dressed in black from head to foot, except, of course, that his linen was spotlessly white.... The most noticeable things about him were his high forehead, dark hair and sharp, black eye. His cousin-wife, always an invalid, was lying on a bed between himself and me. She never stirred, but her mother came out of the back parlor and was introduced to me by her courtly nephew."

Stoddard is here mistaken in his description of Poe's eyes. They were neither sharp nor black, but large, soft, dreamy eyes, of a fine steel-gray, clear as crystal, and with a jet-black pupil, which would in certain lights expand until the eyes appeared to be all black. Stoddard continues:

"I saw Poe once again, and for the last time. It was a rainy afternoon, such as we have in our November, and he was standing under an awning waiting for the shower to pass over. My conviction was that I ought to offer him my umbrella and go home with him, but I left him standing there, and there I see him still, and shall always, poor and penniless, but proud, reliant, dominant. May the gods forgive me! I never can forgive myself."

In April, five months after this time, Poe's old habits unfortunately returned upon him. Mr. Lowell one day, in passing through New York, called to see him, when Mrs. Clemm excused his "strange actions" by frankly stating that "Edgar was not himself that day." She afterward made the same statement to Mr. Briggs, whose assistant editor Poe was, and who writes, June, 1845, to Lowell: "I believe he had not drank anything for more than eighteen months until the last three months, and concludes that he would have to dispense with his services. The matter was settled, however, by Poe's proposing to buy the Broadway Journal, hoping to make of it in a measure what he had desired for the Stylus. The prospect seemed to promise fair enough for its success, and Mr. Greeley and Mr. Griswold each generously contributed a sum of fifty dollars; but the plan finally failed for want of sufficient funds, George Poe, to whom Edgar applied, remembering his former unpaid loan, making no response to his appeal. This was another great disappointment to Poe, just as on former occasions his hopes seemed on the point of realization. Thus, in whatsoever direction he turned, grim poverty faced and frowned him down. Surely, it was enough to discourage him; and yet to the end of his life he eagerly followed this illusive hope.

Mrs. Clemm, too, who had in this time been trying to support the family by keeping a boarding-house, also met with her disappointments. For some reason her boarders never remained long with her, and the family, who had removed to obscure lodgings on Amity street, now found themselves in one of their frequent seasons of poverty and distress.

CHAPTER XX.

POE AND MRS. OSGOOD.

It was a fortunate day when Mrs. Clemm, hunting about the suburbs of the great city for a cheap place of abode, discovered the little cottage at Fordham, a country railroad station some miles from New York.

It was but an humble place at best, an old cottage of four rooms, in ill-repair; but the rent was low, the situation—on the summit of a rocky knoll—pleasant, affording fine views of the Harlem river; and there was pure air, plenty of outdoor space, and that famous cherry tree, now, in the month of May, in full and fragrant bloom. A few repairs were made, and Mrs. Clemm's vigorous hands, with the assistance of soap and water and whitewash, soon transformed the neglected abode into a miracle of neatness and order. Checked matting hid the worn parlor floor, and the cheap furniture which they had brought with them looked better here than ever it had done in the cramped and stuffy rooms of the city. Outside a neglected rose-bush was trained against the wall, supplying Virginia with roses in its season. Her room was above the parlor, at the head of a narrow staircase; a low-ceiled apartment, with sloping walls and small, square windows; and it was here at a desk or table near his wife's sick bed that most of Poe's writing was now done.

In the preceding winter Virginia's health had apparently greatly improved, and her illness was not of so serious a nature as to confine her entirely to the house or to interfere with the social or literary engagements of her husband, who was, as poet, lecturer, editor and critic, at the zenith of his fame. In this time he had attended the soirees of Miss Lynch and others of the literary class, once or twice accompanied by his wife. At these he made the acquaintance of Mrs. Hewitt, Mrs. Elizabeth Oakes Smith and Mrs. E. F. Ellet, with others of the "starry sisterhood of poetesses," as they were called by some poetaster of the day, with each of whom he in succession formed one of the sentimental platonic friendships to which he was given. All these, however, were destined to yield to the superior attractions of a sister poetess, Mrs. Frances Sergeant Osgood, wife of the artist of that name.

Mrs. Osgood, at this time about thirty-years of age, is described by R. H. Stoddard as "A paragon—not only loved by men, but liked by women as well." Attractive in person, bright, witty and sweet-natured, she won even the splenatic Thomas Dunn English and the stoical Greeley, whose approval of her was as frankly expressed as was his denunciation of the "ugliness, self-conceit and disagreeableness" of her friend, the transcendentalist, Margaret Fuller.

Poe, who had written a very flattering notice of Mrs. Osgood's poems—in return for which she addressed him some lines in the character of Israefel—obtained an introduction and visited her frequently. Also, at his request, she called upon his wife, and friendly relations were soon established between them. To her, after Poe's death, we are indebted for a characteristic picture of the poet and his wife in their home in Amity street; and which, though almost too well known for repetition, I will here give as a specimen of his home life:

"It was in his own simple yet poetical home that the character of Edgar Poe appeared to me in its most beautiful light. Playful, affectionate, witty, alternately docile and wayward as a petted child, for his young, gentle and idolized wife and for all who came, he had, even in the midst of the most harassing literary duties, a kind word, a pleasant smile, a graceful and courteous attention. At his desk, beneath the romantic picture of his loved and lost Lenore'6 patient, assiduous, uncomplaining, tracing in an exquisitely clear chirography and with almost superhuman swiftness the lightning thoughts, the rare and radiant fancies as they flowed through his wonderful brain. For hours I have listened entranced to his strains of almost celestial eloquence.

"I recollect one morning toward the close of his residence in this city, when he seemed unusually gay and light-hearted, Virginia, his sweet wife, had written me a pressing invitation to come to them, and I, who never could resist her affectionate summons, and who enjoyed his society far more in his own home than elsewhere, hastened to Amity street. I found him just completing his series of papers called "The Literati of New York." 'Now,' said he, displaying in laughing triumph several little rolls of narrow paper (he always wrote thus for the press), 'I am going to show you by the difference of length in these the different degrees of estimation in which I hold all you literary people. In each of these one of you is rolled up and fully discussed. Come, Virginia, and help me.' And one by one they unfolded them. At last they came to one which seemed interminable. Virginia laughingly ran to one corner of the room with one end and her husband went to the opposite with the other. 'And whose linked sweetness long drawn out is that?' said I. 'Hear her,' he cried; 'just as if her little vain heart didn't tell her it's herself.'"

From this account—the exaggerated phrases of which will be noted—it would appear that a great degree of intimacy existed between Poe and his fair visitor, when he could in his own home—the two tiny rooms in Amity street—write "hour after hour" undisturbed by her presence. Virginia was delighted with her new friend, but Mrs. Clemm, noting these frequent and lengthy visits, regarded her with a suspicious eye. Too well she knew of the platonic friendships of her Eddie; but there appeared something in this affair beyond what was usual, and, in fact, gossip had already begun to link together their names. Mrs. Osgood herself seems to have relied upon Mrs. Poe's frequent invitations and fondness for her society as a shield against meddlesome tongues, but in vain—for not only were the jealous and vigilant eyes of Poe's mother-in-law bent upon her, but those of the "starry sisterhood" as well. There was a flutter and a chatter in the literary dovecote, and at length one of the starry ones—Mrs. Ellet—concluded it to be her bounden duty to inquire into the matter. Calling at Fordham one day, in Poe's absence, she and Mrs. Clemm, who had probably never before met, engaged in a confidential discussion, in the course of which the irate mother-in-law showed the visitor a letter from Mrs. Osgood to Poe (one wonders how she got possession of that letter), the contents of which were so opposed to all the latter's ideas of propriety that it was clear that something would have to be done. Eventually two of the starry ones—of whom one was Margaret Fuller—waited upon Mrs. Osgood, whom they advised to commission them to demand of Poe the return of her letters, which, strangely enough, she did, though probably only as a conciliatory measure. Poe, in his exasperation at this unwarrantable intermeddling, remarked significantly that "Mrs. Ellet had better come and look after her own letters;" upon which she sent to demand them. But he meantime had cut her acquaintance by leaving them at her own door without either written word or message; very much, we may imagine, as Dean Swift strode into Vanessa's presence and threw at her feet her letter to Stella.

This was either in May or early June, shortly after their removal to Fordham. Poe had no idea of allowing this episode to interfere with his visits to Mrs. Osgood, and the gossip continued, until, to avoid further annoyance, she left New York and went to Albany on a visit to her brother-in-law, Dr. Harrington.

On the 12th of June we find Poe writing an affectionate note to his wife, explaining why he stays away from her that night, and concluding with:

"Sleep well, and God grant you a peaceful summer with your devoted

"Edgar."

A few days after this, toward the end of June, he was in Albany, making passionate love to Mrs. Osgood. In dismay she left that city and went to Boston, whither he followed her; and again to Lowell and Providence, giving rise to a widespread scandal, which caused the lady infinite trouble and distress. But Mrs. Osgood, brilliant, talented and virtuous, was also kind-hearted to a fault, and where her feelings and sympathies were appealed to, amiably weak. Instead of indignantly and determinately rejecting Poe's impassioned love-making, she says she pitied him, argued with him, appealed to his reason and better feelings, and, in special, reminded him of his sick wife, who lay dying at home and longing for his presence. Finally, she returned to Albany; and Poe, ill at a hotel, wrote urgently to Mrs. Clemm for money to pay his board bill and take him back to Fordham.

CHAPTER XXI.

AT FORDHAM.

It was at this time, in the summer of 1845, that Poe's sister, Miss Rosalie Poe, went on a visit to her brother, whom she had not seen in ten years. On her return home, and for years thereafter, she was accustomed to speak of this visit; and it was a curious picture which she gave of the life of the poet and his family in the humble little cottage on Fordham Hill.

Poe was away when she arrived—presumably in his insane pursuit of Mrs. Osgood. Miss Poe told of "Aunt Clemm's" distress and anxiety on his account, and of how she "scraped together every penny" and borrowed money from herself to send to Edgar, who, she said, had been taken ill while on a business trip. There were no provisions in the house scarcely, and she herself, both then and at various other times, would purchase supplies from the market and grocers' wagons which passed; for there were no stores at the little country station of Fordham.

Miss Poe told of her brother's arrival at home, and of how she overheard Mrs. Clemm administering to him a severe "scolding." He was so ill that he had to be put to bed by Mrs. Clemm, who sat up with him all night while he "talked out of his head" and begged for morphine. After some days he was better, and walked about the house and sat under the pine trees crowning a rocky knoll within calling distance of the house—ever a constant and favorite retreat of his, affording fine views of the river and neighboring country.

One day, still weak and ill, he sat at his desk and looked over his papers. Mrs. Clemm then took his place, and wrote at his dictation. Aunt Clemm, said Rosalie, could exactly imitate Edgar's writing. On the following day she filled her satchel with some of these papers and went to the city, whence she returned late in the evening, quite after dark, with a hamper of provisions and medicines to Virginia's great delight, who had feared some mishap to her mother and cried accordingly. Miss Poe believed that this hamper was a present from some one, but Aunt Clemm was very reserved toward her in regard to her affairs. She knew, she said, that Mrs. Clemm had never liked her, but Edgar and Virginia were kind.

From this time Poe wrote industriously, seldom going to town, but sending his mother-in-law instead. Several times Mrs. Clemm gave her niece some "copying" to do, but this was not to her a very gratifying task, and when, on her return home, she was asked what it was about, had not the least idea! She always insisted that Anabel Lee was written at this time, as she repeatedly heard Edgar read it to Mrs. Clemm and also to himself, and recognized it when it was published two years afterward. A curious picture was that which she gave of the poet's reading his manuscript to his mother-in-law while the latter sat beside his desk inking the worn seams of his and her own garments; or of Poe, seated on a "settle" outside the kitchen door, also reading to her some of his "rare and radiant fancies," while she presided over the family laundry. He seems to have been constantly appealing to her sympathy with his writing, but never to Virginia.

According to Miss Poe, Mrs. Clemm was at this time dependent for her own earnings on her sewing and fancy knitting, with pretty knick-knacks, which she disposed of at a certain "notion store." Virginia, too, when well enough, liked this kind of work. They had few visitors, for Mrs. Clemm, too busy for gossip, made a point of discouraging calls from the neighbors, with the exception of two or three families of better class than most of those surrounding them. These latter were a half-rural people, keeping dairies and cultivating market gardens.

Miss Poe spoke of Virginia's cheerfulness. Nothing ever disturbed her. "She was always laughing." She liked to have children about her; and they came every day, bringing their dolls and playthings, with little offerings of fruit and flowers from their home gardens. She taught them to cut out and make their dolls' dresses, and would sometimes be very merry with them. She did not appear to suffer, said Miss Poe—did not lose flesh, and had always a hearty appetite, eating what the others ate, though very fond of nice things, especially candy. Her mother and Edgar petted her like a baby. "Aunt Clemm and Virginia," declared Miss Poe with conviction, "cared for nobody but themselves and Edgar." Virginia was at this time twenty-four years of age.

It was not to be wondered at that, as Miss Poe said, her brother, immediately after his return, remained at home, seldom going into town, but sending his mother to dispose of his manuscripts. It has been said that when he did make his appearance in the city and among his usual business haunts, he found himself everywhere coldly received, in consequence of the notorious episode with Mrs. Osgood, for whom it was known he had left his sick wife. His literary enemies, of whom he had made many by his keen criticisms, made the most of this charge against him, in addition to that of dissipated habits, to which he now gave himself up with a recklessness which he had never before shown.

Poe afterward attempted to defend himself against this reproach and the whole scandal of this season by attributing its excesses to his grief and anxiety on account of his wife, whom, he says, he "loved as man never loved before," a phrase the extravagance of which betrays its insincerity. He describes how through the years of her illness he "loved her more and more dearly and clung to her with the most desperate pertinacity, until he became insane, with intervals of horrible sanity.... During these fits of absolute unconsciousness I drank." And thus he endeavors to explain away his pursuit of Mrs. Osgood!

It cannot but be noted that in all Poe's accounts of himself, and especially of his feelings, is a palpable affectation and exaggeration, with an extravagance of expression bordering on the tragic and melo-dramatic; a style which is exemplified in some of his writings, and may be equally imaginative in both cases.

Mrs. Osgood also, in her "Reminiscences," after Poe's death, sought to clear both him and herself from the scandal of that summer by writing of the affection and confidence existing between himself and his wife—"his idolized Virginia"—as she saw them in their home, and declares her belief that his wife was the only woman whom he had ever really loved. In this we do not feel disposed to question her sincerity. Touching the slander against herself, she wrote to a friend:

"You have proof in Mrs. Poe's letters to me and Poe's to Mrs. Ellet, either of which would fully establish my innocence.... Neither of them, as you know, were persons likely to take much trouble to prove a woman's innocence, and it was only because she felt that I had been cruelly wronged by her mother and Mrs. Ellet that she impulsively rendered me this justice."

Of course, the letter of Mrs. Poe here referred to was written at the suggestion of her husband, but it is curious to observe how frankly and naively Mrs. Osgood—not now writing for the public—expresses her real opinion of Poe and his wife.

Mrs. Osgood goes on to say: "Oh, it is too cruel that I, the only one of all those women who did not seek his acquaintance, should be sought out after his death as the only victim to suffer from the slanders of his mother."

From this it would appear that after Poe's death the old scandal was revived, and by Mrs. Clemm herself. About this time she was having frequent interviews with Dr. Griswold in regard to Poe's papers, which she had handed over to him for use in the Memoirs upon which he was engaged. Naturally, Mrs. Clemm, who seems never to have forgiven Mrs. Osgood for the troubles of that unfortunate first summer at Fordham, would express herself freely to Griswold, who was a warm friend and admirer of Mrs. Osgood. Was it on account of such utterances that Griswold wrote to Mrs. Whitman:

"Be very careful what you say to Mrs. Clemm. She is not your friend or anybody's friend, and has no element of goodness or kindness in her nature, but whose heart is full of wickedness and malice."

Mrs. Osgood was a lovely and estimable woman, and if she did allow her admiration of Poe and her warm-hearted sympathy with one of a kindred poetic nature to impulsively carry her beyond the bounds of a strictly platonic friendship, it was in all innocence on her part, and did not lose her the good opinion of those who knew her. The blame was all for Poe and the feeling against him intense.

Undoubtedly the impression which she made on Poe was something beyond what he ordinarily experienced toward women. In my own acquaintance with him he several times spoke of her, and always with a sort of grave and reverential tenderness—as one may speak of the dead, or as he might have spoken of the lost friend of his boyhood, Mrs. Stanard. Although, as Mrs. Osgood says, Poe and herself never met in the few remaining years of their lives, yet several of his poems, without any real attempt at disguise, express his remembrance of her. It was to her that the lines "To F——" were addressed, after their parting:

"Beloved, amid the earnest woes That crowd around my earthly path— (Dear path, alas! where grows Not e'en one thornless rose)— My soul at last a solace hath In dreams of thee—and therein knows An Eden of calm repose.   "And thus thy memory is to me Like some enchanted far-off isle In some tumultuous sea; Some ocean throbbing far and free With storms—but where meanwhile Serenest skies continually Just o'er that one bright island smile."

In "A Dream" he thus again alludes to her:

"That holy dream, that holy dream, When all the world was chiding, Hath cheered me like a lovely beam A lonely spirit guiding.   "What though that light through storm and night Still trembles from afar? What could there be more purely bright Than truth's day-star?"

About the same time he wrote the lines, "To My Mother," the only one of his poems in which he alluded to his wife, concluding with the couplet:

"By that infinitude which made my wife Dearer unto my soul than its own life."

It will be observed that the sentimental things, in both prose and verse, which Poe has written concerning his love for his wife—and they are but two or three at most—were written immediately after his affair with Mrs. Osgood and the universal charge against him that he had deserted a dying wife for her sake. It is impossible that at this remote period of time it could be understood how seriously—from all contemporaneous accounts—Poe's reputation was affected by this unfortunate episode; especially at the North, where it was best known.

When Miss Poe left Fordham, in July, she carried with her a letter from Mrs. Clemm to Mr. John Mackenzie, soliciting pecuniary aid for Edgar on plea of his wretched health. Mr. Mackenzie was at this time married and with a family of his own, but he never lost his interest in his old friend or ceased to assist him so far as was in his power.

CHAPTER XXII.

THE SHADOW AT THE DOOR.

During the winter and succeeding summer matters did not improve at the cottage. Poe, with health completely shattered and spirits horribly depressed, remained at home with his sick wife for the most part, only occasionally arousing himself to write. A lady, who was at this time a little girl and one of Virginia's visitors, afterward told a reporter of how she would sometimes see Mr. Poe writing at his table in the upstairs room, and how as each sheet was finished he would paste it on to the last one, until it was long enough to reach across the floor. Then she would venture to roll it up for him in a neat cylinder, taking care not to disturb him. Sometimes, when he was not employed, he would tell the children blood-curdling stories of ghouls and goblins, when his eyes would light up in a wonderful manner. "I lost my heart to those beautiful eyes," she said.

Mrs. Clemm continued to make the rounds of the editors' offices with these manuscripts, but met with little success. Poe's mind was not at its brightest. He was not in a writing mood; and, as has been since observed, he was reduced to the expedient of rewriting and altering certain smaller articles and offering them to the more obscure papers and journals. Mrs. Clemm, in the midst of her manifold duties, could do but little with her sewing in the way of support for the family. So her furniture went, piece by piece, the furniture which Miss Poe had so often described—the parlor box-lounge upon which she slept; the dining-table, which stood in the midst of the room, ready for the meal which was so seldom placed upon it; the large engraving above the mantelpiece, and the collection of sea-shells—all disappeared, until the once cosey little apartment presented a bare and poverty-stricken appearance. Mrs. Gove, one of the literary women of the day, described it as being furnished with only a checked matting, a small corner-stand, a hanging-shelf of books and four chairs.

Years afterward, when strangers would visit the cottage at Fordham, they would hear from the neighbors pathetic accounts of the family during this summer of 1846.

"We knew that they were poor," said one, "but they tried to keep it to themselves. Many a time I have wanted to send them things from my garden, but was afraid to do so."

One old dame said to a New York reporter: "I've known when they were out of provisions, for then Mrs. Clemm, who always seemed cheerful, would come out with a basket and a shining case-knife and go 'round digging greens (dandelions). Once I said to her, says I, 'Greens may be took too frequent.' 'Oh, no,' says she, smiling, 'they cool the blood, and Eddie likes them.'"

Thus poor Mrs. Clemm, with her assumed cheerfulness, would seek to produce the impression that their dinner of wild herbs was a matter of choice instead of necessity.

Another neighbor said to a visitor: "I never saw checked matting last as theirs did. There was nothing upstairs but an old cot in a little hall-room or closet, where Mrs. Clemm slept, and an old table and chair and bed in the next room, where Mr. Poe wrote. But you could eat your dinner off the two floors."

The testimony of still another was: "In the kitchen she had only a little stove, a pine table and a chair; but the floor was as white as the table, and the tins as bright as silver. I don't think that she had more than a dozen pieces of crockery, all on a little shelf in the kitchen. The only meat I've ever known them to have was a five-cent bone for soup or a few butcher's trimmings for a stew; but it seemed Mrs. Clemm could make a little of anything go twice as far as other people could."

In the early part of this summer Virginia's health appeared better than usual. A neighbor who lived nearest them said to a visitor to Poe's old home: "In fine weather that summer—the summer before she died—we could sometimes see her sitting at her front door, wrapped up, with her husband or mother beside her, Mr. Poe reading a paper and Mrs. Clemm knitting. Most times there would be one or two children along, and Mr. Poe would play ball with them while his wife laughingly looked on. She looked like a child herself, hardly taller than they were. Well—no; she wasn't exactly pretty. She looked too spooky, with her white face and big, black eyes; but she was interesting looking, and we felt sorry for her—and for them all, for that matter. You could see they had known better days."

As the summer wore on, and the first autumn breezes shook the leaves from the cherry tree, a change came over Virginia. Mrs. Clemm wrote to Miss Poe that unless she could go to her relations at the South—a thing not to be thought of—she would not live through the winter. Eddie's health was completely broken, and unless she herself remained strong enough to take care of them both, all would have to go to the poor-house. These letters were generally indirect appeals for pecuniary aid. Through similar pathetic accounts given by Mrs. Clemm to editors to whom she offered manuscripts, the condition of the poet and his family became known and was commented upon by the public papers, to Poe's great indignation, who took occasion in an anonymous communication to deny its truth. But that it was no time for pride to stand in the way of dire necessity is evident from the account of Mrs. Gove on her first visit to the cottage late in that fall. One can hardly realize a condition of things such as she described—the bare and fireless room, the bed with its thin, white covering and the military cloak—a relic of the West Point days—spread over it, and the sick woman, "whose only means of warmth was as her husband held her hands and her mother her feet, while she herself hugged a large tortoise-shell cat to her bosom." And the thin, haggard man, suffering like his wife from cold and the lack of nourishing food, but who yet received his visitor with such courtly elegance of manner, was the author of The Raven, with which the world was even then being thrilled!

It was a blessed day for the distressed family that on which, about the last of October, Mrs. Shew came to the now bleak little cottage on the hill and, like a ministering angel, devoted herself to caring for and comforting them—not only as regarded their material wants but with kind and encouraging words as well. With a sufficient competence and the medical education given her by her father, she was enabled thus to devote herself to the service of those who could not afford the attendance of a regular physician.

Not only did she supply them with medicine, but with careful nursing and proper food prepared by her own hands in Mrs. Clemm's little kitchen. Mrs. Gove collected sixty dollars, with which their other wants were supplied; so that during the months of November and December the family were more comfortably situated than was usual with them. But meantime Virginia rapidly declined, until it became evident that her frail life was very near its close.

On the day before her death Poe, in mortal dread of that awful shadow which had been so long in its approach and now stood upon their threshold, wrote urgently to Mrs. Shew to come and pass the night with them. "My poor Virginia still lives, though failing fast." She came, in time to take leave of the dying wife.

One of Poe's biographers7 has stated that on the day previous to Mrs. Poe's death she requested Mrs. Shew to read two letters from the second Mrs. Allen exonerating Poe from having ever caused a difficulty in her house. To those who knew Mrs. Allan and had heard from herself and her family the frequent accounts of that occurrence—accounts never retracted by her to her dying day—this statement is not worth a moment's consideration. The only question is, Who wrote those letters, and how is it that they were never made public or again heard of? And who could have imposed upon the dying woman a task such as this, instead of themselves taking the responsibility?

From this incident, if the account be true, it would appear that Virginia was gentle, obedient and submissive to the last. On the day following—January 3, 1847—her innocent, childlike spirit passed away from earth.

She was in the twenty-sixth year of her age.

CHAPTER XXIII.

MRS. SHEW.

With the death of his wife a great horror and gloom fell upon Poe. The blow which he had for years dreaded had at length fallen. That which he had feared and loathed above all things—the monster, Death—had entered his home and made it desolate. As a poet, he could delight in writing about the death of the young and lovely, but from the dread reality he shrank with an almost superstitious horror and loathing. It was said, on Mrs. Clemm's authority, that he refused to look upon the face of his dead wife. He desired to have no remembrance of the features touched by the transforming fingers of death.

Mrs. Shew still kindly ministered to him, endeavoring also to arouse him from his gloom and encourage him to renewed effort. But it seemed at first useless. He had no hope or cheering beyond the grave, and it was at this time that he might appropriately have written:

"A voice from out of the future cries 'On! on!' but o'er the past— Dim gulf—my spirit hovering lies, Mute, motionless, aghast."

Mrs. Shew, a thoroughly practical woman of sound, good sense and judgment, and with so little of the æsthetic that she confessed to Poe that she had never read his poems, nevertheless took a friendly interest in him and felt for him in his loneliness. To afford him the benefit of a change, she took him as her patient to her own home and commissioned him to furnish her dining-room and library according to his own taste. She also encouraged him to write, placing pen and paper before him and bidding him to try; and in this way, it is claimed by one account, "The Bells" came to be written, or at least begun. Under the influence of cheerful society, comfort and good cheer, Poe's health and spirits improved, and on his return home he again commenced writing. Soon, however, a relapse occurred, and his kind friend and physician found it necessary to resume her visits to Fordham. For all this Poe was grateful, but, unfortunately, he was more; and at length on a certain day he so far betrayed his feelings that Mrs. Shew then and there informed him that her visits to him must cease. On the day following she wrote a farewell letter, in which she gave him advice and directions in regard to his health, warning him of its precarious state, and of the necessity of his abandoning the habits which were making a wreck of him mentally and physically. She advised him as the only thing that could save him to marry some good woman possessed of sufficient means to support him in comfort, and who would love him well enough to spare him the necessity of mental overwork, for which he was not now fitted.

It may be here remarked that of all the women that we know of to whom Poe offered his platonic devotion, Mrs. Shew was the only one by whom it was promptly and decidedly rejected.

CHAPTER XXIV.

QUIET LIFE AT FORDHAM.

The beginning of this year was a dreary time at the cottage at Fordham. The resources of the family, which had been generously contributed to, mostly by strangers and anonymously, were now exhausted, and Poe, still ill and in wretched spirits, was not capable of the exertion necessary to replenish them. In the preceding summer he had by a severe criticism of Thomas Dunn English aroused the ire of that gentleman, who revenged himself in an article for which Poe brought a suit of libel, recovering damages to the amount of two hundred and fifty dollars—a welcome boon in a time of need. He remained at home, applying himself to his writing, and, mindful of Mrs. Shew's advice, abstained from stimulants and took regular exercise on the country roads about Fordham. His frequent companion in these walks was a priest of St. John's College, near Fordham, who, being an educated and intellectual man, must have proven a most congenial and welcome acquaintance. This priest, who seems to have known Poe well, declares that he "made a superhuman struggle against starvation," and speaks of him as a gentle and amiable man, easily influenced by a kind word or act.

Most of his time, said Mrs. Clemm, was passed out of doors. He did not like the loneliness of the house, and would not remain alone in the room in which Virginia had died. When he chose to write at night, as was sometimes the case, and was particularly absorbed in his subject, he would have his devoted mother-in-law sit beside him, "dozing in her chair" and at intervals supplying him with hot coffee, or Catalina, his wife's old pet, perched upon his knee or shoulder, cheering him with her gentle purring. Virginia's death seemed to have drawn these three more closely together. They could thenceforth often be seen walking up and down the garden-walk, Poe and his mother, arm-in-arm, or with their arms about each other's waists, and Catalina staidly keeping pace with them, rubbing and purring. Mrs. Clemm told Stoddard how, when Poe was about this time writing "Eureka," he would walk at night up and down the veranda explaining his views and dragging her along with him, "until her teeth chattered and she was nearly frozen." It is to be feared that he was not always sufficiently considerate of his indulgent mother-in-law.

Poe soon experienced the benefits of his restful and temperate life. Health and spirits improved, and he began to take an interest in the everyday things about him. As spring advanced, he and Mrs. Clemm laid out some flower beds in the front garden and planted them with flowers and vines given by the neighbors, until when in May the cherry tree again blossomed the little abode assumed quite an attractive appearance. Upon an old "settle" left by a former tenant, and which Mrs. Clemm's skillful hands had mended and scrubbed and stained into respectability and placed beneath the cherry tree as a garden-seat, Poe might now often be seen reclining; gazing up into the branches, where birds and bees flitted in and out, or talking and whistling to his own pets, a parrot and bobolink, whose cages hung in the branches. A passer-by was impressed by the picture presented quite early one summer morning of the poet and his mother standing together on the green turf, smilingly looking up and talking to these pets. Here, on the convenient settle, on returning from one of his long sunrise rambles, he would rest until summoned by his mother to his frugal breakfast.

I have at various times heard persons remark that in reading the life of a distinguished man they have desired to know some of the lesser details of his daily life—as, how did he dress? what did he eat? We have all been interested in learning that General Washington liked corn bread and fried bacon for breakfast; that Sir Walter Scott was fond of "oaten grills with milk," and that Wordsworth's favorite lunch was bread and raisins. As regards Poe, we must go back to his sister's account of what his morning meal consisted of while she was at Fordham—"a pretzel and two cups of strong coffee;" or, when there was no pretzel, the crusty part of a loaf with a bit of salt herring as a relish. Poe had the reputation of being a very moderate eater and of preferring simple viands, even at the luxurious tables of his friends. He was fond of fruit, and his sister said of buttermilk and curds, which they obtained from their rural neighbors. But we recall his enjoyment of the "elegant" teacakes at the Morrisons on Greenwich street and the fried eggs for breakfast.

A lady who as a little girl knew Poe and his mother at this time said to a correspondent of the New York Commercial Advertiser: "We lived so near them that we saw them every day. They lived miserably, and in abject poverty. He was naturally improvident, and but for the neighbors they must have starved. My mother sent many a thing from her storeroom to their table. He was not a man who drank in the common acceptation of the term, but those were days when wine ran like water, and not to serve it would seem niggardly. I remember that one day 'Muddie,' as Mr. Poe called Mrs. Clemm, came to our house and asked us not to offer wine to Edgar, as his head was weak, but that he did not like to refuse it."

As an illustration of the fascination which Poe possessed, even for strangers, is the following letter from Mr. John DeGalliford, of Chattanooga, Tenn., to this same New York correspondent:

"I am drawn to you by your defense of Edgar A. Poe. I love him, though I met him but once. It was in September, 1845. I was sitting on a pile watching our bark that was moored to the pile. A quiet, neatly-dressed gentleman came up to me and asked me numberless questions in regard to our seafaring life. He was so lovable in his conversation that I never forgot him, and I prize the memory of those few hours of his sweet talk with me and hold it sacred to his memory. He could not have been a drinking man, for his looks did not show it. On my telling that I was a runaway boy from Kentucky, he took some scraps of paper from his pocket and took notes, saying that he could make a nice story of what I had told him. I took him aboard the bark and showed him a pet monkey I had brought from Natal. He ate a piece of biscuit and drank some cold coffee, and said he would come again and see me and get acquainted with my captain. This was years ago, and I am now an old man, seventy-three years old, but I can remember, word for word, all that passed."

CHAPTER XXV.

WITH OLD FRIENDS.

It must be admitted that Poe, after his affair with Mrs. Osgood and the severe illness which followed, was never again what he had been. With health and spirits impaired, his intellect had in a great measure lost its brilliant creative power—its inspirations, as we may call it—and thenceforth his writings were no longer the spontaneous and irrepressible impulse of genius, but the product of mental effort and labor. In special had his poetic talent in a measure deserted him, as is evident in his latest poems, with one or two exceptions. Recognizing this condition—and with what a pang we may imagine—he recalled Mrs. Shew's advice in regard to a second marriage, and, admitting its wisdom, began to look about for a suitable matrimonial partner. Finally his choice fell upon Mrs. Sarah Helen Whitman, of Providence, Rhode Island, one of the "poetesses" of the time, and the most brilliant of them all.

A consideration which doubtless chiefly influenced him in this choice was that Mrs. Whitman, being a lady of literary taste and independent means, would be likely to take an interest in the Stylus, the hope of establishing which he had never abandoned, and would assist him in carrying out his plans in regard to it.

Of Mrs. Whitman, at this time about forty-five years of age, I have the following account from a lady—Mrs. F. H. Kellogg—whose mother was an intimate friend and near neighbor of hers in Providence:

"She was considered very eccentric—impulsive and regardless of conventionalities. She dressed always in white, and on the coldest winter evenings, with snow on the ground, would cross over to our house in thin slippers and with nothing on her head but a thin, gauzy, white scarf. She probably thought this æsthetic—and perhaps it was. There was one thing which I must not omit to mention, because it was a part of herself—ether. The scent accompanied her everywhere. It was said she could not write except under its influence, but of this I do not know."

As an illustration of her impulsive ways, Mrs. Kellogg says:

"I was one evening, when a little girl, sitting on the front steps when she and her sister, Miss Powers, crossed over to our house. They went into the parlor, and I heard Mrs. Whitman ask my sister to sing for her The Mocking Bird. She appreciated my sister's beautiful singing, but on this occasion, while she was in the very midst of 'Listen to the Mocking Bird,' suddenly a cloud of white rushed past me like a tornado, and I heard Mrs. Whitman's voice exclaiming excitedly, 'I have it! I have it!' Of course, we were all astonished and could not understand it at all, until Miss Powers afterward explained it to us. It seems that the beautiful music and singing had excited in her some poetic thought or idea; and, regardless or forgetful of conventionalities, she had impulsively rushed home to put it in writing, or perhaps in poetry, before it should vanish away."

Miss Sarah Jacobs, one of Griswold's "Female Poets," and a friend of Mrs. Whitman, describes her as small and dark, with deep-set dreamy eyes "that looked above and beyond but never at you;" quick, bird-like motions, and as being a believer in occult influences, as Poe himself professed to be. "For all the sweet, poetic fragrance of her nature, she took an interest in common things. She was wise, she was witty; and no one could be long in her presence without becoming aware of the sweet and generous sympathy of her nature."

Up to this time Poe and Mrs. Whitman had never met, though Mrs. Osgood says that the lady had written to him and sent him a valentine, of which he had taken no notice. This was against him in his present venture, but he was not discouraged. He set about his courtship in his usual manner, by addressing to Mrs. Whitman (June 10) some lines—"To Helen"—commencing:

"I saw thee once—once only;—"

supposed to commemorate his first sight of her as, passing her garden "one July midnight," he beheld her robed in white, reclining on a bank of violets, with her eyes raised heavenward.

"No footsteps stirred; the hated world all slept, Save only thee and me. Oh, heaven—oh, God! How my heart beats in coupling those two words— Save only thee and me!"

So, he continues, he gazed entranced until—the hour being past midnight and a storm-cloud threatening—the lady very properly arose and disappeared from his sight; all but her eyes. These remained and followed him home, and had followed him ever since:

"——two sweetly scintillant Venuses; unextinguished by the sun."

All this must have been very gratifying to Mrs. Whitman—if she believed in it—but, remembering her neglected valentine, she was in no haste to acknowledge the poetic offering, and Poe, after waiting some weeks, had his attention drawn in another direction.

He had written to his friend, Mr. Mackenzie, concerning his matrimonial aspirations, and he now received an answer, suggesting that he come to Richmond and try his fortune with an old-time school-girl sweetheart, Miss Sarah Elmira Royster, now a rich "Widow Shelton," who had several times of late inquired after him and sent her "remembrances."

Animated by this new hope, he, late in the summer of 1847, proceeded to Richmond, where he visited among his friends and called upon Mrs. Shelton, but especially paid attention to a pretty widow, a Mrs. Clarke. This lady, when a resident of Louisville, Kentucky, many years after Poe's death, gave to the editor of a paper some reminiscences of him at this time.

"The good lady was deeply interested that the world might think well of Poe, and grew warm on the subject of his wrongs. She claimed that the poet was a Virginian, and, like most Virginians, she is very proud of her State. She wondered where Gill had gotten the material for Poe's vindication. She had first met Poe at the Mackenzies, when he was editor of the Southern Literary Messenger, and he afterward boarded at the same hotel as herself; but she saw most of him on his visit to Richmond previous to his last. He was then at her house daily, and sometimes two or three times a day. He came there, as he said, to rest.

"If there happened to be friends present he was often obliging enough to read, and would sometimes read some of his own poems; but he would never read The Raven unless he felt in the mood for it. When in Richmond he generally stayed with the Mackenzies at Duncan Lodge, and would drive in with them at any time. One day he came in with his sister and two of the Mackenzies and stopped with me. There were some other people present, and he read The Raven for us. He shut out the daylight and read by an astral lamp on the table. When he was through all of us that had any tact whatever spared our comments and let our thanks be brief; for he was most impatient of both."

Of Poe's reading, Mrs. Clark spoke with enthusiasm. "It was altogether peculiar and indescribable," she said. "I have heard The Raven read by his friend, John R. Thompson, and others, but it sounded so strange and affected, compared with his own delivery. Poe had a wonderful voice—rich, mellow and sweet. I cannot give you any idea of it. Edwin Booth sometimes reminds me of him in his eyes and expression, but Poe's voice was peculiar to himself. I have never heard anything like it. He often read from Shelley and other poets. One day he pointed out to me in one of Shelley's poems what he considered the truest characteristic of hopeless love that he knew of:

"'The desire of the moth for the star, Of the night for the morrow.'

"I enjoyed a good deal of his society during that visit in 1847. On his last visit I saw less of him. He was then said to be engaged to a Mrs. Shelton. Some said he was marrying her for her money. There was a good deal of gossip at that time concerning Poe. His intemperate habits especially were exaggerated and made the most of by those who did not like him, while his companions in dissipation escaped unnoticed. When he was in company at a party for instance—you might see a little of him in the earlier part of the evening, but he would presently be off somewhere. Then his eccentricities; I think that when a very young man he imitated Byron."

Mrs. Clarke said she had seldom seen a good likeness of Poe. The best she had cut from an old magazine. "This engraving," she said, showing it, reflects at once the fastidiousness and the virility characteristic of his temperament. All the others have an expression pitiably weak. His worst calumniators could hardly desire for him a harder fate than the continual reproduction of that feeble visage. When he had money he was lavish and over-generous with it. He was always refined. You felt it in his very presence. And as long as I knew him, and as much as I was with him, I never saw him in the least intoxicated. I have seen him when he had had enough wine to make him talk with even more than his usual brilliancy. Indeed, to talk in a large general company, some little stimulant was necessary to him. Dr. Griswold says he was arrogant, dogmatic and impatient of contradiction. I have heard him engage in discussions frequently; oftenest with diffidence, always with consideration for others. In a large company it was only when exhilarated with wine that he spoke out his views and ideas with any degree of self-assertion."

Mrs. Clarke said that his sister, Rosalie, was rather pretty and resembled himself somewhat in appearance, but "was as different as possible in mental capacity. She was amiable, patient and sweet-tempered, but as a companion wholly tiresome and monotonous. She seemed to have had little or no individuality or force of character. She thought a great deal of her brother, but during the greater part of their lives they had seen nothing of each other. The family of Mr. Mackenzie treated her affectionately and kindly, and until the breaking up of the household she remained with them, and then went to Baltimore to her relatives, the Poes. I don't know what became of her afterwards."

Mrs. Clarke speaks of Poe's reading and lectures during his first visit to Richmond; but these were mere small social entertainments at the houses of various acquaintances. He really gave but one public lecture during this visit to Richmond. One evening at Mrs. Mackenzie's she said to him: "Edgar, since people appear so eager to hear you repeat The Raven, why not give a public recital, which might benefit you financially?" Being further urged, he finally yielded. One hundred tickets were advertised, at fifty cents each, and the music hall of the fashionable Exchange Hotel engaged for the occasion. On the appointed evening Poe stepped upon the platform to face an audience of thirteen persons, including the janitor and several to whom complimentary tickets had been presented. Of these was Mrs. Shelton, who occupied a seat directly in front of the platform. Poe was cool and selfpossessed, but his delivery mechanical and rather hurried, and on concluding he bowed and abruptly retired. One of the audience remarked upon the unlucky number of thirteen; and Mrs. Julia Mayo Cabell commented indignantly upon the indifference of the Richmond people to "their own great poet." Poe was undoubtedly in a degree mortified, not at the indifference manifested, but at the picture presented by the large and brilliantly lighted hall and himself addressing the group of thirteen which constituted the audience. But his failure may be explained by the fact that in this month of August the elite and educated people of the city were mostly absent in the mountains and by the sea-shore; and the weather being extremely sultry, few were inclined to exchange the cool breezes of the "city of the seven hills" for a crowded and heated lecture room, even to hear The Raven read by its author.

During this visit of Poe to Richmond, I, with my mother and sister, was away from home, in the mountains, and we thus missed seeing him. On our return shortly after his departure, we heard various anecdotes concerning him, one or two of which I subjoin as illustrative of his natural disposition.

One evening, quite late, an alarm of fire was raised, and all the young men of Duncan Lodge, accompanied by Poe, hastened to the scene of disaster, about a mile further in the country. Finding a great crowd collected, and that their services were not required, they sat on a fence looking on, and it was past midnight when they thought of returning home. Gay young Dr. "Tom" Mackenzie remarked that it would never do to return in their immaculate white linen suits, as they would be sure to get a "wigging" from the old ladies for not having helped to put out the fire, and, besides, they were all hungry, and he knew how they could get a good supper. With that he seized a piece of charred wood and commenced besmirching their white garments and their hands and faces, including Poe's. Arriving at home in an apparently exhausted condition, they were treated by Mrs. Mackenzie herself, who would not disturb her servants, to the best that the pantry afforded, nor was the trick discovered until the following day. Mrs. Mackenzie laughed, but from Mrs. Carter, the mother of two of the culprits, and who was gifted with eloquence, they got the "wigging" which they had been anxious to avoid. And from accounts, Poe enjoyed it all immensely.

A lady told me that one evening, going over to Duncan Lodge, her attention was attracted by the sound of voices in the garden, where she beheld all the young men in the broad central alley engaged in the classic game of "leapfrog." When it came to Mr. Poe's turn, she said, "he took a swift run and skimmed over their backs like a bird, seeming hardly to touch the ground. I never saw the like." Mr. Jones, Mrs. Mackenzie's son-in-law, who was rather large and heavy, came to grief in his performance, and no one laughed more heartily than did Poe.

Was this the melancholy, morbid, "weird and wholly incomprehensible being" that the world has pictured the author of The Raven? Among these youthful spirits and his old friends, the depressing influences of his late life and home—the poverty, the friendlessness—seemed to vanish, and his real disposition reasserted itself. Pity that it could not have been always so. I am convinced that a great deal of Poe's unhappiness and apparent reserve and solitariness was owing to his obscure home life, which kept him apart from all genial social influences. At the North, wherever seen out of his business hours, he appears to have been "alone and solitary, proud and melancholy looking," says one, who had no idea of the loneliness of spirit, the lack of genial companionship, which made him so. With a few he was on friendly terms, but of intimate friends or associates he had not one so far as is known.

Of the Mackenzies, so closely associated with Poe during his lifetime, I may be allowed to say that a more attractive family group I have rarely known. Beside those I have mentioned were the two youngest members, "Mr. Dick" and Mattie or "Mat"—wayward, generous, warm-hearted Mat, indifferent to people's opinion and heedless of conventionalities. She cared for nothing so much as her horse and dog, and spent an hour each day in the stables, while her aunt, Miss Jane, would exclaim in despair: "I don't know what to do with Martha. I cannot make a lady of her;" to which she would answer with a satisfied assurance that nature had never intended her to be a lady.

But about this time—in October—Mat was married. There are ladies living who have heard from their mothers, at that time young girls, accounts of this famous wedding. The festivities were kept up for full two weeks, with ever-changing house parties, and each evening music and dancing, with unbounded hospitality. Miss Jane Mackenzie, upon whom the family chiefly depended, and whose fortune they expected to inherit, was gone on a visit to her brother in London; but she had given Mat a liberal sum wherewith to celebrate her wedding. Sadly my thoughts pass from this gay time over the next ten years or so to the time of "the war" and the changes which it brought to this family and to us all.

CHAPTER XXVI.

MRS. WHITMAN.

Poe was still in Richmond, presumably courting the widow Shelton, though in so quiet a manner that it attracted little or no attention, when he unexpectedly received from Mrs. Whitman, who seems to have repented of her silence, a letter or poem of so encouraging a nature that he immediately left Richmond and proceeded to New York. Here he obtained a letter of introduction to Mrs. Whitman, which he on the following day presented to that lady at her home in Providence. The next evening he spent in her company, and on the succeeding day asked her to marry him!

Receiving no definite answer, he, on his return to New York, sent her a letter in which, alluding to his previous intention of addressing Mrs. Shelton, he says:

"Your letter reached me on the very day on which I was about to enter upon a course which would have borne me far away from you, sweet, sweet Helen, and the divine dream of your love."

A few weeks later, when he had obtained from her a conditional promise of marriage, he again wrote—a letter in which he clearly alludes to his still cherished design of establishing the Stylus, from which he anticipates such brilliant results. Thus he artfully and apparently for the first time seeks to interest her in the scheme.

"Am I right, dearest Helen, in the impression that you are ambitious? If so, and if you will have faith in me, I can and will satisfy your wildest desires. It would be a glorious triumph for us, darling—for you and me ... to establish in America the sole unquestionable aristocracy—that of the intellect; to secure its supremacy, to lead and control it. All this I can do, Helen, and will—if you bid me and aid me."

Aware of her belief in occult and spiritual influences, he tells her that once, on hearing a lady repeat certain utterances of hers which appeared but the secret reflex of his own spirit, his soul seemed suddenly to become one with hers. "From that hour I loved you. I have never seen or heard your name without a shiver, half of delight, half of anxiety. The impression left upon my mind was that you were still a wife." (No such scruple had disturbed him in the case of Mrs. Osgood and others.) He goes on thus artfully to explain the incident of his declining Mrs. Osgood's offer of an introduction to Mrs. Whitman while in Providence. "For this reason I shunned your presence. You may remember that once, when I passed through Providence with Mrs. Osgood, I positively refused to accompany her to your house. I dared neither go, or say why I could not. I dared not speak of you, much less see you. For years your name never passed my lips, while my soul drank in with a delirious thirst all that was uttered in my presence respecting you."

It will be observed that he is here speaking of a time when his wife, whom he "loved as man never before loved," was yet living; and also when he was giving himself up to his unreasoning passion for Mrs. Osgood, whom he had followed to Providence.

After this, who shall undertake to defend Poe from the charge of insincerity and dissimulation?

Mrs. Osgood calls Poe's letters "divinely beautiful." We cannot tell how Mrs. Whitman was affected by them, but certainly her whole course exhibits her in a constant struggle between her own inclination and the influence of friends who desired to save her from the match with Poe. As early as January 21, 1848, it was known to the public that an engagement existed between the two, and I have the authority of Mrs. Kellogg for the statement that during the summer of that year Mrs. Whitman three times renewed this engagement and was as often compelled to break it, owing to his unfortunate habits. The last engagement was made on his solemnly vowing reformation; on which a day was fixed for the marriage and the services of a clergyman bespoken by Poe himself, who thereupon wrote to Mrs. Clemm desiring her to be ready to receive himself and his bride—at Fordham!

One may imagine the dismay of poor Mrs. Clemm when she read this letter and looked around the humble home with its low-ceiled upstairs room, which had been Virginia's; the pine kitchen table and her dozen pieces of crockery. For once her strong mind and resourceful talent must have failed her. How was she to accommodate the fastidious bride of her most inconsiderate son-in-law? How even provide a wedding repast against their arrival? But happily she was spared the horror of such an experience, for on the appointed day Poe arrived at Fordham alone, though in a state of nervous excitement, which necessitated days and even weeks of careful nursing on the part of his patient and long-suffering mother-in-law.

This final separation between the two—for they never again met—was caused by Poe's intemperance at his hotel in Providence on the day previous to that appointed for his marriage. He had delivered a lecture which was enthusiastically applauded, and on his return to the hotel he found himself surrounded by an admiring crowd, whose hospitalities he at first resolutely declined, but with his usual weakness of will, finally yielded to. Of the stormy scene when, on the following day, Mrs. Whitman finally and decisively refused to marry him, she has herself given an account, representing Poe as alternately pleading and "raving" in his unwillingness to accept her decision. But there can be no question but that he was at this time either in some degree mentally unbalanced or in such a state physically as that the least excess would serve to excite his mind beyond its normal condition and render him partly irresponsible. Of this we have proof in the fact of his intention of taking his proposed bride to Fordham.

That Mrs. Whitman was really interested in her gifted and eccentric suitor is evident, and in her heart she was loyal to him, as is shown by her defence of him after his death, and also by the lines which she addressed to him some months after their separation, entitled, "The Isle of Dreams." Most of her poems written after this time had some reference to him; and it is worthy of note that no woman whom Poe professed to love ever lost her interest in him. The fascination which he exerted over them must have been something extraordinary.

As regards Poe's feelings toward Mrs. Whitman, it is evident from the beginning that there was no real love on his part. He expressed no regret at the ending of his "divine dream of love," but seems rather to have experienced toward her a degree of resentment which thus found expression in a letter to a friend:

"From this day forth I shun the pestilential society of literary women. They are a heartless, unnatural, venomous, dishonorable set, with no guiding principle but inordinate self-esteem. Mrs. Osgood is the only exception I know of."

This tirade was doubtless excited partly by a scandal just now started by one of the literary set in question concerning Poe and a young married lady of Lowell. While delivering a lecture in that city he had been hospitably entertained at her home, where he spent several days, with the usual result of contracting a sentimental friendship with the charming hostess, whom he calls "Annie." During the latter part of his engagement to Mrs. Whitman his visits and attentions to this lady did not escape the notice of the "literary set," and a scandal was at once started by one of them, who drew the attention of "Annie's" husband to the matter. He accepted Poe's explanation and his proposal rather to give up the society of these friends than to be the cause of trouble to them, saying:

"I cannot and will not have it upon my conscience that I have interfered with the domestic happiness of the only being on earth whom I have loved at the same time with purity and with truth."

Certainly an extraordinary avowal to be made to the lady's husband; and we ask ourselves to how many women had he made a similar declaration?

We have seen that when Poe for the last time left Mrs. Whitman's he went direct to Fordham, where, said Mrs. Clemm, he raved about "Annie," and even sent to her, reminding her of the "holy promise which he had exacted from her in their hour of parting, that she would come to him on his bed of death," and now claiming the fulfilment of that promise. Whether or not she complied does not appear; but it is more than likely that the lines, "For Annie," were suggested by his fever-dreams of her presence, first written while still half-delirious, and subsequently slightly altered to their present form. This piece, with the lines, "To My Mother," after being declined by all the more prominent magazines, finally appeared in the cheap "Boston Weekly," and must have been a surprise to "Annie" and her husband.

But there was one woman of the "literary set" who showed that she at least was not deserving of the sweeping condemnation wherewith the irate poet had visited them. This was Mrs. Anna Estelle Lewis, a young poetess who, with her husband, was on friendly terms with Poe, and whose poems he had favorably noticed. Poe was still, mentally and physically, in a state which rendered him incapable of writing, and the condition at Fordham was deplorable. Suspecting this state of things, Mrs. Lewis and her husband invited Poe to visit them at their home in Brooklyn, and Mr. Lewis says that thenceforth they frequently had both himself and Mrs. Clemm to stay with them. It was this kindly couple that R. H. Stoddard so sharply satirizes in his "Reminiscences" of Poe, while accepting an evening's hospitality at their home after the poet's death. On this occasion he met with Mrs. Clemm, of whom he has given a pen picture of which we instinctively recognize the life-likeness. We can see the good lady seated serenely among the company in her "black bombazine and conventional widow's cap," lightly fingering her eye-glasses, as was her company habit, and with her strongly marked features wearing that "benevolent" smile which was characteristic of her most amiable moods. "She assured me," says Stoddard, "that she had often heard her Eddie speak of me—which I doubted—and that she believed she had also heard him speak of the stripling by my side—which was an impossibility.... She regretted that she had no more autographs to dispose of, but hinted that she could manufacture them, since she could exactly imitate her Eddie's handwriting; and this she told as though it had been to her credit."

Deeply chagrined at the ending of his affair with Mrs. Whitman, and consequent disappointment in regard to the Stylus, Poe now, encouraged by his mother-in-law, again turned his thoughts to Mrs. Shelton.

It was in July that he and Mrs. Clemm left Fordham, he to proceed to Richmond, and she, having let their rooms until his return, to stay with the Lewises. Mr. Lewis says that it was at his front door that Poe took an affectionate leave of them all; Mrs. Clemm, ever watchful and careful against possible temptation or pitfalls by the way, accompanying him to the boat to see him off. In parting from her he spoke cheeringly and affectionately. "God bless you, my own darling Muddie. Do not fear for Eddie. See how good I will be while away; and I will come back to love and comfort you."8

And so, smiling and hopeful, the devoted mother stood upon the pier and watched to the last the receding form which she was never again to behold.

CHAPTER XXVII.

AGAIN IN RICHMOND.

When Poe came to Richmond on this visit, he went first to Duncan Lodge, but afterward, for sake of the convenience of being in the city, took board at the old Swan Tavern, on Broad street, once a fashionable hostelry, but at this time little more than a cheap, though respectable, boarding-house for business men. Broad street—so named from its unusual width—extended several miles in a straight line from Chimberazo Heights and Church Hill on the east, where Mrs. Shelton had her residence, to the western suburbs, where Duncan Lodge and our own home of "Talavera" were situated. This was the route which Poe traversed in his visits to Mrs. Shelton. There were no street cars in those days, hacks were expensive, and the walk from "the Swan" to Church Hill was long and fatiguing. Poe would break his journey by stopping to rest at the office of Dr. John Carter, a young physician who had recently hung out his sign, about half-way between those two points.

During the three months of his stay in Richmond we saw a good deal of Poe. He appeared at first to be in not very good health or spirits, but soon brightened up and was invariably cheerful, seeming to be enjoying himself. I do not know to what it was to be attributed, unless to his increased fame as a poet, but certainly his reception in Richmond at this time was very different from what it had been two years previously. He became the fashion; and was fêted in society and discussed in the papers. His friend, Mrs. Julia Mayo Cabell—a first cousin of Mrs. Allan—inaugurated the evening entertainments to which people were invited "to meet Mr. Poe." It was generally expected that at these gatherings he would recite The Raven, and this he was often obliging enough to do, though we knew that it was to him an unwelcome task. In our own home, no matter who were the visitors, we would never allow this request to be made of him after he had on one occasion gratified us by a recital. I remember on this occasion being disappointed in his manner of delivery. I had expected some little graceful and expressive action, but he sat motionless as a statue except that at the line,

"Prophet! cried I, thing of evil!"

he slightly erected his head; and again, in repeating:

"Get thee back into the tempest and the night's plutonian shore!"

he turned his face suddenly though slightly toward the outer darkness of the open window near which he sat, each time raising his voice. He explained his own idea to be that any action served to attract the attention of the audience from the poem to the speaker, thus detracting from the effect of the former. I was told how, at one of these entertainments, Poe was embarrassed by the persistent attentions of a moth or beetle, until a sympathetic old lady took a seat beside him and, with wild wavings of a huge fan, kept the troublesome insect at a distance. This mingling of the comic with the tragic element rather spoiled the effect of the latter, and though Poe preserved his dignity, he was perceptibly annoyed.

I never saw Mr. Poe in a large company, but was told that on such occasions he invariably assumed his mask of cold and proud reserve, not untouched by an expression of sadness, which was natural to his features when in repose. It was then that he "looked every inch a poet." In general companies he disliked any attempt to draw him out, never expressing himself freely, and at times manifesting a shyness amounting almost to an appearance of diffidence, which was very noticeable.

A marked peculiarity was that he never, while in Richmond, either in society or elsewhere, made any advance to acquaintance, or sought an introduction, even to a lady. Aware of the estimation in which his character was held by some persons, he stood aloof, in proud independence, though responding with ready courtesy to any advance from others. Ladies who desired Mr. Poe's acquaintance would be compelled to privately seek an introduction from some friend, since he himself never requested it, and it was observed that he preferred the society of mature women to that of the youthful belles, who were enthusiastic over the author of Lenore and The Raven.

Mr. Poe spent his mornings in town, but in the evenings would generally drive out to Duncan Lodge with some of the Mackenzies. He liked the half-country neighborhood, and would sometimes join us in our sunset rambles in the romantic old Hermitage grounds. Those were pleasant evenings at Duncan Lodge and Talavera, with no lack of company at either place.

CHAPTER XXVIII.

A MORNING WITH POE AND "THE RAVEN."

(A Leaf from a Journal.)

One pleasant though slightly drizzly morning in the latter part of September I sat in our parlor at Talavera at a table on which were some new magazines and a vase of tea roses freshly gathered. Opposite me sat Mr. Poe. A basket of grapes—his favorite fruit—had been placed between us; and as we leisurely partook of them we chatted lightly.

He inquired at length what method I pursued in my writing. The idea was new to me, and on my replying that I wrote only on the impulse of a newly conceived idea, he proceeded to give me some needed advice. I must make a study of my poem, he said, line by line and word by word, and revise and correct it until it was as perfect as it could be made. It was in this way that he himself wrote. And then he spoke of The Raven.

He had before told me of the difficulties which he had experienced in writing this poem and of how it had lain for more than ten years in his desk unfinished, while he would at long intervals work on it, adding a few words or lines, altering, omitting and even changing the plan or idea of the poem in the endeavor to make of it something which would satisfy himself.

His first intention, he said, had been to write a short poem only, based upon the incident of an Owl—a night-bird, the bird of wisdom—with its ghostly presence and inscrutable gaze entering the window of a vault or chamber where he sat beside the bier of the lost Lenore. Then he had exchanged the Owl for the Raven, for sake of the latter's "Nevermore"; and the poem, despite himself, had grown beyond the length originally intended.

Does not this explain why the Raven—though not, like the Owl, a night-bird—should be represented as attracted by the lighted window, and, perching "upon the bust of Pallas," which would be more appropriate to the original Owl, Minerva's bird? Also, we recognize the latter in the lines:

"By the grave and stern decorum of the countenance it wore."9

Poe, in adopting the Raven, evidently did not obliterate all traces of the Owl.

Of these troubles with the poem he had before informed me, and now, in answer to a remark of mine, he said, in effect:

"The Raven was never completed. It was published before I had given the final touches. There were in it certain knotty points and tangles which I had never been able to overcome, and I let it go as it was."

He told how, toward the last, he had become heartily tired of and disgusted with the poem, of which he had so poor an opinion that he was many times on the point of destroying it. I believe that his having published it under the nom de plume of "Quarles" was owing to this lack of confidence in it, and that had it proven a failure he would never have acknowledged himself the author. He feared to risk his literary reputation on what appeared to him of such uncertain merit.

He now, in speaking of the poem, regretted that he had not fully completed before publishing it.

"If I had a copy of it here," he said, "I could show you those knotty points of which I spoke, and which I have found it impossible to do away with," adding: "Perhaps you will help me. I am sure that you can, if you will."

I did not feel particularly flattered by this proposal, knowing that since his coming to Richmond he had made a similar request of at least two other persons. However, I cleared the table of the fruit and the flowers and placed before him several sheets of generous foolscap, on which I had copied for a friend The Raven as it was first published. He requested me to read it aloud, and as I did so, slowly and carefully, he sat, pencil in hand, ready to mark the difficult passages of which he had spoken.

I paused at the third line. Had I not myself often noted the incongruity of representing the poet as pondering over many a volume instead of a single one? I glanced inquiringly at Mr. Poe and, noting his unconscious look, proceeded. When I reached the line,

"And each separate dying ember wrought its ghost upon the floor;"

he gave a slight shiver or shrug of the shoulders—an expressive motion habitual to him—and the pencil came down with an emphatic stroke beneath the six last words.

This was one of the hardest knots, he said, nor could he find a way of getting over it. "Ember" was the only word rhyming with the two preceding lines, but in no way could he dispose of it except as he had done—thus producing the worst line in the poem.

We "pondered" over it for awhile and finally gave it up.

(But I may here mention that I have since, in studying the poem, made a discovery which, strangely enough, seems never to have occurred to the author. This was that in this particular stanza he had unconsciously reversed the order or arrangement of the lines, placing those of the triple rhymes first and the rhyming couplet last. Thus all his long years of worry over that unfortunate "ember" had been unnecessary, since the construction of the verse required not only the omission of the word as a rhyme, but of the whole line of

"And each separate dying ember;"

when the succeeding objectionable words,

"Wrought its ghost upon the floor,"

could have been easily altered; and the addition of a third line to the succeeding couplet would have made the stanza correct.)

Our next pause was at the word "beast," through which he ran his pencil.

"Bird or beast upon the sculptured bust above my chamber door."

"I must get rid of that word," he said; "for, of course, no beast could be expected to occupy such a position."

"Oh, yes; a mouse, for instance," I suggested, at which he gave me one of his rare humorous smiles.

Leaving this point for future consideration, we passed on to a more serious difficulty.

"This and more I sat divining,   With my head at ease reclining On the cushion's velvet lining, with the lamplight gloated o'er."

The knotty point here was in the word "lining"—a blunder obvious to every reader. Poe said that the only way he could see of getting over the difficulty was by omitting the whole stanza. But he was unwilling to give up that "violet velvet" chair, which, with the "purple silken curtain," he considered a picturesque adjunct to the scene, imparting to it a character of luxury which served as a relief to the more sombre surroundings. I had so often heard this impossible "lining" criticised that when he inquired, "Shall I omit or retain the stanza?" I ventured to suggest that it might be better to give up the stanza than have the poem marred by a defect so conspicuous. For a moment he held the pencil poised, as if in doubt, and I have since wondered what would have been his decision.

But just here we were interrupted by the tumultuous entrance of my little dog, Pink, in hot pursuit of the family cat. The latter took refuge beneath the table at which we were seated, and there ensued a brisk exchange of duelistic passes, until I called off Pink and Mr. Poe took up the cat and, placing her on his knee, stroked her soothingly, inquiring if she were my pet. Upon my disclaiming any partiality for felines, he said, "I like them," and continued his gentle caressing. (Was he thinking of Catalina, his wife's pet cat, which he had left at home at Fordham, and which after her death had sat upon his shoulder as he wrote far into the night? Recalling his grave and softened expression, I think that it must have been so. But at that time I had never heard of Catalina.)

But now came the final and most difficult "tangle" of all—the blunder apparent to the world—the defect which mars the whole poem, and yet is contained in but a single line:

"And the lamplight o'er him streaming casts his shadow on the floor."

Poe declared this to be hopeless, and that it was, in fact, the chief cause of his dissatisfaction with the poem. Indeed, it may well excite surprise that he, so careful and fastidious as to the completeness of his work, should have allowed The Raven to go from his hands marred by a defect so glaring, but this is proof that he did indeed regard it as hopeless.

When Mr. Poe left us on this September morning he took with him this manuscript copy of The Raven; which, however, he on the following day handed to me, begging that I would keep it until his return from New York. I found that he had marked several minor defects in the poem, one of which was his objection to the word "shutter," as being too commonplace and not agreeing with the word "lattice," previously used.

He remarked, before leaving for New York, that he intended having The Raven, after some further work upon it, published in an early number of the Stylus. I do not doubt but that, had he lived, he would have made it much more perfect than it now is.

After his death his friend, Mr. Robert Sully, the Richmond artist, was desirous of making a picture of the Raven, but explained to me why it could not be done—all on account of that impossible "shadow on the floor." Of course, said he, to produce such an effect the lamplight must come from above and behind the bust and the bird. No; it was impracticable."

This set me to thinking; and the result was that I, some time after, went to Mr. Sully's studio and said to him: "How would it do to have a glass transom above the door; one of those large fan-shaped transoms which we sometimes find in old colonial mansions, opening on a lofty galleried hall?"

It would do, he said. Indeed, with such an arrangement, and the lamp supposed to be suspended from the hall ceiling, as in those old mansions, there would be no difficulty with either the poem or the picture. And we were both delighted at our discovery, and thought how pleased Poe would have been with the idea—so effective in explaining that mysterious shadow on the floor.

Mr. Sully commenced upon his picture, but died before completing it.

This manuscript copy of The Raven, with all its pencil-marks, as made by Mr. Poe on that September morning, remained in my possession for many years. It is yet photographed upon my memory, with all the details here given from an odd leaf of a journal which I kept about that time—the quiet parlor, the outside drizzle, the books, the roses, and the face and figure of Mr. Poe as he gravely bent over that manuscript copy of his immortal poem of The Raven.

Had he no premonition that even then a darker shadow than that of the Raven was hovering over him? It was one of the last occasions on which I ever saw him.

CHAPTER XXIX.

MRS. SHELTON.

Poe's first visits on his arrival in Richmond had been to Mrs. Shelton, and it soon became known that an engagement existed between them, although they were never seen together in public, and Poe on all occasions denied the engagement. Yet morning after morning the curious neighbors were treated to a sight of the poet ascending the steps of the tall, plain, substantial looking brick house on the corner of Grace street, facing the rear of St. John's church, and had they watched more closely they might at times have seen another figure following in its footsteps. This was Rosalie Poe, who, delighted at her brother's engagement, and being utterly without tact or judgment, would present herself at Mrs. Shelton's door shortly after his own arrival, as she said, for the pleasure of seeing the couple together. Once she surprised them at a tête-à-tête luncheon at which "corned beef and mustard" figured; but on another occasion Mrs. Shelton met and informed her that Mr. Poe had a headache from his long walk and was resting on the parlor sofa, where she herself would attend to him, and so dismissed her, to her great indignation. Not alone to Mrs. Shelton's were these "shadowings" of her brother confined, but if she at any time knew of his intention to call at some house where she herself was acquainted, she would as likely as not make her own appearance during his visit; or, in promenading Broad street, he would unexpectedly find himself waylaid and introduced to some prosy acquaintance of his sister. It required Mrs. Mackenzie's authority to relieve him from these annoyances. There was, however, something pathetic in the sister's pride in and affection for a brother from whom she received but little manifestation of regard. He treated her indulgently, but, as she herself often said, in her homely way, "Edgar could never love me as I do him, because he is so far above me."

About the middle of August Mrs. Shelton's interested neighbors observed that the poet's visits to her suddenly ceased; and then followed a report that the engagement was broken, and that a bitter estrangement existed between the two. Mr. Woodbury, Poe's biographer, doubts this, and declares that, "We have no evidence that such was the case;" but we, who were on the spot, as it were, and had opportunity of judging, knew that the report was true. Miss Van Lew, the famous "war postmistress" of Richmond, once said to me as, standing on the porch of her house, she pointed out Mrs. Shelton's residence: "I used at first to often see Mr. Poe enter there, but never during the latter part of his stay in Richmond. It seemed to be known about here that the engagement was off.... Gossip had it that Mrs. Shelton discarded him because persuaded by friends that he was after her money. All her relatives are said to be opposed to the match."

From Poe's own confidential statement to Mr. John Mackenzie, who had first suggested the match with Mrs. Shelton, it appears that money considerations was really the cause of the trouble. Mrs. Shelton had the reputation of being a thorough business woman and very careful and cautious with regard to her money. Poe was at this time canvassing in the interests of the Stylus, in which he received great encouragement from his friends, but when he applied to Mrs. Shelton it is certain that she failed to respond as he desired. She had no faith in the success of his plan, neither any sympathy with its purpose. Also, in discussing arrangements for their marriage, she announced her intention of keeping entire control of her property. Poe himself broke their engagement. Next there arose a difficulty concerning certain letters which the lady desired to have returned to her and which he declined to give up, except on condition of receiving his own. Possibly each feared that these letters might some time fall into the hands of Poe's biographers. If they were written during his courtship of Mrs. Whitman, and when still uncertain of the result, he appears to have been keeping Mrs. Shelton in reserve.

Mrs. Shelton, during a few days' absence of Poe at the country home of Mr. John Mackenzie, came to Duncan Lodge and appealed to Mrs. Mackenzie to influence Poe in returning her letters. I saw her on this occasion—a tall, rather masculine-looking woman, who drew her veil over her face as she passed us on the porch, though I caught a glimpse of large, shadowy, light blue eyes which must once have been handsome. We heard no more of her until some time about the middle of September, when suddenly Poe's visits to her were resumed, though in a very quiet manner. It seems certain that the engagement was then renewed, and that Mrs. Shelton must have promised to assist Poe in his literary enterprise; for from that time he was enthusiastic in regard to the Stylus and what he termed its "assured success." He even commenced arranging a Table of Contents for the first number of the magazine; and Mrs. Mackenzie told me how he one morning spent an hour in her room taking from her information, notes and data for an article which he intended to appear in one of its earliest numbers. He was in high spirits, and declared that he had never felt in better health. This was after an attack of serious illness, due to his association with dissipated companions. Tempted as he was on every side and wherever he went in the city, it was not strange that he had not always the strength of will to resist; and twice during this visit to Richmond he was subject to attacks somewhat similar to those which he had known at Fordham, and through which he was now kindly nursed by his friends at Duncan Lodge.

Poe gave but one public lecture on this visit to Richmond—that on "The Poetic Principle" —and of this most exaggerated accounts have been given by several writers, even to the present day, they representing it to have been a great financial success. One recent lecturer remarks upon the strangeness of the fate when, just as the hitherto impecunious poet was "about returning home with five thousand and five hundred dollars in his pocket, he should have been robbed of it all." The truth of the matter is that but two hundred and fifty tickets were printed, the price being fifty cents each, and, as Dr. William Gibbon Carter informed me, there were by actual count not more than one hundred persons present at the lecture, some being holders of complimentary tickets. Another account says there were but sixty present, but that they were of the very elite of the city. Considering that from the proceeds of the lecture all expenses of hall rent had to be paid, we cannot wonder at Poe's writing to Mrs. Clemm, "My poor, poor Muddie, I am yet unable to send you a single dollar."

I was present at this lecture, with my mother and sister and Rose Poe, who as we took seats reserved for us, left her party and joined us. I noticed that Poe had no manuscript, and that, though he stood like a statue, he held his audience as motionless as himself—fascinated by his voice and expression. Rose pointed out to me Mrs. Shelton, seated conspicuously in front of the platform, facing the lecturer. This position gave me a good view of her, with her large, deep-set, light-blue eyes and sunken cheeks, her straight features, high forehead and cold expression of countenance. Doubtless she had been handsome in her youth, but the impression which she produced upon me was that of a sensible, practical woman, the reverse of a poet's ideal. And yet she says "Poe often told her that she was the original of his lost Lenore."

When Poe had concluded his lecture, he lightly and quickly descended the platform and, passing Mrs. Shelton without notice, came to where we were seated, greeting us in his usual graceful manner. He looked pleased, smiling and handsome. The audience arose, but made no motion to retire; watching him as he talked and evidently waiting to speak to him; but he never glanced in their direction. Rose, radiantly happy, stood drawn up to her full height, and observed, "Edgar, only see how the people are staring at the poet and his sister." I believe it to have been the proudest moment of her life, and one which she ever delighted to recall. This occurred during the period of estrangement between Poe and Mrs. Shelton.

Quite suddenly, in the latter part of September, Poe decided to go to New York. His object was, as he himself declared, to make some arrangements in regard to the Stylus, though gossip said to bring Mrs. Clemm on to his marriage.

It is difficult to get a clear idea of the relation between Poe and Mrs. Shelton, owing to the contradictory statements of the two. Undoubtedly they must have met during Poe's first visit to Richmond, and he tells Mrs. Whitman that he was about to address the lady when her own letters caused him to change his mind. And yet Mrs. Shelton speaks of their meeting on his last visit as though it had been the first since their youthful acquaintance. As she entered the parlor, she says, on his first call, "I knew him at once," and, as the pious and practical woman that she was, she adds, "I told him that I was on my way to church, and that I allowed nothing to interfere with this duty." She says also in her Reminiscences, "I was never engaged to him, but there was an understanding;" and yet, on his death, she appeared in public attired in deepest widow's weeds. That she was devoted to him appears from her own letter to Dr. Moran when informed by him of Poe's death, "He was dearer to me than any other living creature." Poe himself, writing to Mrs. Clemm, says: "Elmira has just returned from the country. I believe that she loves me more devotedly than any one I ever knew." He adds, apparently in allusion to his marriage, "Nothing has yet been arranged, and it will not do to hurry matters," concluding with, "If possible, I will get married before leaving Richmond."

On his deathbed in Washington he said to Dr. Moran, "Sir, I was to have been married in ten days," and requested him to write to Mrs. Shelton.

CHAPTER XXX.

THE MYSTERY OF FATE.

One evening—it was Sunday, the 2d of October—Dr. John Carter was seated alone in his office when Poe entered, having just paid a farewell visit to Mrs. Shelton before leaving in the morning for New York. He remarked to Dr. Carter that he would probably stop for one day in Baltimore, and perhaps also in Philadelphia, on business; would like to remain longer, but had written to Mrs. Clemm to expect him at Fordham some time this week. He would be back in Richmond in about a fortnight.

While talking, he took up a handsome malacca sword-cane belonging to Dr. Carter and absently played with it. He looked grave and preoccupied; several times inquired the hour, and at length rising suddenly, remarked that he would step over to Saddler's restaurant and get supper. He took the cane with him, Dr. Carter understanding from this circumstance and his not taking leave, that he would presently return on his way to the Swan, where he had left his baggage. He did not, however, reappear; and on the next morning Dr. Carter inquired about him at Saddler's. The proprietor said that Poe and two friends had remained to a late hour, talking and drinking moderately, and had then left together to go aboard the boat, which would start at four o'clock for Baltimore. He said that Poe, when he left, was in good spirits and quite sober; though this last may be doubted, since he not only forgot to return Dr. Carter's cane but to send for his own baggage at the Swan Some persons have insisted that Poe must have been drugged by these men, who were strangers to Mr. Saddler, and there was even a sensational story published in a Northern magazine to the effect that Poe had been followed to Baltimore by two of Mrs. Shelton's brothers, and there, after having certain letters taken from him, beaten so severely that he was found dying in an obscure alley. This story was first started by Mrs. Elizabeth Oakes Smith in one of the New York journals, though it does not appear from what source she derived her information. No denial was made or notice taken of it by Mrs. Shelton's friends, and the story gradually died out.

For over forty years the mystery of the tragic death of the poet remained a mystery, strangely and persistently defying all attempts at elucidation. But within the last few years there has appeared in a St. Louis paper a communication which professes to give a truthful account of the circumstances connected with the poet's death, and which wears such an appearance of probability that it is at least worth considering.

This letter, which is addressed to the editor of the paper, is from a certain Dr. Snodgrass, who represents himself to have been for many years a resident of Dakota. He says that on the evening of October 2, 1849, being in Baltimore, he stepped into a plain but respectable eating-house or restaurant kept by an Irish widow, where, to his surprise, he met with Poe, whom he had once been accustomed to meet here, but had not seen for some years. After taking some refreshment, they left the place together, but had not proceeded far when they were seized upon by two men, who hurried them off to some place where they were, with several others, kept close prisoners through the night and following day, though otherwise well treated. It was the eve of a great municipal election, and the city was wild with excitement. Next evening the kidnappers, having drugged their captives, hurried them to the polls, where they, in a half-conscious condition, were made to vote over and over again. The doctor, it appears, was only partially affected, but Poe succumbed utterly, and at length one of the men said, "What is the use of dragging around a dead man?" With that, they called a hack, put Poe within it, and ordered the driver to take him to the Washington Hospital.

Dr. Snodgrass says positively: "I myself saw Poe thrust into the hack, heard the order given, and saw the vehicle drive off with its unconscious burden."

Thus—if this account may be relied upon—ended the strange, sad tragedy of the poet's life; none stranger, none sadder, in all the annals of modern literature.

Dr. Snodgrass intimates that his reason for so long a delay in making this story known was his unwillingness to have his own part in the affair exposed, and with the notoriety which its connection with the poet would render unavoidable. But now, he says, in his old age, and having outlived all who knew him at the time, this consideration is of little worth to him. If the story be not true, we cannot see why it should have been invented. At least, it cannot, at the present day, be disproved, and it certainly appears to be the most probable and natural explanation of the poet's death that has been given. It agrees also with Dr. Moran's account of Poe's condition when he was received at the hospital, and with the latter's earnest assurance that he himself was not responsible for that condition, and also with his requesting that Dr. Snodgrass be sent for. The kidnappers had probably exchanged his garments for others as a means of disguise, intending to restore them eventually. They at least did not take from him the handsome malacca cane which was in his grasp when he reached the hospital; and which which would tend to prove that he was not then altogether unconscious. This cane was, at Dr. Carter's request, returned to him by Mrs. Clemm, to whom Dr. Moran sent it. His baggage, left at the Swan, was sent by Mr. Mackenzie to Mrs. Clemm, disproving the story that it had been stolen from him in Baltimore.

In addition to the above, we find another and very similar account, apparently by the same Dr. Snodgrass, in the "San Francisco Chronicle of August 31," the date of the year not appearing on the clipping from which I make the following extracts:

"You say that Poe did not die from the effects of deliberate dissipation?" asked the Chronicle reporter.

"That is just what I do mean; and I say further that he died from the effects of deliberate murder."

The author of this assertion was a well-known member of this city's advanced and inveterate Bohemia; a gentleman who has long since retired from the active pursuits of his profession and spends his old age in dreamy meditation, frequenting one of the popular resorts of the craft, but mingling little in their society. When joining in their conversation, it is generally to correct some errors from his inexhaustible mine of reminiscences, and on these occasions his words are few and precise.

"Then you knew something of the poet, Doctor?"

"I was his intimate associate for years. Much that biographers have said of him is false, especially regarding his death. Poe was not an habitual drunkard, but he was a steady drinker when his means admitted of it. His habitual resort when in Baltimore was the Widow Meagher's place, on the city front, inexpensive, but respectable, having an oyster and liquor stand, and corresponding in some respects with the coffee shops of San Francisco. Here I frequently met him."

"But about his death?"

"The mystery of the poet's death had remained a mystery for more than forty years when there appeared in a Texas paper an article from the pen of the editor, in which he gave a letter from a Dr. Snodgrass professing to reveal the truth of the matter.

"About the time that this article was published there appeared one in the San Francisco Chronicle by a reporter of that paper, telling of an interview which he had with this same Dr. Snodgrass, of whom he says: 'He was a well-known literary Bohemian of this city who long ago gave up his profession and is spending his old age in a state of dreamy existence from which he is seldom aroused except to correct some error concerning people and things of past times, of which he possesses a mine of reminiscences.'"

The Doctor, denying that Poe had died from dissipation, gave an account of the manner of his death as he knew it, corresponding in all particulars with that given by him to the Texas editor. In conclusion, he said:

"Poe did not die of dissipation. I say that he was deliberately murdered. He died of laudanum or some other drug forced upon him by his kidnappers. When one said, 'What is the use of carrying around a dying man?' they put him in a cab and sent him to the hospital. I was there and saw it myself."

"Poe had been shifting about between Baltimore, Philadelphia and New York for some years. Once he had been away for several months in Richmond, and one evening turned up at the widow's. I was there when he came in. Then it was drinks all round, and at length we were real jolly. It was the eve of an election, and we started up town. There were four of us, and we had not gone half a dozen squares when we were nabbed by policemen, who were looking up voters to "coop." It was the practice in those days to seize people, whether drunk or sober, and keep them locked up until the polls were opened and then march them to every precinct in control of the party having the coop. This coop was in the rear of an engine-house on Calvert street. It was part of the plan to stupefy the prisoners with drugged liquor. Next day we were voted at thirty different places, it being as much as one's life was worth to rebel. Poe was so badly drugged that he had to be carried on two or three rounds, and then the gang said it was no use trying any longer to vote a dead man and must get rid of him. And with that they shoved him into a cab and sent him away."

"Then he died from dissipation, after all?"

"Nothing of the kind. He died from the effects of laudanum or some other poison forced on him in the coop. He was in a dying condition when being voted twenty or thirty times. The story told by Griswold and others of his being picked up in the street is a lie. I saw him thrust into the cab myself."

And Mrs. Clemm?

When she received Poe's letter bidding her to expect him at Fordham that week, she hastened thither to set her house in order for his reception. Day after day she watched and waited, but he did not come. And at length, when the week had passed, she one evening sat alone in the little cottage around which and through the naked branches of the cherry tree the October wind was sighing, and in anguish of spirit wrote to "Annie":

"Eddie is dead—dead."

CHAPTER XXXI.

AFTER THE WAR.

In the fall of 1865—the year which saw the conclusion of the unhappy war—I returned to Richmond and to my old home of Talavera, which I had not seen in four years.

What a shock to me was the first sight of it! In place of the pleasant, smiling home, there stood a bare and lonely house in the midst of encircling fortifications, still bristling with dismantled gun-carriages. Every outbuilding had disappeared. All the beautiful trees which had made it so attractive—even the young cedar of Lebanon, which had been our pride—were gone; greenhouses, orchard, vineyard, everything, had been swept away, leaving only a dead level overgrown with broom-straw, amidst which were scattered rusted bayonets and a few hardy plants struggling through the trampled ground. The place was no longer "Talavera," but "Battery 10."

In this desolate abode I remained some time, awaiting the arrival of our scattered family, and with no protectors save a faithful old negro couple. Each evening we would barricade as well as we could the entrance to the fort, as some slight protection against the hordes of newly freed negroes who roamed the country, living on whatever they could pick up.

One evening when we had taken this precaution, some one was heard calling without, and, mounting the ramparts, I beheld a forlorn looking figure in black standing upon the outer edge of the trench. It proved to be Rosalie Poe; and when I had brought her into the light and warmth of the fire, I saw how changed and ill she appeared. She told me of the Mackenzies. Mrs. Mackenzie was dead. "Mat" (Mrs. Byrd) was a widow, with a beautiful young daughter, and her brother, Mr. Richard, was in wretched health. Miss Jane Mackenzie had died in England, leaving her fortune to her brother, residing there, and the destruction of the war had completed the poverty of the family. They lived on a little place in the country, with a cow and a garden as their chief means of support. "They have to work for a living now," Rose said, forlornly; "but I am not strong enough to work. I am going to Baltimore, to my relations there, and see what they can do for me."

I inquired after young Dr. Mackenzie, gay, handsome, genial "Tom," whom everybody loved.

"Tom is dead," said Rose, sadly. "He died of camp-fever and bad food. When he came home he had only the clothes which he wore, and a neighbor gave us something to bury him in."

With a pang I thought of the gay wedding at Duncan Lodge, and the happy faces that had been there assembled.

When Rose left me, I could but hope that she would be kindly received by her relatives in Baltimore. But some months thereafter, being in New York, I received from her a number of photographs of her brother, which she begged of me to dispose of for her benefit at one dollar each. Mrs. M. A. Kidder, of Boston, kindly interested herself in the matter, but wrote me that she met with but poor success, at even the reduced price of twenty-five cents, people saying that they had not sufficient respect for Poe's character to care to possess his portrait. I found it to be nearly the same in New York. And meantime Rose wrote me every few days.

"Dear S——: Haven't you got anything for me yet? Do try and do something for me, for I am worse off now than ever. I walk about the streets all day" (trying to dispose of her brother's pictures), "and at night have to look for a place to sleep. I feel like a lost sheep."

Thus the sister of Edgar A. Poe, in the year 1868, wandered homeless and friendless through the streets of Baltimore, as more than thirty years previous her brother had done.

We heard long afterward that, through some kind Northern lady, she applied for admittance to the Louise Home, in Washington, which Mr. Corcoran was willing to grant, but that certain of his "guests"—ladies who had formerly occupied high social positions—were of opinion that, considering Miss Poe's eccentricities, she would be better suited and better satisfied in a less pretentious establishment. Finally she was received into the "Epiphany Church Home," in Washington, where she seems to have enjoyed a good deal of liberty, being often seen riding on the street cars and visiting the offices of wealthy business men, who, if they did not care to possess a photograph of Poe, were yet willing to assist his penniless sister. It was never known what she did with the money so collected; but from a letter to Mrs. Byrd, it would appear that her intention was to purchase a grave for herself near that of her brother. Mrs. Byrd wrote to me: "I think Poe's friends might lay Rose in a grave beside him. It has always been her dearest wish."

Rosalie Poe died suddenly, with a letter in her hand but that moment received, and which, when opened, proved to be from Mr. George W. Childs, enclosing a check for fifty dollars; doubtless in answer to an application for aid.

They gave her a pauper's grave in the cemetery of the Epiphany Church Home. The record of her death by the Board is:

"Rosalie Poe. Died June 14, 1874. Aged 64."

Some years after the death of Rose Poe, I received a visit from Mrs. Byrd, whom I had not seen since the war, and we talked over times past and present. It had been Rosalie's own choice, she said, to go to Baltimore. She did not like the country or the hard life which they were leading. She must have collected considerable money, but never told where she kept it; nor was it ever found.

She told me about her family. Her pretty daughter had married a poor man in preference to a rich one who had offered, and they had two beautiful babies and were very happy. Her brother Richard was infirm and able to do but little work. They had a little place in the country, where they raised their own vegetables, and sent poultry and eggs to market. She and her son-in-law did all the hard work about the place. "I wash and cook for six persons," said she, cheerily. "Yes," she continued, in her old quaint way, "we are poor, but respectable, and I am more content than ever I was at Duncan Lodge. I feel that I have something to live for, and the working life suits me. Yes, we are happy; although there are not two tea-cups in the house of the same pattern."

She spoke of Poe, whom she considered to have been always unjustly treated. Everybody could see what his faults were, but few gave him credit for his good qualities—his generous nature and kindly and affectionate disposition, especially as exemplified in the harmony always existing between himself and his wife and mother-in-law. While giving the latter full credit for her devotion to Edgar, her impression was that, except in the matter of his dissipation, her influence over him had not been for good. Her mother and brother, John, believed that the marriage with Virginia had been the greatest misfortune of his life, and that he himself, while patiently resigning himself to his lot, had come to regard it as such.

Some ten years after the death of Poe I received from Mrs. Clemm a letter giving a pathetic account of her homelessness and poverty. But, she added, she had been offered a home with her relatives at the South; and she appealed to me, as a friend of her "Eddie," to assist her in raising the money necessary to pay her expenses thither. A similar appeal she made to other of Poe's former friends; but we heard of her afterward as an inmate of the Church Home Infirmary in Baltimore, where she died in 1871, having outlived her son-in-law some twenty-two years. It is a curious coincidence that the building in which she died was the same in which, as the Washington Hospital, Poe had breathed his last.

Her grave is in Westminster cemetery, and in sight of Poe's monument.

CHAPTER XXXII.

POE'S CHARACTER.

In order thoroughly to understand Poe, it is necessary that one should recognize the dominant trait of his character—a trait which affected and in a measure overruled all the rest—in a word, weakness of will.

"Unstable as water," is written upon Poe's every visage in characters which all might read; in the weak falling away of the outline of the jaw, the narrow, receding chin, and the sensitive, irresolute mouth. Above the soul-lighted eyes and the magnificent temple of intellect overshadowing them, we look in vain for the rising dome of Firmness, which, like the keystone of the arch, should strengthen and bind together the rest. Lacking this, the arch must be ever tottering to a fall.

To this weakness of will we may trace nearly every other defect in Poe's character, together with most of the disappointments and failures in whatsoever he undertook. He lacked the resolution and persistence necessary to battle against obstacles, to persevere to the end against opposition and discouragement, and to resist temptations and influences which he knew would lead him astray from the object which he had at heart. In this way he lost many a coveted prize when it seemed almost within his grasp.

The accepted opinion is that Poe's dissipation was his chief fault, as it was that to which was owing his ruin in the end. But even this was the effect chiefly of weakness of will. He was not by nature inclined to evil, but the contrary; and we have seen that, when left to himself and not exposed to temptation, he was, from all accounts, "sober, industrious and exemplary in his conduct." But he lacked firmness to resist the temptation which, more than in the case of most men, assailed him on every side.

Dr. William Gibbon Carter has told me how, when Poe was in Richmond on his last visit, and doing his best to remain sober, he would in his visits and strolls about the city be constantly greeted by friends and acquaintances with invitations to "take a julep." It was the custom of the time. Poe, said Dr. Carter, in one morning declined twenty-four such invitations, but finally yielded; and the consequence was the severe illness which threatened his life whilst in the city. The effect of one glass on him, said the Doctor, was that of several on any other man. Often he was tempted to drink from an amiable reluctance to decline the offered hospitality.

A marked peculiarity of Poe's character was the restless discontent which from his sixteenth year took possession of and clung to him through life, and was to him a source of much unhappiness. It was not the discontent of poverty or of ungratified worldly ambition, but the dissatisfaction of a genius which knows itself capable of higher things, from which it is debarred—the desire of the caged eagle for the wind-swept sky and the distant eyrie. He was not satisfied with being a mere writer of stories. He believed that, with a broader scope, he could wield a powerful influence over the literary world and make a record for strength, brilliancy and originality of thought which would render his name famous in other countries as in this. His desire was to set established rules and conventionalities at defiance, and to be fearless, independent, dominant in his assertion of himself and his ideas and convictions. As an editor writing for other editors, he found himself trammeled by what he called their narrowness and timidity. He must be his own master, his own editor; and hence his lifelong dream and desire took form in the conception of the Stylus—that ignis fatuus which he pursued to the last day of his life—uncertain, elusive, yet ever eagerly sought, and always ending in disappointment and bitterness of soul. Time and again it seemed within his grasp, and, as he exultantly proclaimed, "his prospects glorious," when, by his own weakness of will, it was lost to him.

Undoubtedly, one of the chief factors in the non-success of Poe's life and its consequent unhappiness was his marriage.

Setting aside the poetic imaginings which have been and doubtless will continue to be written concerning this marriage as one of idylic mutual love and "idolatry," the story, in the light of established facts, resolves itself into a very prosaic one.

Mr. John Mackenzie, Poe's lifelong and only intimate and confidential friend, never hesitated to say that had Poe been left to himself the idea would never have occurred to him of marrying his little child-cousin. In no transaction of his life was his pitiable weakness more manifest than in this feeble yielding of himself to the dominant will of a mother-in-law.

Had Poe remained single or have married another than Virginia, his regard for her would have continued just what it had been in the beginning and what it remained to the end—the affection of a brother or cousin for a sweet and lovable child. But no one can believe that Poe's nature could have found its satisfying in such a marriage; and, in fact, whatsoever sentimental things he may have written concerning it, his whole conduct goes to prove its insincerity.

Poe was of all men one who most craved and needed the love and sympathy of a woman of a nature kindred to his own—a woman of talent and qualities of mind and heart to appreciate his genius and all that was best in him; one who would be to him not only a congenial companion, but a "helpmeet" as well. Had he married one of Mrs. Osgood's tender sensibilities and feminine charm, or Mrs. Whitman, with her talent and strong character, or even a woman of the practical good sense and judgment of Mrs. Shew, who knew so well how to care for him mentally and physically—Poe would have been a different man.

But his imprudent and, as it has been called, unnatural marriage, cut him off from what would probably have been the highest happiness of his life, with its accompanying worldly and social advantages, and bound him down to a life of unceasing toil, penury and helplessness. It deprived him of a social position and social enjoyment; for his poverty-stricken "home" was never one to which he could invite his friends; and he himself seems never to have found in it any real pleasure, but to have regarded it merely as a haven of refuge in seasons of distress. But as the years went by and, despite his incessant toil, his life and his home grew more cheerless and poverty-stricken, he became hopeless and in a measure reckless. It is to be noted that it was only after the death of his wife that he appeared to recover anything like hope or energy. Then his prospects suddenly brightened in the love of a good and talented woman who could have made his life happy and prosperous, when, owing to his miserable weakness of will in yielding to temptation, for which there was no excuse, it was all at once swept from his grasp.

Mr. John Mackenzie might well have said, as he did, that Poe's marriage was the greatest misfortune of his life and as a millstone around his neck, holding him down against every effort to rise. But perhaps not even this close friend knew how keenly the poet must have felt the narrowness of his life, the sordidness of his home, and the humiliation of his poverty. Patiently and uncomplainingly he bore his unhappy lot; and it is to be noted to his credit that howsoever he might at times go astray, no word or act of unkindness toward the wife and mother who loved him was ever known to escape from him.

It will be seen from all that has here been written, in the light of prosaic truth, that Poe's real character was one very different from that which it has pleased the world in general to ascribe to him—judging him as it does by the character of his writings as a poet. The folly of such judgment, and the extent to which it was until recently carried, is simply surprising. It is true that he appeared to have but one ideal—the death of a woman young, lovely and beloved—and that ideal in the imagining of the world resolved itself into the personality of his wife. She, they concluded, was the original of all the Lenores, and Anabel Lees, and Ullalumes, which inspired his melancholy and despairing lyre; and in its gloom and hopelessness they could see nothing but the expression of the poet's own nature. As well have accused Rembrandt of being gloomy and morose because he painted in dark colors. Like the artist, Poe loved obscure and sombre ideas and conceptions, and he delighted in embodying these in his poems as much as Rembrandt did in transferring his own to canvas.

APPENDIX.

No. 1.

Lest the reader should be under the impression that much of what I relate concerning Poe's childhood and certain circumstances connected with his early youth is taken from Gill's Life of Poe, I will make an explanation.

At the time when the first edition of Gill's work was issued I was engaged in writing what I intended to be a little book concerning Poe, compiled from my own personal knowledge of him and what I had been told by others. In some way Gill heard of this, and wrote to me, coolly requesting to be allowed to see my manuscript, which I, of course, excused myself from doing. Again and again he wrote, saying that he "merely wished to see exactly what I had written." In self-defence, I finally sent him the first part or chapter of the manuscript, he promising to return it as soon as read. After some weeks it was returned to me, without a word accompanying; and at the same time a second edition of Gill's "Life" was issued—the first having been suppressed—in which, to my surprise, I found copious extracts from my manuscript. All those little anecdotes of Poe's childhood were thus appropriated, with more important matter—such as Poe's dissipation when in Richmond and his enlisting in the army, both of which Gill had in his first edition positively denied; and this he made use of as though it had been his own original material. My book was, of course, ruined, and all that I could do was, some years after, to write "The Last Days of Poe," published in Scribner's Magazine, though even from this Gill made "Notes" for the Appendix of his second or third edition.

Some of the material thus appropriated by Gill I have reclaimed and inserted in this work. A comparison between the first and second edition of Gill's "Life of Poe" affords a curious study, since in the second he has carefully corrected the misstatements of the former from my manuscript.

My friend, Gen. Roger A. Pryor, late Judge of the Supreme Court of New York, brought suit against Gill in this matter, but met with so much trouble and annoyance by reason of the latter's persistence in evading it, that it was finally, at my own earnest request, abandoned.

Mr. Gill, I am informed, is still living.

Note 2.

A strange fate was that of the poet's family, all of whom were indebted to charity for a last resting place.

His father, David Poe, died in Norfolk in the summer of 1811. His grave is unknown.

His mother was buried by charity in Richmond, December 9, 1811.

His wife was indebted for a grave near Fordham, in New York, to charitable contributions of friends.

His sister, Rosalie Mackenzie Poe, died July 14, 1874, and was given a pauper's grave in the cemetery of the Epiphany Church Home, in Washington.

Mrs. Clemm, his mother-in-law, died an inmate of the Church Home Infirmary, Baltimore, and was buried by the charity of friends in Westminster churchyard of that city in 1871.

Poe himself, whose last days were passed in a charitable institute, was indebted to relatives for a grave.

Truly a record unparalleled in the annals of Literary History.

FOOTNOTES

1 In this historical church it was that Patrick Henry thrilled the hearts of his hearers with the memorable words, "Give me liberty or give me death!" and sent them forever "ringing down the grooves of time."

2 The official date of Rosalie Poe's death, on June 14, 1874, represents her as 64 years of age. This would make her a year and a half old when adopted by the Mackenzies, in December, 1811.

3 Lest my mention of these little anecdotes and certain other matters should lead the reader to conclude that I am quoting from Gill, I would refer them to Appendix No. 1 of this volume.

4 This account, clipped from a Baltimore paper, was given by Professor Clarke's son to a Richmond reporter in 1894.

5 A letter to Mrs. Holmes Cumming, from a son of the Rev. Amasa Converse, 1905.

6 A pencil sketch of Mrs. Stanard by Poe himself.

7 Ingraham.

8 Ingram.

9 As by also:

"And its eyes have all the seeming Of a demon that is dreaming."

BOOKS YOU MUST READ
SOONER OR LATER

Reuben: His Book

By Morton H. Pemberton.
Cloth, Gilt lettering, 12mo. Postpaid, $1.00.
Portrait in Colors.

One of the funniest, cleverest, uniquest volumes of the day, it has won spontaneous and unanimous approval from reviewers the country over.

Just hear what a few of them say:

Champ Clark.—"I haven't laughed so much since I first read Mark Twain's 'Roughing It.'"

Globe-Democrat.—"This little book has the merit of brevity, variety and humor. It is safe to say that the book will have many readers and that it will afford much amusement."

St. Louis Republic.—"The book is already heading the list of 'best sellers,' and deserves to go. It is GOOD. It is the sort of thing which might move the provincial journalist to say, 'Reub, here's our hand.'"

A Scarlet Repentance

By Archie Bell.
Cloth, 12mo. Price, $1.00.

One Review: "The history of one night and one day's flaming passion between a beautiful Italian woman and a handsome youth—strangers—who meet upon a Pullman car. There comes into the story all the elementary passions, hatred, jealousy, desire and—sorrow.

"It is a story that will appeal to those who prefer novels in which red blood is throbbing madly. It is not for prudes, nor for parsons, nor poseurs. It's a book for men and women who have lived."—The Club-Fellow.

Broadway Publishing Company,
835 Broadway, New York.

Sam S. & Lee Shubert

direct the following theatres and theatrical attractions in America:

Hippodrome, Lyric, Casino, Dalys, Lew Fields, Herald Square and Princess Theatres, New York.

Garrick Theatre, Chicago.

Lyric Theatre, Philadelphia.

Shubert Theatre, Brooklyn.

Belasco Theatre, Washington.

Belasco Theatre, Pittsburg.

Shubert Theatre, Newark.

Shubert Theatre, Utica.

Grand Opera House, Syracuse.

Baker Theatre, Rochester.

Opera House, Providence.

Worcester Theatre, Worcester.

Hyperion Theatre, New Haven.

Lyceum Theatre, Buffalo.

Colonial Theatre, Cleveland.

Rand's Opera House, Troy.

Garrick Theatre, St. Louis.

Sam S. Shubert Theatre, Norfolk, Va.

Shubert Theatre, Columbus.

Lyric, Cincinnati.

Mary Anderson Theatre, Louisville.

New Theatre, Richmond, Va.

New Theatre, Lexington, Ky.

New Theatre, Mobile.

New Theatre, Atlanta.

Shubert Theatre, Milwaukee.

Lyric Theatre, New Orleans.

New Marlowe Theatre, Chattanooga.

New Theatre, Detroit.

Grand Opera House, Davenport, Iowa.

New Theatre, Toronto.

New Sothern Theatre, Denver.

Sam S. Shubert Theatre, Kansas City.

Majestic Theatre, Los Angeles.

Belasco Theatre, Portland.

Shubert Theatre, Seattle.

Majestic Theatre, San Francisco.

E. H. Sothern & Julia Marlowe in repertoire.

Margaret Anglin and Henry Miller.

Virginia Harned.

Mary Mannering in "Glorious Betsy."

Mme. Alla Nazimova.

Thos. W. Ross in "The Other Girl."

Cecelia Loftus.

Clara Bloodgood.

Blanche Ring.

Alexander Carr.

Digby Bell.

"The Girl Behind the Counter."

"The Light Eternal."

"The Snow Man."

Blanche Bates in "The Girl from the Golden West."

David Warfield in "The Music Master."

"The Rose of the Rancho," with Rose Starr.

Harrison Gray Fiske's Attractions.

Mrs. Fiske in "The New York Idea."

"Shore Acres."

Louis Mann in "The White Hen."

"The Road to Yesterday."

Henry Woodruff in "Brown of Harvard."

"The Secret Orchard," by Channing Pollock.

De Wolf Hopper in "Happyland."

Eddie Foy in "The Orchid."

Marguerite Clark, in a new opera.

"The Social Whirl," with Chas. J. Ross.

James T. Powers in "The Blue Moon."

Bertha Kalich. "Leah Kleschna."

"The Man on the Box."

Cyril Scott in "The Prince Chap."

"Mrs. Temple's Telegram."

"The Three of Us."

You cannot go wrong in selecting one of these play-houses for an evening's entertainment in whatever city you may happen to be.

Books From Our List of Religious Character

THE SINNER'S FRIEND

By Col. C. G. Samuel

New (4th) Edition with alterations and
additions in text and illustrations

Postpaid $1.00

ST. JOHN IN PATMOS

By (late) Rev. Peyton Gallagher

$1.00 Postpaid

A BROTHER OF CHRIST

By Ingram Crockett

$1.50 Postpaid

These and other Religious Works fully
described in circulars, gladly mailed

BROADWAY PUB., CO. 835 B'way, N.Y.

*** END OF THE PROJECT GUTENBERG EBOOK THE HOME LIFE OF POE ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.